DEACON BRODIE AND
CHARLES PEACE A Book of Scoundrels | ||
DEACON BRODIE AND CHARLES PEACE
1. I DEACON BRODIE
AS William Brodie stood at the bar, on trial for a his life, he seemed the gallantest gentleman in court. Thither he had been carried in a chair, and, still conscious of the honour paid him, he flashed a condescending smile upon his judges. His step was jaunty as ever; his superb attire well became the Deacon of a Guild. His coat was blue, his vest a very garden of flowers; while his satin breeches and his stockings of white silk were splendid in their simplicity. Beneath a cocked hat his hair was fully dressed and powdered, and even the prosecuting counsel assailed him with the respect due to a man of fashion. The fellow's magnificence was thrown into relief by the squalor of his accomplice. For George Smith had neither the money nor the taste to disguise himself as a polished rogue, and he huddled as far from his master as he could in the rags of his mean estate. Nor from this moment did Brodie ever abate one jot of his dignity. He faced his accusers with a clear eye and a frigid amiability; he listened to his sentence with a calm
It was not until after his crime that Brodie's heroism approved itself. And even then his was a triumph not of skill but of character. Always a gentleman in manner and conduct, he owed the success and the failure of his life to this one quality. When in flight he made for Flushing on board the Endeavour, the other passengers, who knew not his name, straightway christened him `the gentleman.' The enterprise itself would have been impossible to one less persuasively gifted, and its proper execution is a tribute to the lofty quality of his mind. There was he in London, a stranger and a fugitive; yet instead of crawling furtively into a coal-barge he charters a ship, captures the confidence of the captain, carries the other passengers to Flushing, when they were bound for Leith, and compels every one to confess his charm! The thief, also, found him irresistible; and while the game lasted, the flash kens of Edinburgh murmured the Deacon's name in the hushed whisper of respect.
His fine temperament disarmed treachery. In London he visited an ancient doxy of his own, who, with her bully, shielded him from justice, though betrayal would have met with an ample reward. Smith, if he knew himself the superior craftsman, trembled at the Deacon's nod, who thus swaggered
The fop, indeed, had climbed the altitudes of life; the cracksman still stumbled in the valleys. If he had a ready cunning in the planning of an enterprise, he must needs bungle at the execution; and had he not been associated with George Smith, a king of scoundrels, there would be few exploits to record. And yet for the craft of housebreaker he had one solid advantage: he knew the locks and bolts of Edinburgh as he knew his primer—for had he not fashioned the most of them himself? But, his knowledge once imparted to his accomplices, he cheerfully sank to a menial's office. In no job did he play a principal's part: he was merely told off
Even the onslaught upon the Excise Office, which cost his life, was contrived with appalling clumsiness. The Deacon of the Wrights' Guild, who could slash wood at his will, who knew the artifice of every lock in the city, let his men go to work with no better implements than the stolen coulter of a plough and a pair of spurs. And when they tackled the ill omened job, Brodie was of those who brought failure upon it. Long had they watched the door of the Excise; long had they studied the habits of its clerks; so that they went to work in no vain spirit of experiment. Nor on the fatal night did they force an entrance until they had dogged the porter to his home. Smith and Brown ransacked the place for money, while Brodie and Andrew Ainslie remained without to give a necessary warning. Whereupon Ainslie was seized with fright, and Brodie, losing his head, called off the others, so that six hundred pounds were left, that might have been an easy prey. Smith, indignant at the collapse of the long-pondered design, laid the blame
The humours of the situation were all the Deacon's own. He dressed the part in black; his respectability grinned behind a vizard; and all the while he trifled nonchalantly with a pistol. Breaking the silence with snatches from The Beggar's Opera, he promised that all their lead should turn to gold, christened the coulter and the crow the Great and Little Samuel, and then went off to drink and dice at the Vintner's. How could anger prevail against this undying gaiety? And if Smith were peevish at failure, he was presently reconciled, and prepared once more to die for his Deacon.
Even after escape, the amateur is still apparent. True, he managed the trip to Flushing with his ancient extravagance; true, he employed all the juggleries of the law to prevent his surrender at Amsterdam. But he knew not the caution of the born criminal, and he was run to earth, because he would still write to his friends like a gentleman. His letters, during this nightmare of disaster, are perfect in their carelessness and good-fellowship. In this he demands news of his children, as becomes a father and a citizen, and furnishes a schedule of their education; in that he is curious concerning the issue of a main, and would know whether his black cock came off triumphant. Nor, even in flight, did he forget his proper craft, but would have his tools sent to Charleston, that in America he
But his was the art of conduct, not of guile, and he deserved capture for his rare indifference. Why, then, with no natural impulsion, did he risk the gallows? Why, being no born thief, and innocent of the thief's cunning, did he associate with so clever a scoundrel as George Smith, with cowards craven as Brown and Ainslie? The greed of gold, doubtless, half persuaded him, but gold was otherwise attainable, and the motive was assuredly far more subtle. Brodie, in fact, was of a romantic turn. He was, so to say, a glorified schoolboy, surfeited with penny dreadfuls. He loved above all things to patter the flash, to dream himself another Macheath, to trick himself out with all the trappings of a crime he was unfit to commit. It was never the job itself that attracted him: he would always rather throw the dice than force a neighbour's window. But he must needs have a distraction from the respectability of his life. Everybody was at his feet; he was Deacon of his Guild, at an age whereat his fellows were striving to earn a reputable living; his master-pieces were fashioned, and the wrights' trade was already a burden. To go upon the cross seemed a dream of freedom, until he snapped his fingers at the world, filled his mouth with slang, prepared his alibi, and furnished him a whole wardrobe of disguises.
With a conscious irony, maybe, he buried his
But, when once the possibility of housebreaking was taken from him, he returned to his familiar dignity. Being questioned by the Procurator Fiscal, he shrugged his shoulders, regretting that other affairs demanded his attention. As who should say: it is unpardonable to disturb the meditations of a gentleman. He made a will bequeathing his knowledge of law to the magistrates of Edinburgh, his dexterity in cards and dice to Hamilton the chimney-sweeper, and all his bad qualities to his good friends and old companions, Brown and Ainslie, not doubting, however, that their own will secure them `a rope at
The day of execution was the day of his supreme triumph. As some men are artists in their lives, so the Deacon was an artist in his death. Nothing became him so well as his manner of leaving the world. There is never a blot upon this exquisite performance. It is superb, impeccable! Again his dandyism supported him, and he played the part of a dying man in a full suit of black, his hair, as always, dressed and powdered. The day before he had been jovial and sparkling. He had chanted all his flash songs, and cracked the jokes of a man of fashion. But he set out for the gallows with a firm step and a rigorous demeanour. He offered a prayer of his own composing, and `O Lord,' he said, `I lament that I know so little of Thee.' The patronage and the confession are alike characteristic. As he drew near the scaffold, the model of which he had given to his native city a few years since, he stepped with
His last pleasantry was uttered as he ascended the table. `George,' he muttered, `you are first in hand,' and thereafter he took farewell of his friends. Only one word of petulance escaped his lips: when the halters were found too short, his contempt for slovenly workmanship urged him to protest, and to demand a punishment for the executioner. Again ascending the table, he assured himself against further mishap by arranging the rope with his own hands. Thus he was turned off in a brilliant assembly. The Provost and Magistrates, in respect for his dandyism, were resplendent in their robes of office, and though the crowd of spectators rivalled that which paid a tardy honour to Jonathan Wild, no one was hurt save the customary policeman. Such was the dignified end of a `double life.' And the duplicity is the stranger, because the real Deacon was not Brodie the Cracksman, but Brodie the Gentleman. So lightly did he esteem life that he tossed it from him in a careless impulse. So little did he fear death that, `What is hanging?' he asked. `A leap in the dark.'
2. II CHARLES PEACE
CHARLES PEACE, after the habit of his kind, was born of scrupulously honest parents. The son of a religious file-maker, he owed to his father not only his singular piety but his love of edged tools. As he never encountered an iron bar whose scission baffled him, so there never was a fire-eating Methodist to whose ministrations he would not turn a repentant ear. After a handy portico and a rich booty he loved nothing so well as a soul-stirring discourse. Not even his precious fiddle occupied a larger space in his heart than that devotion which the ignorant have termed hypocrisy. Wherefore his career was no less suitable to his ambition than his inglorious end. For he lived the king of housebreakers, and he died a warning to all evildoers, with a prayer of intercession trembling upon his lips.
The hero's boyhood is wrapped in obscurity. It is certain that no glittering precocity brought disappointment to his maturer years, and he was already nineteen when he achieved his first imprisonment. Even then 'twas a sorry offence, which merited no
But when the booty was in the robber's own safe keeping, the empiricism of his method was revealed. As yet he knew no secret and efficient fence to shield him from detection; as yet he had not learnt that the complete burglar works alone. This time he knew two accomplices—women both, and one his own sister! A paltry pair of boots was the clue of discovery, and a goodly stretch was the proper reward of a clumsy indiscretion. So for twenty years he wavered between the crowbar and the prison house, now perfecting a brilliant scheme, now captured through recklessness or drink. Once when a mistake at Manchester sent him to the Hulks, he
Meanwhile his art was growing to perfection. He had at last discovered that a burglary demands as diligent a forethought as a campaign; he had learnt that no great work is achieved by a multitude of minds. Before his boat carried off a goodly parcel of silk from Nottingham, he was known to the neighbourhood as an enthusiastic and skilful angler. One day he dangled his line, the next he sat peacefully at the same employ; and none suspected that the mild mannered fisherman had under the cloud of night despatched a costly parcel to London. Even the years of imprisonment were not ill-spent. Peace was still preparing the great achievement of his life, and he framed from solitary reflection as well as from his colleagues in crime many an ingenious theory afterwards fearlessly translated into practice. And when at last he escaped the slavery of the gaol, picture-framing was the pursuit which covered the sterner business of his life. His depredation involved him in no suspicion; his changing features rendered recognition impossible. When the exercise of his trade compelled him to shoot a policeman at Whalley Range, another was sentenced for the crime; and had he not encountered Mrs. Dyson, who knows but he might have practised his art in prosperous obscurity until claimed by a coward's death? But a stormy love-passage with Mrs. Dyson
And now came a period of true splendour. Like Fielding, like Cervantes, like Sterne, Peace reserved his veritable masterpiece for the certainty of middlelife. His last two years were nothing less than a march of triumph. If you remember his constant danger, you will realise the grandeur of the scheme. From the moment that Peace left Bannercross with Dyson's blood upon his hands, he was a hunted man. His capture was worth five hundred pounds; his features were familiar to a hundred hungry detectives. Had he been less than a man of genius, he might have taken an unavailing refuge in flight or concealment. But, content with no safety unattended by affluence, he devised a surer plan: he became a householder. Now, a semi-detached villa is an impregnable stronghold. Respectability oozes from the dusky mortar of its bricks, and escapes in clouds of smoke from its soot-grimed chimneys. No policeman ever detects a desperate ruffian in a demure black-coated gentleman who day after day turns an iron gate upon its rusty hinge. And thus, wrapt in a cloak of suburban piety, Peace waged a pitiless and effective war upon his neighbours.
He pillaged Blackheath, Greenwich, Peckham, and many another home of honest worth, with a noiselessness and a precision that were the envy of
The house in Evelina Road was no mere haunt of quiet gentility. It was chosen with admirable forethought and with a stern eye upon the necessities of business. Beyond the garden wall frowned a railway embankment, which enabled the cracksman to escape from his house without opening the front door. By the same embankment he might, if he chose, convey the trophies of the night's work; and what mattered it if the windows rattled to the passing train? At least a cloud of suspicion was dispelled. Here he lived for two years, with naught to disturb his tranquillity save Mrs. Thompson's taste for drink. The hours of darkness were spent in laborious
Moreover, he had a fervent pride in his craft; and you might deduce from his performance the whole theory and practice of burglary. He worked ever without accomplices. He knew neither the professional thief nor his lingo; and no association with gaol-birds involved him in the risk of treachery and betrayal. His single colleague was a friendly fence, and not even at the gallows' foot would he surrender the fence's name. His master quality was a constructive imagination. Accident never marred his design. He would visit the house of his breaking until he understood its ground-plan, and was familiar with its inhabitants. This demanded an amazing circumspection, but Peace was as stealthy as a cat, and he would keep silent vigil for hours rather than fail from an over keen anxiety. Having marked the place of his entry, and having chosen an appropriate hour, he would prevent the egress of his enemies by screwing up the doors. He then secured the room wherein he worked, and the job finished, he slung
Such was the outline of his plan; but, being no pedant, he varied it at will: nor was he likely to court defeat through lack of resource. Accomplished as he was in his proper business, he was equally alert to meet the accompanying risks. He had brought the art of cozening strange dogs to perfection; and for the exigence of escape, his physical equipment was complete. He would resist capture with unparalleled determination, and though he shuddered at the shedding of blood, he never hesitated when necessity bade him pull the trigger. Moreover, there was no space into which he would not squeeze his body, and the iron bars were not yet devised through which he could not make an exit. Once—it was at Nottingham—he was surprised by an inquisitive detective who demanded his name and trade. `I am a hawker of spectacles,' replied Peace, `and my licence is downstairs. Wait two minutes and I'll show it you.' The detective never saw him again. Six inches only separated the bars of the window, but Peace asked no more, and thus silently he won his freedom. True, his most daring feat—the leap from the train—resulted not in liberty, but in a broken head. But he essayed a task too high even for his endeavour, and, despite his manacles, at least he left his boot in the astonished warder's grip.
No less remarkable than his skill and daring were
Not only did he plan his victories with previous ingenuity, but he sacrificed to his success both taste and sentiment. His dress was always of the most sombre; his only wear was the decent black of everyday godliness. The least spice of dandyism might have distinguished him from his fellows, and Peace's whole vanity lay in his craft. Nor did the paltry sentiment of friendship deter him from his just course. When the panic aroused by the silent burglar was uncontrolled, a neighbour consulted Peace concerning the safety of his house. The robber, having duly noted the villa's imperfections, and having discovered the hiding-place of jewellery and plate, complacently rifled it the next night. Though his self-esteem sustained a shock, though
But the burglar ever fights an unequal battle. One false step, and defeat o'erwhelms him. For two years had John Ward intimidated the middle-class seclusion of South London; for two years had he hidden from a curious world the ugly, furrowed visage of Charles Peace. The bald head, the broad-rimmed spectacles, the squat, thick figure—he stood but five feet four in his stockings, and adds yet another to the list of little— great men—should have ensured detection, but the quick change and the persuasive gesture were omnipotent, and until the autumn of 1878 Peace was comfortably at large. And then an encounter at Blackheath put him within the clutch of justice. His revolver failed in its duty, and, valiant as he was, at last he met his match. In prison he was alternately insolent and aggrieved. He blustered for justice, proclaimed himself the victim of sudden temptation, and insisted that his intention had been ever innocent.
But, none the less, he was sentenced to a lifer, and, the mask of John Ward being torn from him, he was sent to Sheffield to stand his trial as Charles Peace.
3. III A PARALLEL (DEACON BRODIE AND CHARLES PEACE)
NOT a parallel, but a contrast, since at all points Peace is Brodie's antithesis. The one is the austerest of Classics, caring only for the ultimate perfection of his work. The other is the gayest of Romantics, happiest when by the way he produces a glittering effect, or dazzles the ear by a vain impertinence. Now, it is by thievery that Peace reached magnificence. A natural aptitude drove him from the fiddle to the centre-bit. He did but rob, because genius followed the impulse. He had studied the remotest details of his business; he was sternly professional in the conduct of his life, and, as became an old gaol-bird, there was no antic of the policeman wherewith he was not familiar. Moreover, not only had he reduced house-breaking to a science, but, being ostensibly nothing better than a picture-frame maker, he had invented an incomparable set of tools wherewith to enter and evade his neighbour's house. Brodie, on the other
But if Peace was incomparably the better craftsman, Brodie was the prettier gentleman. Peace would not have permitted Brodie to drive his pony-trap the length of Evelina Road. But Brodie, in revenge, would have cut Peace had he met him in the Corn-market. The one was a sombre savage, the other a jovial comrade, and it was a witty freak of fortune that impelled both to follow the same
Our Charles, for example, could neither spell nor write; he dissembled his low origin with the utmost difficulty, and at the best was plastered over (when not at work) with the parochialism of the suburbs. So far the contrast is complete; and even in their similarities there is an evident difference. Each led a double life; but while Brodie was most himself among his own kind, the real Peace was to be found not fiddle-scraping in Evelina Road but marking down policemen in the dusky byways of Blackheath. Brodie's grandeur was natural to him; Peace's respectability, so far as it transcended the man's origin, was a cloak of villainy.
Each, again, was an inventor, and while the more
DEACON BRODIE AND
CHARLES PEACE A Book of Scoundrels | ||