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The Poetical Works of David Macbeth Moir

Edited by Thomas Aird: With A Memoir of the Author
Moir, D. M. (1798-1851)
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2  collapse section 
[section]
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VOL. I.
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DOMESTIC VERSES.
  
[epigraph]
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SONNETS ON THE SCENERY OF THE TWEED;
  
[As we had been in heart, now link'd in hand]
 I. 
I. WARK CASTLE.
 II. 
II. DRYBURGH ABBEY.
  
III. MELROSE ABBEY.
 IV. 
IV. ABBOTSFORD.
 V. 
V. NIDPATH CASTLE.
 VI. 
VI. “THE BUSH ABOON TRAQUAIR.”
  
TO MY INFANT DAUGHTER, E. C. M.
  
CASA WAPPY.
  
WEE WILLIE.
  
CASA'S DIRGE.
  
ELEGIAC STANZAS.
  
THE LOST LAMB.
  
TO THE BUST OF MY SON CHARLES.
  
SONNET.
  
VICISSITUDE.
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ELEGIAC EFFUSIONS.
  
THE BOWER OF PEACE.
  
WEEP NOT FOR HER.
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THE FOWLER.
 I. 
I.
 II. 
II
 III. 
III.
 IV. 
IV.
 V. 
V.
 VI. 
VI.
 VII. 
VII.
 VIII. 
VIII.
 IX. 
IX.
  
THE DESERTED CHURCHYARD.
  
TO A WOOD-PIGEON.
  
THE YELLOW LEAF.
  
THE DYING SPANIEL.
  
EVENING TRANQUILLITY.
  
HYMN TO HESPERUS.
  
FADED FLOWERS.
  
THE NIGHT HAWK.
  
STARLIGHT REFLECTIONS.
  
TO A WOUNDED PTARMIGAN.
  
THE CHILD'S BURIAL IN SPRING.
  
SPRING HYMN.
  
OCTOBER—A SKETCH.
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POEMS ON FLOWERS.
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THE BIRTH OF THE FLOWERS.
  
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 XX. 
XX.
  
RHODOCLEA'S GARLAND.
  
THE EGLANTINE.
  
THE WHITE ROSE.
  
LILIES.
  
THE HAREBELL.
  
THE WALL-FLOWER.
  
THE DAISY.
  
THE SWEET-BRIAR.
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POEMS SUGGESTED BY CELEBRATED SCOTTISH LOCALITIES.
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THE TOWER OF ERCILDOUNE.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
 V. 
V.
 VI. 
VI.
 VII. 
VII.
 VIII. 
VIII.
  
THE GLEN OF ROSLIN.
  
THE TOMB OF DE BRUCE.
  
FLODDEN FIELD.
  
THE FIELD OF PINKIE.
  
HAWTHORNDEN.
  
THE RUINS OF SETON CHAPEL.
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LINES IN THE PARK OF KELBURN CASTLE.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
 V. 
V.
  
THE THORN OF PRESTON.
  
THE BASS ROCK.
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THOMSON'S BIRTH-PLACE.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
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VOL. II.
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OCCASIONAL POEMS.
  
A SHADOW OF TRUTH.
  
STANZAS FOR THE BURNS FESTIVAL.
  
STANZAS,
  
SONG, FOR THE
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SONNETS.
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SONNETS ON THE SCENERY OF THE ESK.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
 V. 
V.
 VI. 
VI.
  
MOONLIGHT CHURCHYARD.
  
TO WORDSWORTH.
  
TO THE MUSE OF MILTON.
  
RURAL SCENERY.
  
CRICHTON CHAPEL.
  
WINTER.
  
THE SCOTTISH SABBATH.
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POEMS IN REFERENCE TO CHILDHOOD.
  
STANZAS ON AN INFANT.
  
THE EARLY LOST.
  
ADDRESS TO LITTLE CHILDREN.
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ECHOES OF ANTIQUITY.
  
THE MESSAGE OF SETH.
  
HIPPOCRATES TO THE AMBASSADORS OF ARTAXERXES.
  
THE LEGEND OF ST ROSALIE.
  
THE BURDEN OF SION.
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SONGS.
  
SONG OF THE SOUTH.
  
FAREWELL OUR FATHERS' LAND.
  
MOURN FOR THE BRAVE.
  
ERIC'S DIRGE.
  
THE STORMY SEA.
  
THE MAID OF ULVA.
  
LAMENT FOR MACRIMMON.
  
HEIGH-HO!
  
THE WANDERER OF CONNAUGHT.
  
MARY DHU.
  
THE RUSTIC LAD'S LAMENT IN THE TOWN.
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BALLADS.
  
THE CAMPEADOR'S SPECTRE HOST.
  
THE HIGHLANDER'S RETURN.
  
WIZZERDE WYNKIN'S DETHE.
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TALES.
  
DE QUINCEY'S REVENGE.
  
THE MINER OF PERU.
  
SIR ELIDUC.
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MISCELLANEOUS POEMS.
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THE OLD SEAPORT.
  
THE CONTADINA.
  
THE WINTER WILD.
  
THE DEFEAT OF WINTER.
  
MAY-DAY.
  
AN EVENING SKETCH.
  
ON THE DEATH OF IDA.
  
OUR NATIVE LAND.
  
BLOOM AND BLIGHT.
  
MINE OWN.
  
THE IMPROVISATRICE.
  
CHRISTMAS MUSINGS.
  
LINES ON A PORTRAIT OF SIR WALTER SCOTT, BY C. R. LESLIE, ESQ., R.A.
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THE GRAVES OF THE DEAD.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
 V. 
V.
  
THE BARD'S WISH.
  
THE LAMENT OF SELIM.
  
THE DARK WAGGON.
  
DISENCHANTMENT.
  
THE SYCAMINE.
  
THE COVENANTERS' NIGHT-HYMN.
  
REQUIEM.
  
THE MATIN CAROL.
  
STANZAS. WHEN THOU AT EVENTIDE ART ROAMING.
  
REMEMBERED BEAUTY.
  
THE VETERAN TAR.
  
THE RUINED NUNNERY.
  
THE HOUR OF THOUGHT.
  
TO INEZ, IN ABSENCE.
  
TO INEZ, IN REMEMBRANCE.
  
TO INEZ, IN LAMENT.
  
HYMN TO THE MOON.
  
MELANCHOLY.
  
THE UNKNOWN GRAVE.
  
DESPONDENCY. A REVERIE.
  
THE ANGLER.
  
THE TOMBLESS MAN. A DREAM.
  
LINES WRITTEN IN THE ISLE OF BUTE.
  
HYMN TO THE NIGHT WIND.
  
THE SNOW.
  
THE CASTLE OF TIME. A VISION.

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10

V. NIDPATH CASTLE.

Stern, rugged pile! thy scowl recalls the days
Of foray and of feud, when, long ago,
Homes were thought worthy of reproach or praise
Only as yielding safeguards from the foe:
Over thy gateways the armorial arms
Proclaim of doughty Douglases, who held
Thy towers against the foe, and thence repell'd
Oft, after efforts vain, invasion's harms.
Eve dimm'd the hills, as, by the Tweed below,
We sat where once thy blossomy orchards smiled,
And yet where many an apple-tree grows wild,
Listening the blackbird, and the river's flow;
While, high between us and the sunset glow,
Thy giant walls seem'd picturesquely piled.

Associated with this ancient Castle, the reader of poetry cannot fail to remember the delicately beautiful legend, regarding a daughter of one of the Earls of March and the young Laird of Tushielaw, as it has afforded a theme for the muse of two of our most celebrated contemporaries—to Sir Walter Scott, in his ballad “The Maid of Neidpath;” and to Mr Campbell, in his song of “Earl March looked on his dying child.”

The Castle itself is more distinguished for strength than architectural beauty; and was built by the powerful family of Frazer, from which it passed, by intermarriage, into that of the Hays of Yester, ancestors of the Marquis of Tweeddale. In 1686, the second Earl sold his estates in Peebles-shire to the first Duke of Queensberry, who settled them on his second son, the Earl of March. At the death of the last Duke, the Castle and adjoining estate fell, by succession, to the present Earl of Wemyss, who also assumed the title of Earl of March.


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