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The Works of William Mason

... In Four Volumes
Mason, William (1725-1797)

collapse sectionI. 
VOL. I.
  
TO ROBERT EARL OF HOLDERNESSE, BARON D'ARCY, MENIL AND CONYERS, LORD WARDEN OF HIS MAJESTY'S CINQUE PORTS, AND GOVERNOR OF DOVER CASTLE.
  
MUSÆUS:
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ODES.
 I. 
ODE I. TO MEMORY.
 II. 
ODE II. TO A WATER-NYMPH.
 III. 
ODE III. ON LEAVING ST. JOHN'S COLLEGE, CAMBRIDGE, 1746.
 IV. 
ODE IV. ON EXPECTING TO RETURN TO CAMBRIDGE, 1747.
 V. 
ODE V. FOR MUSIC.
 VI. 
ODE VI. TO INDEPENDENCY.
 VII. 
ODE VII. TO A FRIEND.
 VIII. 
ODE VIII. ON THE FATE OF TYRANNY.
 IX. 
ODE IX. TO AN ÆOLUS'S HARP
 X. 
ODE X. FOR MUSIC. IRREGULAR.
 XI. 
ODE XI.
 XII. 
ODE XII. TO THE NAVAL OFFICERS OF GREAT BRITAIN.
 XIII. 
ODE XIII.
 XIV. 
ODE XIV. TO THE HON. WILLIAM PITT.
 XV. 
ODE XV. SECULAR.
 XVI. 
ODE XVI. PALINODIA.
  
ODE ON WISDOM;
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ELEGIES.
 I. 
ELEGY I. TO A YOUNG NOBLEMAN
 II. 
ELEGY II. ADDRESSED TO MISS PELHAM ON THE DEATH OF HER FATHER.
 III. 
ELEGY III. WRITTEN IN THE GARDEN OF A FRIEND.
 IV. 
ELEGY IV. TO THE REV. MR. HURD.
 V. 
ELEGY V. ON THE DEATH OF A LADY.
 VI. 
ELEGY VI. WRITTEN IN A CHURCH-YARD IN SOUTH WALES, 1787.
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SONNETS.
 I. 
SONNET I. SENT TO A YOUNG LADY WITH DODSLEY'S MISCELLANIES.
 II. 
SONNET II. PRESENTED TO A FRIEND ON THE MORNING OF HIS MARRIAGE.
 III. 
SONNET III. AUGUST, 1773.
 IV. 
SONNET IV. TO THE RIGHT REVEREND THE BISHOP OF LICHFIELD AND COVENTRY, PREFIXED TO THE DRAMATIC POEM OF CARACTACUS, WHEN ALTERED FOR STAGE REPRESENTATION.
 V. 
SONNET V. TO A VERY YOUNG PAINTER.
 VI. 
SONNET VI. TO GEORGE BUSSY VILLIERS EARL OF JERSEY, &c. &c. AND GEORGE SIMON HARCOURT EARL HARCOURT, &c. &c.
 VII. 
SONNET VII. FEBRUARY 23, 1795. ANNIVERSARY.
 VIII. 
SONNET VIII. FEBRUARY 23, 1796. ANNIVERSARY.
 IX. 
SONNET IX. TO THE BISHOP OF WORCESTER, SENT TO HIM WITH THE PRECEDING SONNET.
 X. 
SONNET X. FEBRUARY 23, 1797. ANNIVERSARY.
 XI. 
SONNET XI. OCCASIONED BY A LATE ATTACK ON THE PRESENT TASTE OF ENGLISH GARDENS.
 XII. 
SONNET XII. TO A GRAVEL WALK, RELATIVE TO THE PRECEDING SUBJECT.
 XIII. 
SONNET XIII. OCCASIONED BY A DIDACTIC POEM ON THE PROGRESS OF CIVIL SOCIETY.
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EPITAPHS AND INSCRIPTIONS.
 I. 
EPITAPH I. ON MRS. MASON,
 II. 
EPITAPH II. ON MISS DRUMMOND,
 III. 
EPITAPH III. ON JOHN DEALTRY, M. D.
 IV. 
EPITAPH IV. ON MRS. TATTON,
 V. 
EPITAPH V. ON MR. GRAY,
 VI. 
EPITAPH VI. ON THOMAS FOUNTAYNE, ESQ.
 VII. 
EPITAPH VII. ON LAUNCELOT BROWNE, ESQ.
 VIII. 
EPITAPH VIII. ON MRS. ANN E. MORRITT,
 IX. 
INSCRIPTION IX. ON A TRIPOD TO THE MEMORY OF WILLIAM WHITEHEAD, ESQ. P. L.
 X. 
INSCRIPTION X. UNDER A PICTURE OF THE EDITOR OF SHAKSPEARE'S MANUSCRIPTS, 1796.
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MISCELLANIES.
  
THE BIRTH OF FASHION: AN EPISTOLARY TALE.
  
IL BELLICOSO.
  
IL PACIFICO.
  
AN EPISTOLARY ADDRESS TO THE AUTHOR'S FATHER, SENT FROM LONDON IN THE YEAR 1746.
  
STANZAS, WRITTEN ON THE BANKS OF THE CAM, 1746.
  
ISIS.
  
PROTOGENES AND APELLES.
  
ODE OF CASIMIR
  
SONG OF HAROLD THE VALIANT.
  
SONG.
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THE ENGLISH GARDEN:
 1. 
BOOK THE FIRST.
 II. 
BOOK THE SECOND.
 III. 
BOOK THE THIRD.
 IV. 
BOOK THE FOURTH.
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RELIGIO CLERICI.
 I. 
PART THE FIRST.
 II. 
PART THE SECOND.
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HYMNS, AND SELECT PSALMS VERSIFIED.
  
HYMN BEFORE MORNING SERVICE.
  
HYMN BEFORE EVENING SERVICE.
  
MORNING HYMN.
  
EVENING HYMN.
  
PSALM I.
  
PSALM VIII.
  
PSALM XV.
  
PART OF PSALM XVIII.
  
PSALM XLIII.
  
PSALM LXVII.
  
PSALM LXX.
  
PSALM XCIII.
  
PSALM C.
  
A COMPRESSED METRICAL VERSION OF PSALM CIX.
  
PSALM CXXI.
  
PSALM CXXVIII.
  
PSALM CXXX.
  
PSALM CXXXVII.
  
PSALM CL
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VOL. II.
  
ELFRIDA;
  
CARACTACUS:
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ARGENTILE AND CURAN:
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ACT I.
 I. 
SCENE I.
 II. 
SCENE II.
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ACT II.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
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ACT III.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
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ACT IV.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
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ACT V.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
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SAPPHO,
  
PRELIMINARY SCENE.
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ACT I.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
 V. 
SCENE V.
 VI. 
SCENE VI.
 VII. 
SCENE VII.
 VIII. 
SCENE VIII.
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ACT II.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
 V. 
SCENE V.
 VI. 
SCENE VI.
 VII. 
SCENE VII.
 VIII. 
SCENE VIII.
 IX. 
SCENE IX.
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ACT III.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
 V. 
SCENE V.
 VI. 
SCENE VI.
 VII. 
SCENE VII.
  
PIGMALION,
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VOL. III.
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THE ART OF PAINTING, OF CHARLES ALPHONSE DU FRESNOY;
  
EPISTLE TO SIR JOSHUA REYNOLDS.
  
THE ART OF PAINTING,

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51

ODE IX. TO AN ÆOLUS'S HARP

SENT TO MISS SHEPHEARD.

Yes, magic Lyre! now all complete
Thy slender frame responsive rings;
While kindred notes, with undulation sweet,
Accordant wake from all thy vocal strings.
Go then to her, whose soft request
Bad my blest hands thy form prepare:
Ah go, and sweetly sooth her tender breast
With many a warble wild, and artless air.
For know, full oft, while o'er the mead
Bright June extends her fragrant reign,
The slumb'ring fair shall place thee near her head,
To court the gales that cool the sultry plain.
Then shall the sylphs, and sylphids bright,
Mild genii all, to whose high care
52

Her virgin charms are given, in circling flight
Skim sportive round thee in the fields of air.
Some, flutt'ring through thy trembling strings,
Shall catch the rich melodious spoil,
And lightly brush thee with their purple wings
To aid the Zephyrs in their tuneful toil;
While others check each ruder gale,
Expel rough Boreas from the sky,
Nor let a breeze its heaving breath exhale,
Save such as softly pant, and panting die.
Then, as thy swelling accents rise,
Fair Fancy, waking at the sound,
Shall paint bright visions on her raptur'd eyes,
And waft her spirits to enchanted ground;
To myrtle groves, Elysian greens,
In which some fav'rite youth shall rove,
And meet, and lead her through the glittering scenes,
And all be music, extasy, and love.
 

This instrument was first invented by Kircher about the year 1649. See his Musurgia Universalis, sive ars consoni et dissoni, lib. ix. After having been neglected above a hundred years, it was again accidentally discovered by Mr. Oswald.

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