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Miscellanies (1785)

(1749-1814)

collapse sectionI. 
VOLUME I.
  
[dedication]
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SYMPATHY, A POEM.
  
TO THE AUTHOR OF SYMPATHY,
  
TO THE AUTHOR OF SYMPATHY
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SYMPATHY.
 I. 
BOOK I.
 II. 
BOOK II.
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THE TEARS OF GENIUS.
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THE TEARS OF GENIUS,
  
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EPITAPH.
  
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THE ART OF RISING ON THE STAGE.
 I. 
CANTO I.
 II. 
CANTO II.
 III. 
CANTO III.
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POEMS FROM THE ANNUAL REGISTER.
  
THE PARTRIDGES:
  
TO AN INFANT,
  
EXTRACTED FROM VERSES,
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POETICAL PIECES FROM LIBERAL OPINIONS.
  
ELEGY OF A NIGHTINGALE,
  
EPITAPH ON A LAP-DOG.
  
ALMERIA;
  
SOLILOQUIES OF A HIGHWAYMAN.
  
ODE TO A SCHOOL-FELLOW.
  
TO HIS ROYAL HIGHNESS THE PRINCE OF WALES,
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EPITAPHS.
  
EPITAPH ON ------
  
TO THE MEMORY OF CAPTAIN DRUMMOND, A BRAVE YOUNG OFFICER.
  
EPITAPH
  
SILVANA, THE HIGHLAND SHEPHERDESS.
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BALLAD POEMS FROM EMMA CORBET, AND SONGS.
  
VERSES WRITTEN IN THE MOMENTS OF WAITING AN INTERVIEW.
  
ADDRESS TO A LOCKET.
  
WITH A PRESENT OF SOME PENS SENT TO EMMA.
  
SONG.
  
PLEASING AND TEASING.
  
SONG.
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PROLOGUES AND EPILOGUES.
  
PROLOGUE TO THE TRAGEDY OF CATO.
  
PROLOGUE, WRITTEN FOR MRS. HUNTER, AT BIRMINGHAM.
  
EPILOGUE,
  
AN OCCASIONAL EPILOGUE, WRITTEN FOR MRS. SIDDONS AT DRURY-LANE THEATRE.
  
EPILOGUE TO THE TRAGEDY OF THE FATAL INTERVIEW.
  
PROLOGUE FOR THE FIRST APPEARANCE OF MRS. SIMPSON.
  
PROLOGUE TO THE ORPHAN OF CHINA.
  
EPILOGUE.
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VOLUME II.
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PRIZE POEMS,
  
STANZAS, FROM MISS SEWARD'S MONODY ON THE DEATH OF LADY MILLAR.
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THE SHADOWS OF SHAKESPEARE:
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
 V. 
V.
 VI. 
VI.
 VII. 
VII.
 VIII. 
VIII.
 IX. 
IX.
 X. 
X.
 XI. 
XI.
 XII. 
XII.
 XIII. 
XIII.
 XIV. 
XIV.
 XV. 
XV.
 XVI. 
XVI.
 XVII. 
XVII.
 XVIII. 
XVIII.
 XIX. 
XIX.
 XX. 
XX.
  
THE SYSTEM OF PYTHAGORAS.
  
THE FAMILY OF TIME:
  
TENDERNESS.
  
DELAYS ARE DANGEROUS.
  
ODE TO THE SUN.
  
CARDS,
  
THERON:
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MISCELLANEOUS VERSES.
  
THE ROSE-TREE, THE GARDENER, AND THE SHRUBS.
  
UPON THE CONNEXION OF THE AUTHOR
  
TO DOCTOR LETTSOM,
  
TO Mrs. SIDDONS's CHILDREN,
  
THE OPENING OF THE NINTH BOOK OF THE HENRIADE TRANSLATED .
  
THE CASKET. TO A FRIEND UNDER PAIN FROM A FEW POINTED OBSERVATIONS.
  
WRITTEN EXTEMPORE
  
TO MISS SAWBRIDGE.
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MRS. SHERIDAN ON HER BROTHER'S LYRE.
  
HER BROTHER's LYRE
  
LINES,
  
TIME's ANSWER.
  
TO MISS C. BRACKENBURY, OF COPT-FOLD-HALL, IN ESSEX.
  
TO THE SAME,
  
A SILFPHID's GREETING,
  
THE TWO LEECHES
  
THE PASSION FLOWER
  
ACREONTIC BURLESQUE.
  
A PORTRAIT.
  
A LOVER'S QUARREL.

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III.

The dead—ah, me!—what dead?—Here it began
The florid Poet felt himself a Man.
13

And is he dead, whose wonder-working art
So often tone, and touch'd, and tun'd the heart?
Whose piercing eye intelligence could give,
And bid long-buried beings look and live?
Whose voice enrich'd the verse his Shakespeare writ,
And gave to every word its weight of wit;
No sentence blemish'd, marr'd no golden line,
But polish'd, as he drew it from the mine;
Whose tongue grew wanton in his Shakespeare's cause,
And gave to crowded Theatres their laws;
Whose powerful accents, soften'd or sublime,
Free from all frippery, false pause, false chime,
Chain'd, as to th' attracting centre, every ear;
And, all commanding, sway'd the smile and tear:
Is it to Him the Muse must pay
Her tributary lay?
For him, must aching Memory pour the strain,
Must she her honour'd Garrick's loss complain?
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