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The Works of William Mason

... In Four Volumes
Mason, William (1725-1797)

collapse sectionI. 
VOL. I.
  
TO ROBERT EARL OF HOLDERNESSE, BARON D'ARCY, MENIL AND CONYERS, LORD WARDEN OF HIS MAJESTY'S CINQUE PORTS, AND GOVERNOR OF DOVER CASTLE.
  
MUSÆUS:
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ODES.
 I. 
ODE I. TO MEMORY.
 II. 
ODE II. TO A WATER-NYMPH.
 III. 
ODE III. ON LEAVING ST. JOHN'S COLLEGE, CAMBRIDGE, 1746.
 IV. 
ODE IV. ON EXPECTING TO RETURN TO CAMBRIDGE, 1747.
 V. 
ODE V. FOR MUSIC.
 VI. 
ODE VI. TO INDEPENDENCY.
 VII. 
ODE VII. TO A FRIEND.
 VIII. 
ODE VIII. ON THE FATE OF TYRANNY.
 IX. 
ODE IX. TO AN ÆOLUS'S HARP
 X. 
ODE X. FOR MUSIC. IRREGULAR.
 XI. 
ODE XI.
 XII. 
ODE XII. TO THE NAVAL OFFICERS OF GREAT BRITAIN.
 XIII. 
ODE XIII.
 XIV. 
ODE XIV. TO THE HON. WILLIAM PITT.
 XV. 
ODE XV. SECULAR.
 XVI. 
ODE XVI. PALINODIA.
  
ODE ON WISDOM;
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ELEGIES.
 I. 
ELEGY I. TO A YOUNG NOBLEMAN
 II. 
ELEGY II. ADDRESSED TO MISS PELHAM ON THE DEATH OF HER FATHER.
 III. 
ELEGY III. WRITTEN IN THE GARDEN OF A FRIEND.
 IV. 
ELEGY IV. TO THE REV. MR. HURD.
 V. 
ELEGY V. ON THE DEATH OF A LADY.
 VI. 
ELEGY VI. WRITTEN IN A CHURCH-YARD IN SOUTH WALES, 1787.
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SONNETS.
 I. 
SONNET I. SENT TO A YOUNG LADY WITH DODSLEY'S MISCELLANIES.
 II. 
SONNET II. PRESENTED TO A FRIEND ON THE MORNING OF HIS MARRIAGE.
 III. 
SONNET III. AUGUST, 1773.
 IV. 
SONNET IV. TO THE RIGHT REVEREND THE BISHOP OF LICHFIELD AND COVENTRY, PREFIXED TO THE DRAMATIC POEM OF CARACTACUS, WHEN ALTERED FOR STAGE REPRESENTATION.
 V. 
SONNET V. TO A VERY YOUNG PAINTER.
 VI. 
SONNET VI. TO GEORGE BUSSY VILLIERS EARL OF JERSEY, &c. &c. AND GEORGE SIMON HARCOURT EARL HARCOURT, &c. &c.
 VII. 
SONNET VII. FEBRUARY 23, 1795. ANNIVERSARY.
 VIII. 
SONNET VIII. FEBRUARY 23, 1796. ANNIVERSARY.
 IX. 
SONNET IX. TO THE BISHOP OF WORCESTER, SENT TO HIM WITH THE PRECEDING SONNET.
 X. 
SONNET X. FEBRUARY 23, 1797. ANNIVERSARY.
 XI. 
SONNET XI. OCCASIONED BY A LATE ATTACK ON THE PRESENT TASTE OF ENGLISH GARDENS.
 XII. 
SONNET XII. TO A GRAVEL WALK, RELATIVE TO THE PRECEDING SUBJECT.
 XIII. 
SONNET XIII. OCCASIONED BY A DIDACTIC POEM ON THE PROGRESS OF CIVIL SOCIETY.
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EPITAPHS AND INSCRIPTIONS.
 I. 
EPITAPH I. ON MRS. MASON,
 II. 
EPITAPH II. ON MISS DRUMMOND,
 III. 
EPITAPH III. ON JOHN DEALTRY, M. D.
 IV. 
EPITAPH IV. ON MRS. TATTON,
 V. 
EPITAPH V. ON MR. GRAY,
 VI. 
EPITAPH VI. ON THOMAS FOUNTAYNE, ESQ.
 VII. 
EPITAPH VII. ON LAUNCELOT BROWNE, ESQ.
 VIII. 
EPITAPH VIII. ON MRS. ANN E. MORRITT,
 IX. 
INSCRIPTION IX. ON A TRIPOD TO THE MEMORY OF WILLIAM WHITEHEAD, ESQ. P. L.
 X. 
INSCRIPTION X. UNDER A PICTURE OF THE EDITOR OF SHAKSPEARE'S MANUSCRIPTS, 1796.
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MISCELLANIES.
  
THE BIRTH OF FASHION: AN EPISTOLARY TALE.
  
IL BELLICOSO.
  
IL PACIFICO.
  
AN EPISTOLARY ADDRESS TO THE AUTHOR'S FATHER, SENT FROM LONDON IN THE YEAR 1746.
  
STANZAS, WRITTEN ON THE BANKS OF THE CAM, 1746.
  
ISIS.
  
PROTOGENES AND APELLES.
  
ODE OF CASIMIR
  
SONG OF HAROLD THE VALIANT.
  
SONG.
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THE ENGLISH GARDEN:
 1. 
BOOK THE FIRST.
 II. 
BOOK THE SECOND.
 III. 
BOOK THE THIRD.
 IV. 
BOOK THE FOURTH.
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RELIGIO CLERICI.
 I. 
PART THE FIRST.
 II. 
PART THE SECOND.
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HYMNS, AND SELECT PSALMS VERSIFIED.
  
HYMN BEFORE MORNING SERVICE.
  
HYMN BEFORE EVENING SERVICE.
  
MORNING HYMN.
  
EVENING HYMN.
  
PSALM I.
  
PSALM VIII.
  
PSALM XV.
  
PART OF PSALM XVIII.
  
PSALM XLIII.
  
PSALM LXVII.
  
PSALM LXX.
  
PSALM XCIII.
  
PSALM C.
  
A COMPRESSED METRICAL VERSION OF PSALM CIX.
  
PSALM CXXI.
  
PSALM CXXVIII.
  
PSALM CXXX.
  
PSALM CXXXVII.
  
PSALM CL
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VOL. II.
  
ELFRIDA;
  
CARACTACUS:
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ARGENTILE AND CURAN:
collapse sectionI. 
ACT I.
 I. 
SCENE I.
 II. 
SCENE II.
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ACT II.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
collapse sectionIII. 
ACT III.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
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ACT IV.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
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ACT V.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
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SAPPHO,
  
PRELIMINARY SCENE.
collapse sectionI. 
ACT I.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
 V. 
SCENE V.
 VI. 
SCENE VI.
 VII. 
SCENE VII.
 VIII. 
SCENE VIII.
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ACT II.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
 V. 
SCENE V.
 VI. 
SCENE VI.
 VII. 
SCENE VII.
 VIII. 
SCENE VIII.
 IX. 
SCENE IX.
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ACT III.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
 V. 
SCENE V.
 VI. 
SCENE VI.
 VII. 
SCENE VII.
  
PIGMALION,
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VOL. III.
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THE ART OF PAINTING, OF CHARLES ALPHONSE DU FRESNOY;
  
EPISTLE TO SIR JOSHUA REYNOLDS.
  
THE ART OF PAINTING,

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352

SCENE IV.

PHAON, SAPPHO.
Sap.
Traitor to love;
To honour; to the gods! abjur'd of Heav'n,
Avoid my presence!

Pha.
If repentant tears,
And sighs that rend the heart, from whence they spring,
Can plead forgiveness, Sappho, hear them plead.

Sap.
Yes; so he look'd. The sable-fringed lids
Of his false eyes thus veil'd their liquid lustre,
With modest shamefac'dness, when first he woo'd me.
Look thus on Doris, base one! Sappho towers
Above thy wiles. The god, the god inspires me!
He calls me to Leucate. Dread Apollo,
I hear, and I obey thy awful call.

Pha.
Hah! to Leucate!

Sap.
Yes, to that fam'd cliff,
Whence, dashing down into the whelming surge,
I'll die—or live to hate thee.

Pha.
My heart's Idol,
Forego this frenzy!

Sap.
Say that it were frenzy;
The wrongs, that thou hast heap'd on this poor brain,
Would justify the deed: but 'tis not frenzy;
'Tis inspiration. From yon stream it rose,
In a cærulean robe of Heav'n's own tincture.
353

Naiad! I saw thee rise; I heard thee speak:
Thou bad'st me fly to Liberty, or Death.

Pha.
Fly rather to these arms, to life, to love!

Sap.
Cruel! It was thy arm, that gave the blow,
Which makes life loathsome.

Pha.
'Twas the blow of error.

Sap.
Away! I will not parley with thy falsehood.

Pha.
Behold me kneel!

Sap.
Repentance comes too late.
Rise, Traitor, rise! my choice is fixt as fate.

Pha.
O! let this tender tear,
Contrition's purest dew,
My Sappho's pity move.

Sap.
No! my intense despair
Here sighs a long adieu
To Phaon, and to Love
I go—

Pha.
Yet hear—

Sap.
I go
To steep Leucate's brow.
I fly from fraud and thee.

Pha.
Yet stay—

Sap.
Deceiver! no.
The rolling waves below
Involve my destiny.

Pha.
Let Love his softest strains employ
To call thee back to him and joy.

354

Sap.
In vain; we part to meet no more—

Pha. and Sap.
What agony severe!
Fate has no sharper pang in store
The love-lorn breast to tear.

[Exeunt severally.
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