University of Virginia Library

Search this document 
Principles of orchestration

with musical examples drawn from his own works
  
  
  
  
  

collapse sectionI. 
collapse sectionB. 
  
  
collapse sectionC. 
  
  
  
collapse section 
  
  
  
  
  
collapse sectionII. 
collapse section 
  
  
  
  
  
  
  
  
  
collapse section 
  
  
  
  
  
collapse section 
  
collapse section 
  
  
collapse section 
  
  
  
  
collapse sectionIII. 
  
  
  
  
collapse section 
  
  
  
  
collapse section 
  
  
  
  
collapse section 
collapse section 
  
  
  
  
collapse sectionIV. 
  
  
  
  
  
  
  
  
  
  
  
  
  
Method of emphasising certain notes and chords.
  
  
  
  
  
  
collapse sectionV. 
collapse section 
  
  
  
  
  
  
  
collapse sectionVI. 
  
collapse section 
  
  
  
  
  
collapse section 
  
  
collapse section 
  
  
collapse section 
  
  
  
  

Method of emphasising certain notes and chords.

In order to stress or emphasise a certain note or chord, besides
the marks of expression > and sf, chords of 2, 3, and 4 notes
can be inserted into the melodic progression by the instruments
of the string quartet, each playing a single note; short notes in
the wood-wind may also be used as well as a chain of three or


112

Page 112
four grace notes, in the form of a scale, either in strings or woodwind.
These unstressed notes (anacrusis), generally written very
small, form a kind of upward glide, the downward direction being
less common. As a rule they are connected to the main note by
a slur. In the strings they should not lead up to chords of three
or four notes, as this would be awkward for the bow.

    Examples:

  • No. 254. The Tsar's Bride 142 — Anacrusis in the strings.
  • * No. 255. Shéhérazade, 2nd movement C — Short pizz. chords.
  • * " " " P — Short wind chords (cf. Ex. 19).