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The Poetical Works of David Macbeth Moir

Edited by Thomas Aird: With A Memoir of the Author
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POEMS SUGGESTED BY CELEBRATED SCOTTISH LOCALITIES.
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159

POEMS SUGGESTED BY CELEBRATED SCOTTISH LOCALITIES.


161

THE TOWER OF ERCILDOUNE.

Quilum spak Thomas
O' Ersyldoune, that sayd in Derne,
Thare suld meit stalwartly, starke and sterne,
He sayd it in his prophecy;
But how he wyst it was ferly.
Wynton"s Cronykil.

I.

There is a stillness on the night;
Glimmers the ghastly moonshine white
On Learmonth's woods, and Leader's streams,
Till Earth looks like a land of dreams:
Up in the arch of heaven afar,
Receded looks each little star,
And meteor flashes faintly play
By fits along the Milky Way.
Upon me in this eerie hush,
A thousand wild emotions rush,
As, gazing spell-bound o'er the scene,
Beside thy haunted walls I lean,
Grey Ercildoune, and feel the Past
His charmëd mantle o'er me cast;

162

Visions, and thoughts unknown to Day,
Bear o'er the fancy wizard sway,
And call up the traditions told
Of him who sojourned here of old.

II.

What stirs within thee? 'Tis the owl
Nursing amid thy chambers foul
Her impish brood; the nettles rank
Are seeding on thy wild-flower bank;
The hemlock and the dock declare
In rankness dark their mastery there;
And all around thee speaks the sway
Of desolation and decay.
In outlines dark the shadows fall
Of each grotesque and crumbling wall.
Extinguished long hath been the strife
Within thy courts of human life.
The rustic, with averted eye,
At fall of evening hurries by,
And lists to hear, and thinks he hears,
Strange sounds—the offspring of his fears;
And wave of bough, and waters' gleam,
Not what they are, but what they seem
To be, are by the mind believed,
Which seeks not to be undeceived.
Thou scowlest like a spectre vast
Of silent generations past,
And all about thee wears a gloom
Of something sterner than the tomb.

The ruins of the Tower of Ercildoune, once the abode and property of the famous True Thomas, the poet and soothsayer, are still to be seen at a little distance from the village of the same name in Lauderdale, pleasantly situated on the eastern bank of the Leader, which, in pronunciation, has been corrupted into Earlstoun. About the ruins themselves there is nothing peculiar or remarkable, save their authenticated antiquity, and the renown shed upon them as the relics of “Learmonth's high and ancient hall.” Part of the walls, and nearly the whole of the subterranean vaults, yet remain. A stone in the wall of the church of Earlstoun still bears the inscription—

“Auld Rhymer's race
Lies in this place.”

He must have died previous to 1299; for in that year his son resigned the property of his deceased father to the Trinity House of Soltra, as a document testifying this circumstance is preserved in the Advocates' Library. On a beautiful morning in September, “long, long ago,” when I was yet ignorant that any part of the ruins were in existence, they were pointed out to me, and, I need not add, awakened a thousand stirring associations connected with the legends, the superstitions, and the history of the mediæval ages—when nature brought forth “Gorgons, and hydras, and chimeras dire,” and social life seemed entirely devoted to “Ladye love, and war, renown, and knightly worth.”



163

For thee, 'tis said, dire forms molest,
That cannot die, or will not rest.

The ruins of the magician's tower are still regarded with a superstitious dread by the neighbouring peasantry; and to hint a doubt to such of their being haunted by “forms that come not from earth or Heaven,” would imply the hardihood and daring scepticism of the Sadducee. No doubt, this awe has greatly added to the desolation and solitude of the place; for the imputed prophecy of Thomas regarding the destruction of his house and home has been literally verified—

“The hare sall kittle on my hearth-stane,
And there will never be a Laird Learmonth again.”

In reference to this topic, Sir Walter Scott, in his notes to the Border Minstrelsy, tells a good story. “The veneration,” he says, “paid to his dwelling-place, even attached itself in some degree to a person who, within the memory of man, chose to set up his residence in the ruins of Learmonth's Tower. The name of this man was Murray, a kind of herbalist, who, by dint of some knowledge of simples, the possession of a musical clock, an electrical machine, and a stuffed alligator, added to a supposed communication with Thomas the Rhymer, lived for many years in very good credit as a wizard.”


III.

Backward my spirit to the sway
Of shadowy Eld is led away,
When, underneath thine ample dome,
Thomas the Rhymer made his home,
The wondrous poet-seer, whose name,
Still floating on the breath of fame,
Hath overpast five hundred years,
Yet fresh as yesterday appears,
With spells to arm the winter's tale,
And make the listener's cheek grow pale.
Secluded here in chamber lone,
Often the light of genius shone
Upon his pictured page, which told
Of Tristrem brave, and fair Isolde,

Although the matter has been made one of dispute, there seems little reason to doubt that Thomas the Rhymer was really and truly the author of Sir Tristrem—a romance which obtained almost universal popularity in its own day, and which was paraphrased, or rather imitated, by the minstrels of Normandy and Bretagne. The principal opponent of this conclusion is the able antiquary, Mr Price, who, in his edition of Warton's History of English Poetry, has appended some elaborate remarks to the first volume, with the purpose of proving that the story of Sir Tristrem was known over the continent of Europe before the age of Thomas of Ercildoune. That, however, by no means disproves that Thomas was the author of the Auchinleck MS., edited by Sir Walter Scott. That its language may have suffered from passing orally from one person to another before being committed to writing at all, is not improbable.

Be this as it may, such was the instability of literary popularity before the invention of printing, that at last only one copy of True Thomas' romance was known to exist. From this, which belongs to the Advocates' Library in Edinburgh, and is the earliest specimen of Scottish poetry extant, the author of Marmion gave the world his edition in 1804, filling up the blanks in the narrative, and following out the story in a style of editorial emendation, and competency for his task, not often to be met with. Taken all in all, the rifacimento is not one of the least extraordinary achievements of a most extraordinary literary career.

The more hurried reader will find a succinct, and very luminous account of Sir Tristrem, with illustrative extracts, in Mr Ellis' Specimens of Ancient Poetry, vol. i., where that distinguished scholar evinces his usual taste, research, and critical discrimination.


And how their faith was sorely tried,
And how they would not change, but died
Together, and the fatal stroke
Which stilled one heart, the other broke;
And here, on midnight couch reclined,
Hearkened his gifted ear the wind
Of dark Futurity, as on
Through shadowy ages swept the tone,
A mystic voice, whose murmurs told
The acts of eras yet unrolled;
While Leader sang a low wild tune,
And redly set the waning moon,

164

Amid the West's pavilion grim,
O'er Soltra's mountains vast and dim.

IV.

His mantle dark, his bosom bare,
His floating eyes and flowing hair,
Methinks the visioned bard I see
Beneath the mystic Eildon Tree,

Tradition reports that, from under this tree, the Rhymer was wont to utter his prophecies, and also, that it was from this spot he was enticed away by the Queen of Fairyland:—

“True Thomas lay on Huntlie bank,
A ferlie he spied wi' his ee;
And there he saw a lady bright
Come riding down by the Eeldon Tree.
Her shirt was of the grass-green silk,
Her mantle of the velvet fine;
At ilka tett of her horse's mane,
Hung fifty silver bells and nine.”

Piercing the mazy depths of Time,
And weaving thence prophetic rhyme;
Beings around him that had birth
Neither in Heaven, nor yet on earth;
And at his feet the broken law
Of Nature, through whose chinks he saw.

V.

The Eildon Tree hath passed away
By natural process of decay;
We search around, and see it not,
Though yet a grey stone marks the spot
Where erst its boughs, with quivering fear,
O'erarched the sprite-attended seer,
Holding unhallowed colloquy
On things to come and things gone by.
And still the Goblin Burn steals round
The purple heath with lonely sound,

A small stream in the neighbourhood of the Eildon Tree (or rather Stone, as its quondam site is now pointed out by a piece of rock) has received the name of the Bogle Burn, from the spirits which were thought to haunt the spot in attendance on the prophet.


As when its waters stilled their noise
To listen to the silver voice,

165

Which sang in wild prophetic strains,
Of Scotland's perils and her pains—
Of dire defeat on Flodden Hill—
Of Pinkyncleuch's blood-crimsoned rill—
Of coming woes, of lowering wars,
Of endless battles, broils, and jars—
Till France's Queen should bear a son
To make two rival kingdoms one,
And many a wound of many a field
Of blood, in Bruce's blood be healed.

Among the prophecies ascribed to the Rhymer is the following, evidently relating to the junction of the crowns under James VI.:—

“Then to the bairn I could say,
Where dwellest thou, in what countrye?
Or who shall rule the isle Britain
From the north to the south sea?
The French queen shall bear the son
Shall rule all Britain to the sea:
Which from the Bruce's blood shall come
As near as the ninth degree.”

That severe, yet acute and candid, expurgator of historical truth, the late Lord Hailes, in a dissertation devoted to the prophecies of Bede, Merlin, Gildas, and our bard, makes it pretty distinctly appear that the lines just quoted are an interpolation, and do not appertain to True Thomas at all, but to Berlington, another approved soothsayer of a later age.


VI.

Where gained the man this wondrous dower
Of song and superhuman power?
Tradition answers,—Elfland's Queen
Beheld the boy-bard on the green,

The description of the journey to Fairyland in the old ballad is exquisitely poetical—few things more so:—

“‘Oh see ye not yon narrow road,
So thick beset with thorns and briers?
That is the path of righteousness,
Though after it but few inquires.
‘And see not ye that braid, braid road,
That lies across that lily leven?
That is the path of wickedness,
Though some call it the path to Heaven.
‘And see not ye that bonny road
That winds across the ferny brae?
That is the road to fair Elfland,
Where thou and I this night maun gae.’
Oh they rode on, and farther on,
And they waded through rivers aboon the knee;
And they saw neither sun nor moon,
But they heard the roaring of the sea.
It was mirk, mirk night, there was nae stern light,
And they waded through red blude to the knee;
For a' the blude that's shed on earth
Runs through the springs o' that countrie.”
BORDER MINSTRELSY, vol. iv.

Nursing pure thoughts and feelings high
With Poesy's abstracted eye;
Bewitched him with her sibyl charms,
Her tempting lips, and wreathing arms,
And lured him from the earth away
Into the light of milder day.
They passed through deserts wide and wild,
Whence living things were far exiled,
Shadows and clouds, and silence drear,
And shapes and images of fear;
Until they reached the land, where run
Rivers of blood, and shines no sun
By day—no moon, no star by night—

166

But glows a fair, a fadeless light—
The realm of Faëry.
There he dwelt,
Till seven sweet years had o'er him stealt—
A long, deep, rapturous trance, 'mid bowers
O'er-blossomed with perennial flowers—
One deep dream of ecstatic joy,
Unmeasured, and without alloy;
And when by Learmonth's turrets grey,
Which long had mourned their lord's delay,
Again 'mid summer's twilight seen,
His velvet shoon were Elfin green,
The livery of the tiny train
Who held him, and would have again.

VII.

Smil'st thou at this, prosaic age,
Whom seldom other thoughts engage
Than those of pitiable self,
The talismans of power and pelf—
Whose only dream is Bentham's dream,
And Poetry is choked by steam?
It must be so; but yet to him
Who loves to roam 'mid relics dim
Of ages, whose existence seems
Less like reality than dreams—
A raptured, an ecstatic trance,
A gorgeous vision of romance—
It yields a wildly pleasing joy,
To feel in soul once more a boy,

167

And breathe, even while we know us here,
Love's soft Elysian atmosphere;
To leave the rugged paths of Truth
For fancies that illumined youth,
And throw Enchantment's colours o'er
The forest dim, the ruin hoar,
The walks where musing Genius strayed,
The spot where Faith life's forfeit paid,
The dungeon where the patriot lay,
The cairn that marks the warrior's clay,
The rosiers twain that shed their bloom
In autumn o'er the lover's tomb;
For sure such scenes, if truth be found
In what we feel, are hallowed ground.

VIII.

Airy delusion this may be,
But ever such remain for me:
Still may the earth with beauty glow
Beneath the storm's illumined bow—
God's promised sign—and be my mind
To science, when it deadens, blind;

As the boundaries of science are enlarged, those of poetry are proportionately curtailed. The contrary is arbitrarily maintained by many, for whose judgment in other matters I have respect; but in this I cannot believe them: for in what does poetry consist? It may be defined to be objects or subjects viewed through the mirror of imagination, and descanted on in harmonious language. If such a definition be adopted—and it will be found not an incomprehensive one—then it must be admitted, that the very exactness of knowledge is a barrier to the laying on of that colouring, through which alone facts can be converted into poetry. The best proof of this would be a reference to what has been generally regarded as the best poetry of the best authors, in ancient and modern times, more especially with reference to the external world—for of the world of mind all seems to remain, from Plato downwards, in the same state of glorious uncertainty, and probably will ever do so. The precision of science would at once annul the grandest portions of the Psalms—of Isaiah—of Ezekiel—of Job—of the Revelation. It would convert the Medea of Euripides—the Metamorphoses of Ovid—and the Atys of Catullus, into rhapsodies; and render the Fairy Queen of Spenser—the Tempest and Mid-Summer Night's Dream of Shakspeare—the Ancient Mariner of Coleridge—the Kilmeny of Hogg—the Edith and Nora of Wilson—the Thalaba of Southey—the Cloud and Sensitive Plant of Shelley, little better than rant, bombast, and fustian. In the contest between Bowles, Byron, and Campbell on this subject, the lesser poet had infinitely the better of the two greater; but he did not make sufficient use of his advantage, either in argument or illustration—for no one could be hardy enough to maintain that a newly-built castle is equally poetical with a similar one in ruins, or a man-of-war, fresh from the stocks, to one that had long braved the battle and the breeze. Stone and lime, as well as wood and sail-cloth, require associations. Of themselves they are prose: it is only what they acquire that renders them subjects for poetry. Were it otherwise, Pope's Essay on Criticism would be, as a poem, equal to his Eloisa, for it exhibits the same power, and the same judgment; and Darwin's Botanic Garden and Temple of Nature might displace from the shelf Milton's Comus and Paradise Lost. Wherever light penetrates the obscure, and dispels the uncertain, a demesne has been lost to the realm of imagination.

That poetry can never be robbed of its chief elements I firmly believe, for these elements are indestructible principles in human nature, and while men breathe there is room for a new Sappho, or a new Simonides; nor in reference to the present state of poetical literature, although we verily believe that neither even Marmion nor Childe Harold would be now received as we delight to know they were some thirty or forty years ago, still we do not despair that poetry will ultimately recover from the staggering blows which science has inflicted, in the shape of steam—of railway—of electro-magnetism—of geology—of political economy and statistics—in fact, by a series of disenchantments. Original genius may form new elements, extract new combinations, and, at least, be what the kaleidoscope is to the rainbow. But this alters not the position with which we set out. In the foamy seas we can never more expect to behold Proteus leading out his flocks; nor, in the stream, another Narcissus admiring his fair face; nor Diana again descending to Endymion. We cannot hope another Macbeth to meet with other witches on the blasted heath, or another Faust to wander amid the mysteries of another Walpurgis Night. Rocks are stratified by time as exactly as cloth is measured by tailors, and Echo, no longer a vagrant, is compelled quietly to submit to the laws of acoustics.


For mental light could ne'er be given
Except to lead us nearer Heaven.

168

THE GLEN OF ROSLIN.

I

Hark! 'twas the trumpet rung!
Commingling armies shout;
And echoing far yon woods among,
The ravage and the rout!
The voice of triumph and of wail,
Of victor and of vanquish'd blent,

The celebrated battle of Roslin was fought on the 24th of February 1302, during the guardianship of Scotland by Comyn, after the dethroned king had been conveyed by the messengers of the Pope from his captivity in England to his castle of Bailleul in France, where, in obscurity and retirement, he passed the remainder of his life.

Aware we are that our Scottish historians, Fordun and Wyntoun—both of whom give accounts of this battle—are entitled patriotically to be a little partial; but it is curious, as Mr Tytler remarks, (Hist., vol. i. p. 440. Note N., p. 196,) how far Lord Hailes, “from an affectation of superiority to national prejudice,” passes over or disallows many corroborating circumstances admitted even by the English chroniclers themselves, Hemingford, Trivet, and Longtoft.


Is wafted on the vernal gale:
A thousand bows are bent,
And, 'mid the hosts that throng the vale,
A shower of arrows sent.

II

For Saxon foes invade
The Baliol's kingless realm:
Their myriads swarm in yonder shade,
The weak to overwhelm:—
'Tis Seagrave, on destruction bent,
From Freedom's roll to blot the land,

169

By England's haughty Edward sent;

Sir John de Seagrave was appointed Governor of Scotland by Edward I., and marched from Berwick towards Edinburgh, about the beginning of Lent, with an army of twenty thousand men, consisting chiefly of cavalry, and officered by some of the best and bravest leaders of England. Among these were two brothers of the governor, whom Hemingford designates as “milites strenuissimi,” and Robert de Neville, a nobleman who had greatly distinguished himself in the Welsh wars. This powerful force was divided into three sections, one of which was commanded by Seagrave himself, the second by Ralph de Manton, and the third by Neville; and, on approaching Roslin, as no enemy was met with, each encamped on its own ground, without any established communication with the others. Sir John Comyn and Sir Simon Frazer, who were at Biggar with a small force of eight thousand cavalry, marched from that place during the night, to take the enemy by surprise, and attacked Seagrave with his division on the Moor of Roslin. The commander, with his brother and son, as well as sixteen knights and thirty esquires, were made prisoners, and the Scots had begun to plunder, when the second division appeared. This also was routed with great slaughter, and Ralph de Manton taken captive. No sooner, however, was this second triumph achieved, than the last division, under Neville, appeared in the distance. Worn out with their march and two successive attacks, the first impulse of the Scots was to retreat; but the proximity of the enemy rendered this impossible, and a third conflict commenced, which, after being obstinately disputed, terminated in the death of Neville, and the total rout of his followers. The carnage is said to have been dreadful, as the whole of the prisoners taken in the first and second engagements were necessarily put to death.


But never on her mountain strand
Shall Caledonia sit content—
Content with fetter'd hand.

III

Not while one patriot breathes—
Not while each broomy vale
And cavern'd cliff bequeaths
Some old heroic tale!
The Wallace and the Græme have thrown
The lustre of their deeds behind,

After the disastrous battle of Falkirk, in which Sir John the Grahame and Sir John Stewart of Bonkill were slain, Wallace, disgusted with the jealousy and treacherous conduct of the Barons, retired into privacy. It was during this sequestration from public affairs that the battle of Roslin was fought.

The tombs of Grahame and Stewart are still extant in the churchyard of Falkirk, having been severally more than once renewed.


The children to their fathers' own
Unconquer'd straths to bind;
By every hearth their tale is known,
In every heart enshrined.

IV

The Comyn lets not home
To tell a bloodless tale,
And forth in arms with Frazer come
The chiefs of Teviotdale.
In Roslin's wild and wooded glen
The clash of swords the shepherd hears,
And from the groves of Hawthornden
Gleam forth ten thousand spears:
For Scottish mothers bring forth men
“Bring forth men-children only!
For thy undaunted mettle should compose
Nothing but males.”

Macbeth.


Of might, that mock at fears!

170

V

Three camps divided raise
Their snowy tops on high;
The breeze-unfurling flag displays
Its lions to the sky:
While chants the mountain lark in air
Its matin carols of delight,
The tongue of mirth is jocund there;
Nor is it dreamt, ere night,
The sun shall shed its golden glare
On thousands slain in fight!

VI

Baffled, and backward borne,
Is England's foremost war;
The Saxon battle-god, forlorn,
Remounts his raven car.
'Tis vain—a third time Victory's cheer
Bursts forth from that resistless foe,
Who, headlong, on their fierce career,
Like mountain torrents go:
The invaders are dispersed like deer,
And whither none may know!

VII

Three triumphs in a day!
Three hosts subdued by one!
Three armies scattered, like the spray,
Beneath one vernal sun!

171

Who, pausing 'mid this solitude
Of rocky streams, o'erhung with trees,
Where rears the cushat-dove its brood,
And foxglove lures the bees,
Could think that men had shed the blood
Of man in haunts like these!

VIII

A dream—a nightmare dream
Of shadowy ages gone,
When daylight wore a demon gleam,
And fact like fiction shone:
A dream!—and it hath left no power
To blast these beauteous scenes around,
“It is telling a tale which has been repeated a thousand times, to say that a morning of leisure can scarcely be anywhere more delightfully spent than in the woods of Roslin and on the banks of the Esk. In natural beauty, indeed, the scenery may be equalled, and in grandeur exceeded, by the Cartland Crags, near Lanark, the dell of Craighall, in Angusshire, and probably by other landscapes of the same character which have been less celebrated; but Roslin and its adjacent scenery have other associations, dear to the antiquarian and the historian, which may fairly entitle it to precedence over every other Scottish scene of the same kind.”—

Provincial Antiquities.


Which look as if a halcyon bower
All gentlest things had found
Here, in this paradise, where flower,
And tree, and bird abound.

IX

Yes! the great Mother still
Claims Roslin for her own,
And Summer, girt with rock and rill,
Here mounts a chosen throne:
Blue Esk to Gorton's listening woods

Gorton lies between Roslin and Hawthornden, and on the same side of the river as the latter. It is celebrated for its caves, which are in the cliff facing the river, and so covered up with bushes and brambles that it is difficult to discover the entrance to them. They are cut in the form of a cross, and are supposed to have been the abode of hermits. During the unhappy reign of David II., when Scotland was overrun by the English, they yielded refuge to Sir Alexander Ramsey of Dalwolsey and a band of chosen followers, noted for patriotism and gallantry.


Is meekly murmuring all day long,
And birds for sheltering solitudes
Pay tributary song:
Check'd be each step that here intrudes
To offer Nature wrong.

172

X

St Clair! thy princely halls
In ruin sink decay'd,

The Castle and Chapel of Roslin are too well known to the lovers of the picturesque to be more than merely alluded to here. The origin of the castle is so remote that, says Chalmers, (Caledonia, vol. ii. p. 571,) it is laid in fable: in fact, it is beyond the date of authentic record. The ruins, with their tremendous triple range of vaults, are still, from their extent and situation, extremely imposing. The chapel, which is still in tolerable preservation, and has been lately carefully repaired, is one of the finest specimens of florid Gothic architecture north of the Tweed. It was founded in 1446 by William St Clair, Prince of Orkney, Duke of Oldenburgh, Earl of Caithness and Stratherne, &c., High Chancellor, Chamberlain, and Lieutenant of Scotland. Indeed, as Godscroft says of him, his titles were such as might “weary even a Spaniard.” The barons of Roslin, each in his armour, lie buried in a vault beneath the floor.


And moss now greens the chapel walls
Where thy proud line is laid!—
What sees the stranger musing here,
Where mail-clad men no longer dwell?
A bleach-field spreads its whiteness near,
And smoke-wreaths round the dell
Show whence the Christian worshipper
Obeys the Sabbath bell.

XI

Thus let it ever be!
Let human discord cease,
And earth the blest millennium see
Of purity and peace!
Die sin away—as dies the mist
Before the cleansing sunrise borne—
And Pity, vainly watchful, list
For Misery's moan forlorn!
Bright be each eve as amethyst,
As opal pure each morn!

173

THE TOMB OF DE BRUCE.

A Freedome is a noble thing;
Freedome makes man to have liking;
Freedome all solace to men gives:
He lives at ease that freely lives.
Barbour.

I

And liest thou, great Monarch, this pavement below?
Thou who wert in war like a rock to the ocean,
Like a star in the battle-field's stormy commotion,
Like a barrier of steel to the bursts of the foe!
All lofty thy boast, grey Dunfermline, may be,
That the bones of King Robert, the hero whose story,
'Mid our history's night, is a day-track of glory,
Find an honour'd and holy asylum in thee:
[16]

“Immediately after the king's death, his heart was taken out, as he had himself directed. He was then buried with great state and solemnity under the pavement of the choir, in the Abbey Church of Dunfermline, and over his grave was raised a rich marble monument, which was made at Paris. Centuries passed on; the ancient church, with the marble monument, fell into ruins, and a more modern building was erected on the same site. This in our own days gave way to time, and, in clearing the foundations for a third church, the workmen laid open a tomb which proved to be that of Robert the Bruce. The lead coating in which the body was found enclosed was twisted round the head in the shape of a rude crown. A rich cloth of gold, but much decayed, was thrown over it, and, on examining the skeleton, it was found that the breast-bone had been sawn asunder to get at the heart.

“There remained, therefore, no doubt that, after the lapse of almost five hundred years, his countrymen were permitted, with a mixture of delight and awe, to behold the very bones of their great deliverer.”

Tytler's Hist., vol. i. p. 421-2.

It is worthy of remark, that the greatest man which Scotland has produced since the hero of Bannockburn was present at the re-interment of these relics, and that Sir Walter Scott bent over the coffin of Robert the Bruce.

See an interesting Report of the discovery of the tomb and reinterment of the body of King Robert, by Sir Henry Jardine, in Transactions of the Antiquarian Society of Scotland, vol. ii. part ii. p. 435.


And here, till the world is eclips'd in decline,
Thy chosen ones, Scotland, shall kneel at this shrine.

II

On Luxury's hot-bed thou sprang'st not to man—
From childhood Adversity's storms howl'd around thee;
And fain with his shackles had Tyranny bound thee,
When, lo! he beheld thee in Liberty's van!

174

To the dust down the Thistle of Scotland was trod;
'Twas wreck and 'twas ruin, 'twas discord and danger;
O'er her strongholds waved proudly the flag of the stranger;
Till thy sword, like the lightning, flashed courage abroad;
And the craven, that slept with his head on his hand,
Started up at thy war-shout, and belted his brand!

III

How long Treason's pitfalls 'twas thine to avoid,—
Was the wild-fowl thy food, and thy beverage the fountain,
Was thy pillow the heath, and thy home on the mountain,
When that hope was cast down, which could not be destroy'd!
As the wayfarer longs for the dawning of morn,
So wearied thy soul for thy Country's awaking,
Unsheathing her terrible broadsword, and shaking
The fetters away, which in drowse she had worn:
At thy call she arous'd her to fight; and, in fear,
Invasion's fang'd bloodhounds were scatter'd like deer.

IV

The broadsword and battle-axe gleam'd at thy call;
From the strath and the corrie, the cottage and palace,
Pour'd forth like a tide the avengers of Wallace,
To rescue their Scotland from rapine and thrall:

175

How glow'd the gaunt cheeks, long all careworn and pale,
As the recreant brave, to their duty returning,
In the eye of King Robert saw liberty burning,
And raised his wild gathering-cry forth on the gale!
O, then was the hour for a patriot to feel,
As he buckled his cuirass, the edge of his steel!

V

When thou cam'st to the field all was ruin and woe;
'Twas dastardly terror or jealous distrusting;
In the hall hung the target and burgonet rusting;
The brave were dispersed, and triumphant the foe:—
But from chaos thy sceptre call'd order and awe—
'Twas Security's homestead; all flourish'd that near'd thee;
The worthy upheld, and the turbulent fear'd thee,
For thy pillars of strength were Religion and Law:
The meanest in thee a Protector could find—
Thou wert feet to the cripple, and eyes to the blind.

VI

O, ne'er shall the fame of the patriot decay—
De Bruce! in thy name still our country rejoices;
It thrills Scottish heart-strings, it swells Scottish voices,
As it did when the Bannock ran red from the fray.
Thine ashes in darkness and silence may lie;
But ne'er, mighty hero, while earth hath its motion,
While rises the day-star, or rolls forth the ocean,
Can thy deeds be eclipsed or their memory die:
They stand thy proud monument, sculptur'd sublime
By the chisel of Fame on the Tablet of Time.

176

FLODDEN FIELD.

We'll hear nae mair lilting, at the owe-milking;
Women and bairns are heartless and wae:
Sighing and moaning on ilka green loaning—
The flowers of the forest are a' wede away.
Scottish Ballad.

I

'Twas on a sultry summer noon,
The sky was blue, the breeze was still,
And Nature with the robes of June
Had clothed the slopes of Flodden hill;
As rode we slowly o'er the plain,
'Mid way-side flowers and sprouting grain,
The leaves on every bough seemed sleeping,
And wild bees murmured in their mirth
So pleasantly, it seemed as Earth
A jubilee were keeping.

II

And canst thou be, unto my soul
I said, that dread Northumbrian field,
Where War's terrific thunder-roll
Above two banded kingdoms pealed?

177

From out the forest of his spears
Ardent imagination hears
The crash of Surrey's onward charging;

The cotemporary accounts of the battle of Flodden, English and Scottish, are now admitted to be full of error and exaggeration; and, indeed, no circumstantial account, freed from these, was given of it till the days of Pinkerton. Some corrections, even of it, with some additional particulars, will be found in Tytler's Scotland, vol. v. Dr Lingard makes the number of the Scottish army forty thousand; and cotemporary English statements admit the English to have been twenty-six thousand; Mr Tytler remarking, that it is by no means improbable that this was rather a low estimate. It is that assumed in the rare tract entitled The Batayle of Floddon-felde, called Brainston Moor, some years ago reprinted by that eminent antiquary, Mr Pitcairn, whose Celebrated Criminal Trials have thrown such a mass of light on the curious mediæval history of Scotland.


While curtal-axe and broadsword gleam
Opposed a bright, wide, coming stream,
Like Solway's tide enlarging.

The Solway is remarkable for the rapidity with which its tides make and recede. Few things more graphic have ever been penned than the detailed account of the phenomena characterising the spring-tides in the Solway Firth, as given in the novel of Redgauntlet. The line in the ballad of “Lochinvar,”

“Love swells like the Solway, but ebbs like its tide,”

is familiar to the memory of all lovers of poetry.


III

Hark to the turmoil and the shout,
The war-cry and the cannon's boom!
Behold the struggle and the rout,
The broken lance and draggled plume!
Borne to the earth with deadly force,
Down come the horseman and his horse;
Round boils the battle like an ocean,
While stripling blithe, and veteran stern,
Pour forth their life-blood on the fern,
Amid its fierce commotion!

IV

Mown down, like swathes of summer flowers,
Yes! on the cold earth there they lie,
The lords of Scotland's banner'd towers,

“Among the slain were thirteen Earls—Crawford, Montrose, Huntly, Lennox, Argyle, Errol, Athole, Morton, Cassillis, Bothwell, Rothes, Caithness, and Glencairn; the King's natural son, the Archbishop of St Andrews, who had been educated abroad by Erasmus; the Bishops of Caithness and the Isles; the Abbots of Inchaffray and Kilwinning; and the Dean of Glasgow. To these we must add fifteen Lords and Chiefs of Clans—amongst whom were Sir Duncan Campbell of Glenurchy; Lauchlan Maclean of Dowart; Campbell of Lawers; and five Peers' eldest sons; besides La Motte, the French Ambassador; and the Secretary of the King. The names of the gentry who fell are too numerous for recapitulation, since there were few families of any note in Scotland which did not lose one relative or another, whilst some houses had to weep the death of all. It is from this cause that the sensations of sorrow and national lamentation, occasioned by the defeat, were peculiarly poignant and lasting; so that, to this day, few Scotsmen can hear the name of Flodden without a shudder of gloomy regret.”—

Tytler's History of Scotland, vol. v. p. 82.


The chosen of her chivalry!
Commingled with the vulgar dead,
Profane lies many a sacred head;
And thou, the vanguard onward leading,
Who left the sceptre for the sword,
For battle-field the festal board,
Liest low amid the bleeding!

178

V

Yes! here thy life-star knew decline,
Though hope, that strove to be deceived,
Shaped thy fair course to Palestine,
And what it wished, full long believed:—

From the circumstance of several of the Scottish nobles having worn at the battle of Flodden a dress similar to the King's, and from the reports that he had been seen alive subsequent to the defeat, many were led long and fondly to believe that, in accordance with a vow, he had gone to Jerusalem on a pilgrimage, to merit absolution for the death of his father; and that, on his return, he would assert his right to the crown.—See Weever's Funeral Monuments, p. 181.

By others the Earl of Home was accused, not only of having failed to support the King in the battle, but of having carried him out of the field, and murdered him. Sir Walter Scott, in a note on the sixth canto of Marmion, says that “this tale was revived in my remembrance, by an unauthenticated story of a skeleton, wrapped in a bull's hide, and surrounded with an iron chain, said to have been found in the well of Home Castle; for which, on inquiry, I could never find any better authority than the sexton of the parish having said, that if the well were cleaned out, he would not be surprised at such a discovery.”

No doubt can be entertained that James fell on the field, where he had fought less with the discretion of a leader than the chivalrous feelings of a knight. He was found on the following day among the slain, and recognised by Lord Dacre, although much disfigured from the number and magnitude of his wounds. It is mentioned by Hereford, in his Annals, (p. 22,) “that when James's body was found his neck was opened in the middle with a wide wound; his left hand, almost cut off in two places, did scarce hang to his arm, and the archers had shot him in many places of his body.”

The remains of James were carried from the field, first to Berwick, and then to Richmond, where they were interred. His sword and dagger are preserved in the Herald's College, London, where they may still be seen.


An unhewn pillar on the plain
Marks out the spot where thou wast slain:
There pondering as I stood, and gazing,
From its grey top the linnet sang,
And, o'er the slopes where conflict rang,
The quiet sheep were grazing.

VI

And were the nameless dead unsung,
The patriot and the peasant train,
Who like a phalanx round thee clung,
[21]

From a contemporary chronicle we learn that the battle commenced between four and five in the afternoon of the 5th September, and lasted till “within the night;” distinctly disproving the assertion of Dr Lingard, that the conflict was decided in little more than an hour. In the curious Original Gazette of the Battle of Flodden, printed by Pinkerton, from the French MS. in the Herald's Office, (Appendix to vol. ii. No. X.,) the Scottish King is stated to have been killed within a lance's length of the Earl of Surrey; and from the same source we learn that, though a large part of his division were killed, none were made prisoners—“a circumstance,” as Sir Walter Scott remarks, “that testifies the desperation of their resistance.”


To find but death on Flodden plain?
No! many a mother's melting lay
Mourned o'er the bright flowers wede away;

It is ascertained that the well-known and beautiful verses now sung as “The Flowers of the Forest” are the production of a lady of family in Roxburghshire, evidence of this fact having been produced by the late Dr Somerville of Jedburgh, to Sir Walter Scott; but it is equally true that the stanzas were only engrafted on the floating remnants of an ancient, and probably nearly contemporary ballad—the lines of the first stanza,

“I've heard them lilting, at the ewes' milking,”

and the concluding one,

“The flowers of the forest are a' wede away,”

being all that remain to tell of its existence, save another imperfect line, which, however, conveys an affecting image—

“I ride single on my saddle,
For the flowers of the forest are a' wede away.”

To the great delight of all the lovers of Scottish music, the original melody of the song, along with those of “Bonny Dundee,” “Waes my heart that we should sunder,” “The last time I came o'er the Muir,” “Johnny Faa,” and several other established favourites, was recently discovered in the Skene MS.—a collection of ancient music, written between the years 1615 and 1620; and bequeathed, about twenty years ago, by Miss Elizabeth Skene of Curriehill and Hallyards, to the Faculty of Advocates. It was published in 1838, under the able editorship of Mr Dauney. By competent judges the old air is declared to differ from the modern one only in being at once more simple and more beautiful; and knowing it to have been sung by the bereaved of Flodden Field, does not destroy a single association, or disturb a single sentiment. By how many smoking hearths, through how many generations, has it caused tears to flow!


And many a maid, with tears of sorrow,
Whose locks no more were seen to wave,
Pined for the beauteous and the brave,
Who came not on the morrow!

VII

From northern Thule to the Tweed
Was heard the wail, and felt the shock;
And o'er the mount, and through the mead,
Untended, wandered many a flock;

179

In many a creek, on many a shore,
Lay tattered sail and rotting oar;
And, from the castle to the dwelling
Of the rude hind, a common grief,
In one low wail that sought relief,
From Scotland's heart came swelling!

THE FIELD OF PINKIE.

WRITTEN ON THE TRI-CENTENARY OF THE BATTLE,

SEPT. 10, 1847.

I

A lovely eve! as loath to quit a scene
So beautiful, the parting sun smiles back
From western Pentland's summits, all between
Bearing the impress of his glorious track;
His last, long, level ray fond Earth retains;
The Forth a sheet of gold from shore to shore;
Gold on the Esk, and on the ripened plains,
And on the boughs of yon broad sycamore.

180

II

Long shadows fall from turret and from tree;
Homeward the labourer thro' the radiance goes;
Calmly the mew floats downward to the sea;
And inland flock the rooks to their repose:
Over the ancient farmstead wreathes the smoke,
Melting in silence 'mid the pure blue sky;
And sings the blackbird, cloistered in the oak,
His anthem to the eve, how solemnly!

III

On this green hill—yon grove—the placid flow
Of Esk—and on the Links that skirt the town—
How differently, three hundred years ago,
The same sun o'er this self-same spot went down!
Instead of harvest wealth, the gory dead
In many a mangled heap lay scattered round;
Where all is tranquil, anguish reigned and dread,
And for the blackbird wailed the bugle's sound.

IV

Mirror'd by fancy's power, my sight before
The past revives with panoramic glow;
Scotland resumes the cold rough front of yore,
And England, now her sister, scowls her foe:
Two mighty armaments, for conflict met,
Darken the hollows and the heights afar—
Horse, cannon, standard, spear, and burgonet,
The leaders, and the legions, mad for war.

In 1544, great part of the town of Musselburgh, including the Town-House and the celebrated “Chapelle of Lauret,” was destroyed by the English army under the Earl of Hertford; and, three years after that event, it became the mustering-place for the Scottish forces — news having arrived of the approach of the Duke of Somerset to Newcastle, at the head of an army of sixteen thousand men, including two thousand horse. To oppose this well-appointed force, “the fiery cross” was sent through the country; and, in an incredibly short time, not less than thirty-six thousand men were congregated at Edmonstone Edge, between the capital and Dalkeith. The English were ultimately drawn up on Falside Brae, in the parish of Tranent, their right extending over the grounds of Walliford and Drummore towards the sea; but, on reconnoitring the position of the Scotch, the Protector found it so very strong — the steep banks of the Esk defending them in front, the morass of the Shirehaugh on the left, and the village of Inveresk, the mounds of the churchyard of St Michael's, and the bridge over the river protected with cannon on the right— that he declined to attack them.

This caution was fatal to his enemies; for, leaving their intrenched position on the morning of the 9th September, Lord Hume, with fifteen hundred light horse, appeared on Edgebricklin Brae, immediately beneath the English, and rushed forward with such impetuosity that Somerset, in the belief that they must be supported by some much more considerable force, gave strict orders to his men to keep their ranks. Impatient of such provocation, Lord Grey extorted leave to oppose them; and, when within a stone's cast, charged them down the hill at full speed with a thousand men-at-arms. The onset was terrible; but the demi-lances and barbed steeds of their opponents were more than a match for the slight hackneys of the Borderers, added to a fearful disadvantage of ground; and, after an unremitting conflict of three hours, the greater part of them were cut to pieces, thirteen hundred men being slain in sight of the Scottish camp, Lord Hume himself severely wounded, and his son taken prisoner.

For very interesting and circumstantial details of this illomened preface to the great battle of Pinkie, vide Patten's Account, p. 46-7; Hayward in Kennet, vol. ii. p. 282; Tytler's History, vol. vi. p. 26-7, edit. first.



181

V

Shrilly uprises Warwick's battle-cry,
As from Falsyde his glittering columns wheel;
Hark to the rasp of Grey's fierce cavalry
Against the bristling hedge of Scotland's steel!
As bursts the billow foaming on the rock,
That onset is repelled, that charge is met;
Flaunting, the banner'd thistle braves the shock,
And backward bears the might of Somerset.

VI

Horseman and horse, dash'd backwards without hope,
Vainly that wall of serried steel oppose.

Subsequent to this preliminary action, the English made overtures to be allowed to retire unmolested back to England, which, being unfortunately mistaken by the Scotch for a proof of weakness, were rejected by them; and, voluntarily abandoning their strong position, they crossed the Esk to meet the English, whose fleet, consisting of thirty-five ships of war, was anchored in the bay, and continued pouring cannon-shot among them as they crossed the bridge—by which the Master of Graham, son of the Earl of Montrose, with many others, was slain. It were superfluous to give an account of the well-known battle which followed. It is sufficient to remind the reader that, after five hours' tremendous fighting, during which the English cavalry had repeatedly, but in vain, attempted to break through the foot battalions commanded by the Earl of Angus, the Highlanders, mistaking a partial success on their own part for complete victory, prematurely gave way to their plundering propensities. At this time a retrograde movement was regarded by them as flight; the same panic seized the borough troops, who also threw down their arms. The Scots fled by three different ways—some towards Edinburgh, some towards the coast, and some towards Dalkeith; and on each route the carnage was dreadful, as a subsequent note from Patten—an eye-witness—testifies.


But now the musketeers rush down the slope,
And thrice five hundred archers twang their bows.
The iron shower descends—they reel—they turn—
Doth Arran flinch! can Douglas but deplore?
Hushed are the cheers that rang thro' Otterburn,
Blunted the blades that crimson'd Ancrum-Moor!

The fame of the Douglas of Otterburn was well supported by his descendant, the Earl of Angus—the hero of the battle of Ancrum-Moor, which was fought only two years preceding that of Pinkie, on which field also he exhibited his wonted gallantry. On the former occasion, he is said to have uttered an exclamation which is exceedingly characteristic. When the Scots began to charge, seeing a heron arise out of the marsh, Angus cried out—“O that I had my white hawk here, that we might all join battle at once!”


VII

They bend—they break—they flee—a panic rout
Ensues; with dying and with dead the plain
Is cumber'd; England whoops her victor shout,
And Scotland's bravest fight, to fall in vain.
And Esk from Roslin famed, and Hawthornden,
Gliding in peace by rock and spreading tree,
Checked by the mass of horses and of men,
Dashed o'er them red and reeking to the sea.

182

VIII

A fearful day was that! since Flodden's day,
Like storm of blood hath darkened not the north;
By thousands sword and shield were thrown away,
Up on the hills, and down beside the Forth:
Through Musselburg, and past St Michael's fane,
Westward the ravage and the rout was sped;
And, thick as cattle pasture on a plain,
Lay round Loretto's hermitage the dead.

“With blode and slaughter of ye enemie,” says old Patten, “this chase was continued v miles in length westward fro the place of their standinge, which was in ye fallow feldes of Undreske, untille Edinborowe parke, and well nigh to the gates of the toune itself, and into Lyeth; and in breadth nie iiii myle, from the fryth sandes up unto Daketh southwarde. In all whiche space the dead bodies lay as thik as a man may notte cattel grasing in a full-plenished pasture. The ryvere ran al rede with blode, soo that in the same chase wear counted as well by some of our men that sumwhat diligently did maike it, as by sum of them take prisoners, that very much did lament it, to have been slayne above xiii thousande. In all thys cumpos of grounde, what with weapons, armes, handes, legges, heddes, blood, and dead bodyes, their flight mought have easily been tracted to every of their iii refuges.”

The Expedicion into Scotlāde of the Most Woortheley Fortunate Prince, Edward Duke of Soomerset, &c. By W. Patten, Londoner, ap. Dalzell's Fragments of Scottish History. 4to, Edinburgh, 1798.

The celebrated chapel dedicated to Our Lady of Loretto stood beyond the eastern gate of Musselburgh, and on the margin of the Links; and pilgrimages from all parts of the country were performed to this shrine. According to Keith, (280,) it was connected with the nunnery of Sciennes, in the south wing of Edinburgh; and Gough the antiquarian says regarding it (Camden's Britannica, vol. iii. 316) that ladies sent handsome presents to it with their baby-linens, which latter were consecrated to promote their safe recovery. Lesley relates (442) that, in August 1530, James V. performed a pilgrimage to it on foot from Stirling, before setting sail for France to woo and win a partner for his throne. The celebrity of the place was upheld by the residence of a hermit, who inhabited a cell adjoining the chapel, and by the pretended performance of miracles. That the hermit was a notable man in his day, is evident from the circumstance of his having a satire addressed to him by Alexander, earl of Glencairn, exposing the hypocrisy of the Roman Catholic clergy. It is entitled Ane Epistill direct fra the Halie Hermeit of Alareit, to his Brethren, the Gray Friars, and thus begins—

“I, Thomas Hermeit in Lauret,
Sanct Francis' ordour do heartily greet,” &c.

(Vide as quoted in Knox's History of Reformation, fol. xxiv.-v. Edin. 1732.)

For an account of the miracles, the curious reader is referred to a very remarkable passage in Row's History of the Kirk of Scotland, 1558 to 1639, p. 448 et seq. Wodrow Society's edition, 1842.


IX

And thou, sweet burn of Pinkie, darkly clear,
Wimpling where water-flags and wild-flowers weave,
'Tween hoof-indented banks, with slaughter drear,
Curdled with blood, beneath the shades of eve—

Local tradition reports that the rivulet or burn of Pinkie— which was principally fed from the marsh of the Howmire, which lies almost in the centre of the battle-field, and around which the carnage was greatest — ran tinged with blood for three days after the fatal conflict.

Thus was literally fulfilled the prophecy attributed to Thomas the Rhymer, (vide Hart's Collection:)

“At Pinken Clugh there shall be spilt
Much gentle blood that day;
There shall the bear lose the guilt,
And the eagle bear it away.”

Whether we agree with the accurate Lord Hailes or not regarding the antiquity of the above as relating to Thomas of Ercildoune, (see dissertation annexed to Remarks on the History of Scotland,) there can be no doubt of the genuineness of another rhyme on the same subject, as it is quoted in Patten's contemporary account:

“Between Seton and the sea,
Mony a man shall die that day.”

“This battell and felde,” says Patten, “the Scottes and we are not yet agreed how it shall be named. We cal it Muskel-borough felde, because that it is the best towne (and yet bad enough) nigh the place of our meeting. Sum of them call it Seton felde, (a toune thear nie too,) by means of a blinde prophecy of theirs, which is this or sume suche saye,—“Betwene Seton and the say, many a man shall die that day.”


Oh! from this scene how many a maiden fair
Looked—languished for her warrior-love in vain,
Till Beauty's roses, blighted by despair,
Paled on the cheeks that ne'er knew bloom again!

X

And oh! the breaking hearts of widowed wife,
Of sire and sister, as with dirgeful moan,
Passing like whirlwind from that field of strife,
From shire to shire, the news went wailing on—
Went wailing on—and wrapped alike in woe
Cottage and castle—and, by every hearth,
Saddened the cheer—bade Woman's tears to flow,
And crushed the patriot's towering hopes to earth!

183

XI

Three hundred years have passed—three centuries,
Even to the reckoning of a single night—
Where stood the hosts I stand: there Pinkie lies
Beneath, and yon is Falsyde on the height.
Victors and vanquished—where are either now
Who shone that day in plume and steel arrayed?
Ask of the white bones scattered by the plough—
Read in the sculptures on grey tombs decayed!

XII

Sated with blood, and glad his prey to leave,
Five hours in hot pursuit and carnage spent,
In yon green clump, by Inveresk, at eve,
Proud Somerset, the victor, pitched his tent:
There, 'mid its circle grey of mossy stone,
A time-worn fleur-de-lis still marks the spot,

In the centre of a circle of trees, at the eastern extremity of the grounds of Eskgrove, and opposite to Pinkie Burn, a square pillar, surmounted by an antique stone representing a fleur-de-lis, marks the spot where the royal tent was pitched on the eve of the battle, and bears the following inscription—

The Protector, Duke of Somerset, Encamped here, 10th September, 1547.

The pillar was erected by the late Lord Eskgrove.


Which else had to the searcher been unknown;
For of that field one other trace is not.

XIII

Oh, Nature! when abroad we look at thee,
In beauty aye revolving, yet the same,
In sun, moon, stars, the air, the earth, the sea,
Of God's great universe the goodly frame,—
Why is it thus we set His laws at nought,
Eschew the truth, and crouch in Error's den,
Forgetting Him, that died and lives, who brought
The message—“Peace on earth, goodwill to men!”

184

XIV

Speed Heaven the time, tho' distant still it be,
When each his pleasure shall in duty find,
When knowledge shall from prejudice set free,
Hearts throb to hearts, and mind respond to mind!
O! for the dawning of that purer day,
Only as yet to Aspiration given,
When clouds no more shall darken o'er our way,
And all shall walk in light—the light from Heaven!

HAWTHORNDEN.

Cum possit Latiis Buchananum vincere Musis
Drummondus, patrio maluit ore loqui.
Major uter? Primas huic defert Scotia, vates
Vix inter Latios ille secundus crat.
Arthur Johnston.

I.

Stranger! gaze round thee on a woodland scene
Of fairy loveliness, all unsurpassed.
In gulfy amphitheatre, the boughs
Of many-foliaged stems engird thy path
With emerald gloom; the shelving, steepy banks,
With eglantine and hawthorn blossomed o'er,

185

And a flush undergrowth of primroses,
Lychnes, and daffodils, and harebells blue,
Of Summer's liberal bounty mutely tell.
From frowning rocks piled up precipitous,
With scanty footing topples the huge oak,
Tossing his arms abroad; and, fixed in clefts,
Where gleams at intervals a patch of sward,
The hazel throws his silvery branches down,
Fringing with grace the dark-brown battlements.
Look up, and lo! o'er all, yon castled cliff—
Its roof is lichened o'er, purple and green,
And blends its grey walls with coeval trees:
There “Jonson sate in Drummond's classic shade:”
The mazy stream beneath is Roslin's Esk—
And what thou lookest on is Hawthornden!

The present house of Hawthornden is a mansion apparently of the seventeenth century, engrafted on the ancient baronial castle, in which Ben Jonson visited the Scottish poet, and from whose remains it is apparent that it had been constructed in times when comfort was less studied than security. It is still in the possession of the Drummonds through the maternal line; but, although yet partly furnished, Sir Francis Walker Drummond, the father of the present proprietor, removed the family residence to a more commodious mansion in the vicinity. Among its relics are a number of Jacobite portraits, and a dress worn by the Chevalier in 1745.

The Scottish founder of the Drummonds is said to have come from Hungary with Margaret, queen of Malcolm Canmore, seven hundred years ago. In the days of Robert the Bruce, Walter de Drummond was, according to Stowe's Annals, clerk-register to that illustrious monarch, and one of his commissioners in concluding a treaty of peace between England and Scotland at Newcastle in 1323. In David the First's reign, the Drummonds rendered themselves prominent by implacable and sanguinary feuds with the Monteiths — the betrayers of Wallace — which were only terminated by royal command, by a charter of agreement, dated on the banks of the Forth, over against Stirling, 17th May 1360, in the presence of Sir Hugh Eglinton and Sir Robert Erskine of Alloa, the King's two justiciaries, and which is still preserved in the family charter-chest.

Through Queen Annabella, the family became connected with the royal line of Scotland; and that lady's brother, Sir Malcolm Drummond, having married Douglas, heiress of Mar, succeeded to that ancient earldom. For his distinguished service at the battle of Otterburn, in having taken prisoner Sir Ralph Percy, the brother of Hotspur, he was rewarded with a pension of five hundred pounds per annum from the customs of Inverness, and was in great reputation with David Bruce, and with the second and third Roberts. The principal line of the Drummonds afterwards became Earls and Dukes of Perth— which titles they forfeited for their adherence to the cause of the Stuarts. They are now represented.


II.

Firm is the mansion's basement on the rock:
Beneath there yawns a many-chambered cave,
With dormitory, and hollow well, and rooms
Scooped by the hands of men.

Beneath the foundations of the ancient building there is a remarkable souterrain, supposed to have been a retreat of the aboriginal Britons, and which consists of several apartments, lighted by apertures in the face of the precipice, and furnished with a draw-well. In later times it served as a place of concealment to Sir Alexander Ramsay and other patriots, who had endeavoured to rescue Scotland from the tyranny of Edward III. Hawthornden, from its exquisite scenery, its ruins, its caves, and its classical associations, is still a great source of attraction to multitudes of summer ramblers. In 1843 it was visited by Queen Victoria and her suite.

From its slant mouth,

Bramble-o'ergrown, facing the river bed,
Thro' Scotland's troublous times, in days of Eld,
When Tyranny held rule, oft have the brave,
Who dared not show themselves in open day,
Seen the red sunset on yon high tree-tops,
As twilight with blue darkness filled the glen;
Or with lone taper, in its pitchy womb,
Biding their time, around Dalwolsey sate,
And mourned the rust that dimm'd each patriot sword.

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III.

Nor pass unmarked that bough-embosomed nook
Beside thee—in the rock a cool recess,
Christened immortally The Cypress Grove,

In this favourite haunt of his meditations, it is said that Drummond composed his curious discourse on Life, Death, and Immortality, which he has not very appositely termed The Cypress Grove. It is throughout indicative of his peculiar genius and turn of mind, and in style bears more than a remote analogy to Burton and Sir Thomas Browne. It is said to have been written after the author's recovery from a dangerous illness.


By him who pondered there. 'Twas to that spot,
So sad, yet lovely in its solitude,
That Drummond, the historian and the bard,
The noble and enlightened, from the world
Withdrew to wisdom, and the holy lore,
At night, at noon, in tempest or in calm,
Which Nature teaches—for, a wounded deer,
Early he left the herd, and strayed alone:
While dreaming lovely dreams, in buoyant youth,
Even 'mid the splendours of unclouded noon,
Had fallen the sudden shadow on his heart,
That lived but in another—whom Death took,
Blighting his fond affections in their spring.

“Notwithstanding his close retirement and serious application to his studies,” says the biography attached to the first uniform edition of the works of Drummond, (Edinburgh, folio 1711,) “love stole in upon him, and did entirely captivate his heart; for he was on a sudden highly enamoured of a fine, beautiful young lady, daughter to Cunningham of Barns, an ancient and honourable family. He met with suitable returns of chaste love from her, and fully gained her affections. But when the day for the marriage was appointed, and all things ready for the solemnisation of it, she took a fever, and was suddenly snatched away by it, to his great grief and sorrow. He expressed his grief for her in several letters and poems; and with more passion and sincerity celebrated his dead mistress than others use to praise their living ones.”

After his bereavement Drummond went abroad, and travelled through Germany, France, and Italy, his chief places of residence being Paris and Rome. While on the Continent, he visited the most famous universities, formed friendships with the most learned men, and made an excellent collection of books in the ancient and modern languages—part of which he bequeathed to his Alma Mater, the College of Edinburgh, and part of which may yet be seen at Hawthornden. While in his forty-fifth year, and after having spent many seasons in literary retirement, he accidentally saw Elizabeth Logan, grand-daughter to Sir Robert Logan of Restalrig, and was so struck with her likeness to his first love—whose memory he had ever fondly cherished—that he paid his addresses to, and married her.

Drummond was a devoted Cavalier, and his end is said to have been hastened by the fate of Charles I. He died on the 6th December of the same year, at the age of sixty-four. To me he has always seemed to hold nearly the same place in reference to Scottish, that the Earl of Surrey does to English literature. Both are remarkable for taste, elaboration, and fine touches of nature, and were possessed of the same chivalry of character. In this they differed—the one died by, and the other for, his master.


IV.

Through years of calm and bright philosophy,
Making this Earth a type of Paradise,
He sojourned 'mid these lone and lovely scenes—
Lone, listening from afar the murmurous din
Of Life's loud bustle; as an eremite,
In sylvan haunt remote, when housed the bees,
And silent all except the nightingale,
Whom fitful song awakes, at eve may hear,
Dream-like, the boom of the far-distant sea:
And in that cave he strung and struck his lyre,

187

Waking such passionate tones to love and Heaven,
That from her favourite haunt, the sunny South,
From Arno and Vaucluse, the Muse took wing,
And fixed her dwelling-place on Celtic shores.

THE RUINS OF SETON CHAPEL.

Il y a des Comptes, des Roys, des Dues; ainsi
C'est assez pour moy d'etre Seigneur De Seton.
Marie D'Ecosse.

I.

The beautiful, the powerful, and the proud,
The many, and the mighty, yield to Time—
Time that, with noiseless pace and viewless wing,
Glides on and on—the despot of the world.

II.

With what a glory the refulgent sun,
Far, from the crimson portals of the west,
Sends back his parting radiance: round and round
Stupendous walls encompass me, and throw
The ebon outlines of their traceries down
Upon the dusty floor: the eastern piles
Receive the chequered shadows of the west,
In mimic lattice-work and sable hues.
Rich in its mellowness, the sunshine bathes

188

The sculptured epitaphs of barons dead
Long ere this breathing generation moved,
Or wantoned in the garish eye of noon.
The sad and sombre trophies of decay—
The prone effigies, carved in marble mail;

Several fine monuments of the Lords of Seton and of their Ladies yet remain in tolerable preservation within the chapel of Seton, both inserted into the walls, and strewed along the dilapidated floor, and contain epitaphs in part legible. Grose in his Antiquities has given us that at length which commemorates the courage, the calamities, and the unflinching fidelity of George, the fifth baron, the friend of Queen Mary, in whose cause he suffered exile. He it was whose funeral procession, by a strange coincidence of circumstances, intercepted for a few minutes on the road the triumphant progress of her son, James the Sixth, and his court retinue, on their way south to take possession of the English throne; a touching episode, which Mr Tytler very appositely employs to conclude his History of Scotland. The stone on which the King sate, while his retinue joined in paying the last services to the dead, is still shown, and forms a projection in the circular turret, at the south-west corner of the ancient garden-wall.

The greater part of the floor of the area of the chapel is strewn with tombstones of elaborate workmanship, but cracked, broken, defaced, and nearly illegible. This arose from the building having, through a long series of years, been allowed to remain literally open in door and window. For some time past, more attention has been paid to it, the Earl of Wemyss, the proprietor, having secured the windows and doorway.


The fair Ladye with cross'd palms on her breast;
The tablet grey with mimic roses bound;
The angled bones, the sand-glass, and the scythe,—
These, and the stone-carv'd cherubs that impend
With hovering wings, and eyes of fixedness,
Gleam down the ranges of the solemn aisle,
Dull 'mid the crimson of the waning light.

III.

This is a season and a scene to hold
Discourse, and purifying monologue,
Before the silent spirit of the Past!
Power built this house to Prayer

At a remote period this chapel was endowed by the wealthy house of Seton as the parish church; and other establishments being subsequently added to it, it was rendered collegiate in the reign of James the Fourth. Many curious particulars of the additions to, and the alterations made on the ancient structure, may be found in the quaint and interesting little book, The Chronicle of the House of Seatoun, by Sir Richard Maitland of Lethington, (Glasgow Reprint, 1829.) An aisle was added by Dame Catherine Sinclair, wife of the first lord, and the choir roofed with stone by George, the third lord, whose widow, Jane, in turn demolished Dame Catherine's aisle, replacing it by one of better proportions, which gave to the whole structure the complete form of the cross. It is also recorded that she equipped the church and its officiating priests with a complete stand of purple velvet, embroidered with the same devices, and richly gifted the altar with plate and other decorations. These, however, only held out more cogent inducements to plunder to the army of the Earl of Hertford in 1544, who, after laying waste Holyrood, Loretto, and other adjacent establishments, ransacked and burned the chapel. The present edifice is not of great extent, and is surmounted by a spire, which does not seem to have ever been raised to the intended elevation.

—'twas earthly power,

And vanished—see its sad mementoes round!
The gilly-flowers upon each fractured arch,
And from the time-worn crevices, look down,
Blooming where all is desolate. With tufts
Clustering and dark, and light-green trails between,
The ivy hangs perennial; yellow-flower'd,
The dandelion shoots its juicy stalks
Over the thin transparent blades of grass,
Which bend and flicker, even amid the calm;
And, oh! sad emblems of entire neglect,
In rank luxuriance, the nettles spread
Behind the massy tablatures of death,

189

Hanging their pointed leaves and seedy stalks
Above the graves, so lonesome and so low,
Of famous men, now utterly unknown,
Yet whose heroic deeds were, in their day,
The theme of loud acclaim—when Seton's arm
In power with Stuart and with Douglas vied.

Through several centuries the family of Seton occupied a first rank in Scotland, in wealth, retinue, and high connection. After the forfeiture of the vast estates of the De Quinceys, at the termination of the succession wars of the Bruce and Baliol, these were conferred by King Robert, in large part, on the Setons, who had remained faithful to his cause; and on Sir Chrystal, who had been instrumental in saving his life at the battle of Methven, he conferred the hand of his sister. From this circumstance, a sword supporting a royal crown was added to the Seton arms, which originally consisted of three crescents with a double tressure, flowered and counter-flowered with fleurs-de-lis. In the reign of James the Sixth, the Lords of Seton became Earls of Winton. In 1715, George, the fifth and last Earl, took up arms for the Stuarts. He escaped from the Tower of London by sawing through the bars of the windows, and ended his chequered life at Rome in 1749. His magnificent estates were forfeited, and with him closed his long and illustrious line. Seton is now the property of the Earl of Wemyss and March, and Winton of Lord Ruthven. Within the last two or three years the Earl of Eglinton has also assumed the title of Earl of Winton. Diu maneat.


Clad in their robes of state, or graith of war,
A proud procession, o'er the stage of time,
As century on century wheeled away,
They passed; and, with the escutcheons mouldering o'er
The little spot, where voicelessly they sleep,
Their memories have decayed;—nay, even their bones
Are crumbled down to undistinguished dust,
Mocking the Herald, who, with pompous tones,
Would set their proud array of quarterings forth,
Down to the days of Chrystal and De Bruce.

IV.

What art Thou now, O pile of olden time?—
A visible memento that the works
Of men do like their masters pass away!
The grey and time-worn pillars, lichened o'er,
Throw from their fretted pedestals a line
Of sombre darkness far, and chequer o'er
The floor with shade and sunshine. Hoary walls!
Since first ye rose in architectural pride—
Since first ye frowned in majesty of strength—
Since first ye caught the crimson of the dawn
On oriel panes, on glittering lattices
Of many-coloured brightness—Time hath wrought

190

An awful revolution. Night and morn,
From the near road, the traveller heard arise
The hymn of gratulation and of praise,
Amid your ribbed arches: sandalled monks,
Whitened by eld, in alb and scapulaire,
With book and crosier, mass and solemn rite,
Frail, yet forgiving frailties, sojourn'd here,
When Rome was all-prevailing, and obtained—
Though Cæsars and though Ciceros were not
The rulers of her camps and cabinets—
A second empire o'er the minds of men.

The Seton family were strongly attached to the Roman Catholic faith, which they warmly fostered by their influence and by munificent ecclesiastical endowments. The Protestant Reformation was obstinately opposed by George, Lord Seton, and after its accomplishment the family, although devoted royalists, almost ceased to interfere in public matters. The ancient bias, however, again showed itself in the first Jacobite rebellion, which proved fatal to the house of Seton.


V.

What art Thou now, O pile of olden time?—
A symbol of antiquity—a shrine
By man deserted, and to silence left.
The sparrow chatters on thy buttresses
Throughout the livelong day, and sportively
The swallow twitters through thy vaulted roofs,
Fluttering the whiteness of its inner plumes
Through shade, and now emerging to the sun;
The night-owls are thy choristers, and whoop
Amid the silence of the dreary dark;
The twilight-loving bat, on leathern wing,
Finds out a crevice for her callow young
In some dilapidated nook, on high,
Beyond the unassisted reach of man;
And on the utmost pinnacles the rook
Finds airy dwelling-place and home secure.
When Winter with his tempests lowers around,

191

The whirling snow-flakes, through the open holes
Descending, gather on the tombs beneath,
And make the sad scene desolater still:
When sweeps the night-gale past on forceful wing,
And sighs through portals grey a solemn dirge,
As if in melancholy symphony,
The huge planes wail aloud, the alders creak,
The ivy rustles, and the hemlock bends
With locks of darkness to its very roots,
Springing from out the grassy mounds of those
Whose tombs are long since tenantless. But now,
With calm and quiet eye, the setting sun,
Back from the Grampians that engird the Forth,
Beams mellowness upon the wrecks around,
Tinges the broken arch with crimson rust,
Flames down the Gothic aisle, and mantles o'er
The tablatures of marble. Beautiful—
So bathed in nature's glorious smiles intense—
The ruined altar, the baptismal font,
The wallflower-crested pillars, foliage-bound,
The shafted oriel, and the ribbed roofs,
Labour, in years long past, of cunning hands!

VI.

Thy lords have passed away: their palace home,
Where princes oft at wine and wassail sate,

The house, or rather palace of Seton, as it was commonly termed, was demolished towards the close of last century, and a large unmeaning castellated mass of building reared in the immediate vicinity of the site, which for many years, along with the sea-house of Port Seton, which was in 1844 destroyed by fire, was used as barracks for the militia. It was during this occupancy that the interior of the chapel, then open and exposed, suffered such dilapidation.

The ancient palace was a strong turreted edifice, evidently built at various times, although the general style of ornament was that of the sixteenth century. On various parts of it were inscribed the words Un Dieu, un Foy, and un Roy, un Loy, as expressing the sacred and civil tenets of George, Lord Seton, the friend of Mary. Some portions of the structure were evidently, however, of much greater antiquity, and the whole was surrounded by a loopholed wall with turrets, which also included the chapel. Some fragments of this wall yet remain to the north of the ancient garden, which, with its buttressed and crumbling enclosures, yet exists—a curious memento of past times.

From the time of Bruce downwards, the palace of Seton was occasionally the abode of the Scottish kings; and after the junction of the crowns, it was visited by James the Sixth and by Charles the Second. On the former occasion, we are informed in The Muses' Welcome to the High and Mighty Prince James, printed in the following year, (1618,) that on the 15th May “the King's Majestie come to Sea-toune,” where he was enlarged in a Latin poem by “Joannes Gellius a Gellistoun, Philosoph. et Med. Doc.”

From the connection of the house of Seton with the once powerful family of Buchan, “thre Cumming schevis” were also quartered with their arms, (Chron. of House of Seytoun, p. 37); and by intermarriage its male descendants have come to represent the illustrious families of Gordon, Aboyne, and Eglinton. The great houses of the Seton Gordons are descended from Margaret Seton, who married Alan de Wyntoun about the middle of the fourteenth century, her second son, Sir Alexander, having espoused the heiress of the house of Gordon.

Of the ancient palace of Seton, as stated in the text, scarcely one stone is left upon another, and it is difficult amid the grass to trace out the lines of its foundations.


Hath not a stone now on another left;
And scarcely can the curious eye trace out
Its strong foundations—though its giant arms,
Once, in their wide protecting amplitude,

192

Even like a parent's circled thee about.
Now Twilight mantles nature: silence reigns,
Save that, beneath, amid the danky vaults,
Is heard, with fitful melancholy sound,
The clammy dew-drop plashing: silence reigns,
Save that amid the gnarly sycamores,
That spread their huge embowering shades around,
From clear, melodious throat, the blackbird trills
His song—his almost homily to man—
Dirge-like, and sinking in the moody heart,
With tones prophetic. Through the trellis green,
The purpling hills look dusky; and the clouds,
Shorn of their edge-work of refulgent gold,
Spread, whitening, o'er the bosom of the sky.
Monastic pile, farewell! to Solitude
I leave thy ruins; though, not more with thee,
Often than on the highways of the world,
Where throng the busy multitudes astir,
Dwells Solitude. On many a pensive eve,
My thoughts have brooded on the changeful scene,
Gazed at it through the microscope of Truth,
And found it, as the Royal Psalmist found,
In all its issues, and in all its hopes,
Mere vanity. With ken reverting far
Through the bright Eden of departed years,
Here Contemplation, from the stir of life
Estranged, might treasure many a lesson deep;
And view, with unsophisticated eye,
The lowly state, and lofty destiny,
The pride and insignificance of man!

193

LINES IN THE PARK OF KELBURN CASTLE.

I.

A lovely eve! though yet it is but spring
Led on by April,—a refulgent eve,
With its soft west wind, and its mild white clouds,
Silently floating through the depths of blue.
The bird, from out the thicket, sends a gush
Of song, that heralds summer, and calls forth
The squirrel from its fungus-covered cave
In the old oak. Where do the conies sport?
Lo! from the shelter of yon flowering furze,
O'ermantling, like an aureate crown, the brow
Of the grey rock, with sudden bound, and stop
And start, the mother with her little ones,
Cropping the herbage in its tenderest green;
While overhead the elm, and oak, and ash,
Weave for the hundredth time their annual boughs,
Bright with their varied leaflets.
Hark! the bleat
From yon secluded haunt, where hill from hill
Diverging leaves, in sequestration calm,

194

A holm of pastoral loveliness: the lamb,
Screened from the biting east, securely roams
There, in wild gambol with its peers, on turf
Like emerald velvet, soft and smooth; and starts
Aside from the near waterfall, whose sheet
Winds foaming down the rocks precipitous,
Now seen, and now half-hidden by the trunks
Contorted, and the wide umbrageous boughs
Of time and tempest-nurtured woods. Away
From the sea-murmur ceaseless, up between
The green secluding hills, that hem it round
As 'twere with conscious love, stands Kelburn House,
With its grey turrets, in baronial state,

In the text, reference is made more to the situation of Kelburn Castle and its capabilities than either to its real antiquity, or to historical events connected with it. Its appearance under a fine April sunset, and the associations awakened by the surrounding scenery, were such as are there faintly delineated.

In a more concentrated form, (that of a square tower,) Castle Kelburn is, however, of very considerable antiquity, most of the present additions having been made by David, Earl of Glasgow. Richard Boyle, Dominus de Kaulburn, is mentioned in a transaction with Walter Cumyn in the reign of Alexander the Third, the hero of Largs; and Robert de Boyville of Kelburn, and Richard de Boyville of Ryesholm, were subscribers of the Ragiment Roll in 1296, both of which properties are to this day possessions of the family.

Kelburn Castle is thus noticed by old Pont:—“Kelburne Castell, a goodly building, veill planted, having werey beutifull orchards and gardens, and in one of them a spatious room adorned with a christalin fontane cutte all out of the living rocke. It belongs heritably to John Boll, laird thereof.”


A proud memento of the days when men
Thought but of war and safety. Stately pile
And lovely woods! not often have mine eyes
Gazed o'er a scene more picturesque, or more
Heart-touching in its beauty. Thou wert once
The guardian of these valleys, and the foe
Approaching heard, between himself and thee,
The fierce, down-thundering, mocking waterfall;
While, on thy battlements, in glittering mail,
The warder glided; and the sentinel,—
As neared the stranger horseman to thy gates,
And gave the pass-word, which no answer found,—
Plucked from his quiver the unerring shaft,
Which, from Kilwinning's spire, had oft brought down
The mock Papingo.

The Papingo is a bird less known to Sir William Jardine or to Mr James Wilson than to heraldry; and in the days when the bow and arrow were used in war throughout the whole of Europe, by several of the acts of the old Scotch Parliament, the young men of every parish were strictly commended, in spite of the Sir Andrew Agnews of their age, to practise archery, for an hour or two every Sunday, after divine service. When this custom fell into desuetude in almost every other quarter, archery appears to have remained even to our own day as a favourite recreation and accomplishment at Kilwinning, the most distinctive kind being the shooting at the Papingo, which is cut in wood, fixed in the end of a pole, and placed about a hundred and twenty feet high, on the steeple of the monastery, the archer who shoots it down being honoured with the title of Captain for the year. The laws and usages of the Company are known only by tradition prior to 1488, but from 1688 regular records have been kept. At this latter period a piece of plate was substituted for a sash, which had been the victor's reward from the former era. This sash, or benn, was a piece of taffeta or Persian, of different colours, chiefly red, green, white, and blue, and not less in value than £20 Scotch.

The festival of the Papingo is still annually held at Maybole, in the same county; and from a curious description of it in the history of the Somerville family, Sir Walter Scott acknowledges to have drawn the hint of the inimitable serio-comic descriptive scene in Old Mortality, wherein Goose Gobbie, in his negligé armour, runs full tilt at the Noah's ark carriage of Lady Margaret Bellenden, the unfailing remembrancer of King Charles the Second, of blessed memory.


Mournfully, alas!
Yet in thy quietude not desolate,

195

Now, like a relic of the times gone by,
Down from thy verdant throne, upon the sea,
Which glitters like a sheet of molten gold,
Thou lookest thus, at eventide, while sets,
In opal and in amethystine hues,
The day o'er distant Arran, with its peaks
Sky-piercing, yet o'erclad with winter's snows
In desolate grandeur; and the cottaged fields
Of nearer Bute smile in their vernal green,
A picture of repose. High overhead
The gull, far-shrieking, through yon stern ravine
Of wild, rude rocks, where brawls the mountain stream,
Wings to the sea, and seeks, beyond its foams,
Its own precipitous cliff upon the coast
Of fair and fertile Cumbrae; while the rook,
Conscious of coming eventide, forsakes
The leafing woods, and round the chimneyed roofs
Caws as he wheels, alights, and then anon
Renews his circling flight in clamorous joy.

II.

Mountains that face bald Arran! though the sun
Now, with the ruddy lights of eventide,
Gilds every pastoral summit on which Peace,
Like a descended angel, sits enthroned,
Forth gazing on a scene as beautiful
As Nature e'er outspread for mortal eye;
And but the voice of distant waterfall
Sings lullaby to bird and beast, and wings
Of insects murmurous, multitudinous,

196

That in the low, red, level beams commix,
And weave their elfin dance,—another time
And other tones were yours, when on each peak
At hand, and through Argyle and Lanark shires,
Startling black midnight, flared the beacon lights,
And when from out the west the castled steep
Of Broadwick reddened with responsive blaze.

An allusion is here made to the signal-light in the vicinity of Turnberry Castle, the ancient seat of the Earls of Carrick, the maternal ancestors of Bruce, by which the hero of Bannockburn was induced to enter Scotland; and which, though at first a source of disappointment, was the precursor of a series of successes, which terminated in the independence of his native country.

The whole circumstances are minutely described by Barbour, (Bruce, book iv. canto 1,) and with more than his wonted spirit and vivacity. So fine are his introductory lines, that Sir Walter Scott seems to think that they served as a model for the style of Gawain Douglas.

More beautiful, however, by far is the description in the fifth canto of the Lord of the Isles, stanza xiii.

“South and by west the armada bore,
And near at length the Carrick shore;
As less and less the distance grows,
High and more high the beacon rose;
The light, that seemed a twinkling star.
Now blazed portentous, fierce, and far.
Dark-red the heaven above it glowed,
Dark-red the sea beneath it flowed,
Red rose the rocks on ocean's brim,
In blood-red light her islets swim;
Wild scream the dazzled sea-fowl gave,” &c.

A night was that of doubt and of suspense,
Of danger and of daring, in the which
The fate of Scotland in the balance hung
Trembling, and up and down wavered the scales;
But Hope grew brighter with the rising sun,
And Dawn looked out, to see upon the shore
The Bruce's standard floating on the gale,
A call to freedom!—barks from every isle
Pouring with clumps of spears!—from every dell
The throng of mail-clad men!—vassal and lord,
With ponderous curtal-axe, and broadsword keen,
Banner and bow; while, overhead, afar
And near, the bugles rang amid the rocks,
Echoing in wild reverberation shrill,
And scaring from his heathery lair the deer,
The osprey from his island cliff of rest.

III.

But not alone by that fierce trumpet-call,
Through grove and glen, on mount and pastoral hill,
The brute and bird were roused—by it again,
And by the signal blaze upon the hills,
And by the circling of the fiery cross,

197

Then once again were Scotland's children roused;—
With swelling hearts and loud acclaim they heard
The summons, saw the signal, and cast off
With indignation in the dust the weeds
Of their inglorious thraldom. Every hearth
Wiped the red rust from its ancestral sword,
And sent it forth avenging to the field
In brightness—but with Freedom to be sheathed!
Yea, while the mother and the sister mourned,
And while the maiden, half-despairingly,
Wept for her love, who might return no more,
The grey-haired father, leaning on his staff,
Infirm, felt for a moment to his heart
The youthful fire return, and inly mourned
That he could do no more—no more than send
A blessing after his young gallant boy,
Armed for the battles of his native land,
Nor wished him back, unless with Freedom won!

IV.

To olden times my reveries have roamed—
While twilight hangs above her silver star,
Which in the waveless deep reflected shines—
Have roamed to glory and war, and the fierce days
Of Scotland's renovation, when the Bruce
Beheld the sun of Bannockburn go down,
And wept for gladness that the land was free!
Fitful and fair, yet clouded with a haze,
As 'twere the mantle of uncertainty—
The veil of doubt—to memory awakes

198

The bright heart-stirring past, when human life
(For but its flashing points to us remain)
Was half romance; and were it not that yet,
In stream, and crag, and isle, and crumbling walls
Of keep and castle, still remains to us
Physical proof that history is no mere
Hallucination, oftentimes the mind
(So different is the present from the past)
Would deem its pageant an illusion all.

V.

Arran, and Bute, and Cumbrae, and ye peaks
Glowing like sapphires in the utmost west,
Sweet scenes of beauty and peace, farewell! The eyes
But of a passing visitor are mine
On you. Before this radiant eve, enshrined
For ever in my inmost soul, ye were
Known but in name; but now ye are mine own,
One of the pictures which fond memory,
In musing phantasy, will oft-times love
To conjure up, gleaning, amid the stir
And strife of multitudes, as 'twere repose,
By dwelling on the tranquil and serene!

199

THE THORN OF PRESTON.

Reviving with the genial airs,
Beneath the azure heaven of spring,
Thy stem of ancient vigour bears
Its branches green and blossoming;
The birds around thee hop and sing,
Or flit, on glossy pinions borne,
Above thy time-resisting head,
Whose umbrage overhangs the dead,
Thou venerable Thorn!

On a field between the ancient village of Preston and Cockenzie, there exists—or very recently existed—a tree of this description, which tradition points out as being near the spot where Colonel Gardiner received his mortal wound. I have more than once regarded this leafy monument of the brave with feelings of no ordinary interest. It is within sight of the house wherein the hero's family were then living.


Three ages of mankind have pass'd
To silence and to sleep, since thou,
Rearing thy branches to the blast,
As glorious, and more green than now,
Sheltered beneath thy shadowy brow
The warrior from the dews of night:
To doubtful sleep himself he laid,
Enveloped in his tartan plaid,
And dreaming of the fight.

200

Day open'd in the orient sky
With wintry aspect, dull and drear;
On every leaf, while glitteringly
The rimy hoar-frost did appear.
Blue Ocean was unseen, though near;
And hazy shadows seem'd to draw,
In silver with their mimic floods,
A line above the Seton woods,
And round North Berwick Law.
Hark! 'twas the bagpipe that awoke
Its tones of battle and alarms!
“The pipes played, and the clans rushed forward, each in its own dark column. As they advanced they mended their pace, and the muttering sounds of the men began to swell into a wild cry.”

Waverley, vol. ii.


The royal drum, with doubling stroke,
In answer, beat, “To arms—to arms!”
If tumult and if war have charms,
Here might that bliss be sought and found:
The Saxon line unsheaths the sword;
Rushes the Gael, with battle-word,
Across the stubble ground.
Alas! that British might should wield
Destruction o'er a British plain;
That hands, ordain'd to bear the shield,
Should bring the poison'd lance to drain
The life-blood from a brother's vein,
And steep ancestral fields in gore!
Yet, Preston, such thy fray began;
Thy marsh-collected waters ran
Empurpled to the shore.

201

The noble Gardiner, bold of soul,
Saw, spirit-sunk, his dastards flee,
Being deserted by his own regiment, who turned and fled after a few moments' resistance, he saw a party of foot, which he had been ordered to support, fighting bravely, without a commander. “He rode up to them,” says Dr Doddridge, “and cried out aloud, ‘Fire on, my lads, and fear nothing.’ But just as the words were out of his mouth, a Highlander advanced towards him, with a scythe fastened to a long pole, with which he gave him such a deep wound on his right arm that his sword dropped out of his hand; and at the same time several others coming about him, while he was thus dreadfully entangled with this cruel weapon, he was dragged off from his horse. The moment he fell, another Highlander, whose name was M`Naught, and who was executed about a year after, gave him a stroke, either with a broadsword or a Lochaber axe, on the hinder part of his head, which was the mortal blow.”—

Doddridge's Life of Gardiner.


Disdain'd to let a fear control,
And, striving by the side of thee,
Fell, like a champion of the free!
And Brymer, too, who scorn'd to yield,
Here took his death-blow undismay'd,
And, sinking slowly downward, laid
His back upon the field.
Descendant of a royal line—
A line unfortunate and brave!
Success a moment seemed to shine
On thee—'twas sunbeams on a grave!
Thy home a hiding-place—a cave,
With foxes destined soon to be!
To sorrow and to suffering wed,
A price on thy devoted head,
And blood-hounds tracking thee!
'Twas morn; but ere the solar ray
Shot, burning, from the west abroad,
The field was still; the soldier lay
Beneath the turf on which he trod,
Within a cold and lone abode,
Beside the spot whereon he fell;
For ever sever'd from his kind,
And from the home he left behind—
His own paternal dell!

202

Sheathed in their glittering panoply,
Or wrapt in war-cloak, blood-besprent,
Within one common cemetery,
The lofty and the low were pent:
No longer did the evening tent
Their mirth and wassail-clamour hear:
Ah! many a maid of ardent breast
Shed for his sake, whom she loved best,
The heart-consuming tear!
Thou, lonely tree, survivest still—
Thy bloom is white, thy leaf is green;
I hear the tinkling of a rill;
All else is silent: and the scene,
Where battle raged, is now serene
Beneath the purple fall of night.
Yet oft, beside the plough, appear,
Casque, human bone, and broken spear,
Sad relics of the fight!

203

THE BASS ROCK.

The scout, the scart, the cattiwake,
The solan-goose sits on the laik,
Yearly in the spring.
Ray's Itineraries, (1661.)

I.

'Twas Summer's depth; a more enlivening sun
Never drank up the gelid morning dews,
Or crimsoned with its glow the July flowers,
Than that on which our boat, with oar and sail,
Left Canta Bay, with its embosomed huts,
And through the freshening tide, with eager prow,
Bore onward to thy rocks, horrific Bass!

II.

Light blew the breeze, the billows curled around;
'Mid clouds of sea-fowl, whose unceasing screams
Uncouth filled all the empty heavens with sound,
Forward we clove: at times the solan's wing,
As if to show its majesty of strength,
Brushed near us with a roughly winnowing noise;
And now, aloft, a lessening speck, was seen
Over the cloudlets, 'mid engulfing blue.

204

Around us, and around, the plovers wheeled
In myriads, restless, multitudinous,
Wedge-like, at intervals their inner plumes
Glancing like silver in the sunny ray;
The parrot dived beside us; slowly past
Floated the graceful eider-duck; with shrieks
The snipe zig-zagg'd, then vanished in alarm;
And all in air and ocean seemed astir;
Until the sole and narrow landing-place

The Bass is only accessible at one flat shelvy point to the south-east,—the sole landing-places, and these but a few feet wide, being the south and north sides of this point. To command these there is a small fortalice, now unroofed, and in ruins. To the west the cell in which Blackadder was imprisoned and died is still pointed out, with its three small ironbarred windows; and half-way up the acclivity, a little beyond the ancient garden, where now not even a “flower grows wild,” are the remains of a Roman Catholic chapel, which, when the island was made the bastille of Scotland, state necessity converted into an ammunition magazine.

The Bass is about a mile and a half from the shore, and nearly the same in circumference. Around it the sea has been fathomed to the depth of 180 feet; and as the rock rises above it to the height of 420, the total elevation from the base is about 600 feet. Its most precipitous aspect is towards the north, where the descent to the ocean is almost a sheer perpendicular; and below there is a remarkable caverned passage leading completely through the rock to the southward, which is navigable in calm weather even at full tide.


We reached, and, grappling with the naked crags,
Wound to a smoother ledge our sheer ascent.

III.

Never was transit more electrical!
An hour ago, and by thy traceried walls
We drove, Newbyth, beneath the o'erhanging boughs
Of forests old, wherein the stock-dove plained
In sequestration; while the rabbit, scared,
Took to its hole under the hawthorn's root;
And lay our path through bright and bloomy fields,
Where, from the scented clover to the cloud,
Arose the lyric lark on twinkling wings;
And linnets from each brake responsively
Piped to each other, till the shady groves
Of Tyningham seemed melody's abode.
Everything breathed of happiness and life,
Which in itself was joy; the hill-side farms
Basked in the sunshine with their yellow cones
Of gathered grain; the ploughboy with his team
Stalked onward whistling; and, from cottage roofs,

205

Bluely ascended to the soft clear sky
The wreathing smoke, which spake domestic love,
In household duties cheerfully performed;
And, wading in the neighbouring rivulet,
With eager fingers, from the wild-flower banks
Sweet-scented, childhood gathered nameless blooms.
And now, as if communion were cut off
Utterly with mankind and their concerns,
Amid the bleak and barren solitude
Of that precipitous and sea-girt rock
We found ourselves; the waves their orison
Howled to the winds, which from the breezy North
Over the German Ocean came, as 'twere
To moan in anger through the rifted caves,
Whose echoes gave a desolate response!

IV.

Far in the twilight of primeval time,
This must have been a place (ponderingly
Methought) where aboriginal men poured forth
Their erring worship to the elements,
Long ere the Druid, in the sullen night
Of old oak forests, tinged his altar-stone
With blood of brotherhood. It must be so;
So awfully doth the spirit of their powers—
The desolating winds, the trampling waves,
With their white manes, the storm-shower, and the sun—
Here, in this solitude, impress the mind.
Yet human hearts have beat in this abode,

Tradition asserts that the Bass was the residence of Baldred, the disciple of Kentigern, in the sixth century; and he is regarded by Major, and by Spotswood, (vide Church History,) as the apostle of East Lothian, having fixed his cell at Tyningham, and preached through the neighbouring country. This account is countenanced by Smith's Bede, (p. 231-254,) where it is said that a Saxon monastery, dedicated to him, existed there. The diocese of the saint is described by Simeon as “tota terra quæ pertinet ad monasterium Sancti Balthere quod vocatur Tyningham a Lambermore usque ad Escemuthe (Inveresk.”) Consequently it comprehended the whole superficies of East Lothian.


All sullen and repulsive though it be—

206

The hearts of priests and princes; and full oft
Lone captive eyes, for many a joyless month,
Have marked the sun, that rose o'er eastward May,
Expire in glory o'er the summits dun
Of the far Grampians, in the golden west:
Yea, still some ruins, weather-stained, forlorn,
And mottled with the melancholy weeds
That love the salt breeze, tell of prisons grim,

In 1406 the unfortunate King Robert the Third placed his son, afterwards James the First, of poetic memory, in this fortalice on the Bass, as being the stronghold of greatest security against the machinations of his uncle, the cruel and perfidious Duke of Albany. It was for many generations the property of the ancient family of Lauder, who styled themselves of the Bass, and who are now, I believe, represented by Sir Thomas Dick Lauder of Fountainhall and Grange, the accomplished author of the Account of the Morayshire Floods, A Coasting Voyage round Scotland, The Wolf of Badenoch, and other well-known works. It is supposed, however, that their mansion was not on the island, but on the shore near North Berwick; and a flat stone in the cemetery of the Auld Kirk is said to mark out their resting-place.

The island was afterwards converted into a state-prison, alike for civil and ecclesiastical delinquents; and during the reigns when Presbytery was proscribed and persecuted, many of its adherents, as testified by the pages of Wodrow, were confined here. The most distinguished of these was Blackadder, whose memoirs have been ably and interestingly written by Dr Crichton.


Where, in an age as rude, though less remote,
Despotic Policy its victims held
In privacy immured; and where, apart,
The fearless champions of our faith reformed,
Shut up, and severed from the land they loved,
Breathed out their prayers—that day-spring from on high
Should visit us—to God's sole listening ear!

V.

A mighty mass majestic, from the roots
Of the old sea, thou risest to the sky,
In thy wild, bare sublimity alone.
All-glorious was the prospect from thy peak,
Thou thunder-cloven Island of the Forth!
Landward Tantallon lay, with ruined walls

Opposite to the Bass, and on three sides surrounded by the sea, rise the majestic ruins of Tantallon Castle, the great strong-hold of the ancient Douglases, from which they defied alike the threats of the foe and the commands of the sovereign. It could only be approached from the west, and by a drawbridge defended by a massive tower and a double ditch. The walls, which form an irregular hexagon, are of enormous strength and thickness. Over the entrance the memorable emblem of the “bloody heart” may still be traced. The stronghold arose with the settlement of the Douglases in East Lothian under Robert the Second; and such was its power of security and resistance, that popular conviction, as evinced by the saying,

“Ding doun Tantallon?
Build a brig to the Bass!”

regarded its destruction as among impossibilities.

Quantum mutatum ab illo!—The very mention of Tantallon carries back the mind to the days of chivalry and romance, and to Archibald Bell-the-Cat, as depicted in the glorious pages of Marmion.


Sepulchral—like a giant, in old age,
Smote by the blackening lightning-flash, and left
A prostrate corpse upon the sounding shore!
Behind arose your congregated woods,
Leuchie, Balgone, and Rockville—fairer none.
Remoter, mingling with the arch of heaven,
Blue Cheviot told where, stretching by his feet,

207

Bloomed the fair valleys of Northumberland.
Seaward, the Forth, a glowing, green expanse,
Studded with many a white and gliding sail,
Winded its serpent form—the Ochils rich
Down gazing in its mirror; while beyond,
The Grampians reared their bare untrodden scalps;
Fife showed her range of scattery coast-towns old—
Old as the days of Scotland's early kings—
Malcolm, and Alexander, and the Bruce—
From western Dysart, to the dwindling point
Of famed and far St Andrews: all beyond
Was ocean's billowy and unbounded waste,
Sole broken by the verdant islet May,

In early times such was the reputation of the fishery in the neighbourhood of the Isle of May, at the mouth of the Firth of Forth, that it was resorted to even by the fishermen of other countries. A curious authentication of this fact exists in a MS. life of St Kentigern, (Bibl. Cotton. tit. A. xix.,) written about the end of the reign of David the First:—

“Ab illo quippe tempore in hunc diem tanta piscium fertilitas ibi abundat, ut de omne littore maris Anglici, Scotici, et a Belgicæ Galliæ littoribus veniunt gratia piscandi piscatores plurimi, quos omnes Insula May in suis rite suscipit portibus.”—

See as quoted in M`Pherson's Notes on Winton, vol. ii. p. 479.

The same site remains to this day the most favourite fishing-station on the Forth — turbot and other fine fish being thence supplied to the London and Edinburgh markets.


Whose fitful lights, amid surrounding gloom,
When midnight mantles earth, and sea, and sky,
From danger warns the home-bound mariner;
And one black speck—a distant sail—which told
Where mingled with its line the horizon blue.

VI.

Who were thy visitants, lone Rock, since Man
Shrank from thy sea-flower solitudes, and left
His crumbling ruins 'mid thy barren shelves?
Up came the cormorant, with dusky wing,
From northern Orkney, an adventurous flight,
Floating far o'er us in the liquid blue,
While many a hundred fathom in the sheer
Abyss below, where foamed the surge unheard,
Dwindled by distance, flocks of mighty fowl
Floated like feathery specks upon the wave.

208

The rower with his boat-hook struck the mast,
And lo! the myriad wings, that like a sheet
Of snow o'erspread the crannies—all were up!

It is curious to remark that the existing varieties of sea-fowl frequenting the Bass are almost exactly the same as those described and enumerated by the naturalist John Ray, in his curious visit to the island in 1661, (Itineraries, p. 191-194.) The most celebrated of these then and now is the gannet or solan-goose—an immense bird, measuring six feet from tip to tip of the wings, and which is almost peculiar to this rock and Ailsa Craig, on the Ayrshire coast. Of these birds there are many thousands, which may be seen, in the months of June and July, hatching their young on the bare shelves of the rock. Hence, in Drummond of Hawthornden's famous Macaronic poem, the Polemo-middinia, the island is characterised as the Solangoosifera Bassa.


The gannet, guillemot, and kittiwake,
Marrot and plover, snipe and eider-duck,
The puffin, and the falcon, and the gull—
Thousands on thousands, an innumerous throng,
Darkening the noontide with their winnowing plumes,
A cloud of animation! the wide air
Tempesting with their mingled cries uncouth!

VII.

Words cannot tell the sense of loneliness
Which then and there, cloud-like, across my soul
Fell, as our weary steps clomb that ascent.
Amid encompassing mountains I have paused,
At twilight, when alone the little stars,
Brightening amid the wilderness of blue,
Proclaimed a world not God-forsaken quite;
I've walked, at midnight, on the hollow shore,
In darkness, when the trampling of the waves,
The demon-featured clouds, and howling gales,
Seemed like returning chaos—all the fierce
Terrific elements in league with night—
Earth crouching underneath their tyrannous sway,
And the lone sea-bird shrieking from its rock;
And I have mused in churchyards far remote,
And long forsaken even by the dead,
To blank oblivion utterly given o'er,
Beneath the waning moon, whose mournful ray

209

Showed but the dim hawk sleeping on his stone:
But never, in its moods of phantasy,
Had to itself my spirit shaped a scene
Of sequestration more profound than thine,
Grim throne of solitude, stupendous Bass!
Oft in the populous city, 'mid the stir
And strife of hurrying thousands, each intent
On his own earnest purpose, to thy cliffs
Sea-girt, precipitous—the solan's home—
Wander my reveries; and thoughts of thee
(While scarcely stirs the ivy round the porch,
And all is silent as the sepulchre)
Oft make the hush of midnight more profound.

THOMSON'S BIRTH-PLACE.

(EDNAM, ROXBURGHSHIRE.)

I.

Is Ednam, then, so near us? I must gaze
On Thomson's cradle-spot—as sweet a bard
(Theocritus and Maro blent in one)
As ever graced the name—and on the scenes
That first to poesy awoke his soul,
In hours of holiday, when Boyhood's glance
Invested nature with an added charm.”

210

So saying to myself, with eager steps,
Down through the avenues of Sydenham—
(Green Sydenham, to me for ever dear,
As birth-house of the being with whose fate
Mine own is sweetly mingled—even with thine
My wife, my children's mother)—on I strayed
In a perplexity of pleasing thoughts,
Amid the perfume of blown eglantine,
And hedgerow wild-flowers, memory conjuring up
In many a sweet, bright, fragmentary snatch,
The truthful, soul-subduing lays of him
Whose fame is with his country's being blent,
And cannot die; until at length I gained
A vista from the road, between the stems
Of two broad sycamores, whose filial boughs
Above in green communion intertwined:
And lo! at once in view, nor far remote,
The downward country, like a map unfurled,
Before me lay—green pastures—forests dark—
And, in its simple quietude revealed,
Ednam, no more a visionary scene.

II.

A rural church; some scattered cottage roofs,
From whose secluded hearths the thin blue smoke,
Silently wreathing through the breezeless air,
Ascended, mingling with the summer sky;
A rustic bridge, mossy and weather-stained;
A fairy streamlet, singing to itself;

211

And here and there a venerable tree
In foliaged beauty—of these elements,
And only these, the simple scene was formed.

III.

In soft poetic vision, brightly dim,
Oft had I dreamed of Ednam, of the spot
Where to the light of life the infant eye
Of Thomson opened, where his infant ear
First heard the birds, and where his infant feet
Oft chased the butterfly from bloom to bloom;
Until the syllables—a talisman—
Brought to my heart a realm of deep delight,
A true Elysian picture, steeped in hues
Of pastoral loveliness—whose atmosphere
Was such as wizard wand has charmed around
The hold of Indolence, where every sight
And every sound to a luxurious calm
Smoothed down the ever-swelling waves of thought;—
And oft, while o'er the Bard's harmonious page,
Nature's reflected picture, I have hung
Enchanted, wandering thoughts have crossed my mind
Of his lone boyhood—'mid the mazy wood,
Or by the rippling brook, or on the hill,
At dewy daybreak—and the eager thirst
With which his opening spirit must have drank
The shows of earth and heaven, till I have wished,
Yea rather longed with an impassioned warmth,
That on his birth-place I might gaze, and tread,

212

If only for one short and passing hour,
The pathways which, a century agone,
He must have trod—scenes by his pencil sketched,
And by the presence hallowed evermore,
Of him who sang the Seasons as they roll,
With all a Hesiod's truth, a Homer's power,
And the pure feeling of Simonides.

IV.

Now Ednam lay before me—there it lay—
No more phantasmagorial; but the thought
Of Thomson vanished, nor would coalesce
And mingle with the landscape, as the dawn
Melts in the day, or as the cloud-fed stream
Melts in the sea, to be once more exhaled
In vapours, and become again a cloud.
For why? Let deep psychologists explain—
For me a spell was broken: this I know,
And nothing more besides, that this was not
My Poet's birth-place—earth etherealised
And spirit-hued—the creature of my dreams,
By fancy limn'd; but quite an alien scene,
Fair in itself—if separate from him—
Fair in itself, and only for itself
Seeking our praises or regard. The clue
Of old associations was destroyed—
A leaf from Pleasure's volume was torn out—
And, as the fairy frost-work leaves the grass,
While burns the absorbing red ray of the morn,

213

A tract of mental Eden was laid waste,
Never to blossom more!
Alone I stood,
By that sweet hamlet lonely and serene,
Gazing around me in the glowing light
Of noon, while overhead the rapturous lark
Soared as it sung, less and less visible,
Till but a voice 'mid heaven's engulfing blue.
No scene could philosophic life desire
More tranquil for its evening; nor could love,
Freed from ambition, for enjoyment seek
A holier haunt of sequestration calm.
Yet though the tones and smiles of Nature bade
The heart rejoice, a shadow overspread
My musings—for a fairy-land of thought
Had melted in the light of common day.
A moment's truth had disenchanted years
Of cherished vision: Ednam, which before
Spoke to my spirit as a spell, was now
The index to a code of other thoughts;
And turning on my heel—a poorer man
Than morning looked on me—I sighed to think
How oft our joys depend on ignorance!