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The Poetical Works of David Macbeth Moir

Edited by Thomas Aird: With A Memoir of the Author
Moir, D. M. (1798-1851)
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2  collapse section 
[section]
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VOL. I.
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DOMESTIC VERSES.
  
[epigraph]
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SONNETS ON THE SCENERY OF THE TWEED;
  
[As we had been in heart, now link'd in hand]
 I. 
I. WARK CASTLE.
 II. 
II. DRYBURGH ABBEY.
  
III. MELROSE ABBEY.
 IV. 
IV. ABBOTSFORD.
 V. 
V. NIDPATH CASTLE.
 VI. 
VI. “THE BUSH ABOON TRAQUAIR.”
  
TO MY INFANT DAUGHTER, E. C. M.
  
CASA WAPPY.
  
WEE WILLIE.
  
CASA'S DIRGE.
  
ELEGIAC STANZAS.
  
THE LOST LAMB.
  
TO THE BUST OF MY SON CHARLES.
  
SONNET.
  
VICISSITUDE.
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ELEGIAC EFFUSIONS.
  
THE BOWER OF PEACE.
  
WEEP NOT FOR HER.
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THE FOWLER.
 I. 
I.
 II. 
II
 III. 
III.
 IV. 
IV.
 V. 
V.
 VI. 
VI.
 VII. 
VII.
 VIII. 
VIII.
 IX. 
IX.
  
THE DESERTED CHURCHYARD.
  
TO A WOOD-PIGEON.
  
THE YELLOW LEAF.
  
THE DYING SPANIEL.
  
EVENING TRANQUILLITY.
  
HYMN TO HESPERUS.
  
FADED FLOWERS.
  
THE NIGHT HAWK.
  
STARLIGHT REFLECTIONS.
  
TO A WOUNDED PTARMIGAN.
  
THE CHILD'S BURIAL IN SPRING.
  
SPRING HYMN.
  
OCTOBER—A SKETCH.
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POEMS ON FLOWERS.
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THE BIRTH OF THE FLOWERS.
  
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 XX. 
XX.
  
RHODOCLEA'S GARLAND.
  
THE EGLANTINE.
  
THE WHITE ROSE.
  
LILIES.
  
THE HAREBELL.
  
THE WALL-FLOWER.
  
THE DAISY.
  
THE SWEET-BRIAR.
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POEMS SUGGESTED BY CELEBRATED SCOTTISH LOCALITIES.
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THE TOWER OF ERCILDOUNE.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
 V. 
V.
 VI. 
VI.
 VII. 
VII.
 VIII. 
VIII.
  
THE GLEN OF ROSLIN.
  
THE TOMB OF DE BRUCE.
  
FLODDEN FIELD.
  
THE FIELD OF PINKIE.
  
HAWTHORNDEN.
  
THE RUINS OF SETON CHAPEL.
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LINES IN THE PARK OF KELBURN CASTLE.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
 V. 
V.
  
THE THORN OF PRESTON.
  
THE BASS ROCK.
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THOMSON'S BIRTH-PLACE.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
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VOL. II.
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OCCASIONAL POEMS.
  
A SHADOW OF TRUTH.
  
STANZAS FOR THE BURNS FESTIVAL.
  
STANZAS,
  
SONG, FOR THE
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SONNETS.
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SONNETS ON THE SCENERY OF THE ESK.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
 V. 
V.
 VI. 
VI.
  
MOONLIGHT CHURCHYARD.
  
TO WORDSWORTH.
  
TO THE MUSE OF MILTON.
  
RURAL SCENERY.
  
CRICHTON CHAPEL.
  
WINTER.
  
THE SCOTTISH SABBATH.
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POEMS IN REFERENCE TO CHILDHOOD.
  
STANZAS ON AN INFANT.
  
THE EARLY LOST.
  
ADDRESS TO LITTLE CHILDREN.
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ECHOES OF ANTIQUITY.
  
THE MESSAGE OF SETH.
  
HIPPOCRATES TO THE AMBASSADORS OF ARTAXERXES.
  
THE LEGEND OF ST ROSALIE.
  
THE BURDEN OF SION.
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SONGS.
  
SONG OF THE SOUTH.
  
FAREWELL OUR FATHERS' LAND.
  
MOURN FOR THE BRAVE.
  
ERIC'S DIRGE.
  
THE STORMY SEA.
  
THE MAID OF ULVA.
  
LAMENT FOR MACRIMMON.
  
HEIGH-HO!
  
THE WANDERER OF CONNAUGHT.
  
MARY DHU.
  
THE RUSTIC LAD'S LAMENT IN THE TOWN.
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BALLADS.
  
THE CAMPEADOR'S SPECTRE HOST.
  
THE HIGHLANDER'S RETURN.
  
WIZZERDE WYNKIN'S DETHE.
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TALES.
  
DE QUINCEY'S REVENGE.
  
THE MINER OF PERU.
  
SIR ELIDUC.
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MISCELLANEOUS POEMS.
2    
THE OLD SEAPORT.
  
THE CONTADINA.
  
THE WINTER WILD.
  
THE DEFEAT OF WINTER.
  
MAY-DAY.
  
AN EVENING SKETCH.
  
ON THE DEATH OF IDA.
  
OUR NATIVE LAND.
  
BLOOM AND BLIGHT.
  
MINE OWN.
  
THE IMPROVISATRICE.
  
CHRISTMAS MUSINGS.
  
LINES ON A PORTRAIT OF SIR WALTER SCOTT, BY C. R. LESLIE, ESQ., R.A.
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THE GRAVES OF THE DEAD.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
 V. 
V.
  
THE BARD'S WISH.
  
THE LAMENT OF SELIM.
  
THE DARK WAGGON.
  
DISENCHANTMENT.
  
THE SYCAMINE.
  
THE COVENANTERS' NIGHT-HYMN.
  
REQUIEM.
  
THE MATIN CAROL.
  
STANZAS. WHEN THOU AT EVENTIDE ART ROAMING.
  
REMEMBERED BEAUTY.
  
THE VETERAN TAR.
  
THE RUINED NUNNERY.
  
THE HOUR OF THOUGHT.
  
TO INEZ, IN ABSENCE.
  
TO INEZ, IN REMEMBRANCE.
  
TO INEZ, IN LAMENT.
  
HYMN TO THE MOON.
  
MELANCHOLY.
  
THE UNKNOWN GRAVE.
  
DESPONDENCY. A REVERIE.
  
THE ANGLER.
  
THE TOMBLESS MAN. A DREAM.
  
LINES WRITTEN IN THE ISLE OF BUTE.
  
HYMN TO THE NIGHT WIND.
  
THE SNOW.
  
THE CASTLE OF TIME. A VISION.

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7

II. DRYBURGH ABBEY.

Beneath, Tweed murmur'd 'mid the forests green:
And through thy beech-tree and laburnum boughs,
A solemn ruin, lovely in repose,
Dryburgh! thine ivy'd walls were greyly seen:
Thy court is now a garden, where the flowers
Expand in silent beauty, and the bird,
Flitting from arch to arch, alone is heard
To cheer with song the melancholy bowers.
Yet did a solemn pleasure fill the soul,
As through thy shadowy cloistral cells we trode,
To think, hoar pile! that once thou wert the abode
Of men, who could to solitude control
Their hopes—yea! from Ambition's pathways stole,
To give their whole lives blamelessly to God!

The monks of the beautifully situated Abbey of Dryburgh belonged to the order of Premonstratenses, or White Canons. According to Ridpath, (p. 87,) the Monastery of Dryburgh was built by the Constable Hugh de Moreville; but this appears doubtful, as, from a charter of King David, published by Dugdale, (Monasticon, vol. ii.,) and said to have been copied from the original by Sir John Balfour, the foundation of the Church of St Mary at Dryburgh is distinctly attributed to that monarch. Be this as it may, it was founded in 1141.

At the Reformation, Dryburgh Abbey became the property of the Halliburtons of Newmains, ultimately represented by “the Mighty Minstrel” whose ashes rest there, in the cemetery of that ancient family. It is now the seat of the Earl of Buchan.


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