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Priuate Musicke

Or the first booke of Ayres and Dialogues: Contayning Songs of 4. 5. and 6. parts, of seuerall sorts, and being Verse and Chorus, is fit for Voyces and Viols. And for want of Viols, they may be performed to either the Virginall or Lute, where the Proficient can play vpon the Ground, or for a shift to the Base Viol alone. All made and composed, according to the rules of Art
Peerson, Martin (1571?-1651)

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[section]
  
[dedication]
 I. 
I.
 II. 
II.
 III. 
III.
 IIII. 
IIII.
 V. 
V.
 VI. 
VI.
 VII. 
VII.
 VIII. 
VIII.
 IX. 
IX.
 X. 
X.
 XI. 
XI.
 XII. 
XII.
 XIII. 
XIII.
 XIIII. 
XIIII
 XV. 
[XV. Come pretty wag and sing]
 XVI. 
[XVI. Then with reports most sprightly]
 XVII. 
[XVII. Pretty wantons sweetly sing]
 XVIII. 
[XVIII. Sing loue is blinde]
 XIX. 
[XIX. What neede the morning rise]
 XX. 
[XX. Gaze not on youth]
 XXI. 
[XXI. True pleasure is in Chastitie]
 XXII. 
[XXII. The Spring of ioy is dry]
 XXIII. 
[XXIII. Is not that my fancies Queene]
 XXIIII. 
[XXIIII. See, O see, who is heere come a maying]

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[22]

[XXI. True pleasure is in Chastitie]

True pleasure is in Chastitie

True pleasure is in Chastitie, No learne of me, and sing this still, She onely, she, she, she onely, she, she euer is chast, That is with euery looke, That is with euery looke, looke outfac't, that is with euery looke outfac't.

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