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Priuate Musicke

Or the first booke of Ayres and Dialogues: Contayning Songs of 4. 5. and 6. parts, of seuerall sorts, and being Verse and Chorus, is fit for Voyces and Viols. And for want of Viols, they may be performed to either the Virginall or Lute, where the Proficient can play vpon the Ground, or for a shift to the Base Viol alone. All made and composed, according to the rules of Art
Peerson, Martin (1571?-1651)

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[section]
  
[dedication]
 I. 
I.
 II. 
II.
 III. 
III.
 IIII. 
IIII.
 V. 
V.
 VI. 
VI.
 VII. 
VII.
 VIII. 
VIII.
 IX. 
IX.
 X. 
X.
 XI. 
XI.
 XII. 
XII.
 XIII. 
XIII.
 XIIII. 
XIIII
 XV. 
[XV. Come pretty wag and sing]
 XVI. 
[XVI. Then with reports most sprightly]
 XVII. 
[XVII. Pretty wantons sweetly sing]
 XVIII. 
[XVIII. Sing loue is blinde]
 XIX. 
[XIX. What neede the morning rise]
 XX. 
[XX. Gaze not on youth]
 XXI. 
[XXI. True pleasure is in Chastitie]
 XXII. 
[XXII. The Spring of ioy is dry]
 XXIII. 
[XXIII. Is not that my fancies Queene]
 XXIIII. 
[XXIIII. See, O see, who is heere come a maying]

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[20]

[XIX. What neede the morning rise]

What neede the morning rise

What neede the morning rise, seeing a Sun in both thine eyes? O tis on thee to gaze, Strike them into a maze by thy more golden rayes, Let no eye dare to see, how thus I challenge thee, O let no hate, our white hands seuer, neuer, neuer, neuer, neuer.

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