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Miscellanies (1785)

(1749-1814)

collapse sectionI. 
VOLUME I.
  
[dedication]
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SYMPATHY, A POEM.
  
TO THE AUTHOR OF SYMPATHY,
  
TO THE AUTHOR OF SYMPATHY
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SYMPATHY.
 I. 
BOOK I.
 II. 
BOOK II.
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THE TEARS OF GENIUS.
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THE TEARS OF GENIUS,
  
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EPITAPH.
  
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THE ART OF RISING ON THE STAGE.
 I. 
CANTO I.
 II. 
CANTO II.
 III. 
CANTO III.
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POEMS FROM THE ANNUAL REGISTER.
  
THE PARTRIDGES:
  
TO AN INFANT,
  
EXTRACTED FROM VERSES,
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POETICAL PIECES FROM LIBERAL OPINIONS.
  
ELEGY OF A NIGHTINGALE,
  
EPITAPH ON A LAP-DOG.
  
ALMERIA;
  
SOLILOQUIES OF A HIGHWAYMAN.
  
ODE TO A SCHOOL-FELLOW.
  
TO HIS ROYAL HIGHNESS THE PRINCE OF WALES,
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EPITAPHS.
  
EPITAPH ON ------
  
TO THE MEMORY OF CAPTAIN DRUMMOND, A BRAVE YOUNG OFFICER.
  
EPITAPH
  
SILVANA, THE HIGHLAND SHEPHERDESS.
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BALLAD POEMS FROM EMMA CORBET, AND SONGS.
  
VERSES WRITTEN IN THE MOMENTS OF WAITING AN INTERVIEW.
  
ADDRESS TO A LOCKET.
  
WITH A PRESENT OF SOME PENS SENT TO EMMA.
  
SONG.
  
PLEASING AND TEASING.
  
SONG.
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PROLOGUES AND EPILOGUES.
  
PROLOGUE TO THE TRAGEDY OF CATO.
  
PROLOGUE, WRITTEN FOR MRS. HUNTER, AT BIRMINGHAM.
  
EPILOGUE,
  
AN OCCASIONAL EPILOGUE, WRITTEN FOR MRS. SIDDONS AT DRURY-LANE THEATRE.
  
EPILOGUE TO THE TRAGEDY OF THE FATAL INTERVIEW.
  
PROLOGUE FOR THE FIRST APPEARANCE OF MRS. SIMPSON.
  
PROLOGUE TO THE ORPHAN OF CHINA.
  
EPILOGUE.
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VOLUME II.
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PRIZE POEMS,
  
STANZAS, FROM MISS SEWARD'S MONODY ON THE DEATH OF LADY MILLAR.
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THE SHADOWS OF SHAKESPEARE:
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
 V. 
V.
 VI. 
VI.
 VII. 
VII.
 VIII. 
VIII.
 IX. 
IX.
 X. 
X.
 XI. 
XI.
 XII. 
XII.
 XIII. 
XIII.
 XIV. 
XIV.
 XV. 
XV.
 XVI. 
XVI.
 XVII. 
XVII.
 XVIII. 
XVIII.
 XIX. 
XIX.
 XX. 
XX.
  
THE SYSTEM OF PYTHAGORAS.
  
THE FAMILY OF TIME:
  
TENDERNESS.
  
DELAYS ARE DANGEROUS.
  
ODE TO THE SUN.
  
CARDS,
  
THERON:
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MISCELLANEOUS VERSES.
  
THE ROSE-TREE, THE GARDENER, AND THE SHRUBS.
  
UPON THE CONNEXION OF THE AUTHOR
  
TO DOCTOR LETTSOM,
  
TO Mrs. SIDDONS's CHILDREN,
  
THE OPENING OF THE NINTH BOOK OF THE HENRIADE TRANSLATED .
  
THE CASKET. TO A FRIEND UNDER PAIN FROM A FEW POINTED OBSERVATIONS.
  
WRITTEN EXTEMPORE
  
TO MISS SAWBRIDGE.
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MRS. SHERIDAN ON HER BROTHER'S LYRE.
  
HER BROTHER's LYRE
  
LINES,
  
TIME's ANSWER.
  
TO MISS C. BRACKENBURY, OF COPT-FOLD-HALL, IN ESSEX.
  
TO THE SAME,
  
A SILFPHID's GREETING,
  
THE TWO LEECHES
  
THE PASSION FLOWER
  
ACREONTIC BURLESQUE.
  
A PORTRAIT.
  
A LOVER'S QUARREL.

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18

X.

Prospero,
The great magician, next—(whose high command
“Wak'd sleepers in their graves, and let them forth”)
Beheld the vanishing instrument of's art,
And spake—
“Have ye, which are but air,
“A touch, a feeling of our loss extreme;
“And shall not I, one of his kind, be kindlier?
“Our revel then is done; and this our Actor
“Is now no more! Lost is the book of Conjuration:—
“He regulated all our mystic charms:—He's dead!
“The cloud-capt tow'rs, the gorgeous palaces,
“The solemn temples, the great globe itself;
“Yea, all which it inherit, shall dissolve,
“And, like the baseless fabric of a vision,
“Leave not a wreck behind.”
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