University of Virginia Library

THE ROAD AND THE END


98


99

THE ROAD AND THE END

I SHALL foot it
Down the roadway in the dusk,
Where shapes of hunger wander
And the fugitives of pain go by.
I shall foot it
In the silence of the morning,
See the night slur into dawn,
Hear the slow great winds arise
Where tall trees flank the way
And shoulder toward the sky.
The broken boulders by the road
Shall not commemorate my ruin.
Regret shall be the gravel under foot.
I shall watch for
Slim birds swift of wing
That go where wind and ranks of thunder
Drive the wild processionals of rain.
The dust of the traveled road
Shall touch my hands and face.

100

CHOICES

THEY offer you many things,
I a few.
Moonlight on the play of fountains at night
With water sparkling a drowsy monotone,
Bare-shouldered, smiling women and talk
And a cross-play of loves and adulteries
And a fear of death and a remembering of regrets:
All this they offer you.
I come with:
salt and bread
a terrible job of work
and tireless war;
Come and have now:
hunger.
danger
and hate.

101

GRAVES

I DREAMED one man stood against a thousand,
One man damned as a wrongheaded fool.
One year and another he walked the streets,
And a thousand shrugs and hoots
Met him in the shoulders and mouths he passed.
He died alone.
And only the undertaker came to his funeral.
Flowers grow over his grave anod in the wind,
And over the graves of the thousand, too,
The flowers grow anod in the wind.
Flowers and the wind,
Flowers anod over the graves of the dead,
Petals of red, leaves of yellow, streaks of white,
Masses of purple sagging. . .
I love you and your great way of forgetting.

102

AZTEC MASK

I WANTED a man's face looking into the jaws and throat
of life
With something proud on his face, so proud no smash
of the jaws,
No gulp of the throat leaves the face in the end
With anything else than the old proud look:
Even to the finish, dumped in the dust,
Lost among the used-up cinders,
This face, men would say, is a flash,
Is laid on bones taken from the ribs of the earth,
Ready for the hammers of changing, changing years,
Ready for the sleeping, sleeping years of silence.
Ready for the dust and fire and wind.
I wanted this face and I saw it today in an Aztec mask.
A cry out of storm and dark, a red yell and a purple prayer,
A beaten shape of ashes
waiting the sunrise or night,
something or nothing,
proud-mouthed,
proud-eyed gambler.

103

MOMUS

MOMUS is the name men give your face,
The brag of its tone, like a long low steamboat whistle
Finding a way mid mist on a shoreland,
Where gray rocks let the salt water shatter spray
Against horizons purple, silent.
Yes, Momus,
Men have flung your face in bronze
To gaze in gargoyle downward on a street-whirl of folk.
They were artists did this, shaped your sad mouth,
Gave you a tall forehead slanted with calm, broad wisdom;
All your lips to the corners and your cheeks to the high bones
Thrown over and through with a smile that forever
wishes and wishes, purple, silent, fled from all the
iron things of life, evaded like a sought bandit, gone
into dreams, by God.
I wonder, Momus,
Whether shadows of the dead sit somewhere and look
with deep laughter
On men who play in terrible earnest the old, known,
solemn repetitions of history.

104

A droning monotone soft as sea laughter hovers from
your kindliness of bronze,
You give me the human ease of a mountain peak, purple,
silent;
Granite shoulders heaving above the earth curves,
Careless eye-witness of the spawning tides of men and
women
Swarming always in a drift of millions to the dust of toil,
the salt of tears,
And blood drops of undiminishing war.

105

THE ANSWER

You have spoken the answer.
A child searches far sometimes
Into the red dust
On a dark rose leaf
And so you have gone far
For the answer is:
Silence.
In the republic
Of the winking stars and spent cataclysms
Sure we are it is off there the answer
is hidden and folded over,
Sleeping in the sun, careless whether
it is Sunday or any other day of
the week,
Knowing silence will bring all one way
or another.
Have we not seen
Purple of the pansy
out of the mulch
and mold
crawl
into a dusk

106

of velvet?
blur of yellow?
Almost we thought from nowwhere but it was
the silence,
the future,
working.

107

TO A DEAD MAN

OVER the dead line we have called to you
To come across with a word to us,
Some beaten whisper of what happens
Where you are over the dead line
Deaf to our calls and voiceless.
The flickering shadows have not answered
Nor your lips sent a signal
Whether love talks and roses grow
And the sun breaks at morning
Splattering the sea with crimson.

108

UNDER

I
I AM the undertow
Washing tides of power
Battering the pillars
Under your things of high law.
II
I am a sleepless
Slowfaring eater,
Maker of rust and rot
In your bastioned fastenings,
Caissons deep.
III
I am the Law
Older than you
And your builders proud.
I am deaf
In all days
Whether you
Say "Yes" or "No".
I am the crumbler:
To-morrow.

109

A SPHINX

CLOSE-MOUTHED you sat five thousand years and never
let out a whisper.
Processions came by, marchers, asking questions you
answered with grey eyes never blinking, shut lips
never talking.
Not one croak of anything you know has come from your
cat crouch of ages.
I am one of those who know all you know and I keep my
questions: I know the answers you hold.

110

WHO AM I?

MY head knocks against the stars.
My feet are on the hilltops.
My finger-tips are in the valleys and shores of
universal life.
Down in the sounding foam of primal things I
reach my hands and play with pebbles of
destiny.
I have been to hell and back many times.
I know all about heaven, for I have talked with God.
I dabble in the blood and guts of the terrible.
I know the passionate seizure of beauty
And the marvelous rebellion of man at all signs
reading "Keep Off."
My name is Truth and I am the most elusive captive
in the universe.

111

OUR PRAYER OF THANKS

FOR the gladness here where the sun is shining at
evening on the weeds at the river,
Our prayer of thanks.
For the laughter of children who tumble barefooted and
bareheaded in the summer grass,
Our prayer of thanks.
For the sunset and the stars, the women and the white
arms that hold us,
Our prayer of thanks.
God,
If you are deaf and blind, if this is all lost to you,
God, if the dead in their coffins amid the silver handles
on the edge of town, or the reckless dead of war
days thrown unknown in pits, if these dead are
forever deaf and blind and lost,
Our prayer of thanks.
God,
The game is all your way, the secrets and the signals and
the system; and so for the break of the game and
the first play and the last.
Our prayer of thanks.

112