 | Chicago Poems |  |
113
FOGS AND FIRES
114
115
AT A WINDOW
GIVE me hunger,
O you gods that sit and give
The world its orders.
Give me hunger, pain and want,
Shut me out with shame and failure
From your doors of gold and fame,
Give me your shabbiest, weariest hunger!
O you gods that sit and give
The world its orders.
Give me hunger, pain and want,
Shut me out with shame and failure
From your doors of gold and fame,
Give me your shabbiest, weariest hunger!
But leave me a little love,
A voice to speak to me in the day end,
A hand to touch me in the dark room
Breaking the long loneliness.
In the dusk of day-shapes
Blurring the sunset,
One little wandering, western star
Thrust out from the changing shores of shadow.
Let me go to the window,
Watch there the day-shapes of dusk
And wait and know the coming
Of a little love.
A voice to speak to me in the day end,
A hand to touch me in the dark room
Breaking the long loneliness.
In the dusk of day-shapes
Blurring the sunset,
One little wandering, western star
Thrust out from the changing shores of shadow.
Let me go to the window,
Watch there the day-shapes of dusk
And wait and know the coming
Of a little love.
116
UNDER THE HARVEST MOON
UNDER the harvest moon,
When the soft silver
Drips shimmering
Over the garden nights,
Death, the gray mocker,
Comes and whispers to you
As a beautiful friend
Who remembers.
When the soft silver
Drips shimmering
Over the garden nights,
Death, the gray mocker,
Comes and whispers to you
As a beautiful friend
Who remembers.
Under the summer roses
When the flagrant crimson
Lurks in the dusk
Of the wild red leaves,
Love, with little hands,
Comes and touches you
With a thousand memories,
And asks you
Beautiful, unanswerable questions.
When the flagrant crimson
Lurks in the dusk
Of the wild red leaves,
Love, with little hands,
Comes and touches you
With a thousand memories,
And asks you
Beautiful, unanswerable questions.
117
THE GREAT HUNT
I CANNOT tell you now;
When the wind's drive and whirl
Blow me along no longer,
And the wind's a whisper at last—
Maybe I'll tell you then—
some other time.
When the wind's drive and whirl
Blow me along no longer,
And the wind's a whisper at last—
Maybe I'll tell you then—
some other time.
When the rose's flash to the sunset
Reels to the rack and the twist,
And the rose is a red bygone,
When the face I love is going
And the gate to the end shall clang,
And it's no use to beckon or say, "So long"—
Maybe I'll tell you then—
some other time.
Reels to the rack and the twist,
And the rose is a red bygone,
When the face I love is going
And the gate to the end shall clang,
And it's no use to beckon or say, "So long"—
Maybe I'll tell you then—
some other time.
I never knew any more beautiful than you:
I have hunted you under my thoughts,
I have broken down under the wind
And into the roses looking for you.
I shall never find any
greater than you.
I have hunted you under my thoughts,
I have broken down under the wind
And into the roses looking for you.
I shall never find any
greater than you.
118
MONOTONE
THE monotone of the rain is beautiful,
And the sudden rise and slow relapse
Of the long multitudinous rain.
And the sudden rise and slow relapse
Of the long multitudinous rain.
The sun on the hills is beautiful,
Or a captured sunset sea-flung,
Bannered with fire and gold.
Or a captured sunset sea-flung,
Bannered with fire and gold.
A face I know is beautiful—
With fire and gold of sky and sea,
And the peace of long warm rain.
With fire and gold of sky and sea,
And the peace of long warm rain.
119
JOY
LET a joy keep you.
Reach out your hands
And take it when it runs by,
As the Apache dancer
Clutches his woman.
I have seen them
Live long and laugh loud,
Sent on singing, singing,
Smashed to the heart
Under the ribs
With a terrible love.
Joy always,
Joy everywhere—
Let joy kill you!
Keep away from the little deaths.
Reach out your hands
And take it when it runs by,
As the Apache dancer
Clutches his woman.
I have seen them
Live long and laugh loud,
Sent on singing, singing,
Smashed to the heart
Under the ribs
With a terrible love.
Joy always,
Joy everywhere—
Let joy kill you!
Keep away from the little deaths.
120
SHIRT
I REMEMBER once I ran after you and tagged the fluttering
shirt of you in the wind.
Once many days ago I drank a glassful of something and
the picture of you shivered and slid on top of the
stuff.
And again it was nobody else but you I heard in the
singing voice of a careless humming woman.
One night when I sat with chums telling stories at a
bonfire flickering red embers, in a language its own
talking to a spread of white stars:
It was you that slunk laughing
in the clumsy staggering shadows.
Broken answers of remembrance let me know you are
alive with a peering phantom face behind a doorway
somewhere in the city's push and fury
Or under a pack of moss and leaves waiting in silence
under a twist of oaken arms ready as ever to run
away again when I tag the fluttering shirt of you.
shirt of you in the wind.
Once many days ago I drank a glassful of something and
the picture of you shivered and slid on top of the
stuff.
And again it was nobody else but you I heard in the
singing voice of a careless humming woman.
One night when I sat with chums telling stories at a
bonfire flickering red embers, in a language its own
talking to a spread of white stars:
It was you that slunk laughing
in the clumsy staggering shadows.
Broken answers of remembrance let me know you are
alive with a peering phantom face behind a doorway
somewhere in the city's push and fury
Or under a pack of moss and leaves waiting in silence
under a twist of oaken arms ready as ever to run
away again when I tag the fluttering shirt of you.
121
AZTEC
YOU came from the Aztecs
With a copper on your fore-arms
Tawnier than a sunset
Saying good-by to an even river.
With a copper on your fore-arms
Tawnier than a sunset
Saying good-by to an even river.
And I said, you remember,
Those fore-arms of yours
Were finer than bronzes
And you were glad.
Those fore-arms of yours
Were finer than bronzes
And you were glad.
It was tears
And a path west
and a home-going
when I asked
Why there were scars of worn gold
Where a man's ring was fixed once
On your third finger.
And I call you
To come back
before the days are longer.
And a path west
and a home-going
when I asked
Why there were scars of worn gold
Where a man's ring was fixed once
On your third finger.
And I call you
To come back
before the days are longer.
122
TWO
MEMORY of you is . . . a blue spear of flower.
I cannot remember the name of it.
Alongside a bold dripping poppy is fire and silk.
And they cover you.
I cannot remember the name of it.
Alongside a bold dripping poppy is fire and silk.
And they cover you.
123
BACK YARD
SHINE on, O moon of summer.
Shine to the leaves of grass, catalpa and oak,
All silver under your rain to-night.
Shine to the leaves of grass, catalpa and oak,
All silver under your rain to-night.
An Italian boy is sending songs to you to-night from an
accordion.
A Polish boy is out with his best girl; they marry next
month; to-night they are throwing you kisses.
accordion.
A Polish boy is out with his best girl; they marry next
month; to-night they are throwing you kisses.
An old man next door is dreaming over a sheen that sits
in a cherry tree in his back yard.
in a cherry tree in his back yard.
The clocks say I must go—I stay here sitting on the
back porch drinking white thoughts you rain down.
back porch drinking white thoughts you rain down.
Shine on, O moon,
Shake out more and more silver changes.
Shake out more and more silver changes.
124
ON THE BREAKWATER
ON the breakwater in the summer dark, a man and a
girl are sitting,
She across his knee and they are looking face into face
Talking to each other without words, singing rythms in
silence to each other.
girl are sitting,
She across his knee and they are looking face into face
Talking to each other without words, singing rythms in
silence to each other.
A funnel of white ranges the blue dusk from an out-
going boat,
Playing its searchlight, puzzled, abrupt, over a streak of
green,
And two on the breakwater keep their silence, she on his
knee.
going boat,
Playing its searchlight, puzzled, abrupt, over a streak of
green,
And two on the breakwater keep their silence, she on his
knee.
125
MASK
FLING your red scarf faster and faster, dancer.
It is summer and the sun loves a million green leaves,
masses of green.
Your red scarf flashes across them calling and a-calling.
The silk and flare of it is a great soprano leading a
chorus
Carried along in a rouse of voices reaching for the heart
of the world.
Your toes are singing to meet the song of your arms:
It is summer and the sun loves a million green leaves,
masses of green.
Your red scarf flashes across them calling and a-calling.
The silk and flare of it is a great soprano leading a
chorus
Carried along in a rouse of voices reaching for the heart
of the world.
Your toes are singing to meet the song of your arms:
Let the red scarf go swifter.
Summer and the sun command you.
Summer and the sun command you.
126
PEARL FOG
OPEN the door now.
Go roll up the collar of your coat
To walk in the changing scarf of mist.
Go roll up the collar of your coat
To walk in the changing scarf of mist.
Tell your sins here to the pearl fog
And know for once a deepening night
Strange as the half-meanings
Alurk in a wise woman's mousey eyes.
And know for once a deepening night
Strange as the half-meanings
Alurk in a wise woman's mousey eyes.
Yes, tell your sins
And know how careless a pearl fog is
Of the laws you have broken.
And know how careless a pearl fog is
Of the laws you have broken.
127
I SANG
I SANG to you and the moon
But only the moon remembers.
I sang
O reckless free-hearted
free-throated rythms,
Even the moon remembers them
And is kind to me.
But only the moon remembers.
I sang
O reckless free-hearted
free-throated rythms,
Even the moon remembers them
And is kind to me.
128
FOLLIES
SHAKEN,
The blossoms of lilac,
And shattered,
The atoms of purple.
Green dip the leaves,
Darker the bark,
Longer the shadows.
The blossoms of lilac,
And shattered,
The atoms of purple.
Green dip the leaves,
Darker the bark,
Longer the shadows.
Sheer lines of poplar
Shimmer with masses of silver
And down in a garden old with years
And broken walls of ruin and story,
Roses rise with red rain-memories.
May!
In the open world
The sun comes and finds your face,
Remembering all.
Shimmer with masses of silver
And down in a garden old with years
And broken walls of ruin and story,
Roses rise with red rain-memories.
May!
In the open world
The sun comes and finds your face,
Remembering all.
129
JUNE
PAULA is digging and shaping the loam of a salvia,
Scarlet Chinese talker of summer.
Two petals of crabapple blossom blow fallen in Paula's
hair,
And fluff of white from a cottonwood.
Scarlet Chinese talker of summer.
Two petals of crabapple blossom blow fallen in Paula's
hair,
And fluff of white from a cottonwood.
130
NOCTURNE IN A DESERTED
BRICKYARD
STUFF of the moon
Runs on the lapping sand
Out to the longest shadows.
Under the curving willows,
And round the creep of the wave line,
Fluxions of yellow and dusk on the waters
Make a wide dreaming pansy of an old pond in the night.
Runs on the lapping sand
Out to the longest shadows.
Under the curving willows,
And round the creep of the wave line,
Fluxions of yellow and dusk on the waters
Make a wide dreaming pansy of an old pond in the night.
131
HYDRANGEAS
DRAGOONS, I tell you the white hydrangeas
turn rust and go soon.
Already mid September a line of brown runs
over them.
One sunset after another tracks the faces, the
petals.
Waiting, they look over the fence for what
way they go.
turn rust and go soon.
Already mid September a line of brown runs
over them.
One sunset after another tracks the faces, the
petals.
Waiting, they look over the fence for what
way they go.
132
THEME IN YELLOW
I SPOT the hills
With yellow balls in autumn.
I light the prairie cornfields
Orange and tawny gold clusters
And I am called pumpkins.
On the last of October
When dusk is fallen
Children join hands
And circle round me
Singing ghost songs
And love to the harvest moon;
I am a jack-o'-lantern
With terrible teeth
And the children know
I am fooling.
With yellow balls in autumn.
I light the prairie cornfields
Orange and tawny gold clusters
And I am called pumpkins.
On the last of October
When dusk is fallen
Children join hands
And circle round me
Singing ghost songs
And love to the harvest moon;
I am a jack-o'-lantern
With terrible teeth
And the children know
I am fooling.
133
BETWEEN TWO HILLS
BETWEEN two hills
The old town stands.
The houses loom
And the roofs and trees
And the dusk and the dark,
The damp and the dew
Are there.
The old town stands.
The houses loom
And the roofs and trees
And the dusk and the dark,
The damp and the dew
Are there.
The prayers are said
And the people rest
For sleep is there
And the touch of dreams
Is over all.
And the people rest
For sleep is there
And the touch of dreams
Is over all.
134
LAST ANSWERS
I WROTE a poem on the mist
And a woman asked me what I meant by it.
I had thought till then only of the beauty of the mist,
how pearl and gray of it mix and reel,
And change the drab shanties with lighted lamps at evening
into points of mystery quivering with color.
And a woman asked me what I meant by it.
I had thought till then only of the beauty of the mist,
how pearl and gray of it mix and reel,
And change the drab shanties with lighted lamps at evening
into points of mystery quivering with color.
I answered:
The whole world was mist once long ago and some day
it will all go back to mist,
Our skulls and lungs are more water than bone and
tissue
And all poets love dust and mist because all the last
answers
Go running back to dust and mist.
The whole world was mist once long ago and some day
it will all go back to mist,
Our skulls and lungs are more water than bone and
tissue
And all poets love dust and mist because all the last
answers
Go running back to dust and mist.
135
WINDOW
NIGHT from a railroad car window
Is a great, dark, soft thing
Broken across with slashes of light.
Is a great, dark, soft thing
Broken across with slashes of light.
136
YOUNG SEA
THE sea is never still.
It pounds on the shore
Restless as a young heart,
Hunting.
It pounds on the shore
Restless as a young heart,
Hunting.
The sea speaks
And only the stormy hearts
Know what it says:
It is the face
of a rough mother speaking.
And only the stormy hearts
Know what it says:
It is the face
of a rough mother speaking.
The sea is young.
One storm cleans all the hoar
And loosens the age of it.
I hear it laughing, reckless.
One storm cleans all the hoar
And loosens the age of it.
I hear it laughing, reckless.
They love the sea,
Men who ride on it
And know they will die
Under the salt of it
Men who ride on it
And know they will die
Under the salt of it
Let only the young come,
Says the sea.
Says the sea.
137
Let them kiss my face
And hear me.
I am the last word
And I tell
Where storms and stars come from.
And hear me.
I am the last word
And I tell
Where storms and stars come from.
138
BONES
SLING me under the sea.
Pack me down in the salt and wet.
No farmer's plow shall touch my bones.
No Hamlet hold my jaws and speak
How jokes are gone and empty is my mouth.
Long, green-eyed scavengers shall pick my eyes,
Purple fish play hide-and-seek,
And I shall be song of thunder, crash of sea,
Down on the floors of salt and wet.
Sling me . . . under the sea.
Pack me down in the salt and wet.
No farmer's plow shall touch my bones.
No Hamlet hold my jaws and speak
How jokes are gone and empty is my mouth.
Long, green-eyed scavengers shall pick my eyes,
Purple fish play hide-and-seek,
And I shall be song of thunder, crash of sea,
Down on the floors of salt and wet.
Sling me . . . under the sea.
139
PALS
TAKE a hold now
On the silver handles here,
Six silver handles,
One for each of his old pals.
On the silver handles here,
Six silver handles,
One for each of his old pals.
Take hold
And lift him down the stairs,
Put him on the rollers
Over the floor of the hearse.
And lift him down the stairs,
Put him on the rollers
Over the floor of the hearse.
Take him on the last haul,
To the cold straight house,
The level even house,
To the last house of all.
To the cold straight house,
The level even house,
To the last house of all.
The dead say nothing
And the dead know much
And the dead hold under their tongues
A locked-up story.
And the dead know much
And the dead hold under their tongues
A locked-up story.
140
CHILD
THE young child, Christ, is straight and wise
And asks questions of the old men, questions
Found under running water for all children
And found under shadows thrown on still waters
By tall trees looking downward, old and gnarled.
Found to the eyes of children alone, untold,
Singing a low song in the loneliness.
And the young child, Christ, goes on asking
And the old men answer nothing and only know love
For the young child. Christ, straight and wise.
And asks questions of the old men, questions
Found under running water for all children
And found under shadows thrown on still waters
By tall trees looking downward, old and gnarled.
Found to the eyes of children alone, untold,
Singing a low song in the loneliness.
And the young child, Christ, goes on asking
And the old men answer nothing and only know love
For the young child. Christ, straight and wise.
141
POPPIES
SHE loves blood-red poppies for a garden to walk in.
In a loose white gown she walks
and a new child tugs at cords in her body.
Her head to the west at evening when the dew is creeping,
A shudder of gladness runs in her bones and torsal fiber:
She loves blood-red poppies for a garden to walk in.
In a loose white gown she walks
and a new child tugs at cords in her body.
Her head to the west at evening when the dew is creeping,
A shudder of gladness runs in her bones and torsal fiber:
She loves blood-red poppies for a garden to walk in.
142
CHILD MOON
THE child's wonder
At the old moon
Comes back nightly.
She points her finger
To the far silent yellow thing
Shining through the branches
Filtering on the leaves a golden sand,
Crying with her little tongue, "See the moon!"
And in her bed fading to sleep
With babblings of the moon on her little mouth.
At the old moon
Comes back nightly.
She points her finger
To the far silent yellow thing
Shining through the branches
Filtering on the leaves a golden sand,
Crying with her little tongue, "See the moon!"
And in her bed fading to sleep
With babblings of the moon on her little mouth.
143
MARGARET
MANY birds and the beating of wings
Make a flinging reckless hum
In the early morning at the rocks
Above the blue pool
Where the gray shadows swim lazy.
Make a flinging reckless hum
In the early morning at the rocks
Above the blue pool
Where the gray shadows swim lazy.
In your blue eyes, O reckless child,
I saw today many little wild wishes,
Eager as the great morning.
I saw today many little wild wishes,
Eager as the great morning.
144
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