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Priuate Musicke

Or the first booke of Ayres and Dialogues: Contayning Songs of 4. 5. and 6. parts, of seuerall sorts, and being Verse and Chorus, is fit for Voyces and Viols. And for want of Viols, they may be performed to either the Virginall or Lute, where the Proficient can play vpon the Ground, or for a shift to the Base Viol alone. All made and composed, according to the rules of Art
Peerson, Martin (1571?-1651)

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[section]
  
[dedication]
 I. 
I.
 II. 
II.
 III. 
III.
 IIII. 
IIII.
 V. 
V.
 VI. 
VI.
 VII. 
VII.
 VIII. 
VIII.
 IX. 
IX.
 X. 
X.
 XI. 
XI.
 XII. 
XII.
 XIII. 
XIII.
 XIIII. 
XIIII
 XV. 
[XV. Come pretty wag and sing]
 XVI. 
[XVI. Then with reports most sprightly]
 XVII. 
[XVII. Pretty wantons sweetly sing]
 XVIII. 
[XVIII. Sing loue is blinde]
 XIX. 
[XIX. What neede the morning rise]
 XX. 
[XX. Gaze not on youth]
 XXI. 
[XXI. True pleasure is in Chastitie]
 XXII. 
[XXII. The Spring of ioy is dry]
 XXIII. 
[XXIII. Is not that my fancies Queene]
 XXIIII. 
[XXIIII. See, O see, who is heere come a maying]

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2

To the right Vertuous, Beauteous, and accomplished Gentlewomen, Mistris Mary Holder, daughter to the worshipfull Cle: Holder Prebend Residenciary of the Collegiat Church of Southwell. And Mistris Sara Hart, daughter to the worshipfull Iohn Hart of London Esquire.
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