University of Virginia Library

Search this document 
The Works of William Mason

... In Four Volumes
Mason, William (1725-1797)

collapse sectionI. 
VOL. I.
  
TO ROBERT EARL OF HOLDERNESSE, BARON D'ARCY, MENIL AND CONYERS, LORD WARDEN OF HIS MAJESTY'S CINQUE PORTS, AND GOVERNOR OF DOVER CASTLE.
  
MUSÆUS:
collapse section 
ODES.
 I. 
ODE I. TO MEMORY.
 II. 
ODE II. TO A WATER-NYMPH.
 III. 
ODE III. ON LEAVING ST. JOHN'S COLLEGE, CAMBRIDGE, 1746.
 IV. 
ODE IV. ON EXPECTING TO RETURN TO CAMBRIDGE, 1747.
 V. 
ODE V. FOR MUSIC.
 VI. 
ODE VI. TO INDEPENDENCY.
 VII. 
ODE VII. TO A FRIEND.
 VIII. 
ODE VIII. ON THE FATE OF TYRANNY.
 IX. 
ODE IX. TO AN ÆOLUS'S HARP
 X. 
ODE X. FOR MUSIC. IRREGULAR.
 XI. 
ODE XI.
 XII. 
ODE XII. TO THE NAVAL OFFICERS OF GREAT BRITAIN.
 XIII. 
ODE XIII.
 XIV. 
ODE XIV. TO THE HON. WILLIAM PITT.
 XV. 
ODE XV. SECULAR.
 XVI. 
ODE XVI. PALINODIA.
  
ODE ON WISDOM;
collapse section 
ELEGIES.
 I. 
ELEGY I. TO A YOUNG NOBLEMAN
 II. 
ELEGY II. ADDRESSED TO MISS PELHAM ON THE DEATH OF HER FATHER.
 III. 
ELEGY III. WRITTEN IN THE GARDEN OF A FRIEND.
 IV. 
ELEGY IV. TO THE REV. MR. HURD.
 V. 
ELEGY V. ON THE DEATH OF A LADY.
 VI. 
ELEGY VI. WRITTEN IN A CHURCH-YARD IN SOUTH WALES, 1787.
collapse section 
SONNETS.
 I. 
SONNET I. SENT TO A YOUNG LADY WITH DODSLEY'S MISCELLANIES.
 II. 
SONNET II. PRESENTED TO A FRIEND ON THE MORNING OF HIS MARRIAGE.
 III. 
SONNET III. AUGUST, 1773.
 IV. 
SONNET IV. TO THE RIGHT REVEREND THE BISHOP OF LICHFIELD AND COVENTRY, PREFIXED TO THE DRAMATIC POEM OF CARACTACUS, WHEN ALTERED FOR STAGE REPRESENTATION.
 V. 
SONNET V. TO A VERY YOUNG PAINTER.
 VI. 
SONNET VI. TO GEORGE BUSSY VILLIERS EARL OF JERSEY, &c. &c. AND GEORGE SIMON HARCOURT EARL HARCOURT, &c. &c.
 VII. 
SONNET VII. FEBRUARY 23, 1795. ANNIVERSARY.
 VIII. 
SONNET VIII. FEBRUARY 23, 1796. ANNIVERSARY.
 IX. 
SONNET IX. TO THE BISHOP OF WORCESTER, SENT TO HIM WITH THE PRECEDING SONNET.
 X. 
SONNET X. FEBRUARY 23, 1797. ANNIVERSARY.
 XI. 
SONNET XI. OCCASIONED BY A LATE ATTACK ON THE PRESENT TASTE OF ENGLISH GARDENS.
 XII. 
SONNET XII. TO A GRAVEL WALK, RELATIVE TO THE PRECEDING SUBJECT.
 XIII. 
SONNET XIII. OCCASIONED BY A DIDACTIC POEM ON THE PROGRESS OF CIVIL SOCIETY.
collapse section 
EPITAPHS AND INSCRIPTIONS.
 I. 
EPITAPH I. ON MRS. MASON,
 II. 
EPITAPH II. ON MISS DRUMMOND,
 III. 
EPITAPH III. ON JOHN DEALTRY, M. D.
 IV. 
EPITAPH IV. ON MRS. TATTON,
 V. 
EPITAPH V. ON MR. GRAY,
 VI. 
EPITAPH VI. ON THOMAS FOUNTAYNE, ESQ.
 VII. 
EPITAPH VII. ON LAUNCELOT BROWNE, ESQ.
 VIII. 
EPITAPH VIII. ON MRS. ANN E. MORRITT,
 IX. 
INSCRIPTION IX. ON A TRIPOD TO THE MEMORY OF WILLIAM WHITEHEAD, ESQ. P. L.
 X. 
INSCRIPTION X. UNDER A PICTURE OF THE EDITOR OF SHAKSPEARE'S MANUSCRIPTS, 1796.
collapse section 
MISCELLANIES.
  
THE BIRTH OF FASHION: AN EPISTOLARY TALE.
  
IL BELLICOSO.
  
IL PACIFICO.
  
AN EPISTOLARY ADDRESS TO THE AUTHOR'S FATHER, SENT FROM LONDON IN THE YEAR 1746.
  
STANZAS, WRITTEN ON THE BANKS OF THE CAM, 1746.
  
ISIS.
  
PROTOGENES AND APELLES.
  
ODE OF CASIMIR
  
SONG OF HAROLD THE VALIANT.
  
SONG.
collapse section 
THE ENGLISH GARDEN:
 1. 
BOOK THE FIRST.
 II. 
BOOK THE SECOND.
 III. 
BOOK THE THIRD.
 IV. 
BOOK THE FOURTH.
collapse section 
RELIGIO CLERICI.
 I. 
PART THE FIRST.
 II. 
PART THE SECOND.
collapse section 
HYMNS, AND SELECT PSALMS VERSIFIED.
  
HYMN BEFORE MORNING SERVICE.
  
HYMN BEFORE EVENING SERVICE.
  
MORNING HYMN.
  
EVENING HYMN.
  
PSALM I.
  
PSALM VIII.
  
PSALM XV.
  
PART OF PSALM XVIII.
  
PSALM XLIII.
  
PSALM LXVII.
  
PSALM LXX.
  
PSALM XCIII.
  
PSALM C.
  
A COMPRESSED METRICAL VERSION OF PSALM CIX.
  
PSALM CXXI.
  
PSALM CXXVIII.
  
PSALM CXXX.
  
PSALM CXXXVII.
  
PSALM CL
collapse sectionII. 
VOL. II.
  
ELFRIDA;
  
CARACTACUS:
collapse section 
ARGENTILE AND CURAN:
collapse sectionI. 
ACT I.
 I. 
SCENE I.
 II. 
SCENE II.
collapse sectionII. 
ACT II.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
collapse sectionIII. 
ACT III.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
collapse sectionIV. 
ACT IV.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
collapse sectionV. 
ACT V.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
collapse section 
SAPPHO,
  
PRELIMINARY SCENE.
collapse sectionI. 
ACT I.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
 V. 
SCENE V.
 VI. 
SCENE VI.
 VII. 
SCENE VII.
 VIII. 
SCENE VIII.
collapse sectionII. 
ACT II.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
 V. 
SCENE V.
 VI. 
SCENE VI.
 VII. 
SCENE VII.
 VIII. 
SCENE VIII.
 IX. 
SCENE IX.
collapse sectionIII. 
ACT III.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
 V. 
SCENE V.
 VI. 
SCENE VI.
 VII. 
SCENE VII.
  
PIGMALION,
collapse sectionIII. 
VOL. III.
collapse section 
THE ART OF PAINTING, OF CHARLES ALPHONSE DU FRESNOY;
  
EPISTLE TO SIR JOSHUA REYNOLDS.
  
THE ART OF PAINTING,

collapse section Collapse All | Expand All expand section
previous section The Works of William Mason
next section
27

ODE III. ON LEAVING ST. JOHN'S COLLEGE, CAMBRIDGE, 1746.

Granta farewell! thy time-ennobled shade
No more must glimmer o'er my musing head,
Where waking dreams, of Fancy born,
Around me floated eve and morn.
I go—Yet, mindful of the charms I leave,
Mem'ry shall oft their pleasing portrait give;
Shall teach th' ideal stream to flow
Like gentle Camus, soft and slow;
Recall each antique spire, each cloister's gloom,
And bid this vernal noon of life re-bloom.
Ev'n if old age, in northern clime,
Shower on my head the snows of time,
There still shall Gratitude her tribute pay
To him who first approv'd my infant lay;
And fair to Recollection's eyes
Shall Powell's various virtues rise.
28

See the bright train around their fav'rite throng:
See Judgment lead meek Diffidence along,
Impartial Reason following slow,
Disdain at Error's shrine to bow,
And Science, free from hypothetic pride,
Proceed where sage Experience deigns to guide.
Such were the guests from Jove that came,
Genius of Greece! to fix thy fame:
These wak'd the bold Socratic thought, and drest
Its simple beauties in the splendid vest
Of Plato's diction: These were seen
Full oft on academic green;
Full oft where clear Ilissus warbling stream'd;
Bright o'er each master of the mind they beam'd,
Inspiring that preceptive art
Which, while it charm'd, refin'd the heart,
And with spontaneous ease, not pedant toil,
Bade Fancy's roses bloom in Reason's soil.
The fane of Science then was hung
With wreathes that on Parnassus sprung;
And in that fane to his encircling youth
The Sage dispens'd th' ambrosial food of Truth,
And mingled in the social bowl
Friendship, the nectar of the soul.
29

Meanwhile accordant to the Dorian lyre,
The moral Muses join'd the vocal choir,
And Freedom dancing to the sound
Mov'd in chaste Order's graceful round.
Thus, Athens, were thy freeborn offspring train'd
To act each patriot part thy laws ordain'd;
Thus void of magisterial awe,
Each youth in his instructor saw
Those manners mild, unknown in modern school,
Which form'd him by example more than rule;
And felt that, varying but in name,
The Friend and Master were the same.
 

It was by the advice of Dr. Powell, the author's tutor at St. John's College, that Musæus was published. This Ode was for the first time printed from a corrected copy 1797.

Alluding to the ΣΨΜΠΟΣΙΑ, particularly Zenophon's respecting the moral songs of the Greeks. —See Dr. Hurd's note on the 219th verse of Horace's Art of Poetry, Vol. i. p. 173, 4th edit.

previous section The Works of William Mason
next section