University of Virginia Library

SHEPPARD AND CARTOUCHE

1. I JACK SHEPPARD

IT was midnight when Jack Sheppard reached the leads, wearied by his magical achievement, and still fearful of discovery. The `jolly pair of handcuffs,' provided by the thoughtful Governor, lay discarded in his distant cell; the chains which a few hours since had grappled him to the floor encumbered the now useless staple. No trace of the ancient slavery disgraced him save the iron anklets which clung about his legs; though many a broken wall and shattered lock must serve for evidence of his prowess on the morrow. The Stone-Jug was all be-chipped and shattered. From the castle he had forced his way through a nine-foot wall into the Red Room, whose bolts, bars, and hinges he had ruined to gain the Chapel. The road thence to the roof and to freedom was hindered by three stubborn iron doors; yet naught stood in the way of Sheppard's genius, and he was sensible, at last, of the night air chill upon his cheek.

But liberty was not yet: there was still a fall of forty feet, and he must needs repass the wreckage of his own making to filch the blankets from his cell. In terror lest he should awaken the Master-Side Debtors, he

hastened back to the roof, lashed the coverlets together, and, as the city clocks clashed twelve, he dropped noiselessly upon the leads of a turner's house, built against the prison's outer wall. Behind him Newgate was cut out a black mass against the sky; at his feet glimmered the garret window of the turner's house, and behind the winking casement he could see the turner's servant going to bed. Through her chamber lay the road to glory and Clare Market, and breathlessly did Sheppard watch till the candle should be extinguished and the maid silenced in sleep. In his anxiety he must tarry—tarry; and for a weary hour he kicked his heels upon the leads, ambition still too uncertain for quietude. Yet he could not but catch a solace from his splendid craft. Said he to himself: `Am I not the most accomplished slip-string the world has known? The broken wall of every round house in town attests my bravery. Light-limbed though I be, have I not forced the impregnable Castle itself? And my enemies—are they not to-day writhing in distress ? The head of Blueskin, that pitiful thief, quivers in the noose; and Jonathan Wild bleeds at the throat from the dregs of a coward's courage. What a triumph shall be mine when the Keeper finds the stronghold tenantless!'

Now, unnumbered were the affronts he had suffered from the Keeper's impertinence, and he chuckled aloud at his own witty rejoinder. Only two days since the Gaoler had caught him tampering with his irons. `Young man,' he had said, `I see what

you have been doing, but the affair betwixt us stands thus: It is your business to make your escape, and mine to take care you shall not.' Jack had answered coolly enough: `Then let's both mind our own business.' And it was to some purpose that he had minded his. The letter to his baffled guardian, already sketched in his mind, tickled him afresh, when suddenly he leaps to his feet and begins to force the garret window.

The turner's maid was a heavy sleeper, and Sheppard crept from her garret to the twisted stair in peace. Once, on a lower floor, his heart beat faster at the trumpetings of the turner's nose, but he knew no check until he reached the street door. The bolt was withdrawn in an instant, but the lock was turned, and the key nowhere to be found. However, though the risk of disturbance was greater than in Newgate, the task was light enough: and with an iron link from his fetter, and a rusty nail which had served him bravely, the box was wrenched off in a trice, and Sheppard stood unattended in the Old Bailey. At first he was minded to make for his ancient haunts, or to conceal himself within the Liberty of Westminster; but the fetter-locks were still upon his legs, and he knew that detection would be easy as long as he was thus embarrassed. Wherefore, weary and an-hungered, he turned his steps northward, and never rested until he had gained Finchley Common.

At break of day, when the world re-awoke from

the fear of thieves, he feigned a limp at a cottage door, and borrowed a hammer to straighten a pinching shoe. Five minutes behind a hedge, and his anklets had dropped from him; and, thus a free man, he took to the high road. After all he was persuaded to desert London and to escape a while from the sturdy embrace of Edgworth Bess. Moreover, if Bess herself were in the lock-up, he still feared the interested affection of Mistress Maggot, that other doxy, whose avarice would surely drive him upon a dangerous enterprise; so he struck across country, and kept starvation from him by petty theft. Up and down England he wandered in solitary insolence. Once, saith rumour, his lithe apparition startled the peace of Nottingham; once, he was wellnigh caught begging wort at a brew-house in Thames Street. But he might as well have lingered in Newgate as waste his opportunity far from the delights of Town; the old lust of life still impelled him, and a week after the hue-and-cry was raised he crept at dead of night down Drury Lane. Here he found harbourage with a friendly fence, Wild's mortal enemy, who promised him a safe conduct across the seas. But the desire of work proved too strong for prudence; and in a fortnight he had planned an attack on the pawnshop of one Rawling, at the Four Balls in Drury Lane.

Sheppard, whom no house ever built with hands was strong enough to hold, was better skilled at breaking out than at breaking in, and it is remark

able that his last feat in the cracking of cribs was also his greatest. Its very conception was a masterpiece of effrontery. Drury Lane was the thief-catcher's chosen territory; yet it was the Four Balls that Jack designed for attack, and watches, tie-wigs, snuff-boxes were among his booty. Whatever he could not crowd upon his person he presented to a brace of women. Tricked out in his stolen finery, he drank and swaggered in Clare Market. He was dressed in a superb suit of black; a diamond fawney flashed upon his finger; his light tie-periwig was worth no less than seven pounds; pistols, tortoise-shell snuff-boxes, and golden guineas jostled one another in his pockets.

Thus, in brazen magnificence, he marched down Drury Lane on a certain Saturday night in November 1724. Towards midnight he visited Thomas Nicks, the butcher, and having bargained for three ribs of beef, carried Nicks with him to a chandler's hard by, that they might ratify the bargain with a dram. Unhappily, a boy from the `Rose and Crown' sounded the alarm; for coming into the chandler's for the empty ale-pots, he instantly recognised the incomparable gaol-thief, and lost no time in acquainting his master. Now, Mr. Bradford, of the `Rose and Crown,' was a head-borough, who, with the zeal of a triumphant Dogberry, summoned the watch, and in less than half an hour Jack Sheppard was screaming blasphemies in a hackney-cab on his way home to Newgate.

The Stone-Jug received him with deference and admiration. Three hundred pounds weight of irons were put upon him for an adornment, and the Governor professed so keen a solicitude for his welfare that he never left him unattended. There was scarce a beautiful woman in London who did not solace him with her condescension, and enrich him with her gifts. Not only did the President of the Royal Academy deign to paint his portrait, but (a far greater honour) Hogarth made him immortal. Even the King displayed a proper interest, demanding a full and precise account of his escapes. The hero himself was drunk with flattery; he bubbled with ribaldry; he touched off the most valiant of his contemporaries in a ludicrous phrase. But his chief delight was to illustrate his prowess to his distinguished visitors, and nothing pleased him better than to slip in and out of his chains.

Confronted with his judge, he forthwith proposed to rid himself of his handcuffs, and he preserved until the fatal tree an illimitable pride in his artistry. Nor would he believe in the possibility of death. To the very last he was confirmed in the hope of pardon; but, pardon failing him, his single consolation was that his procession from Westminster to Newgate was the largest that London had ever known, and that in the crowd a constable broke his leg. Even in the Condemned Hole he was unreconciled. If he had broken the Castle, why should he not also evade the gallows? Wherefore he resolved to carry

a knife to Tyburn that he might cut the rope, and so, losing himself in the crowd, ensure escape. But the knife was discovered by his warder's vigilance, and taken from him after a desperate struggle. At the scaffold he behaved with admirable gravity: confessing the wickeder of his robberies, and asking pardon for his enormous crimes. `Of two virtues,' he boasted at the self-same moment that the cart left him dancing without the music, `I have ever cherished an honest pride: never have I stooped to friendship with Jonathan Wild, or with any of his detestable thief-takers; and, though an undutiful son, I never damned my mother's eyes.'

Thus died Jack Sheppard; intrepid burglar and incomparable artist, who, in his own separate ambition of prison-breaking, remains, and will ever remain, unrivalled. His most brilliant efforts were the result neither of strength nor of cunning; for so slight was he of build, so deficient in muscle, that both Edgworth Bess and Mistress Maggot were wont to bang him to their own mind and purpose. And an escape so magnificently planned, so bravely executed as was his from the Strong Room, is far greater than a mere effect of cunning. Those mysterious gifts which enable mankind to batter the stone walls of a prison, or to bend the iron bars of a cage, were pre-eminently his. It is also certain that he could not have employed his gifts in a more reputable profession.

2. II LOUIS-DOMINIQUE CARTOUCHE

OF all the heroes who have waged a private and undeclared war upon their neighbours, Louis-Dominique Cartouche was the most generously endowed. It was but his resolute contempt for politics, his unswerving love of plunder for its own sake, that prevented him from seizing a throne or questing after the empire of the world. The modesty of his ambition sets him below Cæsar, or Napoleon, but he yields to neither in the genius of success: whatever he would attain was his on the instant, nor did failure interrupt his career, until treachery, of which he went in perpetual terror, involved himself and his comrades in ruin. His talent of generalship was unrivalled. None of the gang was permitted the liberty of a free-lance. By Cartouche was the order given, and so long as the chief was in repose, Paris might enjoy her sleep. When it pleased him to join battle a whistle was enough.

Now, it was revealed to his intelligence that the professional thief, who devoted all his days and such of his nights as were spared from depredation to wine and women, was more readily detected than

the valet-de-chambre, who did but crack a crib or cry `Stand and deliver!' on a proper occasion. Wherefore, he bade his soldiers take service in the great houses of Paris, that, secure of suspicion, they might still be ready to obey the call of duty. Thus, also, they formed a reconnoitring force, whose vigilance no prize might elude; and nowhere did Cartouche display his genius to finer purpose than in this prudent disposition of his army. It remained only to efface himself, and therein he succeeded admirably by never sleeping two following nights in the same house: so that, when Cartouche was the terror of Paris, when even the King trembled in his bed, none knew his stature nor could recognise his features. In this shifting and impersonal vizard, he broke houses, picked pockets, robbed on the pad. One night he would terrify the Faubourg St. Germain; another he would plunder the humbler suburb of St. Antoine; but on each excursion he was companioned by experts, and the map of Paris was rigidly apportioned among his followers. To each district a captain was appointed, whose business it was to apprehend the customs of the quarter, and thus to indicate the proper season of attack.

Ever triumphant, with yellow-boys ever jingling in his pocket, Cartouche lived a life of luxurious merriment. A favourite haunt was a cabaret in the Rue Dauphine, chosen for the sanest of reasons, as his Captain Ferrand declared, that the landlady was a femme d'esprit. Here he would sit with his friends

and his women, and thereafter drive his chariot across the Pont Neuf to the sunnier gaiety of the Palais-Royal. A finished dandy, he wore by preference a grey-white coat with silver buttons; his breeches and stockings were on a famous occasion of black silk; while a sword, scabbarded in satin, hung at his hip.

But if Cartouche, like many another great man, had the faculty of enjoyment, if he loved wine and wit, and mistresses handsomely attired in damask, he did not therefore neglect his art. When once the gang was perfectly ordered, murder followed robbery with so instant a frequency that Paris was panic-stricken. A cry of `Cartouche' straightway ensured an empty street. The King took counsel with his ministers: munificent rewards were offered, without effect. The thief was still at work in all security, and it was a pretty irony which urged him to strip and kill on the highway one of the King's own pages. Also, he did his work with so astonishing a silence, with so reasoned a certainty, that it seemed impossible to take him or his minions red-handed.

Before all, he discouraged the use of firearms. `A pistol,' his philosophy urged, `is an excellent weapon in an emergency, but reserve it for emergencies. At close quarters it is none too sure; and why give the alarm against yourself?' Therefore he armed his band with loaded staves, which sent their enemies into a noiseless and fatal sleep.

Thus was he wont to laugh at the police, deeming capture a plain impossibility. The traitor, in sooth, was his single, irremediable fear, and if ever suspicion was aroused against a member of the gang, that member was put to death with the shortest shrift.

It happened in the last year of Cartouche's supremacy that a lily-livered comrade fell in love with a pretty dressmaker. The indiscretion was the less pardonable since the dressmaker had a horror of theft, and impudently tried to turn her lover from his trade. Cartouche, discovering the backslider, resolved upon a public exhibition. Before the assembled band he charged the miscreant with treason, and, cutting his throat, disfigured his face beyond recognition. Thereafter he pinned to the corse the following inscription, that others might be warned by so monstrous an example: `Ci git Jean Rebâti, qui a eu le traitement qu'il méritait: ceux qui en feront autant que lui peuvent attendre le même sort.' Yet this was the murder that led to the hero's own capture and death.

Du Châtelet, another craven, had already aroused the suspicions of his landlady: who, finding him something troubled the day after the traitor's death, and detecting a spot of blood on his neckerchief, questioned him closely. The coward fumbling at an answer, she was presently convinced of his guilt, and forthwith denounced him for a member of the gang to M. Pacome, an officer of the Guard.

Straightly did M. Pacôme summon Du Châtelet, and, assuming his guilt for certitude, bade him surrender his captain. `My friend,' said he, `I know you for an associate of Cartouche. Your hands are soiled with murder and rapine. Confess the hiding-place of Cartouche, or in twenty-four hours you are broken on the wheel.' Vainly did Du Châtelet protest his ignorance. M. Pacôme was resolute, and before the interview was over the robber confessed that Cartouche had given him rendezvous at nine next day.

In the grey morning thirty soldiers crept forth guided by the traitor, `en habits de bourgeois et de chasseur,' for the house where Cartouche had lain. It was an inn, kept by one Savard, near la Haulte Borne de la Courtille; and the soldiers, though they lacked not numbers, approached the chieftain's lair shaking with terror. In front marched Du Châtelet; the rest followed in Indian file, ten paces apart. When the traitor reached the house, Savard recognised him for a friend, and entertained him with familiar speech. `Is there anybody upstairs?' demanded Du Châtelet. `No,' replied Savard. `Are the four women upstairs?' asked Du Châtelet again. `Yes, they are,' came the answer: for Savard knew the password of the day. Instantly the soldiers filled the tavern, and, mounting the staircase, discovered Cartouche with his three lieutenants, Balagny, Limousin, and Blanchard. One of the four still lay abed; but Cartouche, with all the dandy's respect for

his clothes, was mending his breeches. The others hugged a flagon of wine over the fire.

So fell the scourge of Paris into the grip of justice. But once under lock and key, he displayed all the qualities which made him supreme. His gaiety broke forth into a light-hearted contempt of his gaolers, and the Lieutenant Criminel, who would interrogate him, was covered with ridicule. Not for an instant did he bow to fate: all shackled as he was, his legs engarlanded in heavy chains—which he called his garters—he tempered his merriment with the meditation of escape. From the first he denied all knowledge of Cartouche, insisting that his name was Charles Bourguignon, and demanding burgundy, that he might drink to his country and thus prove him a true son of the soil. Not even the presence of his mother and brother abashed him. He laughed them away as impostors, hired by a false justice to accuse and to betray the innocent. No word of confession crossed his lips, and he would still entertain the officers of the law with joke and epigram.

Thus he won over a handful of the Guard, and, begging for solitude, he straightway set about escape with a courage and an address which Jack Sheppard might have envied. His delicate ear discovered that a cellar lay beneath his cell; and with the old nail which lies on the floor of every prison he made his way downwards into a boxmaker's shop. But a barking dog spoiled the enterprise: the boxmaker and his daughter were immediately abroad, and once

more Cartouche was lodged in prison, weighted with still heavier garters.

Then came a period of splendid notoriety: he held his court, he gave an easy rein to his wit, he received duchesses and princes with an air of amiable patronage. Few there were of his visitants who left him without a present of gold, and thus the universal robber was further rewarded by his victims. His portrait hung in every house, and his thin, hard face, his dry, small features were at last familiar to the whole of France. M. Grandval made him the hero of an epic—`Le Vice Puni.' Even the theatre was dominated by his presence; and while Arlequin-Cartouche was greeted with thunders of applause at the Italiens, the more serious Français set Cartouche upon the stage in three acts, and lavished upon its theme the resources of a then intelligent art. M. Le Grand, author of the piece, deigned to call upon the king of thieves, spoke some words of argot with him, and by way of conscience money gave him a hundred crowns.

Cartouche set little store by such patronage. He pocketed the crowns, and then put an end to the comedy by threatening that if it were played again the companions of Cartouche would punish all such miscreants as dared to make him a laughing stock. For Cartouche would endure ridicule at no man's hand. At the very instant of his arrest, all bare-footed as he was, he kicked a constable who presumed to smile at his discomfiture. His last days were spent in resolute abandonment. True, he once

attempted to beat out his brains with the fetters that bound him; true, also, he took a poison that had been secretly conveyed within the prison. But both attempts failed, and, more scrupulously watched, he had no other course than jollity. Lawyers and priests he visited with a like and bitter scorn, and when, on November 27, 1721, he was led to the scaffold, not a word of confession or contrition had been dragged from him.

To the last moment he cherished the hope of rescue, and eagerly he scanned the crowd for the faces of his comrades. But the gang, trusting to its leader's nobility, had broken its oath. With contemptuous dignity Cartouche determined upon revenge: proudly he turned to the priest, begging a respite and the opportunity of speech. Forgotten by his friends, he resolved to spare no single soul: he betrayed even his mistresses to justice. Of his gang, forty were in the service of Mlle. de Montpensier, who was already in Spain; while two obeyed the Duchesse de Ventadour as valets-de-pied. His confession, in brief, was so dangerous a document, it betrayed the friends and servants of so many great houses, that the officers of the Law found safety for their patrons in its destruction, and not a line of the hero's testimony remains. The trial of his comrades dragged on for many a year, and after Cartouche had been cruelly broken on the wheel, not a few of the gang, of which he had been at once the terror and inspiration, suffered a like fate. Such

the career and such the fitting end of the most distinguished marauder the world has known. Thackeray, with no better guide than a chap-book, was minded to belittle him, now habiting him like a scullion, now sending him forth on some petty errand of cly-faking. But for all Thackeray's contempt his fame is still undimmed, and he has left the reputation of one who, as thief unrivalled, had scarce his equal as wit and dandy even in the days when Louis the Magnificent was still a memory and an example.

3. III A PARALLEL (SHEPPARD AND CARTOUCHE)

IF the seventeenth century was the golden age of the hightobyman, it was at the advent of the eighteenth that the burglar and street-robber plied their trade with the most distinguished success, and it was the good fortune of both Cartouche and Sheppard to be born in the nick of time. Rivals in talent, they were also near contemporaries, and the Scourge of Paris may well have been famous in the purlieus of Clare Market before Jack the Slip-String paid the last penalty of his crimes. As each of these great men harboured a similar ambition, so their careers are closely parallel. Born in a humble rank of life, Jack, like Cartouche, was the architect of his own fortune; Jack, like Cartouche, lived to be flattered by noble dames and to claim the solicitude of his Sovereign; and each owed his pre-eminence rather to natural genius than to a sympathetic training.

But, for all the Briton's artistry, the Frenchman was in all points save one the superior. Sheppard's

brain carried him not beyond the wants of to-day and the extortions of Poll Maggot. Who knows but he might have been a respectable citizen, with never a chance for the display of his peculiar talent, had not hunger and his mistress's greed driven him upon the pad? History records no brilliant robbery of his own planning, and so circumscribed was his imagination that he must needs pick out his own friends and benefactors for depredation. His paltry sense of discipline permitted him to be betrayed even by his brother and pupil, and there was no cracks-man of his time over whose head he held the rod of terror. Even his hatred of Jonathan Wild was the result not of policy but of prejudice. Cartouche, on the other hand, was always perfect when at work. The master of himself, he was also the master of his fellows. There was no detail of civil war that he had not made his own, and he still remains, after nearly two centuries, the greatest captain the world has seen. Never did he permit an enterprise to fail by accident; never was he impelled by hunger or improvidence to fight a battle unprepared. His means were always neatly fitted to their end, as is proved by the truth that, throughout his career, he was arrested but once, and then not by his own inadvertence but by the treachery of others.

Yet from the moment of arrest Jack Sheppard asserted his magnificent superiority. If Cartouche was a sorry bungler at prison-breaking, Sheppard was unmatched in this dangerous art. The sport

of the one was to break in, of the other to break out. True, the Briton proved his inferiority by too frequently placing himself under lock and key; but you will forgive his every weakness for the unexampled skill wherewith he extricated himself from the stubbornest dungeon. Cartouche would scarce have given Sheppard a menial's office in his gang. How cordially Sheppard would have despised Cartouche's solitary experiment in escape! To be foiled by a dog and a boxmaker's daughter! Would not that have seemed contemptible to the master breaker of those unnumbered doors and walls which separate the Castle from the freedom of Newgate roof?

Such, then, is the contrast between the heroes. Sheppard claims our admiration for one masterpiece. Cartouche has a sheaf of works, which shall carry him triumphantly to the remotest future. And when you forget a while professional rivalry, and consider the delicacies of leisure, you will find the Frenchman's greatness still indisputable. At all points he was the prettier gentleman. Sheppard, to be sure, had a sense of finery, but he was so unused to grandeur that vulgarity always spoiled his effects. When he hied him from the pawnshop, laden with booty, he must e'en cram what he could not wear into his pockets; and doubtless his vulgar lack of reticence made detection easier. Cartouche, on the other hand, had an unfailing sense of proportion, and was never more dressed than became the perfect dandy. He was elegant, he was polished, he was

joyous. He drank wine, while the other soaked himself in beer; he despised whatever was common, while his rival knew but the coarser flavours of life.

The one was distinguished by a boisterous humour, a swaggering pride in his own prowess; the wit of the other might be edged like a knife, nor would he ever appeal for a spectacle to the curiosity of the mob. Both were men of many mistresses, but again in his conduct with women Cartouche showed an honester talent. Sheppard was at once the prey and the whipping-block of his two infamous doxies, who agreed in deformity of feature as in contempt for their lover. Cartouche, on the other hand, chose his cabaret for the wit of its patronne, and was always happy in the elegance and accomplishment of his companions. One point of likeness remains. The two heroes resembled each other not only in their profession, but in their person. Though their trade demanded physical strength, each was small and slender of build. `A little, slight-limbed lad,' says the historian of Sheppard. `A thin, spare frame,' sings the poet of Cartouche. Here, then, neither had the advantage, and if in the shades Cartouche despises the clumsiness and vulgarity of his rival, Sheppard may still remember the glory of Newgate, and twit the Frenchman with the barking of the boxmaker's dog. But genius is the talent of the dead, and the wise, who are not partisans, will not deny to the one or to the other the possession of the rarer gift.