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Amorea, The Lost Lover

Or The Idea of Love and Misfortune. Being Poems, Sonets, Songs, Odes, Pastoral, Elegies, Lyrick Poems, and Epigrams. Never before printed. Written by Pathericke Jenkin
Jenkyn, Pathericke

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To his ever Honoured friend Mr P. I. on his Amorea.
 
To my dear friend Mr. P. J. on his Amorea.
 
To his Ingenious Friend Mr. P. J. on his Poems of the King's Return.
 
To his esteemed friend Mr. P. J. On his Poems.
 
To his Dear Brother, on his Amorea.
 
To my dear friend on his Amorea
 
To his Dear and ever honoured freind Mr. P. J. on his Poems.
 
To his dear and ever Honoured friend Mr. P. J. On his Poems.
 
To my dear friend on his Amorea.
 
To his ever friend Mr P. J. On his Poems.
 
To Mr P. J. on his Amorea.
 
TO AMOREA;
 
To the Muses.
 
Liberty lost.
 
A Poem Lyrick
 
Peace pratling Muse.
 
Love at a Stand.
 
To Amorea on his going to Sea.
 
His Inducement to Love.
 
To Amorea from Prison.
 
The Authors danger, and deliverance.
 
Hopeless Affection.
 
Under his Mistress's Picture.
 
On his departing.
 
A Fancie on Courting.
 
On the Curtain of his Mistress's Picture.
 
Writ on her Lute.
 
To his Dream.
 
Commanded to conceal his Love.
 
The Phenix.
 
Loves Elegie.
 
On his Quondum Mistress.
 
Hespelon, and Amorea.
 
On the five Senses.
 
Loves Liberty.
 
A Dream.
 
His complaint to the Groves.
 
To his Ingenuous Friend, J. P. Esq; on Limbing.
 
A Fancie.
 
A Contention between a Poet and a Limner.
 
A Pastorall Poem.
 
To Amorea on his going to Travell.
 
Writ at Sea.
 
To Cloris, imploring a revenge.
 
In praise of Sack.
 
A SONG.
 
On loving of two.
 
The Shadow.
 
To Amorea walking in her Garden.
 
To Mr. James Sherley on his playes.
 
On the perfection of Beauty.
 
To his unconstant Mistress.
 
An Elegie on the Death of the Princess Royal.
 
To Phyla.
 
The difference between a Lute, and a Via
 
The Change.
 
To Amorea.
 
On the Inequalletie of Marraige.
 
Clariana's Dream.
 
Love and Respect.
 
The Authors dream.
 
To the Sun.
 
On the Death of his Mistress.
 
On His Sacred MAJESTIES haypy Restauration.
 
To the most Honoured Sir James Smith Knight, On his many favours received.
 
To Celinda.
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EPIGRAMS.
 
To his little Book.
 
On the Contents of his Book, to the Readers.
 
ERATA.

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21

Commanded to conceal his Love.

1

Love me, but how, not that it may be known,
Love me, and yet take care no love be shown:
Love me, but that you love me, still disown.

2

Look not with eyes, that may suspition give,
Live still in hope, yet alwaies hope to live,
Grieve not at, all but ever seem to grieve.

3

Think not a thought of Love, but yet retain
Me in your mind, remember, but refrain,
Blot out affection, yet let love remain.

4

Seem still to change, but changes disapprove.
Remove your passion, yet in passion move,
Doe not as much as whisper out your love.

5

Let fall no word, no thought, no sigh, no tear,
Be joyfull, but let joy be mixt with fear,
Deny to tell a secret to your ear.

6

For know in love, ther is a such an Art,
He loseth all, a councell will impart,
Let me be only lodged in thy heart.
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