University of Virginia Library

1. PART I
FRIENDS OF CHILDHOOD

1. I

Dr. Howard Archie had just come up from a game of pool with the Jewish clothier and two traveling men who happened to be staying overnight in Moonstone. His offices were in the Duke Block, over the drug store. Larry, the doctor's man, had lit the overhead light in the waiting-room and the double student's lamp on the desk in the study. The isinglass sides of the hard-coal burner were aglow, and the air in the study was so hot that as he came in the doctor opened the door into his little operating-room, where there was no stove. The waiting-room was carpeted and stiffly furnished, something like a country parlor. The study had worn, unpainted floors, but there was a look of winter comfort about it. The doctor's flat-top desk was large and well made; the papers were in orderly piles, under glass weights. Behind the stove a wide bookcase, with double glass doors, reached from the floor to the ceiling. It was filled with medical books of every thickness and color. On the top shelf stood a long row of thirty or forty volumes, bound all alike in dark mottled board covers, with imitation leather backs.

As the doctor in New England villages is proverbially old, so the doctor in small Colorado towns twenty-five years ago was generally young. Dr. Archie was barely thirty. He was tall, with massive shoulders which he held stiffly, and a large, well-shaped head. He was a distinguished-looking man, for that part of the world, at least.

There was something individual in the way in which his reddish-brown hair, parted cleanly at the side, bushed over his high forehead. His nose was straight and thick, and his eyes were intelligent. He wore a curly, reddish mustache and an imperial, cut trimly, which made him look a little like the pictures of Napoleon III. His hands were large and well kept, but ruggedly formed, and the backs were shaded with crinkly reddish hair. He wore a blue suit of woolly, wide-waled serge; the traveling men had known at a glance that it was made by a Denver tailor. The doctor was always well dressed.

Dr. Archie turned up the student's lamp and sat down in the swivel chair before his desk. He sat uneasily, beating a tattoo on his knees with his fingers, and looked about him as if he were bored. He glanced at his watch, then absently took from his pocket a bunch of small keys, selected one and looked at it. A contemptuous smile, barely perceptible, played on his lips, but his eyes remained meditative. Behind the door that led into the hall, under his buffalo-skin driving-coat, was a locked cupboard. This the doctor opened mechanically, kicking aside a pile of muddy overshoes. Inside, on the shelves, were whiskey glasses and decanters, lemons, sugar, and bitters. Hearing a step in the empty, echoing hall without, the doctor closed the cupboard again, snapping the Yale lock. The door of the waiting-room opened, a man entered and came on into the consulting-room.

"Good-evening, Mr. Kronborg," said the doctor carelessly. "Sit down."

His visitor was a tall, loosely built man, with a thin brown beard, streaked with gray. He wore a frock coat, a broad-brimmed black hat, a white lawn necktie, and steel-rimmed spectacles. Altogether there was a pretentious and important air about him, as he lifted the skirts of his coat and sat down.

"Good-evening, doctor. Can you step around to the

house with me? I think Mrs. Kronborg will need you this evening." This was said with profound gravity and, curiously enough, with a slight embarrassment.

"Any hurry?" the doctor asked over his shoulder as he went into his operating-room.

Mr. Kronborg coughed behind his hand, and contracted his brows. His face threatened at every moment to break into a smile of foolish excitement. He controlled it only by calling upon his habitual pulpit manner. "Well, I think it would be as well to go immediately. Mrs. Kronborg will be more comfortable if you are there. She has been suffering for some time."

The doctor came back and threw a black bag upon his desk. He wrote some instructions for his man on a prescription pad and then drew on his overcoat. "All ready," he announced, putting out his lamp. Mr. Kronborg rose and they tramped through the empty hall and down the stairway to the street. The drug store below was dark, and the saloon next door was just closing. Every other light on Main Street was out.

On either side of the road and at the outer edge of the board sidewalk, the snow had been shoveled into breast-works. The town looked small and black, flattened down in the snow, muffled and all but extinguished. Overhead the stars shone gloriously. It was impossible not to notice them. The air was so clear that the white sand hills to the east of Moonstone gleamed softly. Following the Reverend Mr. Kronborg along the narrow walk, past the little dark, sleeping houses, the doctor looked up at the flashing night and whistled softly. It did seem that people were stupider than they need be; as if on a night like this there ought to be something better to do than to sleep nine hours, or to assist Mrs. Kronborg in functions which she could have performed so admirably unaided. He wished he had gone down to Denver to hear Fay Templeton sing "See-Saw." Then he remembered that he had a personal interest in this

family, after all. They turned into another street and saw before them lighted windows; a low story-and-a-half house, with a wing built on at the right and a kitchen addition at the back, everything a little on the slant—roofs, windows, and doors. As they approached the gate, Peter Kronborg's pace grew brisker. His nervous, ministerial cough annoyed the doctor. "Exactly as if he were going to give out a text," he thought. He drew off his glove and felt in his vest pocket. "Have a troche, Kronborg," he said, producing some. "Sent me for samples. Very good for a rough throat."

"Ah, thank you, thank you. I was in something of a hurry. I neglected to put on my overshoes. Here we are, doctor." Kronborg opened his front door—seemed delighted to be at home again.

The front hall was dark and cold; the hatrack was hung with an astonishing number of children's hats and caps and cloaks. They were even piled on the table beneath the hatrack. Under the table was a heap of rubbers and overshoes. While the doctor hung up his coat and hat, Peter Kronborg opened the door into the living-room. A glare of light greeted them, and a rush of hot, stale air, smelling of warming flannels.

At three o'clock in the morning Dr. Archie was in the parlor putting on his cuffs and coat—there was no spare bedroom in that house. Peter Kronborg's seventh child, a boy, was being soothed and cosseted by his aunt, Mrs. Kronborg was asleep, and the doctor was going home. But he wanted first to speak to Kronborg, who, coatless and fluttery, was pouring coal into the kitchen stove. As the doctor crossed the dining-room he paused and listened. From one of the wing rooms, off to the left, he heard rapid, distressed breathing. He went to the kitchen door.

"One of the children sick in there?" he asked, nodding toward the partition.

Kronborg hung up the stove-lifter and dusted his fingers. "It must be Thea. I meant to ask you to look at her. She has a croupy cold. But in my excitement—Mrs. Kronborg is doing finely, eh, doctor? Not many of your patients with such a constitution, I expect."

"Oh, yes. She's a fine mother." The doctor took up the lamp from the kitchen table and unceremoniously went into the wing room. Two chubby little boys were asleep in a double bed, with the coverlids over their noses and their feet drawn up. In a single bed, next to theirs, lay a little girl of eleven, wide awake, two yellow braids sticking up on the pillow behind her. Her face was scarlet and her eyes were blazing.

The doctor shut the door behind him. "Feel pretty sick, Thea?" he asked as he took out his thermometer. "Why didn't you call somebody?"

She looked at him with greedy affection. "I thought you were here," she spoke between quick breaths. "There is a new baby, isn't there? Which?"

"Which?" repeated the doctor.

"Brother or sister?"

He smiled and sat down on the edge of the bed. "Brother," he said, taking her hand. "Open."

"Good. Brothers are better," she murmured as he put the glass tube under her tongue.

"Now, be still, I want to count." Dr. Archie reached for her hand and took out his watch. When he put her hand back under the quilt he went over to one of the windows— they were both tight shut—and lifted it a little way. He reached up and ran his hand along the cold, unpapered wall. "Keep under the covers; I'll come back to you in a moment," he said, bending over the glass lamp with his thermometer. He winked at her from the door before he shut it.

Peter Kronborg was sitting in his wife's room, holding the bundle which contained his son. His air of cheerful

importance, his beard and glasses, even his shirt-sleeves, annoyed the doctor. He beckoned Kronborg into the living-room and said sternly:—

"You've got a very sick child in there. Why didn't you call me before? It's pneumonia, and she must have been sick for several days. Put the baby down somewhere, please, and help me make up the bed-lounge here in the parlor. She's got to be in a warm room, and she's got to be quiet. You must keep the other children out. Here, this thing opens up, I see," swinging back the top of the carpet lounge. "We can lift her mattress and carry her in just as she is. I don't want to disturb her more than is necessary."

Kronborg was all concern immediately. The two men took up the mattress and carried the sick child into the parlor. "I'll have to go down to my office to get some medicine, Kronborg. The drug store won't be open. Keep the covers on her. I won't be gone long. Shake down the stove and put on a little coal, but not too much; so it'll catch quickly, I mean. Find an old sheet for me, and put it there to warm."

The doctor caught his coat and hurried out into the dark street. Nobody was stirring yet, and the cold was bitter. He was tired and hungry and in no mild humor. "The idea!" he muttered; "to be such an ass at his age, about the seventh! And to feel no responsibility about the little girl. Silly old goat! The baby would have got into the world somehow; they always do. But a nice little girl like that —she's worth the whole litter. Where she ever got it from—" He turned into the Duke Block and ran up the stairs to his office.

Thea Kronborg, meanwhile, was wondering why she happened to be in the parlor, where nobody but company —usually visiting preachers—ever slept. She had moments of stupor when she did not see anything, and moments of excitement when she felt that something unusual and pleasant was about to happen, when she saw everything

clearly in the red light from the isinglass sides of the hard-coal burner—the nickel trimmings on the stove itself, the pictures on the wall, which she thought very beautiful, the flowers on the Brussels carpet, Czerny's "Daily Studies" which stood open on the upright piano. She forgot, for the time being, all about the new baby.

When she heard the front door open, it occurred to her that the pleasant thing which was going to happen was Dr. Archie himself. He came in and warmed his hands at the stove. As he turned to her, she threw herself wearily toward him, half out of her bed. She would have tumbled to the floor had he not caught her. He gave her some medicine and went to the kitchen for something he needed. She drowsed and lost the sense of his being there. When she opened her eyes again, he was kneeling before the stove, spreading something dark and sticky on a white cloth, with a big spoon; batter, perhaps. Presently she felt him taking off her nightgown. He wrapped the hot plaster about her chest. There seemed to be straps which he pinned over her shoulders. Then he took out a thread and needle and began to sew her up in it. That, she felt, was too strange; she must be dreaming anyhow, so she succumbed to her drowsiness.

Thea had been moaning with every breath since the doctor came back, but she did not know it. She did not realize that she was suffering pain. When she was conscious at all, she seemed to be separated from her body; to be perched on top of the piano, or on the hanging lamp, watching the doctor sew her up. It was perplexing and unsatisfactory, like dreaming. She wished she could waken up and see what was going on.

The doctor thanked God that he had persuaded Peter Kronborg to keep out of the way. He could do better by the child if he had her to himself. He had no children of his own. His marriage was a very unhappy one. As he lifted and undressed Thea, he thought to himself what a beautiful

thing a little girl's body was,—like a flower. It was so neatly and delicately fashioned, so soft, and so milky white. Thea must have got her hair and her silky skin from her mother. She was a little Swede, through and through. Dr. Archie could not help thinking how he would cherish a little creature like this if she were his. Her hands, so little and hot, so clever, too,—he glanced at the open exercise book on the piano. When he had stitched up the flax-seed jacket, he wiped it neatly about the edges, where the paste had worked out on the skin. He put on her the clean nightgown he had warmed before the fire, and tucked the blankets about her. As he pushed back the hair that had fuzzed down over her eyebrows, he felt her head thoughtfully with the tips of his fingers. No, he couldn't say that it was different from any other child's head, though he believed that there was something very different about her. He looked intently at her wide, flushed face, freckled nose, fierce little mouth, and her delicate, tender chin—the one soft touch in her hard little Scandinavian face, as if some fairy godmother had caressed her there and left a cryptic promise. Her brows were usually drawn together defiantly, but never when she was with Dr. Archie. Her affection for him was prettier than most of the things that went to make up the doctor's life in Moonstone.

The windows grew gray. He heard a tramping on the attic floor, on the back stairs, then cries: "Give me my shirt!" "Where's my other stocking?"

"I'll have to stay till they get off to school," he reflected, "or they'll be in here tormenting her, the whole lot of them."

2. II

For the next four days it seemed to Dr. Archie that his patient might slip through his hands, do what he might. But she did not. On the contrary, after that she recovered very rapidly. As her father remarked, she must have inherited the "constitution" which he was never tired of admiring in her mother.

One afternoon, when her new brother was a week old, the doctor found Thea very comfortable and happy in her bed in the parlor. The sunlight was pouring in over her shoulders, the baby was asleep on a pillow in a big rocking-chair beside her. Whenever he stirred, she put out her hand and rocked him. Nothing of him was visible but a flushed, puffy forehead and an uncompromisingly big, bald cranium. The door into her mother's room stood open, and Mrs. Kronborg was sitting up in bed darning stockings. She was a short, stalwart woman, with a short neck and a determined-looking head. Her skin was very fair, her face calm and unwrinkled, and her yellow hair, braided down her back as she lay in bed, still looked like a girl's. She was a woman whom Dr. Archie respected; active, practical, unruffled; good-humored, but determined. Exactly the sort of woman to take care of a flighty preacher. She had brought her husband some property, too,—one fourth of her father's broad acres in Nebraska,—but this she kept in her own name. She had profound respect for her husband's erudition and eloquence. She sat under his preaching with deep humility, and was as much taken in by his stiff shirt and white neckties as if she had not ironed them herself by lamplight the night before they appeared correct and spotless in the pulpit. But for all this, she had no confidence in his administration of worldly affairs. She looked to him for morning

prayers and grace at table; she expected him to name the babies and to supply whatever parental sentiment there was in the house, to remember birthdays and anniversaries, to point the children to moral and patriotic ideals. It was her work to keep their bodies, their clothes, and their conduct in some sort of order, and this she accomplished with a success that was a source of wonder to her neighbors. As she used to remark, and her husband admiringly to echo, she "had never lost one." With all his flightiness, Peter Kronborg appreciated the matter-of-fact, punctual way in which his wife got her children into the world and along in it. He believed, and he was right in believing, that the sovereign State of Colorado was much indebted to Mrs. Kronborg and women like her.

Mrs. Kronborg believed that the size of every family was decided in heaven. More modern views would not have startled her; they would simply have seemed foolish— thin chatter, like the boasts of the men who built the tower of Babel, or like Axel's plan to breed ostriches in the chicken yard. From what evidence Mrs. Kronborg formed her opinions on this and other matters, it would have been difficult to say, but once formed, they were unchangeable. She would no more have questioned her convictions than she would have questioned revelation. Calm and even-tempered, naturally kind, she was capable of strong prejudices, and she never forgave.

When the doctor came in to see Thea, Mrs. Kronborg was reflecting that the washing was a week behind, and deciding what she had better do about it. The arrival of a new baby meant a revision of her entire domestic schedule, and as she drove her needle along she had been working out new sleeping arrangements and cleaning days. The doctor had entered the house without knocking, after making noise enough in the hall to prepare his patients. Thea was reading, her book propped up before her in the sun-light.

"Mustn't do that; bad for your eyes," he said, as Thea shut the book quickly and slipped it under the covers.

Mrs. Kronborg called from her bed: "Bring the baby here, doctor, and have that chair. She wanted him in there for company."

Before the doctor picked up the baby, he put a yellow paper bag down on Thea's coverlid and winked at her. They had a code of winks and grimaces. When he went in to chat with her mother, Thea opened the bag cautiously, trying to keep it from crackling. She drew out a long bunch of white grapes, with a little of the sawdust in which they had been packed still clinging to them. They were called Malaga grapes in Moonstone, and once or twice during the winter the leading grocer got a keg of them. They were used mainly for table decoration, about Christmas-time. Thea had never had more than one grape at a time before. When the doctor came back she was holding the almost transparent fruit up in the sunlight, feeling the pale-green skins softly with the tips of her fingers. She did not thank him; she only snapped her eyes at him in a special way which he understood, and, when he gave her his hand, put it quickly and shyly under her cheek, as if she were trying to do so without knowing it—and without his knowing it.

Dr. Archie sat down in the rocking-chair. "And how's Thea feeling to-day?"

He was quite as shy as his patient, especially when a third person overheard his conversation. Big and handsome and superior to his fellow townsmen as Dr. Archie was, he was seldom at his ease, and like Peter Kronborg he often dodged behind a professional manner. There was sometimes a contraction of embarrassment and self-consciousness all over his big body, which made him awkward—likely to stumble, to kick up rugs, or to knock over chairs. If any one was very sick, he forgot himself, but he had a clumsy touch in convalescent gossip.

Thea curled up on her side and looked at him with pleasure. "All right. I like to be sick. I have more fun then than other times."

"How's that?"

"I don't have to go to school, and I don't have to practice. I can read all I want to, and have good things,"— she patted the grapes. "I had lots of fun that time I mashed my finger and you wouldn't let Professor Wunsch make me practice. Only I had to do left hand, even then. I think that was mean."

The doctor took her hand and examined the forefinger, where the nail had grown back a little crooked. "You mustn't trim it down close at the corner there, and then it will grow straight. You won't want it crooked when you're a big girl and wear rings and have sweethearts."

She made a mocking little face at him and looked at his new scarf-pin. "That's the prettiest one you ev-er had. I wish you'd stay a long while and let me look at it. What is it?"

Dr. Archie laughed. "It's an opal. Spanish Johnny brought it up for me from Chihuahua in his shoe. I had it set in Denver, and I wore it to-day for your benefit."

Thea had a curious passion for jewelry. She wanted every shining stone she saw, and in summer she was always going off into the sand hills to hunt for crystals and agates and bits of pink chalcedony. She had two cigar boxes full of stones that she had found or traded for, and she imagined that they were of enormous value. She was always planning how she would have them set.

"What are you reading?" The doctor reached under the covers and pulled out a book of Byron's poems. "Do you like this?"

She looked confused, turned over a few pages rapidly, and pointed to "My native land, good-night." "That," she said sheepishly.

"How about `Maid of Athens'?"

She blushed and looked at him suspiciously. "I like 'There was a sound of revelry,'" she muttered.

The doctor laughed and closed the book. It was clumsily bound in padded leather and had been presented to the Reverend Peter Kronborg by his Sunday-School class as an ornament for his parlor table.

"Come into the office some day, and I'll lend you a nice book. You can skip the parts you don't understand. You can read it in vacation. Perhaps you'll be able to understand all of it by then."

Thea frowned and looked fretfully toward the piano. "In vacation I have to practice four hours every day, and then there'll be Thor to take care of." She pronounced it "Tor."

"Thor? Oh, you've named the baby Thor?" exclaimed the doctor.

Thea frowned again, still more fiercely, and said quickly, "That's a nice name, only maybe it's a little—old-fashioned." She was very sensitive about being thought a foreigner, and was proud of the fact that, in town, her father always preached in English; very bookish English, at that, one might add.

Born in an old Scandinavian colony in Minnesota, Peter Kronborg had been sent to a small divinity school in Indiana by the women of a Swedish evangelical mission, who were convinced of his gifts and who skimped and begged and gave church suppers to get the long, lazy youth through the seminary. He could still speak enough Swedish to exhort and to bury the members of his country church out at Copper Hole, and he wielded in his Moonstone pulpit a somewhat pompous English vocabulary he had learned out of books at college. He always spoke of "the infant Saviour," "our Heavenly Father," etc. The poor man had no natural, spontaneous human speech. If he had his sincere moments, they were perforce inarticulate. Probably a good deal of his pretentiousness was due

to the fact that he habitually expressed himself in a book-learned language, wholly remote from anything personal, native, or homely. Mrs. Kronborg spoke Swedish to her own sisters and to her sister-in-law Tillie, and colloquial English to her neighbors. Thea, who had a rather sensitive ear, until she went to school never spoke at all, except in monosyllables, and her mother was convinced that she was tongue-tied. She was still inept in speech for a child so intelligent. Her ideas were usually clear, but she seldom attempted to explain them, even at school, where she excelled in "written work" and never did more than mutter a reply.

"Your music professor stopped me on the street to-day and asked me how you were," said the doctor, rising. "He'll be sick himself, trotting around in this slush with no overcoat or overshoes."

"He's poor," said Thea simply.

The doctor sighed. "I'm afraid he's worse than that. Is he always all right when you take your lessons? Never acts as if he'd been drinking?"

Thea looked angry and spoke excitedly. "He knows a lot. More than anybody. I don't care if he does drink; he's old and poor." Her voice shook a little.

Mrs. Kronborg spoke up from the next room. "He's a good teacher, doctor. It's good for us he does drink. He'd never be in a little place like this if he didn't have some weakness. These women that teach music around here don't know nothing. I wouldn't have my child wasting time with them. If Professor Wunsch goes away, Thea'll have nobody to take from. He's careful with his scholars; he don't use bad language. Mrs. Kohler is always present when Thea takes her lesson. It's all right." Mrs. Kronborg spoke calmly and judicially. One could see that she had thought the matter out before.

"I'm glad to hear that, Mrs. Kronborg. I wish we could get the old man off his bottle and keep him tidy. Do you

suppose if I gave you an old overcoat you could get him to wear it?" The doctor went to the bedroom door and Mrs. Kronborg looked up from her darning.

"Why, yes, I guess he'd be glad of it. He'll take most anything from me. He won't buy clothes, but I guess he'd wear 'em if he had 'em. I've never had any clothes to give him, having so many to make over for."

"I'll have Larry bring the coat around to-night. You aren't cross with me, Thea?" taking her hand.

Thea grinned warmly. "Not if you give Professor Wunsch a coat—and things," she tapped the grapes significantly. The doctor bent over and kissed her.

3. III

Being sick was all very well, but Thea knew from experience that starting back to school again was attended by depressing difficulties. One Monday morning she got up early with Axel and Gunner, who shared her wing room, and hurried into the back living-room, between the dining-room and the kitchen. There, beside a soft-coal stove, the younger children of the family undressed at night and dressed in the morning. The older daughter, Anna, and the two big boys slept upstairs, where the rooms were theoretically warmed by stovepipes from below. The first (and the worst!) thing that confronted Thea was a suit of clean, prickly red flannel, fresh from the wash. Usually the torment of breaking in a clean suit of flannel came on Sunday, but yesterday, as she was staying in the house, she had begged off. Their winter underwear was a trial to all the children, but it was bitterest to Thea because she happened to have the most sensitive skin. While she was tugging it on, her Aunt Tillie brought in warm water from the boiler and filled the tin pitcher. Thea washed her face, brushed and braided her hair, and got into her blue cashmere dress. Over this she buttoned a long apron, with sleeves, which would not be removed until she put on her cloak to go to school. Gunner and Axel, on the soap box behind the stove, had their usual quarrel about which should wear the tightest stockings, but they exchanged reproaches in low tones, for they were wholesomely afraid of Mrs. Kronborg's rawhide whip. She did not chastise her children often, but she did it thoroughly. Only a somewhat stern system of discipline could have kept any degree of order and quiet in that overcrowded house.

Mrs. Kronborg's children were all trained to dress themselves

at the earliest possible age, to make their own beds, —the boys as well as the girls,—to take care of their clothes, to eat what was given them, and to keep out of the way. Mrs. Kronborg would have made a good chess-player; she had a head for moves and positions.

Anna, the elder daughter, was her mother's lieutenant. All the children knew that they must obey Anna, who was an obstinate contender for proprieties and not always fair-minded. To see the young Kronborgs headed for Sunday-School was like watching a military drill. Mrs. Kronborg let her children's minds alone. She did not pry into their thoughts or nag them. She respected them as individuals, and outside of the house they had a great deal of liberty. But their communal life was definitely ordered.

In the winter the children breakfasted in the kitchen; Gus and Charley and Anna first, while the younger children were dressing. Gus was nineteen and was a clerk in a dry-goods store. Charley, eighteen months younger, worked in a feed store. They left the house by the kitchen door at seven o'clock, and then Anna helped her Aunt Tillie get the breakfast for the younger ones. Without the help of this sister-in-law, Tillie Kronborg, Mrs. Kronborg's life would have been a hard one. Mrs. Kronborg often reminded Anna that "no hired help would ever have taken the same interest."

Mr. Kronborg came of a poorer stock than his wife; from a lowly, ignorant family that had lived in a poor part of Sweden. His great-grandfather had gone to Norway to work as a farm laborer and had married a Norwegian girl. This strain of Norwegian blood came out somewhere in each generation of the Kronborgs. The intemperance of one of Peter Kronborg's uncles, and the religious mania of another, had been alike charged to the Norwegian grandmother. Both Peter Kronborg and his sister Tillie were more like the Norwegian root of the family than like the Swedish, and this same Norwegian strain was

strong in Thea, though in her it took a very different character.

Tillie was a queer, addle-pated thing, as flighty as a girl at thirty-five, and overweeningly fond of gay clothes— which taste, as Mrs. Kronborg philosophically said, did nobody any harm. Tillie was always cheerful, and her tongue was still for scarcely a minute during the day. She had been cruelly overworked on her father's Minnesota farm when she was a young girl, and she had never been so happy as she was now; had never before, as she said, had such social advantages. She thought her brother the most important man in Moonstone. She never missed a church service, and, much to the embarrassment of the children, she always "spoke a piece" at the Sunday-School concerts. She had a complete set of "Standard Recitations," which she conned on Sundays. This morning, when Thea and her two younger brothers sat down to breakfast, Tillie was remonstrating with Gunner because he had not learned a recitation assigned to him for George Washington Day at school. The unmemorized text lay heavily on Gunner's conscience as he attacked his buckwheat cakes and sausage. He knew that Tillie was in the right, and that "when the day came he would be ashamed of himself."

"I don't care," he muttered, stirring his coffee; "they oughtn't to make boys speak. It's all right for girls. They like to show off."

"No showing off about it. Boys ought to like to speak up for their country. And what was the use of your father buying you a new suit, if you're not going to take part in anything?"

"That was for Sunday-School. I'd rather wear my old one, anyhow. Why didn't they give the piece to Thea?" Gunner grumbled.

Tillie was turning buckwheat cakes at the griddle. "Thea can play and sing, she don't need to speak. But you've got to know how to do something, Gunner, that

you have. What are you going to do when you git big and want to git into society, if you can't do nothing? Everybody'll say, `Can you sing? Can you play? Can you speak? Then git right out of society.' An' that's what they'll say to you, Mr. Gunner."

Gunner and Alex grinned at Anna, who was preparing her mother's breakfast. They never made fun of Tillie, but they understood well enough that there were subjects upon which her ideas were rather foolish. When Tillie struck the shallows, Thea was usually prompt in turning the conversation.

"Will you and Axel let me have your sled at recess?" she asked.

"All the time?" asked Gunner dubiously.

"I'll work your examples for you to-night, if you do."

"Oh, all right. There'll be a lot of 'em."

"I don't mind, I can work 'em fast. How about yours, Axel?"

Axel was a fat little boy of seven, with pretty, lazy blue eyes. "I don't care," he murmured, buttering his last buckwheat cake without ambition; "too much trouble to copy 'em down. Jenny Smiley'll let me have hers."

The boys were to pull Thea to school on their sled, as the snow was deep. The three set off together. Anna was now in the high school, and she no longer went with the family party, but walked to school with some of the older girls who were her friends, and wore a hat, not a hood like Thea.

4. IV

And it was Summer, beautiful Summer!" Those were the closing words of Thea's favorite fairy tale, and she thought of them as she ran out into the world one Saturday morning in May, her music book under her arm. She was going to the Kohlers' to take her lesson, but she was in no hurry.

It was in the summer that one really lived. Then all the little overcrowded houses were opened wide, and the wind blew through them with sweet, earthy smells of garden-planting. The town looked as if it had just been washed. People were out painting their fences. The cottonwood trees were a-flicker with sticky, yellow little leaves, and the feathery tamarisks were in pink bud. With the warm weather came freedom for everybody. People were dug up, as it were. The very old people, whom one had not seen all winter, came out and sunned themselves in the yard. The double windows were taken off the houses, the tormenting flannels in which children had been encased all winter were put away in boxes, and the youngsters felt a pleasure in the cool cotton things next their skin.

Thea had to walk more than a mile to reach the Kohlers' house, a very pleasant mile out of town toward the glittering sand hills,—yellow this morning, with lines of deep violet where the clefts and valleys were. She followed the sidewalk to the depot at the south end of the town; then took the road east to the little group of adobe houses where the Mexicans lived, then dropped into a deep ravine; a dry sand creek, across which the railroad track ran on a trestle. Beyond that gulch, on a little rise of ground that faced the open sandy plain, was the Kohlers' house, where Professor Wunsch lived. Fritz Kohler was the town tailor, one of the

first settlers. He had moved there, built a little house and made a garden, when Moonstone was first marked down on the map. He had three sons, but they now worked on the railroad and were stationed in distant cities. One of them had gone to work for the Santa Fe, and lived in New Mexico.

Mrs. Kohler seldom crossed the ravine and went into the town except at Christmas-time, when she had to buy presents and Christmas cards to send to her old friends in Freeport, Illinois. As she did not go to church, she did not possess such a thing as a hat. Year after year she wore the same red hood in winter and a black sunbonnet in summer. She made her own dresses; the skirts came barely to her shoe-tops, and were gathered as full as they could possibly be to the waistband. She preferred men's shoes, and usually wore the cast-offs of one of her sons. She had never learned much English, and her plants and shrubs were her companions. She lived for her men and her garden. Beside that sand gulch, she had tried to reproduce a bit of her own village in the Rhine Valley. She hid herself behind the growth she had fostered, lived under the shade of what she had planted and watered and pruned. In the blaze of the open plain she was stupid and blind like an owl. Shade, shade; that was what she was always planning and making. Behind the high tamarisk hedge, her garden was a jungle of verdure in summer. Above the cherry trees and peach trees and golden plums stood the windmill, with its tank on stilts, which kept all this verdure alive. Outside, the sage-brush grew up to the very edge of the garden, and the sand was always drifting up to the tamarisks.

Every one in Moonstone was astonished when the Kohlers took the wandering music-teacher to live with them. In seventeen years old Fritz had never had a crony, except the harness-maker and Spanish Johnny. This Wunsch came from God knew where,—followed Spanish Johnny into town when that wanderer came back from one

of his tramps. Wunsch played in the dance orchestra, tuned pianos, and gave lessons. When Mrs. Kohler rescued him, he was sleeping in a dirty, unfurnished room over one of the saloons, and he had only two shirts in the world. Once he was under her roof, the old woman went at him as she did at her garden. She sewed and washed and mended for him, and made him so clean and respectable that he was able to get a large class of pupils and to rent a piano. As soon as he had money ahead, he sent to the Narrow Gauge lodging-house, in Denver, for a trunkful of music which had been held there for unpaid board. With tears in his eyes the old man—he was not over fifty, but sadly battered—told Mrs. Kohler that he asked nothing better of God than to end his days with her, and to be buried in the garden, under her linden trees. They were not American basswood, but the European linden, which has honey-colored blooms in summer, with a fragrance that surpasses all trees and flowers and drives young people wild with joy.

Thea was reflecting as she walked along that had it not been for Professor Wunsch she might have lived on for years in Moonstone without ever knowing the Kohlers, without ever seeing their garden or the inside of their house. Besides the cuckoo clock,—which was wonderful enough, and which Mrs. Kohler said she kept for "company when she was lonesome,"—the Kohlers had in their house the most wonderful thing Thea had ever seen—but of that later.

Professor Wunsch went to the houses of his other pupils to give them their lessons, but one morning he told Mrs. Kronborg that Thea had talent, and that if she came to him he could teach her in his slippers, and that would be better. Mrs. Kronborg was a strange woman. That word "talent," which no one else in Moonstone, not even Dr. Archie, would have understood, she comprehended perfectly. To any other woman there, it would have meant

that a child must have her hair curled every day and must play in public. Mrs. Kronborg knew it meant that Thea must practice four hours a day. A child with talent must be kept at the piano, just as a child with measles must be kept under the blankets. Mrs. Kronborg and her three sisters had all studied piano, and all sang well, but none of them had talent. Their father had played the oboe in an orchestra in Sweden, before he came to America to better his fortunes. He had even known Jenny Lind. A child with talent had to be kept at the piano; so twice a week in summer and once a week in winter Thea went over the gulch to the Kohlers', though the Ladies' Aid Society thought it was not proper for their preacher's daughter to go "where there was so much drinking." Not that the Kohler sons ever so much as looked at a glass of beer. They were ashamed of their old folks and got out into the world as fast as possible; had their clothes made by a Denver tailor and their necks shaved up under their hair and forgot the past. Old Fritz and Wunsch, however, indulged in a friendly bottle pretty often. The two men were like comrades; perhaps the bond between them was the glass wherein lost hopes are found; perhaps it was common memories of another country; perhaps it was the grapevine in the garden— knotty, fibrous shrub, full of homesickness and sentiment, which the Germans have carried around the world with them.

As Thea approached the house she peeped between the pink sprays of the tamarisk hedge and saw the Professor and Mrs. Kohler in the garden, spading and raking. The garden looked like a relief-map now, and gave no indication of what it would be in August; such a jungle! Pole beans and potatoes and corn and leeks and kale and red cabbage —there would even be vegetables for which there is no American name. Mrs. Kohler was always getting by mail packages of seeds from Freeport and from the old country. Then the flowers! There were big sunflowers for the canary

bird, tiger lilies and phlox and zinnias and lady's-slippers and portulaca and hollyhocks,—giant hollyhocks. Beside the fruit trees there was a great umbrella-shaped catalpa, and a balm-of-Gilead, two lindens, and even a ginka,—a rigid, pointed tree with leaves shaped like butterflies, which shivered, but never bent to the wind.

This morning Thea saw to her delight that the two oleander trees, one white and one red, had been brought up from their winter quarters in the cellar. There is hardly a German family in the most arid parts of Utah, New Mexico, Arizona, but has its oleander trees. However loutish the American-born sons of the family may be, there was never one who refused to give his muscle to the back-breaking task of getting those tubbed trees down into the cellar in the fall and up into the sunlight in the spring. They may strive to avert the day, but they grapple with the tub at last.

When Thea entered the gate, her professor leaned his spade against the white post that supported the turreted dove-house, and wiped his face with his shirt-sleeve; someway he never managed to have a handkerchief about him. Wunsch was short and stocky, with something rough and bear-like about his shoulders. His face was a dark, bricky red, deeply creased rather than wrinkled, and the skin was like loose leather over his neck band—he wore a brass collar button but no collar. His hair was cropped close; iron-gray bristles on a bullet-like head. His eyes were always suffused and bloodshot. He had a coarse, scornful mouth, and irregular, yellow teeth, much worn at the edges. His hands were square and red, seldom clean, but always alive, impatient, even sympathetic.

"MORGEN," he greeted his pupil in a businesslike way, put on a black alpaca coat, and conducted her at once to the piano in Mrs. Kohler's sitting-room. He twirled the stool to the proper height, pointed to it, and sat down in a wooden chair beside Thea.

"The scale of B flat major," he directed, and then fell into an attitude of deep attention. Without a word his pupil set to work.

To Mrs. Kohler, in the garden, came the cheerful sound of effort, of vigorous striving. Unconsciously she wielded her rake more lightly. Occasionally she heard the teacher's voice. "Scale of E minor. . . . Weiter, weiter! . . . Immer I hear the thumb, like a lame foot. Weiter . . . weiter, once; . . . Schön! The chords, quick!"

The pupil did not open her mouth until they began the second movement of the Clementi sonata, when she remonstrated in low tones about the way he had marked the fingering of a passage.

"It makes no matter what you think," replied her teacher coldly. "There is only one right way. The thumb there. Ein, zwei, drei, vier," etc. Then for an hour there was no further interruption.

At the end of the lesson Thea turned on her stool and leaned her arm on the keyboard. They usually had a little talk after the lesson.

Herr Wunsch grinned. "How soon is it you are free from school? Then we make ahead faster, eh?"

"First week in June. Then will you give me the `Invitation to the Dance'?"

He shrugged his shoulders. "It makes no matter. If you want him, you play him out of lesson hours."

"All right." Thea fumbled in her pocket and brought out a crumpled slip of paper. "What does this mean, please? I guess it's Latin."

Wunsch blinked at the line penciled on the paper. "Wherefrom you get this?" he asked gruffly.

"Out of a book Dr. Archie gave me to read. It's all English but that. Did you ever see it before?" she asked, watching his face.

"Yes. A long time ago," he muttered, scowling. "Ovidius!" He took a stub of lead pencil from his vest

pocket, steadied his hand by a visible effort, and under the words

He put the pencil back in his pocket and continued to stare at the Latin. It recalled the poem, which he had read as a student, and thought very fine. There were treasures of memory which no lodging-house keeper could attach. One carried things about in one's head, long after one's linen could be smuggled out in a tuning-bag. He handed the paper back to Thea. "There is the English, quite elegant," he said, rising.

Mrs. Kohler stuck her head in at the door, and Thea slid off the stool. "Come in, Mrs. Kohler," she called, "and show me the piece-picture."

The old woman laughed, pulled off her big gardening-gloves, and pushed Thea to the lounge before the object of her delight. The "piece-picture," which hung on the wall and nearly covered one whole end of the room, was the handiwork of Fritz Kohler. He had learned his trade under an old-fashioned tailor in Magdeburg who required from each of his apprentices a thesis: that is, before they left his shop, each apprentice had to copy in cloth some well-known German painting, stitching bits of colored stuff together on a linen background; a kind of mosaic. The pupil was allowed to select his subject, and Fritz Kohler had chosen a popular painting of Napoleon's retreat from Moscow. The gloomy Emperor and his staff were represented as crossing a stone bridge, and behind them was the blazing city, the walls and fortresses done in gray cloth with orange tongues of flame darting about the domes and minarets. Napoleon rode his white horse; Murat, in Oriental dress, a bay charger. Thea was never tired of examining this work, of hearing how long it had taken Fritz to

make it, how much it had been admired, and what narrow escapes it had had from moths and fire. Silk, Mrs. Kohler explained, would have been much easier to manage than woolen cloth, in which it was often hard to get the right shades. The reins of the horses, the wheels of the spurs, the brooding eyebrows of the Emperor, Murat's fierce mustaches, the great shakos of the Guard, were all worked out with the minutest fidelity. Thea's admiration for this picture had endeared her to Mrs. Kohler. It was now many years since she used to point out its wonders to her own little boys. As Mrs. Kohler did not go to church, she never heard any singing, except the songs that floated over from Mexican Town, and Thea often sang for her after the lesson was over. This morning Wunsch pointed to the piano.

"On Sunday, when I go by the church, I hear you sing something."

Thea obediently sat down on the stool again and began, "Come, ye disconsolate." Wunsch listened thoughtfully, his hands on his knees. Such a beautiful child's voice! Old Mrs. Kohler's face relaxed in a smile of happiness; she half closed her eyes. A big fly was darting in and out of the window; the sunlight made a golden pool on the rag carpet and bathed the faded cretonne pillows on the lounge, under the piece-picture. "Earth has no sorrow that Heaven cannot heal," the song died away.

"That is a good thing to remember," Wunsch shook himself. "You believe that?" looking quizzically at Thea.

She became confused and pecked nervously at a black key with her middle finger. "I don't know. I guess so," she murmured.

Her teacher rose abruptly. "Remember, for next time, thirds. You ought to get up earlier."

That night the air was so warm that Fritz and Herr Wunsch had their after-supper pipe in the grape arbor, smoking in silence while the sound of fiddles and guitars came across the ravine from Mexican Town. Long after

Fritz and his old Paulina had gone to bed, Wunsch sat motionless in the arbor, looking up through the woolly vine leaves at the glittering machinery of heaven.

That line awoke many memories. He was thinking of youth; of his own, so long gone by, and of his pupil's, just beginning. He would even have cherished hopes for her, except that he had become superstitious. He believed that whatever he hoped for was destined not to be; that his affection brought ill-fortune, especially to the young; that if he held anything in his thoughts, he harmed it. He had taught in music schools in St. Louis and Kansas City, where the shallowness and complacency of the young misses had maddened him. He had encountered bad manners and bad faith, had been the victim of sharpers of all kinds, was dogged by bad luck. He had played in orchestras that were never paid and wandering opera troupes which disbanded penniless. And there was always the old enemy, more relentless than the others. It was long since he had wished anything or desired anything beyond the necessities of the body. Now that he was tempted to hope for another, he felt alarmed and shook his head.

It was his pupil's power of application, her rugged will, that interested him. He had lived for so long among people whose sole ambition was to get something for nothing that he had learned not to look for seriousness in anything. Now that he by chance encountered it, it recalled standards, ambitions, a society long forgot. What was it she reminded him of? A yellow flower, full of sunlight, perhaps. No; a thin glass full of sweet-smelling, sparkling Moselle wine. He seemed to see such a glass before him in the arbor, to watch the bubbles rising and breaking, like the silent discharge of energy in the nerves and brain, the rapid florescence in young blood—Wunsch felt ashamed and dragged his slippers along the path to the kitchen, his eyes on the ground.

5. V

The children in the primary grades were sometimes required to make relief maps of Moonstone in sand. Had they used colored sands, as the Navajo medicine men do in their sand mosaics, they could easily have indicated the social classifications of Moonstone, since these conformed to certain topographical boundaries, and every child understood them perfectly.

The main business street ran, of course, through the center of the town. To the west of this street lived all the people who were, as Tillie Kronborg said, "in society." Sylvester Street, the third parallel with Main Street on the west, was the longest in town, and the best dwellings were built along it. Far out at the north end, nearly a mile from the court-house and its cottonwood grove, was Dr. Archie's house, its big yard and garden surrounded by a white paling fence. The Methodist Church was in the center of the town, facing the court-house square. The Kronborgs lived half a mile south of the church, on the long street that stretched out like an arm to the depot settlement. This was the first street west of Main, and was built up only on one side. The preacher's house faced the backs of the brick and frame store buildings and a draw full of sunflowers and scraps of old iron. The sidewalk which ran in front of the Kronborgs' house was the one continuous sidewalk to the depot, and all the train men and roundhouse employees passed the front gate every time they came uptown. Thea and Mrs. Kronborg had many friends among the railroad men, who often paused to chat across the fence, and of one of these we shall have more to say.

In the part of Moonstone that lay east of Main Street, toward the deep ravine which, farther south, wound by

Mexican Town, lived all the humbler citizens, the people who voted but did not run for office. The houses were little story-and-a-half cottages, with none of the fussy architectural efforts that marked those on Sylvester Street. They nestled modestly behind their cottonwoods and Virginia creeper; their occupants had no social pretensions to keep up. There were no half-glass front doors with door-bells, or formidable parlors behind closed shutters. Here the old women washed in the back yard, and the men sat in the front doorway and smoked their pipes. The people on Sylvester Street scarcely knew that this part of the town existed. Thea liked to take Thor and her express wagon and explore these quiet, shady streets, where the people never tried to have lawns or to grow elms and pine trees, but let the native timber have its way and spread in luxuriance. She had many friends there, old women who gave her a yellow rose or a spray of trumpet vine and appeased Thor with a cooky or a doughnut. They called Thea "that preacher's girl," but the demonstrative was misplaced, for when they spoke of Mr. Kronborg they called him "the Methodist preacher."

Dr. Archie was very proud of his yard and garden, which he worked himself. He was the only man in Moonstone who was successful at growing rambler roses, and his strawberries were famous. One morning when Thea was downtown on an errand, the doctor stopped her, took her hand and went over her with a quizzical eye, as he nearly always did when they met.

"You haven't been up to my place to get any strawberries yet, Thea. They're at their best just now. Mrs. Archie doesn't know what to do with them all. Come up this afternoon. Just tell Mrs. Archie I sent you. Bring a big basket and pick till you are tired."

When she got home Thea told her mother that she didn't want to go, because she didn't like Mrs. Archie.

"She is certainly one queer woman," Mrs. Kronborg

assented, "but he's asked you so often, I guess you'll have to go this time. She won't bite you."

After dinner Thea took a basket, put Thor in his baby-buggy, and set out for Dr. Archie's house at the other end of town. As soon as she came within sight of the house, she slackened her pace. She approached it very slowly, stopping often to pick dandelions and sand-peas for Thor to crush up in his fist.

It was his wife's custom, as soon as Dr. Archie left the house in the morning, to shut all the doors and windows to keep the dust out, and to pull down the shades to keep the sun from fading the carpets. She thought, too, that neighbors were less likely to drop in if the house was closed up. She was one of those people who are stingy without motive or reason, even when they can gain nothing by it. She must have known that skimping the doctor in heat and food made him more extravagant than he would have been had she made him comfortable. He never came home for lunch, because she gave him such miserable scraps and shreds of food. No matter how much milk he bought, he could never get thick cream for his strawberries. Even when he watched his wife lift it from the milk in smooth, ivory-colored blankets, she managed, by some sleight-of-hand, to dilute it before it got to the breakfast table. The butcher's favorite joke was about the kind of meat he sold Mrs. Archie. She felt no interest in food herself, and she hated to prepare it. She liked nothing better than to have Dr. Archie go to Denver for a few days—he often went chiefly because he was hungry—and to be left alone to eat canned salmon and to keep the house shut up from morning until night.

Mrs. Archie would not have a servant because, she said, "they ate too much and broke too much"; she even said they knew too much. She used what mind she had in devising shifts to minimize her housework. She used to tell her neighbors that if there were no men, there would

be no housework. When Mrs. Archie was first married, she had been always in a panic for fear she would have children. Now that her apprehensions on that score had grown paler, she was almost as much afraid of having dust in the house as she had once been of having children in it. If dust did not get in, it did not have to be got out, she said. She would take any amount of trouble to avoid trouble. Why, nobody knew. Certainly her husband had never been able to make her out. Such little, mean natures are among the darkest and most baffling of created things. There is no law by which they can be explained. The ordinary incentives of pain and pleasure do not account for their behavior. They live like insects, absorbed in petty activities that seem to have nothing to do with any genial aspect of human life.

Mrs. Archie, as Mrs. Kronborg said, "liked to gad." She liked to have her house clean, empty, dark, locked, and to be out of it—anywhere. A church social, a prayer meeting, a ten-cent show; she seemed to have no preference. When there was nowhere else to go, she used to sit for hours in Mrs. Smiley's millinery and notion store, listening to the talk of the women who came in, watching them while they tried on hats, blinking at them from her corner with her sharp, restless little eyes. She never talked much herself, but she knew all the gossip of the town and she had a sharp ear for racy anecdotes—"traveling men's stories," they used to be called in Moonstone. Her clicking laugh sounded like a typewriting machine in action, and, for very pointed stories, she had a little screech.

Mrs. Archie had been Mrs. Archie for only six years, and when she was Belle White she was one of the "pretty" girls in Lansing, Michigan. She had then a train of suitors. She could truly remind Archie that "the boys hung around her." They did. They thought her very spirited and were always saying, "Oh, that Belle White, she's a case!" She used to play heavy practical jokes which the young men

thought very clever. Archie was considered the most promising young man in "the young crowd," so Belle selected him. She let him see, made him fully aware, that she had selected him, and Archie was the sort of boy who could not withstand such enlightenment. Belle's family were sorry for him. On his wedding day her sisters looked at the big, handsome boy—he was twenty-four—as he walked down the aisle with his bride, and then they looked at each other. His besotted confidence, his sober, radiant face, his gentle, protecting arm, made them uncomfortable. Well, they were glad that he was going West at once, to fulfill his doom where they would not be onlookers. Anyhow, they consoled themselves, they had got Belle off their hands.

More than that, Belle seemed to have got herself off her hands. Her reputed prettiness must have been entirely the result of determination, of a fierce little ambition. Once she had married, fastened herself on some one, come to port,—it vanished like the ornamental plumage which drops away from some birds after the mating season. The one aggressive action of her life was over. She began to shrink in face and stature. Of her harum-scarum spirit there was nothing left but the little screech. Within a few years she looked as small and mean as she was.

Thor's chariot crept along. Thea approached the house unwillingly. She didn't care about the strawberries, anyhow. She had come only because she did not want to hurt Dr. Archie's feelings. She not only disliked Mrs. Archie, she was a little afraid of her. While Thea was getting the heavy baby-buggy through the iron gate she heard some one call, "Wait a minute!" and Mrs. Archie came running around the house from the back door, her apron over her head. She came to help with the buggy, because she was afraid the wheels might scratch the paint off the gate-posts. She was a skinny little woman with a great pile of frizzy light hair on a small head.

"Dr. Archie told me to come up and pick some strawberries," Thea muttered, wishing she had stayed at home.

Mrs. Archie led the way to the back door, squinting and shading her eyes with her hand. "Wait a minute," she said again, when Thea explained why she had come.

She went into her kitchen and Thea sat down on the porch step. When Mrs. Archie reappeared she carried in her hand a little wooden butter-basket trimmed with fringed tissue paper, which she must have brought home from some church supper. "You'll have to have something to put them in," she said, ignoring the yawning willow basket which stood empty on Thor's feet. "You can have this, and you needn't mind about returning it. You know about not trampling the vines, don't you?"

Mrs. Archie went back into the house and Thea leaned over in the sand and picked a few strawberries. As soon as she was sure that she was not going to cry, she tossed the little basket into the big one and ran Thor's buggy along the gravel walk and out of the gate as fast as she could push it. She was angry, and she was ashamed for Dr. Archie. She could not help thinking how uncomfortable he would be if he ever found out about it. Little things like that were the ones that cut him most. She slunk home by the back way, and again almost cried when she told her mother about it.

Mrs. Kronborg was frying doughnuts for her husband's supper. She laughed as she dropped a new lot into the hot grease. "It's wonderful, the way some people are made," she declared. "But I wouldn't let that upset me if I was you. Think what it would be to live with it all the time. You look in the black pocketbook inside my handbag and take a dime and go downtown and get an ice-cream soda. That'll make you feel better. Thor can have a little of the ice-cream if you feed it to him with a spoon. He likes it, don't you, son?" She stooped to wipe his chin. Thor was only six months old and inarticulate, but it was quite true that he liked ice-cream.

6. VI

Seen from a balloon, Moonstone would have looked like a Noah's ark town set out in the sand and lightly shaded by gray-green tamarisks and cottonwoods. A few people were trying to make soft maples grow in their turfed lawns, but the fashion of planting incongruous trees from the North Atlantic States had not become general then, and the frail, brightly painted desert town was shaded by the light-reflecting, wind-loving trees of the desert, whose roots are always seeking water and whose leaves are always talking about it, making the sound of rain. The long porous roots of the cottonwood are irrepressible. They break into the wells as rats do into granaries, and thieve the water.

The long street which connected Moonstone with the depot settlement traversed in its course a considerable stretch of rough open country, staked out in lots but not built up at all, a weedy hiatus between the town and the railroad. When you set out along this street to go to the station, you noticed that the houses became smaller and farther apart, until they ceased altogether, and the board sidewalk continued its uneven course through sunflower patches, until you reached the solitary, new brick Catholic Church. The church stood there because the land was given to the parish by the man who owned the adjoining waste lots, in the hope of making them more salable— "Farrier's Addition," this patch of prairie was called in the clerk's office. An eighth of a mile beyond the church was a washout, a deep sand-gully, where the board sidewalk became a bridge for perhaps fifty feet. Just beyond the gully was old Uncle Billy Beemer's grove,—twelve town lots set out in fine, well-grown cottonwood trees, delightful

to look upon, or to listen to, as they swayed and rippled in the wind. Uncle Billy had been one of the most worthless old drunkards who ever sat on a store box and told filthy stories. One night he played hide-and-seek with a switch engine and got his sodden brains knocked out. But his grove, the one creditable thing he had ever done in his life, rustled on. Beyond this grove the houses of the depot settlement began, and the naked board walk, that had run in out of the sunflowers, again became a link between human dwellings.

One afternoon, late in the summer, Dr. Howard Archie was fighting his way back to town along this walk through a blinding sandstorm, a silk handkerchief tied over his mouth. He had been to see a sick woman down in the depot settlement, and he was walking because his ponies had been out for a hard drive that morning.

As he passed the Catholic Church he came upon Thea and Thor. Thea was sitting in a child's express wagon, her feet out behind, kicking the wagon along and steering by the tongue. Thor was on her lap and she held him with one arm. He had grown to be a big cub of a baby, with a constitutional grievance, and he had to be continually amused. Thea took him philosophically, and tugged and pulled him about, getting as much fun as she could under her encumbrance. Her hair was blowing about her face, and her eyes were squinting so intently at the uneven board sidewalk in front of her that she did not see the doctor until he spoke to her.

"Look out, Thea. You'll steer that youngster into the ditch."

The wagon stopped. Thea released the tongue, wiped her hot, sandy face, and pushed back her hair. "Oh, no, I won't! I never ran off but once, and then he didn't get anything but a bump. He likes this better than a baby-buggy, and so do I."

"Are you going to kick that cart all the way home?"

"Of course. We take long trips; wherever there is a sidewalk. It's no good on the road."

"Looks to me like working pretty hard for your fun. Are you going to be busy to-night? Want to make a call with me? Spanish Johnny's come home again, all used up. His wife sent me word this morning, and I said I'd go over to see him to-night. He's an old chum of yours, isn't he?"

"Oh, I'm glad. She's been crying her eyes out. When did he come?"

"Last night, on Number Six. Paid his fare, they tell me. Too sick to beat it. There'll come a time when that boy won't get back, I'm afraid. Come around to my office about eight o'clock,—and you needn't bring that!"

Thor seemed to understand that he had been insulted, for he scowled and began to kick the side of the wagon, shouting, "Go-go, go-go!" Thea leaned forward and grabbed the wagon tongue. Dr. Archie stepped in front of her and blocked the way. "Why don't you make him wait? What do you let him boss you like that for?"

"If he gets mad he throws himself, and then I can't do anything with him. When he's mad he's lots stronger than me, aren't you, Thor?" Thea spoke with pride, and the idol was appeased. He grunted approvingly as his sister began to kick rapidly behind her, and the wagon rattled off and soon disappeared in the flying currents of sand.

That evening Dr. Archie was seated in his office, his desk chair tilted back, reading by the light of a hot coal-oil lamp. All the windows were open, but the night was breathless after the sandstorm, and his hair was moist where it hung over his forehead. He was deeply engrossed in his book and sometimes smiled thoughtfully as he read. When Thea Kronborg entered quietly and slipped into a seat, he nodded, finished his paragraph, inserted a bookmark, and rose to put the book back into the case. It was one out of the long row of uniform volumes on the top shelf.

"Nearly every time I come in, when you're alone, you're reading one of those books," Thea remarked thoughtfully. "They must be very nice."

The doctor dropped back into his swivel chair, the mottled volume still in his hand. "They aren't exactly books, Thea," he said seriously. "They're a city."

"A history, you mean?"

"Yes, and no. They're a history of a live city, not a dead one. A Frenchman undertook to write about a whole cityful of people, all the kinds he knew. And he got them nearly all in, I guess. Yes, it's very interesting. You'll like to read it some day, when you're grown up."

Thea leaned forward and made out the title on the back, "A Distinguished Provincial in Paris."

"It doesn't sound very interesting."

"Perhaps not, but it is." The doctor scrutinized her broad face, low enough to be in the direct light from under the green lamp shade. "Yes," he went on with some satisfaction, "I think you'll like them some day. You're always curious about people, and I expect this man knew more about people than anybody that ever lived."

"City people or country people?"

"Both. People are pretty much the same everywhere."

"Oh, no, they're not. The people who go through in the dining-car aren't like us."

"What makes you think they aren't, my girl? Their clothes?"

Thea shook her head. "No, it's something else. I don't know." Her eyes shifted under the doctor's searching gaze and she glanced up at the row of books. "How soon will I be old enough to read them?"

"Soon enough, soon enough, little girl." The doctor patted her hand and looked at her index finger. "The nail's coming all right, isn't it? But I think that man makes you practice too much. You have it on your mind all the time." He had noticed that when she talked to him

she was always opening and shutting her hands. "It makes you nervous."

"No, he don't," Thea replied stubbornly, watching Dr. Archie return the book to its niche.

He took up a black leather case, put on his hat, and they went down the dark stairs into the street. The summer moon hung full in the sky. For the time being, it was the great fact in the world. Beyond the edge of the town the plain was so white that every clump of sage stood out distinct from the sand, and the dunes looked like a shining lake. The doctor took off his straw hat and carried it in his hand as they walked toward Mexican Town, across the sand.

North of Pueblo, Mexican settlements were rare in Colorado then. This one had come about accidentally. Spanish Johnny was the first Mexican who came to Moonstone. He was a painter and decorator, and had been working in Trinidad, when Ray Kennedy told him there was a "boom" on in Moonstone, and a good many new buildings were going up. A year after Johnny settled in Moonstone, his cousin, Famos Serrenos, came to work in the brickyard; then Serrenos' cousins came to help him. During the strike, the master mechanic put a gang of Mexicans to work in the roundhouse. The Mexicans had arrived so quietly, with their blankets and musical instruments, that before Moonstone was awake to the fact, there was a Mexican quarter; a dozen families or more.

As Thea and the doctor approached the 'dobe houses, they heard a guitar, and a rich barytone voice—that of Famos Serrenos—singing "La Golandrina." All the Mexican houses had neat little yards, with tamarisk hedges and flowers, and walks bordered with shells or white-washed stones. Johnny's house was dark. His wife, Mrs. Tellamantez, was sitting on the doorstep, combing her long, blue-black hair. (Mexican women are like the Spartans; when they are in trouble, in love, under stress of any

kind, they comb and comb their hair.) She rose without embarrassment or apology, comb in hand, and greeted the doctor.

"Good-evening; will you go in?" she asked in a low, musical voice. "He is in the back room. I will make a light." She followed them indoors, lit a candle and handed it to the doctor, pointing toward the bedroom. Then she went back and sat down on her doorstep.

Dr. Archie and Thea went into the bedroom, which was dark and quiet. There was a bed in the corner, and a man was lying on the clean sheets. On the table beside him was a glass pitcher, half-full of water. Spanish Johnny looked younger than his wife, and when he was in health he was very handsome: slender, gold-colored, with wavy black hair, a round, smooth throat, white teeth, and burning black eyes. His profile was strong and severe, like an Indian's. What was termed his "wildness" showed itself only in his feverish eyes and in the color that burned on his tawny cheeks. That night he was a coppery green, and his eyes were like black holes. He opened them when the doctor held the candle before his face.

"Mi testa!" he muttered, "mi testa, doctor. "La fiebre!" Seeing the doctor's companion at the foot of the bed, he attempted a smile. "Muchacha!" he exclaimed deprecatingly.

Dr. Archie stuck a thermometer into his mouth. "Now, Thea, you can run outside and wait for me."

Thea slipped noiselessly through the dark house and joined Mrs. Tellamantez. The somber Mexican woman did not seem inclined to talk, but her nod was friendly. Thea sat down on the warm sand, her back to the moon, facing Mrs. Tellamantez on her doorstep, and began to count the moonflowers on the vine that ran over the house. Mrs. Tellamantez was always considered a very homely woman. Her face was of a strongly marked type not sympathetic to Americans. Such long, oval faces, with a full

chin, a large, mobile mouth, a high nose, are not uncommon in Spain. Mrs. Tellamantez could not write her name, and could read but little. Her strong nature lived upon itself. She was chiefly known in Moonstone for her forbearance with her incorrigible husband.

Nobody knew exactly what was the matter with Johnny, and everybody liked him. His popularity would have been unusual for a white man, for a Mexican it was unprecedented. His talents were his undoing. He had a high, uncertain tenor voice, and he played the mandolin with exceptional skill. Periodically he went crazy. There was no other way to explain his behavior. He was a clever workman, and, when he worked, as regular and faithful as a burro. Then some night he would fall in with a crowd at the saloon and begin to sing. He would go on until he had no voice left, until he wheezed and rasped. Then he would play his mandolin furiously, and drink until his eyes sank back into his head. At last, when he was put out of the saloon at closing time, and could get nobody to listen to him, he would run away—along the railroad track, straight across the desert. He always managed to get aboard a freight somewhere. Once beyond Denver, he played his way southward from saloon to saloon until he got across the border. He never wrote to his wife; but she would soon begin to get newspapers from La Junta, Albuquerque, Chihuahua, with marked paragraphs announcing that Juan Tellamantez and his wonderful mandolin could be heard at the Jack Rabbit Grill, or the Pearl of Cadiz Saloon. Mrs. Tellamantez waited and wept and combed her hair. When he was completely wrung out and burned up,—all but destroyed,—her Juan always came back to her to be taken care of,—once with an ugly knife wound in the neck, once with a finger missing from his right hand,—but he played just as well with three fingers as he had with four.

Public sentiment was lenient toward Johnny, but everybody

was disgusted with Mrs. Tellamantez for putting up with him. She ought to discipline him, people said; she ought to leave him; she had no self-respect. In short, Mrs. Tellamantez got all the blame. Even Thea thought she was much too humble. To-night, as she sat with her back to the moon, looking at the moonflowers and Mrs. Tellamantez's somber face, she was thinking that there is nothing so sad in the world as that kind of patience and resignation. It was much worse than Johnny's craziness. She even wondered whether it did not help to make Johnny crazy. People had no right to be so passive and resigned. She would like to roll over and over in the sand and screech at Mrs. Tellamantez. She was glad when the doctor came out.

The Mexican woman rose and stood respectful and expectant. The doctor held his hat in his hand and looked kindly at her.

"Same old thing, Mrs. Tellamantez. He's no worse than he's been before. I've left some medicine. Don't give him anything but toast water until I see him again. You're a good nurse; you'll get him out." Dr. Archie smiled encouragingly. He glanced about the little garden and wrinkled his brows. "I can't see what makes him behave so. He's killing himself, and he's not a rowdy sort of fellow. Can't you tie him up someway? Can't you tell when these fits are coming on?"

Mrs. Tellamantez put her hand to her forehead. "The saloon, doctor, the excitement; that is what makes him. People listen to him, and it excites him."

The doctor shook his head. "Maybe. He's too much for my calculations. I don't see what he gets out of it."

"He is always fooled,"—the Mexican woman spoke rapidly and tremulously, her long under lip quivering.

"He is good at heart, but he has no head. He fools himself. You do not understand in this country, you are progressive. But he has no judgment, and he is fooled." She stooped quickly, took up one of the white conch-shells that bordered

the walk, and, with an apologetic inclination of her head, held it to Dr. Archie's ear. "Listen, doctor. You hear something in there? You hear the sea; and yet the sea is very far from here. You have judgment, and you know that. But he is fooled. To him, it is the sea itself. A little thing is big to him." She bent and placed the shell in the white row, with its fellows. Thea took it up softly and pressed it to her own ear. The sound in it startled her; it was like something calling one. So that was why Johnny ran away. There was something awe-inspiring about Mrs. Tellamantez and her shell.

Thea caught Dr. Archie's hand and squeezed it hard as she skipped along beside him back toward Moonstone. She went home, and the doctor went back to his lamp and his book. He never left his office until after midnight. If he did not play whist or pool in the evening, he read. It had become a habit with him to lose himself.

7. VII

Thea's twelfth birthday had passed a few weeks before her memorable call upon Mrs. Tellamantez. There was a worthy man in Moonstone who was already planning to marry Thea as soon as she should be old enough. His name was Ray Kennedy, his age was thirty, and he was conductor on a freight train, his run being from Moonstone to Denver. Ray was a big fellow, with a square, open American face, a rock chin, and features that one would never happen to remember. He was an aggressive idealist, a freethinker, and, like most railroad men, deeply sentimental. Thea liked him for reasons that had to do with the adventurous life he had led in Mexico and the South-west, rather than for anything very personal. She liked him, too, because he was the only one of her friends who ever took her to the sand hills. The sand hills were a constant tantalization; she loved them better than anything near Moonstone, and yet she could so seldom get to them. The first dunes were accessible enough; they were only a few miles beyond the Kohlers', and she could run out there any day when she could do her practicing in the morning and get Thor off her hands for an afternoon. But the real hills—the Turquoise Hills, the Mexicans called them— were ten good miles away, and one reached them by a heavy, sandy road. Dr. Archie sometimes took Thea on his long drives, but as nobody lived in the sand hills, he never had calls to make in that direction. Ray Kennedy was her only hope of getting there.

This summer Thea had not been to the hills once, though Ray had planned several Sunday expeditions. Once Thor was sick, and once the organist in her father's church was away and Thea had to play the organ for the three Sunday

services. But on the first Sunday in September, Ray drove up to the Kronborgs' front gate at nine o'clock in the morning and the party actually set off. Gunner and Axel went with Thea, and Ray had asked Spanish Johnny to come and to bring Mrs. Tellamantez and his mandolin. Ray was artlessly fond of music, especially of Mexican music. He and Mrs. Tellamantez had got up the lunch between them, and they were to make coffee in the desert.

When they left Mexican Town, Thea was on the front seat with Ray and Johnny, and Gunner and Axel sat behind with Mrs. Tellamantez. They objected to this, of course, but there were some things about which Thea would have her own way. "As stubborn as a Finn," Mrs. Kronborg sometimes said of her, quoting an old Swedish saying. When they passed the Kohlers', old Fritz and Wunsch were cutting grapes at the arbor. Thea gave them a businesslike nod. Wunsch came to the gate and looked after them. He divined Ray Kennedy's hopes, and he distrusted every expedition that led away from the piano. Unconsciously he made Thea pay for frivolousness of this sort.

As Ray Kennedy's party followed the faint road across the sagebrush, they heard behind them the sound of church bells, which gave them a sense of escape and boundless freedom. Every rabbit that shot across the path, every sage hen that flew up by the trail, was like a runaway thought, a message that one sent into the desert. As they went farther, the illusion of the mirage became more instead of less convincing; a shallow silver lake that spread for many miles, a little misty in the sunlight. Here and there one saw reflected the image of a heifer, turned loose to live upon the sparse sand-grass. They were magnified to a preposterous height and looked like mammoths, prehistoric beasts standing solitary in the waters that for many thousands of years actually washed over that desert; —the mirage itself may be the ghost of that long-vanished

sea. Beyond the phantom lake lay the line of many-colored hills; rich, sun-baked yellow, glowing turquoise, lavender, purple; all the open, pastel colors of the desert.

After the first five miles the road grew heavier. The horses had to slow down to a walk and the wheels sank deep into the sand, which now lay in long ridges, like waves, where the last high wind had drifted it. Two hours brought the party to Pedro's Cup, named for a Mexican desperado who had once held the sheriff at bay there. The Cup was a great amphitheater, cut out in the hills, its floor smooth and packed hard, dotted with sagebrush and greasewood.

On either side of the Cup the yellow hills ran north and south, with winding ravines between them, full of soft sand which drained down from the crumbling banks. On the surface of this fluid sand, one could find bits of brilliant stone, crystals and agates and onyx, and petrified wood as red as blood. Dried toads and lizards were to be found there, too. Birds, decomposing more rapidly, left only feathered skeletons.

After a little reconnoitering, Mrs. Tellamantez declared that it was time for lunch, and Ray took his hatchet and began to cut greasewood, which burns fiercely in its green state. The little boys dragged the bushes to the spot that Mrs. Tellamantez had chosen for her fire. Mexican women like to cook out of doors.

After lunch Thea sent Gunner and Axel to hunt for agates. "If you see a rattlesnake, run. Don't try to kill it," she enjoined.

Gunner hesitated. "If Ray would let me take the hatchet, I could kill one all right."

Mrs. Tellamantez smiled and said something to Johnny in Spanish.

"Yes," her husband replied, translating, "they say in Mexico, kill a snake but never hurt his feelings. Down in the hot country, muchacha," turning to Thea, "people keep a pet snake in the house to kill rats and mice. They

call him the house snake. They keep a little mat for him by the fire, and at night he curl up there and sit with the family, just as friendly!"

Gunner sniffed with disgust. "Well, I think that's a dirty Mexican way to keep house; so there!"

Johnny shrugged his shoulders. "Perhaps," he muttered. A Mexican learns to dive below insults or soar above them, after he crosses the border.

By this time the south wall of the amphitheater cast a narrow shelf of shadow, and the party withdrew to this refuge. Ray and Johnny began to talk about the Grand Canyon and Death Valley, two places much shrouded in mystery in those days, and Thea listened intently. Mrs. Tellamantez took out her drawn-work and pinned it to her knee. Ray could talk well about the large part of the continent over which he had been knocked about, and Johnny was appreciative.

"You been all over, pretty near. Like a Spanish boy," he commented respectfully.

Ray, who had taken off his coat, whetted his pocket-knife thoughtfully on the sole of his shoe. "I began to browse around early. I had a mind to see something of this world, and I ran away from home before I was twelve. Rustled for myself ever since."

"Ran away?" Johnny looked hopeful. "What for?"

"Couldn't make it go with my old man, and didn't take to farming. There were plenty of boys at home. I wasn't missed."

Thea wriggled down in the hot sand and rested her chin on her arm. "Tell Johnny about the melons, Ray, please do!"

Ray's solid, sunburned cheeks grew a shade redder, and he looked reproachfully at Thea. "You're stuck on that story, kid. You like to get the laugh on me, don't you? That was the finishing split I had with my old man, John. He had a claim along the creek, not far from Denver, and

raised a little garden stuff for market. One day he had a load of melons and he decided to take 'em to town and sell 'em along the street, and he made me go along and drive for him. Denver wasn't the queen city it is now, by any means, but it seemed a terrible big place to me; and when we got there, if he didn't make me drive right up Capitol Hill! Pap got out and stopped at folkses houses to ask if they didn't want to buy any melons, and I was to drive along slow. The farther I went the madder I got, but I was trying to look unconscious, when the end-gate came loose and one of the melons fell out and squashed. Just then a swell girl, all dressed up, comes out of one of the big houses and calls out, `Hello, boy, you're losing your melons!' Some dudes on the other side of the street took their hats off to her and began to laugh. I couldn't stand it any longer. I grabbed the whip and lit into that team, and they tore up the hill like jack-rabbits, them damned melons bouncing out the back every jump, the old man cussin' an' yellin' behind and everybody laughin'. I never looked behind, but the whole of Capitol Hill must have been a mess with them squashed melons. I didn't stop the team till I got out of sight of town. Then I pulled up an' left 'em with a rancher I was acquainted with, and I never went home to get the lickin' that was waitin' for me. I expect it's waitin' for me yet."

Thea rolled over in the sand. "Oh, I wish I could have seen those melons fly, Ray! I'll never see anything as funny as that. Now, tell Johnny about your first job."

Ray had a collection of good stories. He was observant, truthful, and kindly—perhaps the chief requisites in a good story-teller. Occasionally he used newspaper phrases, conscientiously learned in his efforts at self-instruction, but when he talked naturally he was always worth listening to. Never having had any schooling to speak of, he had, almost from the time he first ran away, tried to make good his loss. As a sheep-herder he had worried an old grammar to tatters,

and read instructive books with the help of a pocket dictionary. By the light of many camp-fires he had pondered upon Prescott's histories, and the works of Washington Irving, which he bought at a high price from a book-agent. Mathematics and physics were easy for him, but general culture came hard, and he was determined to get it. Ray was a freethinker, and inconsistently believed himself damned for being one. When he was braking, down on the Santa Fe, at the end of his run he used to climb into the upper bunk of the caboose, while a noisy gang played poker about the stove below him, and by the roof-lamp read Robert Ingersoll's speeches and "The Age of Reason."

Ray was a loyal-hearted fellow, and it had cost him a great deal to give up his God. He was one of the step-children of Fortune, and he had very little to show for all his hard work; the other fellow always got the best of it. He had come in too late, or too early, on several schemes that had made money. He brought with him from all his wanderings a good deal of information (more or less correct in itself, but unrelated, and therefore misleading), a high standard of personal honor, a sentimental veneration for all women, bad as well as good, and a bitter hatred of Englishmen. Thea often thought that the nicest thing about Ray was his love for Mexico and the Mexicans, who had been kind to him when he drifted, a homeless boy, over the border. In Mexico, Ray was Senor Ken-ay-dy, and when he answered to that name he was somehow a different fellow. He spoke Spanish fluently, and the sunny warmth of that tongue kept him from being quite as hard as his chin, or as narrow as his popular science.

While Ray was smoking his cigar, he and Johnny fell to talking about the great fortunes that had been made in the Southwest, and about fellows they knew who had "struck it rich."

"I guess you been in on some big deals down there?" Johnny asked trustfully.

Ray smiled and shook his head. "I've been out on some, John. I've never been exactly in on any. So far, I've either held on too long or let go too soon. But mine's coming to me, all right." Ray looked reflective. He leaned back in the shadow and dug out a rest for his elbow in the sand. "The narrowest escape I ever had, was in the Bridal Chamber. If I hadn't let go there, it would have made me rich. That was a close call."

Johnny looked delighted. "You don' say! She was silver mine, I guess?"

"I guess she was! Down at Lake Valley. I put up a few hundred for the prospector, and he gave me a bunch of stock. Before we'd got anything out of it, my brother-in-law died of the fever in Cuba. My sister was beside herself to get his body back to Colorado to bury him. Seemed foolish to me, but she's the only sister I got. It's expensive for dead folks to travel, and I had to sell my stock in the mine to raise the money to get Elmer on the move. Two months afterward, the boys struck that big pocket in the rock, full of virgin silver. They named her the Bridal Chamber. It wasn't ore, you remember. It was pure, soft metal you could have melted right down into dollars. The boys cut it out with chisels. If old Elmer hadn't played that trick on me, I'd have been in for about fifty thousand. That was a close call, Spanish."

"I recollec'. When the pocket gone, the town go bust."

"You bet. Higher'n a kite. There was no vein, just a pocket in the rock that had sometime or another got filled up with molten silver. You'd think there would be more somewhere about, but nada. There's fools digging holes in that mountain yet."

When Ray had finished his cigar, Johnny took his mandolin and began Kennedy's favorite, "Ultimo Amor." It was now three o'clock in the afternoon, the hottest hour in the day. The narrow shelf of shadow had widened until the floor of the amphitheater was marked off in two halves,

one glittering yellow, and one purple. The little boys had come back and were making a robbers' cave to enact the bold deeds of Pedro the bandit. Johnny, stretched gracefully on the sand, passed from "Ultimo Amor" to "Fluvia de Oro," and then to "Noches de Algeria," playing languidly.

Every one was busy with his own thoughts. Mrs. Tellamantez was thinking of the square in the little town in which she was born; of the white churchsteps, with people genuflecting as they passed, and the round-topped acacia trees, and the band playing in the plaza. Ray Kennedy was thinking of the future, dreaming the large Western dream of easy money, of a fortune kicked up somewhere in the hills,—an oil well, a gold mine, a ledge of copper. He always told himself, when he accepted a cigar from a newly married railroad man, that he knew enough not to marry until he had found his ideal, and could keep her like a queen. He believed that in the yellow head over there in the sand he had found his ideal, and that by the time she was old enough to marry, he would be able to keep her like a queen. He would kick it up from somewhere, when he got loose from the railroad.

Thea, stirred by tales of adventure, of the Grand Canyon and Death Valley, was recalling a great adventure of her own. Early in the summer her father had been invited to conduct a reunion of old frontiersmen, up in Wyoming, near Laramie, and he took Thea along with him to play the organ and sing patriotic songs. There they stayed at the house of an old ranchman who told them about a ridge up in the hills called Laramie Plain, where the wagon-trails of the Forty-niners and the Mormons were still visible. The old man even volunteered to take Mr. Kronborg up into the hills to see this place, though it was a very long drive to make in one day. Thea had begged frantically to go along, and the old rancher, flattered by her rapt attention to his stories, had interceded for her.

They set out from Laramie before daylight, behind a strong team of mules. All the way there was much talk of the Forty-niners. The old rancher had been a teamster in a freight train that used to crawl back and forth across the plains between Omaha and Cherry Creek, as Denver was then called, and he had met many a wagon train bound for California. He told of Indians and buffalo, thirst and slaughter, wanderings in snowstorms, and lonely graves in the desert.

The road they followed was a wild and beautiful one. It led up and up, by granite rocks and stunted pines, around deep ravines and echoing gorges. The top of the ridge, when they reached it, was a great flat plain, strewn with white boulders, with the wind howling over it. There was not one trail, as Thea had expected; there were a score; deep furrows, cut in the earth by heavy wagon wheels, and now grown over with dry, whitish grass. The furrows ran side by side; when one trail had been worn too deep, the next party had abandoned it and made a new trail to the right or left. They were, indeed, only old wagon ruts, running east and west, and grown over with grass. But as Thea ran about among the white stones, her skirts blowing this way and that, the wind brought to her eyes tears that might have come anyway. The old rancher picked up an iron ox-shoe from one of the furrows and gave it to her for a keepsake. To the west one could see range after range of blue mountains, and at last the snowy range, with its white, windy peaks, the clouds caught here and there on their spurs. Again and again Thea had to hide her face from the cold for a moment. The wind never slept on this plain, the old man said. Every little while eagles flew over.

Coming up from Laramie, the old man had told them that he was in Brownsville, Nebraska, when the first telegraph wires were put across the Missouri River, and that the first message that ever crossed the river was "Westward the course of Empire takes its way." He had been

in the room when the instrument began to click, and all the men there had, without thinking what they were doing, taken off their hats, waiting bareheaded to hear the message translated. Thea remembered that message when she sighted down the wagon tracks toward the blue mountains. She told herself she would never, never forget it. The spirit of human courage seemed to live up there with the eagles. For long after, when she was moved by a Fourth-of-July oration, or a band, or a circus parade, she was apt to remember that windy ridge.

To-day she went to sleep while she was thinking about it. When Ray wakened her, the horses were hitched to the wagon and Gunner and Axel were begging for a place on the front seat. The air had cooled, the sun was setting, and the desert was on fire. Thea contentedly took the back seat with Mrs. Tellamantez. As they drove homeward the stars began to come out, pale yellow in a yellow sky, and Ray and Johnny began to sing one of those railroad ditties that are usually born on the Southern Pacific and run the length of the Santa Fe and the "Q" system before they die to give place to a new one. This was a song about a Greaser dance, the refrain being something like this:—

8. VIII

Winter was long in coming that year. Throughout October the days were bathed in sunlight and the air was clear as crystal. The town kept its cheerful summer aspect, the desert glistened with light, the sand hills every day went through magical changes of color. The scarlet sage bloomed late in the front yards, the cottonwood leaves were bright gold long before they fell, and it was not until November that the green on the tamarisks began to cloud and fade. There was a flurry of snow about Thanksgiving, and then December came on warm and clear.

Thea had three music pupils now, little girls whose mothers declared that Professor Wunsch was "much too severe." They took their lessons on Saturday, and this, of course, cut down her time for play. She did not really mind this because she was allowed to use the money—her pupils paid her twenty-five cents a lesson—to fit up a little room for herself upstairs in the half-story. It was the end room of the wing, and was not plastered, but was snugly lined with soft pine. The ceiling was so low that a grown person could reach it with the palm of the hand, and it sloped down on either side. There was only one window, but it was a double one and went to the floor. In October, while the days were still warm, Thea and Tillie papered the room, walls and ceiling in the same paper, small red and brown roses on a yellowish ground. Thea bought a brown cotton carpet, and her big brother, Gus, put it down for her one Sunday. She made white cheesecloth curtains and hung them on a tape. Her mother gave her an old walnut dresser with a broken mirror, and she had her own dumpy walnut single bed, and a blue washbowl and pitcher which she had drawn at a church fair lottery. At the head of her bed she

had a tall round wooden hat-crate, from the clothing store. This, standing on end and draped with cretonne, made a fairly steady table for her lantern. She was not allowed to take a lamp upstairs, so Ray Kennedy gave her a railroad lantern by which she could read at night.

In winter this loft room of Thea's was bitterly cold, but against her mother's advice—and Tillie's—she always left her window open a little way. Mrs. Kronborg declared that she "had no patience with American physiology," though the lessons about the injurious effects of alcohol and tobacco were well enough for the boys. Thea asked Dr. Archie about the window, and he told her that a girl who sang must always have plenty of fresh air, or her voice would get husky, and that the cold would harden her throat. The important thing, he said, was to keep your feet warm. On very cold nights Thea always put a brick in the oven after supper, and when she went upstairs she wrapped it in an old flannel petticoat and put it in her bed. The boys, who would never heat bricks for themselves, sometimes carried off Thea's, and thought it a good joke to get ahead of her.

When Thea first plunged in between her red blankets, the cold sometimes kept her awake for a good while, and she comforted herself by remembering all she could of "Polar Explorations," a fat, calf-bound volume her father had bought from a book-agent, and by thinking about the members of Greely's party: how they lay in their frozen sleeping-bags, each man hoarding the warmth of his own body and trying to make it last as long as possible against the on-coming cold that would be everlasting. After half an hour or so, a warm wave crept over her body and round, sturdy legs; she glowed like a little stove with the warmth of her own blood, and the heavy quilts and red blankets grew warm wherever they touched her, though her breath sometimes froze on the coverlid. Before daylight, her internal fires went down a little, and she often wakened to find

herself drawn up into a tight ball, somewhat stiff in the legs. But that made it all the easier to get up.

The acquisition of this room was the beginning of a new era in Thea's life. It was one of the most important things that ever happened to her. Hitherto, except in summer, when she could be out of doors, she had lived in constant turmoil; the family, the day school, the Sunday-School. The clamor about her drowned the voice within herself. In the end of the wing, separated from the other upstairs sleeping-rooms by a long, cold, unfinished lumber room, her mind worked better. She thought things out more clearly. Pleasant plans and ideas occurred to her which had never come before. She had certain thoughts which were like companions, ideas which were like older and wiser friends. She left them there in the morning, when she finished dressing in the cold, and at night, when she came up with her lantern and shut the door after a busy day, she found them awaiting her. There was no possible way of heating the room, but that was fortunate, for otherwise it would have been occupied by one of her older brothers.

From the time when she moved up into the wing, Thea began to live a double life. During the day, when the hours were full of tasks, she was one of the Kronborg children, but at night she was a different person. On Friday and Saturday nights she always read for a long while after she was in bed. She had no clock, and there was no one to nag her.

Ray Kennedy, on his way from the depot to his boarding-house, often looked up and saw Thea's light burning when the rest of the house was dark, and felt cheered as by a friendly greeting. He was a faithful soul, and many disappointments had not changed his nature. He was still, at heart, the same boy who, when he was sixteen, had settled down to freeze with his sheep in a Wyoming blizzard, and had been rescued only to play the losing game of fidelity to other charges.

Ray had no very clear idea of what might be going on

in Thea's head, but he knew that something was. He used to remark to Spanish Johnny, "That girl is developing something fine." Thea was patient with Ray, even in regard to the liberties he took with her name. Outside the family, every one in Moonstone, except Wunsch and Dr. Archie, called her "Thee-a," but this seemed cold and distant to Ray, so he called her "Thee." Once, in a moment of exasperation, Thea asked him why he did this, and he explained that he once had a chum, Theodore, whose name was always abbreviated thus, and that since he was killed down on the Santa Fe, it seemed natural to call somebody "Thee." Thea sighed and submitted. She was always helpless before homely sentiment and usually changed the subject.

It was the custom for each of the different Sunday-Schools in Moonstone to give a concert on Christmas Eve. But this year all the churches were to unite and give, as was announced from the pulpits, "a semi-sacred concert of picked talent" at the opera house. The Moonstone Orchestra, under the direction of Professor Wunsch, was to play, and the most talented members of each Sunday-School were to take part in the programme. Thea was put down by the committee "for instrumental." This made her indignant, for the vocal numbers were always more popular. Thea went to the president of the committee and demanded hotly if her rival, Lily Fisher, were going to sing. The president was a big, florid, powdered woman, a fierce W.C.T.U. worker, one of Thea's natural enemies. Her name was Johnson; her husband kept the livery stable, and she was called Mrs. Livery Johnson, to distinguish her from other families of the same surname. Mrs. Johnson was a prominent Baptist, and Lily Fisher was the Baptist prodigy. There was a not very Christian rivalry between the Baptist Church and Mr. Kronborg's church.

When Thea asked Mrs. Johnson whether her rival was to be allowed to sing, Mrs. Johnson, with an eagerness

which told how she had waited for this moment, replied that "Lily was going to recite to be obliging, and to give other children a chance to sing." As she delivered this thrust, her eyes glittered more than the Ancient Mariner's, Thea thought. Mrs. Johnson disapproved of the way in which Thea was being brought up, of a child whose chosen associates were Mexicans and sinners, and who was, as she pointedly put it, "bold with men." She so enjoyed an opportunity to rebuke Thea, that, tightly corseted as she was, she could scarcely control her breathing, and her lace and her gold watch chain rose and fell "with short, uneasy motion." Frowning, Thea turned away and walked slowly homeward. She suspected guile. Lily Fisher was the most stuck-up doll in the world, and it was certainly not like her to recite to be obliging. Nobody who could sing ever recited, because the warmest applause always went to the singers.

However, when the programme was printed in the Moonstone Gleam, there it was: "Instrumental solo, Thea Kronborg. Recitation, Lily Fisher."

Because his orchestra was to play for the concert, Mr. Wunsch imagined that he had been put in charge of the music, and he became arrogant. He insisted that Thea should play a "Ballade" by Reinecke. When Thea consulted her mother, Mrs. Kronborg agreed with her that the "Ballade" would "never take" with a Moonstone audience. She advised Thea to play "something with variations," or, at least, "The Invitation to the Dance."

"It makes no matter what they like," Wunsch replied to Thea's entreaties. "It is time already that they learn something."

Thea's fighting powers had been impaired by an ulcerated tooth and consequent loss of sleep, so she gave in. She finally had the molar pulled, though it was a second tooth and should have been saved. The dentist was a clumsy, ignorant country boy, and Mr. Kronborg would not hear of Dr. Archie's taking Thea to a dentist in Denver, though

Ray Kennedy said he could get a pass for her. What with the pain of the tooth, and family discussions about it, with trying to make Christmas presents and to keep up her school work and practicing, and giving lessons on Saturdays, Thea was fairly worn out.

On Christmas Eve she was nervous and excited. It was the first time she had ever played in the opera house, and she had never before had to face so many people. Wunsch would not let her play with her notes, and she was afraid of forgetting. Before the concert began, all the participants had to assemble on the stage and sit there to be looked at. Thea wore her white summer dress and a blue sash, but Lily Fisher had a new pink silk, trimmed with white swansdown.

The hall was packed. It seemed as if every one in Moonstone was there, even Mrs. Kohler, in her hood, and old Fritz. The seats were wooden kitchen chairs, numbered, and nailed to long planks which held them together in rows. As the floor was not raised, the chairs were all on the same level. The more interested persons in the audience peered over the heads of the people in front of them to get a good view of the stage. From the platform Thea picked out many friendly faces. There was Dr. Archie, who never went to church entertainments; there was the friendly jeweler who ordered her music for her,—he sold accordions and guitars as well as watches,—and the druggist who often lent her books, and her favorite teacher from the school. There was Ray Kennedy, with a party of freshly barbered railroad men he had brought along with him. There was Mrs. Kronborg with all the children, even Thor, who had been brought out in a new white plush coat. At the back of the hall sat a little group of Mexicans, and among them Thea caught the gleam of Spanish Johnny's white teeth, and of Mrs. Tellamantez's lustrous, smoothly coiled black hair.

After the orchestra played "Selections from Erminie,"

and the Baptist preacher made a long prayer, Tillie Kronborg came on with a highly colored recitation, "The Polish Boy." When it was over every one breathed more freely. No committee had the courage to leave Tillie off a programme. She was accepted as a trying feature of every entertainment. The Progressive Euchre Club was the only social organization in the town that entirely escaped Tillie. After Tillie sat down, the Ladies' Quartette sang, "Beloved, it is Night," and then it was Thea's turn.

The "Ballade" took ten minutes, which was five minutes too long. The audience grew restive and fell to whispering. Thea could hear Mrs. Livery Johnson's bracelets jangling as she fanned herself, and she could hear her father's nervous, ministerial cough. Thor behaved better than any one else. When Thea bowed and returned to her seat at the back of the stage there was the usual applause, but it was vigorous only from the back of the house where the Mexicans sat, and from Ray Kennedy's claqueurs. Any one could see that a good-natured audience had been bored.

Because Mr. Kronborg's sister was on the programme, it had also been necessary to ask the Baptist preacher's wife's cousin to sing. She was a "deep alto" from McCook, and she sang, "Thy Sentinel Am I." After her came Lily Fisher. Thea's rival was also a blonde, but her hair was much heavier than Thea's, and fell in long round curls over her shoulders. She was the angel-child of the Baptists, and looked exactly like the beautiful children on soap calendars. Her pink-and-white face, her set smile of innocence, were surely born of a color-press. She had long, drooping eyelashes, a little pursed-up mouth, and narrow, pointed teeth, like a squirrel's.

Lily began:—

Thea drew a long breath. That was the game; it was a recitation and a song in one. Lily trailed the hymn through half a dozen verses with great effect. The Baptist preacher had announced at the beginning of the concert that "owing to the length of the programme, there would be no encores." But the applause which followed Lily to her seat was such an unmistakable expression of enthusiasm that Thea had to admit Lily was justified in going back. She was attended this time by Mrs. Livery Johnson herself, crimson with triumph and gleaming-eyed, nervously rolling and unrolling a sheet of music. She took off her bracelets and played Lily's accompaniment. Lily had the effrontery to come out with, "She sang the song of Home, Sweet Home, the song that touched my heart." But this did not surprise Thea; as Ray said later in the evening, "the cards had been stacked against her from the beginning." The next issue of the Gleam correctly stated that "unquestionably the honors of the evening must be accorded to Miss Lily Fisher." The Baptists had everything their own way.

After the concert Ray Kennedy joined the Kronborgs' party and walked home with them. Thea was grateful for his silent sympathy, even while it irritated her. She inwardly vowed that she would never take another lesson from old Wunsch. She wished that her father would not keep cheerfully singing, "When Shepherds Watched," as he marched ahead, carrying Thor. She felt that silence would become the Kronborgs for a while. As a family, they somehow seemed a little ridiculous, trooping along in the starlight. There were so many of them, for one thing. Then Tillie was so absurd. She was giggling and talking to Anna just as if she had not made, as even Mrs. Kronborg admitted, an exhibition of herself.

When they got home, Ray took a box from his overcoat pocket and slipped it into Thea's hand as he said good-night. They all hurried in to the glowing stove in the parlor. The sleepy children were sent to bed. Mrs. Kronborg and Anna stayed up to fill the stockings.

"I guess you're tired, Thea. You needn't stay up." Mrs. Kronborg's clear and seemingly indifferent eye usually measured Thea pretty accurately.

Thea hesitated. She glanced at the presents laid out on the dining-room table, but they looked unattractive. Even the brown plush monkey she had bought for Thor with such enthusiasm seemed to have lost his wise and humorous expression. She murmured, "All right," to her mother, lit her lantern, and went upstairs.

Ray's box contained a hand-painted white satin fan, with pond lilies—an unfortunate reminder. Thea smiled grimly and tossed it into her upper drawer. She was not to be consoled by toys. She undressed quickly and stood for some time in the cold, frowning in the broken looking-glass at her flaxen pig-tails, at her white neck and arms. Her own broad, resolute face set its chin at her, her eyes flashed into her own defiantly. Lily Fisher was pretty, and she was willing to be just as big a fool as people wanted her to be. Very well; Thea Kronborg wasn't. She would rather be hated than be stupid, any day. She popped into bed and read stubbornly at a queer paper book the drug-store man had given her because he couldn't sell it. She had trained herself to put her mind on what she was doing, otherwise she would have come to grief with her complicated daily schedule. She read, as intently as if she had not been flushed with anger, the strange "Musical Memories" of the Reverend H. R. Haweis. At last she blew out the lantern and went to sleep. She had many curious dreams that night. In one of them Mrs. Tellamantez held her shell to Thea's ear, and she heard the roaring, as before, and distant voices calling, "Lily Fisher! Lily Fisher!"

9. IX

Mr. Kronborg considered Thea a remarkable child; but so were all his children remarkable. If one of the business men downtown remarked to him that he "had a mighty bright little girl, there," he admitted it, and at once began to explain what a "long head for business" his son Gus had, or that Charley was "a natural electrician," and had put in a telephone from the house to the preacher's study behind the church.

Mrs. Kronborg watched her daughter thoughtfully. She found her more interesting than her other children, and she took her more seriously, without thinking much about why she did so. The other children had to be guided, directed, kept from conflicting with one another. Charley and Gus were likely to want the same thing, and to quarrel about it. Anna often demanded unreasonable service from her older brothers; that they should sit up until after midnight to bring her home from parties when she did not like the youth who had offered himself as her escort; or that they should drive twelve miles into the country, on a winter night, to take her to a ranch dance, after they had been working hard all day. Gunner often got bored with his own clothes or stilts or sled, and wanted Axel's. But Thea, from the time she was a little thing, had her own routine. She kept out of every one's way, and was hard to manage only when the other children interfered with her. Then there was trouble indeed: bursts of temper which used to alarm Mrs. Kronborg. "You ought to know enough to let Thea alone. She lets you alone," she often said to the other children.

One may have staunch friends in one's own family, but one seldom has admirers. Thea, however, had one in the

person of her addle-pated aunt, Tillie Kronborg. In older countries, where dress and opinions and manners are not so thoroughly standardized as in our own West, there is a belief that people who are foolish about the more obvious things of life are apt to have peculiar insight into what lies beyond the obvious. The old woman who can never learn not to put the kerosene can on the stove, may yet be able to tell fortunes, to persuade a backward child to grow, to cure warts, or to tell people what to do with a young girl who has gone melancholy. Tillie's mind was a curious machine; when she was awake it went round like a wheel when the belt has slipped off, and when she was asleep she dreamed follies. But she had intuitions. She knew, for instance, that Thea was different from the other Kronborgs, worthy though they all were. Her romantic imagination found possibilities in her niece. When she was sweeping or ironing, or turning the ice-cream freezer at a furious rate, she often built up brilliant futures for Thea, adapting freely the latest novel she had read.

Tillie made enemies for her niece among the church people because, at sewing societies and church suppers, she sometimes spoke vauntingly, with a toss of her head, just as if Thea's "wonderfulness" were an accepted fact in Moonstone, like Mrs. Archie's stinginess, or Mrs. Livery Johnson's duplicity. People declared that, on this subject, Tillie made them tired.

Tillie belonged to a dramatic club that once a year performed in the Moonstone Opera House such plays as "Among the Breakers," and "The Veteran of 1812." Tillie played character parts, the flirtatious old maid or the spiteful intrigante. She used to study her parts up in the attic at home. While she was committing the lines, she got Gunner or Anna to hold the book for her, but when she began "to bring out the expression," as she said, she used, very timorously, to ask Thea to hold the book. Thea was usually—not always—agreeable about it. Her

mother had told her that, since she had some influence with Tillie, it would be a good thing for them all if she could tone her down a shade and "keep her from taking on any worse than need be." Thea would sit on the foot of Tillie's bed, her feet tucked under her, and stare at the silly text. "I wouldn't make so much fuss, there, Tillie," she would remark occasionally; "I don't see the point in it"; or, "What do you pitch your voice so high for? It don't carry half as well."

"I don't see how it comes Thea is so patient with Tillie," Mrs. Kronborg more than once remarked to her husband. "She ain't patient with most people, but it seems like she's got a peculiar patience for Tillie."

Tillie always coaxed Thea to go "behind the scenes" with her when the club presented a play, and help her with her make-up. Thea hated it, but she always went. She felt as if she had to do it. There was something in Tillie's adoration of her that compelled her. There was no family impropriety that Thea was so much ashamed of as Tillie's "acting" and yet she was always being dragged in to assist her. Tillie simply had her, there. She didn't know why, but it was so. There was a string in her somewhere that Tillie could pull; a sense of obligation to Tillie's misguided aspirations. The saloon-keepers had some such feeling of responsibility toward Spanish Johnny.

The dramatic club was the pride of Tillie's heart, and her enthusiasm was the principal factor in keeping it together. Sick or well, Tillie always attended rehearsals, and was always urging the young people, who took rehearsals lightly, to "stop fooling and begin now." The young men —bank clerks, grocery clerks, insurance agents—played tricks, laughed at Tillie, and "put it up on each other" about seeing her home; but they often went to tiresome rehearsals just to oblige her. They were good-natured young fellows. Their trainer and stage-manager was young Upping, the jeweler who ordered Thea's music for her.

Though barely thirty, he had followed half a dozen professions, and had once been a violinist in the orchestra of the Andrews Opera Company, then well known in little towns throughout Colorado and Nebraska.

By one amazing indiscretion Tillie very nearly lost her hold upon the Moonstone Drama Club. The club had decided to put on "The Drummer Boy of Shiloh," a very ambitious undertaking because of the many supers needed and the scenic difficulties of the act which took place in Andersonville Prison. The members of the club consulted together in Tillie's absence as to who should play the part of the drummer boy. It must be taken by a very young person, and village boys of that age are self-conscious and are not apt at memorizing. The part was a long one, and clearly it must be given to a girl. Some members of the club suggested Thea Kronborg, others advocated Lily Fisher. Lily's partisans urged that she was much prettier than Thea, and had a much "sweeter disposition." Nobody denied these facts. But there was nothing in the least boyish about Lily, and she sang all songs and played all parts alike. Lily's simper was popular, but it seemed not quite the right thing for the heroic drummer boy.

Upping, the trainer, talked to one and another: "Lily's all right for girl parts," he insisted, "but you've got to get a girl with some ginger in her for this. Thea's got the voice, too. When she sings, `Just Before the Battle, Mother,' she'll bring down the house."

When all the members of the club had been privately consulted, they announced their decision to Tillie at the first regular meeting that was called to cast the parts. They expected Tillie to be overcome with joy, but, on the contrary, she seemed embarrassed. "I'm afraid Thea hasn't got time for that," she said jerkily. "She is always so busy with her music. Guess you'll have to get somebody else."

The club lifted its eyebrows. Several of Lily Fisher's

friends coughed. Mr. Upping flushed. The stout woman who always played the injured wife called Tillie's attention to the fact that this would be a fine opportunity for her niece to show what she could do. Her tone was condescending.

Tillie threw up her head and laughed; there was something sharp and wild about Tillie's laugh—when it was not a giggle. "Oh, I guess Thea hasn't got time to do any showing off. Her time to show off ain't come yet. I expect she'll make us all sit up when it does. No use asking her to take the part. She'd turn her nose up at it. I guess they'd be glad to get her in the Denver Dramatics, if they could."

The company broke up into groups and expressed their amazement. Of course all Swedes were conceited, but they would never have believed that all the conceit of all the Swedes put together would reach such a pitch as this. They confided to each other that Tillie was "just a little off, on the subject of her niece," and agreed that it would be as well not to excite her further. Tillie got a cold reception at rehearsals for a long while afterward, and Thea had a crop of new enemies without even knowing it.

10. X

Wunsch and old Fritz and Spanish Johnny celebrated Christmas together, so riotously that Wunsch was unable to give Thea her lesson the next day. In the middle of the vacation week Thea went to the Kohlers' through a soft, beautiful snowstorm. The air was a tender blue-gray, like the color on the doves that flew in and out of the white dove-house on the post in the Kohlers' garden. The sand hills looked dim and sleepy. The tamarisk hedge was full of snow, like a foam of blossoms drifted over it. When Thea opened the gate, old Mrs. Kohler was just coming in from the chicken yard, with five fresh eggs in her apron and a pair of old top-boots on her feet. She called Thea to come and look at a bantam egg, which she held up proudly. Her bantam hens were remiss in zeal, and she was always delighted when they accomplished anything. She took Thea into the sitting-room, very warm and smelling of food, and brought her a plateful of little Christmas cakes, made according to old and hallowed formulae, and put them before her while she warmed her feet. Then she went to the door of the kitchen stairs and called: "Herr Wunsch, Herr Wunsch!"

Wunsch came down wearing an old wadded jacket, with a velvet collar. The brown silk was so worn that the wadding stuck out almost everywhere. He avoided Thea's eyes when he came in, nodded without speaking, and pointed directly to the piano stool. He was not so insistent upon the scales as usual, and throughout the little sonata of Mozart's she was studying, he remained languid and absent-minded. His eyes looked very heavy, and he kept wiping them with one of the new silk handkerchiefs Mrs. Kohler had given him for Christmas. When the lesson was

over he did not seem inclined to talk. Thea, loitering on the stool, reached for a tattered book she had taken off the music-rest when she sat down. It was a very old Leipsic edition of the piano score of Gluck's "Orpheus." She turned over the pages curiously.

"Is it nice?" she asked.

"It is the most beautiful opera ever made," Wunsch declared solemnly. "You know the story, eh? How, when she die, Orpheus went down below for his wife?"

"Oh, yes, I know. I didn't know there was an opera about it, though. Do people sing this now?"

"Aber ja! What else? You like to try? See." He drew her from the stool and sat down at the piano. Turning over the leaves to the third act, he handed the score to Thea. "Listen, I play it through and you get the rhythmus. Eins, zwei, drei, vier." He played through Orpheus' lament, then pushed back his cuffs with awakening interest and nodded at Thea. "Now, vom blatt, mit mir."

Wunsch sang the aria with much feeling. It was evidently one that was very dear to him.

"Noch einmal, alone, yourself." He played the introductory measures, then nodded at her vehemently, and she began:—

When she finished, Wunsch nodded again. "Schön," he muttered as he finished the accompaniment softly. He dropped his hands on his knees and looked up at Thea. "That is very fine, eh? There is no such beautiful melody in the world. You can take the book for one week and learn something, to pass the time. It is good to know—always. Euridice, Eu—ri—di—ce, weh dass ich auf erden bin!" he sang softly, playing the melody with his right hand.

Thea, who was turning over the pages of the third act,

stopped and scowled at a passage. The old German's blurred eyes watched her curiously.

"For what do you look so, immer?" puckering up his own face. "You see something a little difficult, may-be, and you make such a face like it was an enemy."

Thea laughed, disconcerted. "Well, difficult things are enemies, aren't they? When you have to get them?"

Wunsch lowered his head and threw it up as if he were butting something. "Not at all! By no means." He took the book from her and looked at it. "Yes, that is not so easy, there. This is an old book. They do not print it so now any more, I think. They leave it out, may-be. Only one woman could sing that good."

Thea looked at him in perplexity.

Wunsch went on. "It is written for alto, you see. A woman sings the part, and there was only one to sing that good in there. You understand? Only one!" He glanced at her quickly and lifted his red forefinger upright before her eyes.

Thea looked at the finger as if she were hypnotized. "Only one?" she asked breathlessly; her hands, hanging at her sides, were opening and shutting rapidly.

Wunsch nodded and still held up that compelling finger. When he dropped his hands, there was a look of satisfaction in his face.

"Was she very great?"

Wunsch nodded.

"Was she beautiful?"

"Aber gar nicht! Not at all. She was ugly; big mouth, big teeth, no figure, nothing at all," indicating a luxuriant bosom by sweeping his hands over his chest. "A pole, a post! But for the voice—ach! She have something in there, behind the eyes," tapping his temples.

Thea followed all his gesticulations intently. "Was she German?"

"No, Spanisch." He looked down and frowned for a

moment. "Ach, I tell you, she look like the Frau Tellamantez, some-thing. Long face, long chin, and ugly al-so."

"Did she die a long while ago?"

"Die? I think not. I never hear, anyhow. I guess she is alive somewhere in the world; Paris, may-be. But old, of course. I hear her when I was a youth. She is too old to sing now any more."

"Was she the greatest singer you ever heard?"

Wunsch nodded gravely. "Quite so. She was the most—" he hunted for an English word, lifted his hand over his head and snapped his fingers noiselessly in the air, enunciating fiercely, " künst-ler-isch!" The word seemed to glitter in his uplifted hand, his voice was so full of emotion.

Wunsch rose from the stool and began to button his wadded jacket, preparing to return to his half-heated room in the loft. Thea regretfully put on her cloak and hood and set out for home.

When Wunsch looked for his score late that afternoon, he found that Thea had not forgotten to take it with her. He smiled his loose, sarcastic smile, and thoughtfully rubbed his stubbly chin with his red fingers. When Fritz came home in the early blue twilight the snow was flying faster, Mrs. Kohler was cooking Hasenpfeffer in the kitchen, and the professor was seated at the piano, playing the Gluck, which he knew by heart. Old Fritz took off his shoes quietly behind the stove and lay down on the lounge before his masterpiece, where the firelight was playing over the walls of Moscow. He listened, while the room grew darker and the windows duller. Wunsch always came back to the same thing:—

. . . . .

From time to time Fritz sighed softly. He, too, had lost a Euridice.

11. XI

One Saturday, late in June, Thea arrived early for her lesson. As she perched herself upon the piano stool, —a wobbly, old-fashioned thing that worked on a creaky screw,—she gave Wunsch a side glance, smiling. "You must not be cross to me to-day. This is my birthday."

"So?" he pointed to the keyboard.

After the lesson they went out to join Mrs. Kohler, who had asked Thea to come early, so that she could stay and smell the linden bloom. It was one of those still days of intense light, when every particle of mica in the soil flashed like a little mirror, and the glare from the plain below seemed more intense than the rays from above. The sand ridges ran glittering gold out to where the mirage licked them up, shining and steaming like a lake in the tropics. The sky looked like blue lava, forever incapable of clouds, —a turquoise bowl that was the lid of the desert. And yet within Mrs. Kohler's green patch the water dripped, the beds had all been hosed, and the air was fresh with rapidly evaporating moisture.

The two symmetrical linden trees were the proudest things in the garden. Their sweetness embalmed all the air. At every turn of the paths,—whether one went to see the hollyhocks or the bleeding heart, or to look at the purple morning-glories that ran over the bean-poles,—wherever one went, the sweetness of the lindens struck one afresh and one always came back to them. Under the round leaves, where the waxen yellow blossoms hung, bevies of wild bees were buzzing. The tamarisks were still pink, and the flower-beds were doing their best in honor of the linden festival. The white dove-house was shining with a fresh coat of paint, and the pigeons were crooning contentedly,

flying down often to drink at the drip from the water tank. Mrs. Kohler, who was transplanting pansies, came up with her trowel and told Thea it was lucky to have your birthday when the lindens were in bloom, and that she must go and look at the sweet peas. Wunsch accompanied her, and as they walked between the flower-beds he took Thea's hand.

he muttered. "You know that von Heine? Im leuchtenden sommermorgen?"He looked down at Thea and softly pressed her hand.

"No, I don't know it. What does flüstern mean?"

"Flüstern?—to whisper. You must begin now to know such things. That is necessary. How many birthdays?"

"Thirteen. I'm in my 'teens now. But how can I know words like that? I only know what you say at my lessons. They don't teach German at school. How can I learn?"

"It is always possible to learn when one likes," said Wunsch. His words were peremptory, as usual, but his tone was mild, even confidential. "There is always a way. And if some day you are going to sing, it is necessary to know well the German language."

Thea stooped over to pick a leaf of rosemary. How did Wunsch know that, when the very roses on her wall-paper had never heard it? "But am I going to?" she asked, still stooping.

"That is for you to say," returned Wunsch coldly. "You would better marry some Jacob here and keep the house for him, may-be? That is as one desires."

Thea flashed up at him a clear, laughing look. "No, I don't want to do that. You know," she brushed his coat-sleeve quickly with her yellow head. "Only how can I learn anything here? It's so far from Denver."

Wunsch's loose lower lip curled in amusement. Then, as if he suddenly remembered something, he spoke seriously. "Nothing is far and nothing is near, if one desires. The

world is little, people are little, human life is little. There is only one big thing—desire. And before it, when it is big, all is little. It brought Columbus across the sea in a little boat, und so weiter." Wunsch made a grimace, took his pupil's hand and drew her toward the grape arbor. "Hereafter I will more speak to you in German. Now, sit down and I will teach you for your birthday that little song. Ask me the words you do not know already. Now: Im leuch-tenden sommermorgen."

Thea memorized quickly because she had the power of listening intently. In a few moments she could repeat the eight lines for him. Wunsch nodded encouragingly and they went out of the arbor into the sunlight again. As they went up and down the gravel paths between the flower-beds, the white and yellow butterflies kept darting before them, and the pigeons were washing their pink feet at the drip and crooning in their husky bass. Over and over again Wunsch made her say the lines to him. "You see it is nothing. If you learn a great many of the Lieder, you will know the German language already. Weiter, nun." He would incline his head gravely and listen.

"Ed flustern und sprechen die Blumen
Und schau'n mitleidig mich an: 'Sei unserer schwester nicht böse,
Du trauriger, blasser Mann!'"

Wunsch had noticed before that when his pupil read anything in verse the character of her voice changed altogether; it was no longer the voice which spoke the speech of Moonstone. It was a soft, rich contralto, and she read quietly; the feeling was in the voice itself, not indicated by emphasis or change of pitch. She repeated the little verses musically, like a song, and the entreaty of the flowers was even softer than the rest, as the shy speech of flowers might be, and she ended with the voice suspended, almost with a rising inflection. It was a nature-voice, Wunsch told himself, breathed from the creature and apart from language, like the sound of the wind in the trees, or the murmur of water.

"What is it the flowers mean when they ask him not to be harsh to their sister, eh?" he asked, looking down at her curiously and wrinkling his dull red forehead.

Thea glanced at him in surprise. "I suppose he thinks they are asking him not to be harsh to his sweetheart—or some girl they remind him of."

"And why trauriger, blasser Mann?"

They had come back to the grape arbor, and Thea picked out a sunny place on the bench, where a tortoise-shell cat was stretched at full length. She sat down, bending over the cat and teasing his whiskers. "Because he had been awake all night, thinking about her, wasn't it? Maybe that was why he was up so early."

Wunsch shrugged his shoulders. "If he think about her all night already, why do you say the flowers remind him?"

Thea looked up at him in perplexity. A flash of comprehension lit her face and she smiled eagerly. "Oh, I didn't mean `remind' in that way! I didn't mean they brought her to his mind! I meant it was only when he came out in the morning, that she seemed to him like that,—like one of the flowers."

"And before he came out, how did she seem?"

This time it was Thea who shrugged her shoulders. The

warm smile left her face. She lifted her eyebrows in annoyance and looked off at the sand hills.

Wunsch persisted. "Why you not answer me?"

"Because it would be silly. You are just trying to make me say things. It spoils things to ask questions."

Wunsch bowed mockingly; his smile was disagreeable. Suddenly his face grew grave, grew fierce, indeed. He pulled himself up from his clumsy stoop and folded his arms. "But it is necessary to know if you know somethings. Somethings cannot be taught. If you not know in the beginning, you not know in the end. For a singer there must be something in the inside from the beginning. I shall not be long in this place, may-be, and I like to know. Yes,"—he ground his heel in the gravel,—"yes, when you are barely six, you must know that already. That is the beginning of all things; der Geist, die Phantasie. It must be in the baby, when it makes its first cry, like der Rhuthmus, or it is not to be. You have some voice already, and if in the beginning, when you are with things-to-play, you know that what you will not tell me, then you can learn to sing, may-be."

Wunsch began to pace the arbor, rubbing his hands together. The dark flush of his face had spread up under the iron-gray bristles on his head. He was talking to himself, not to Thea. Insidious power of the linden bloom! "Oh, much you can learn! Aber nicht die Americanischen Fräuline. They have nothing inside them," striking his chest with both fists. "They are like the ones in the Märchen, a grinning face and hollow in the insides. Something they can learn, oh, yes, may-be! But the secret— what make the rose to red, the sky to blue, the man to love —in der Brust, in der Brust it is, und ohne dieses giebt es keine Kunst, giebt es keine Kunst!" He threw up his square hand and shook it, all the fingers apart and wagging. Purple and breathless he went out of the arbor and into the house, without saying good-bye. These outbursts frightened Wunsch. They were always harbingers of ill.

Thea got her music-book and stole quietly out of the garden. She did not go home, but wandered off into the sand dunes, where the prickly pear was in blossom and the green lizards were racing each other in the glittering light. She was shaken by a passionate excitement. She did not altogether understand what Wunsch was talking about; and yet, in a way she knew. She knew, of course, that there was something about her that was different. But it was more like a friendly spirit than like anything that was a part of herself. She thought everything to it, and it answered her; happiness consisted of that backward and forward movement of herself. The something came and went, she never knew how. Sometimes she hunted for it and could not find it; again, she lifted her eyes from a book, or stepped out of doors, or wakened in the morning, and it was there,— under her cheek, it usually seemed to be, or over her breast,—a kind of warm sureness. And when it was there, everything was more interesting and beautiful, even people. When this companion was with her, she could get the most wonderful things out of Spanish Johnny, or Wunsch, or Dr. Archie.

On her thirteenth birthday she wandered for a long while about the sand ridges, picking up crystals and looking into the yellow prickly-pear blossoms with their thousand stamens. She looked at the sand hills until she wished she were a sand hill. And yet she knew that she was going to leave them all behind some day. They would be changing all day long, yellow and purple and lavender, and she would not be there. From that day on, she felt there was a secret between her and Wunsch. Together they had lifted a lid, pulled out a drawer, and looked at something. They hid it away and never spoke of what they had seen; but neither of them forgot it.

12. XII

One July night, when the moon was full, Dr. Archie was coming up from the depot, restless and discontented, wishing there were something to do. He carried his straw hat in his hand, and kept brushing his hair back from his forehead with a purposeless, unsatisfied gesture. After he passed Uncle Billy Beemer's cottonwood grove, the sidewalk ran out of the shadow into the white moonlight and crossed the sand gully on high posts, like a bridge. As the doctor approached this trestle, he saw a white figure, and recognized Thea Kronborg. He quickened his pace and she came to meet him.

"What are you doing out so late, my girl?" he asked as he took her hand.

"Oh, I don't know. What do people go to bed so early for? I'd like to run along before the houses and screech at them. Isn't it glorious out here?"

The young doctor gave a melancholy laugh and pressed her hand.

"Think of it," Thea snorted impatiently. "Nobody up but us and the rabbits! I've started up half a dozen of 'em. Look at that little one down there now,"—she stooped and pointed. In the gully below them there was, indeed, a little rabbit with a white spot of a tail, crouching down on the sand, quite motionless. It seemed to be lapping up the moonlight like cream. On the other side of the walk, down in the ditch, there was a patch of tall, rank sunflowers, their shaggy leaves white with dust. The moon stood over the cottonwood grove. There was no wind, and no sound but the wheezing of an engine down on the tracks.

"Well, we may as well watch the rabbits." Dr. Archie sat down on the sidewalk and let his feet hang over the

edge. He pulled out a smooth linen handkerchief that smelled of German cologne water. "Well, how goes it? Working hard? You must know about all Wunsch can teach you by this time."

Thea shook her head. "Oh, no, I don't, Dr. Archie. He's hard to get at, but he's been a real musician in his time. Mother says she believes he's forgotten more than the music-teachers down in Denver ever knew."

"I'm afraid he won't be around here much longer," said Dr. Archie. "He's been making a tank of himself lately. He'll be pulling his freight one of these days. That's the way they do, you know. I'll be sorry on your account." He paused and ran his fresh handkerchief over his face. "What the deuce are we all here for anyway, Thea?" he said abruptly.

"On earth, you mean?" Thea asked in a low voice.

"Well, primarily, yes. But secondarily, why are we in Moonstone? It isn't as if we'd been born here. You were, but Wunsch wasn't, and I wasn't. I suppose I'm here because I married as soon as I got out of medical school and had to get a practice quick. If you hurry things, you always get left in the end. I don't learn anything here, and as for the people— In my own town in Michigan, now, there were people who liked me on my father's account, who had even known my grandfather. That meant something. But here it's all like the sand: blows north one day and south the next. We're all a lot of gamblers without much nerve, playing for small stakes. The railroad is the one real fact in this country. That has to be; the world has to be got back and forth. But the rest of us are here just because it's the end of a run and the engine has to have a drink. Some day I'll get up and find my hair turning gray, and I'll have nothing to show for it."

Thea slid closer to him and caught his arm. "No, no. I won't let you get gray. You've got to stay young for me. I'm getting young now, too."

Archie laughed. "Getting?"

"Yes. People aren't young when they're children. Look at Thor, now; he's just a little old man. But Gus has a sweetheart, and he's young!"

"Something in that!" Dr. Archie patted her head, and then felt the shape of her skull gently, with the tips of his fingers. "When you were little, Thea, I used always to be curious about the shape of your head. You seemed to have more inside it than most youngsters. I haven't examined it for a long time. Seems to be the usual shape, but uncommonly hard, some how. What are you going to do with yourself, anyway?"

"I don't know."

"Honest, now?" He lifted her chin and looked into her eyes.

Thea laughed and edged away from him.

"You've got something up your sleeve, haven't you? Anything you like; only don't marry and settle down here without giving yourself a chance, will you?"

"Not much. See, there's another rabbit!"

"That's all right about the rabbits, but I don't want you to get tied up. Remember that."

Thea nodded. "Be nice to Wunsch, then. I don't know what I'd do if he went away."

"You've got older friends than Wunsch here, Thea."

"I know." Thea spoke seriously and looked up at the moon, propping her chin on her hand. "But Wunsch is the only one that can teach me what I want to know. I've got to learn to do something well, and that's the thing I can do best."

"Do you want to be a music-teacher?"

"Maybe, but I want to be a good one. I'd like to go to Germany to study, some day. Wunsch says that's the best place,—the only place you can really learn." Thea hesitated and then went on nervously, "I've got a book that says so, too. It's called `My Musical Memories.' It made me

want to go to Germany even before Wunsch said anything. Of course it's a secret. You're the first one I've told."

Dr. Archie smiled indulgently. "That's a long way off. Is that what you've got in your hard noddle?" He put his hand on her hair, but this time she shook him off.

"No, I don't think much about it. But you talk about going, and a body has to have something to go to!"

"That's so." Dr. Archie sighed. "You're lucky if you have. Poor Wunsch, now, he hasn't. What do such fellows come out here for? He's been asking me about my mining stock, and about mining towns. What would he do in a mining town? He wouldn't know a piece of ore if he saw one. He's got nothing to sell that a mining town wants to buy. Why don't those old fellows stay at home? We won't need them for another hundred years. An engine wiper can get a job, but a piano player! Such people can't make good."

"My grandfather Alstrom was a musician, and he made good."

Dr. Archie chuckled. "Oh, a Swede can make good anywhere, at anything! You've got that in your favor, miss. Come, you must be getting home."

Thea rose. "Yes, I used to be ashamed of being a Swede, but I'm not any more. Swedes are kind of common, but I think it's better to be something."

"It surely is! How tall you are getting. You come above my shoulder now."

"I'll keep on growing, don't you think? I particularly want to be tall. Yes, I guess I must go home. I wish there'd be a fire."

"A fire?"

"Yes, so the fire-bell would ring and the roundhouse whistle would blow, and everybody would come running out. Sometime I'm going to ring the fire-bell myself and stir them all up."

"You'd be arrested."

"Well, that would be better than going to bed."

"I'll have to lend you some more books."

Thea shook herself impatiently. "I can't read every night."

Dr. Archie gave one of his low, sympathetic chuckles as he opened the gate for her. "You're beginning to grow up, that's what's the matter with you. I'll have to keep an eye on you. Now you'll have to say good-night to the moon."

"No, I won't. I sleep on the floor now, right in the moonlight. My window comes down to the floor, and I can look at the sky all night."

She shot round the house to the kitchen door, and Dr. Archie watched her disappear with a sigh. He thought of the hard, mean, frizzy little woman who kept his house for him; once the belle of a Michigan town, now dry and withered up at thirty. "If I had a daughter like Thea to watch," he reflected, "I wouldn't mind anything. I wonder if all of my life's going to be a mistake just because I made a big one then? Hardly seems fair."

Howard Archie was "respected" rather than popular in Moonstone. Everyone recognized that he was a good physician, and a progressive Western town likes to be able to point to a handsome, well-set-up, well-dressed man among its citizens. But a great many people thought Archie "distant," and they were right. He had the uneasy manner of a man who is not among his own kind, and who has not seen enough of the world to feel that all people are in some sense his own kind. He knew that every one was curious about his wife, that she played a sort of character part in Moonstone, and that people made fun of her, not very delicately. Her own friends—most of them women who were distasteful to Archie—liked to ask her to contribute to church charities, just to see how mean she could be. The little, lop-sided cake at the church supper, the cheapest pincushion, the skimpiest apron at the bazaar, were always Mrs. Archie's contribution.

All this hurt the doctor's pride. But if there was one thing he had learned, it was that there was no changing Belle's nature. He had married a mean woman; and he must accept the consequences. Even in Colorado he would have had no pretext for divorce, and, to do him justice, he had never thought of such a thing. The tenets of the Presbyterian Church in which he had grown up, though he had long ceased to believe in them, still influenced his conduct and his conception of propriety. To him there was something vulgar about divorce. A divorced man was a disgraced man; at least, he had exhibited his hurt, and made it a matter for common gossip. Respectability was so necessary to Archie that he was willing to pay a high price for it. As long as he could keep up a decent exterior, he could manage to get on; and if he could have concealed his wife's littleness from all his friends, he would scarcely have complained. He was more afraid of pity than he was of any unhappiness. Had there been another woman for whom he cared greatly, he might have had plenty of courage; but he was not likely to meet such a woman in Moonstone.

There was a puzzling timidity in Archie's make-up. The thing that held his shoulders stiff, that made him resort to a mirthless little laugh when he was talking to dull people, that made him sometimes stumble over rugs and carpets, had its counterpart in his mind. He had not the courage to be an honest thinker. He could comfort himself by evasions and compromises. He consoled himself for his own marriage by telling himself that other people's were not much better. In his work he saw pretty deeply into marital relations in Moonstone, and he could honestly say that there were not many of his friends whom he envied. Their wives seemed to suit them well enough, but they would never have suited him.

Although Dr. Archie could not bring himself to regard marriage merely as a social contract, but looked upon it as

somehow made sacred by a church in which he did not believe,—as a physician he knew that a young man whose marriage is merely nominal must yet go on living his life. When he went to Denver or to Chicago, he drifted about in careless company where gayety and good-humor can be bought, not because he had any taste for such society, but because he honestly believed that anything was better than divorce. He often told himself that "hanging and wiving go by destiny." If wiving went badly with a man, —and it did oftener than not,—then he must do the best he could to keep up appearances and help the tradition of domestic happiness along. The Moonstone gossips, assembled in Mrs. Smiley's millinery and notion store, often discussed Dr. Archie's politeness to his wife, and his pleasant manner of speaking about her. "Nobody has ever got a thing out of him yet," they agreed. And it was certainly not because no one had ever tried.

When he was down in Denver, feeling a little jolly, Archie could forget how unhappy he was at home, and could even make himself believe that he missed his wife. He always bought her presents, and would have liked to send her flowers if she had not repeatedly told him never to send her anything but bulbs,—which did not appeal to him in his expansive moments. At the Denver Athletic Club banquets, or at dinner with his colleagues at the Brown Palace Hotel, he sometimes spoke sentimentally about "little Mrs. Archie," and he always drank the toast "to our wives, God bless them!" with gusto.

The determining factor about Dr. Archie was that he was romantic. He had married Belle White because he was romantic—too romantic to know anything about women, except what he wished them to be, or to repulse a pretty girl who had set her cap for him. At medical school, though he was a rather wild boy in behavior, he had always disliked coarse jokes and vulgar stories. In his old Flint's Physiology there was still a poem he had pasted there when

he was a student; some verses by Dr. Oliver Wendell Holmes about the ideals of the medical profession. After so much and such disillusioning experience with it, he still had a romantic feeling about the human body; a sense that finer things dwelt in it than could be explained by anatomy. He never jested about birth or death or marriage, and did not like to hear other doctors do it. He was a good nurse, and had a reverence for the bodies of women and children. When he was tending them, one saw him at his best. Then his constraint and self-consciousness fell away from him. He was easy, gentle, competent, master of himself and of other people. Then the idealist in him was not afraid of being discovered and ridiculed.

In his tastes, too, the doctor was romantic. Though he read Balzac all the year through, he still enjoyed the Waverley Novels as much as when he had first come upon them, in thick leather-bound volumes, in his grandfather's library. He nearly always read Scott on Christmas and holidays, because it brought back the pleasures of his boy-hood so vividly. He liked Scott's women. Constance de Beverley and the minstrel girl in "The Fair Maid of Perth," not the Duchesse de Langeais, were his heroines. But better than anything that ever got from the heart of a man into printer's ink, he loved the poetry of Robert Burns. "Death and Dr. Hornbook" and "The Jolly Beggars," Burns's "Reply to his Tailor," he often read aloud to himself in his office, late at night, after a glass of hot toddy. He used to read "Tam o'Shanter" to Thea Kronborg, and he got her some of the songs, set to the old airs for which they were written. He loved to hear her sing them. Sometimes when she sang, "Oh, wert thou in the cauld blast," the doctor and even Mr. Kronborg joined in. Thea never minded if people could not sing; she directed them with her head and somehow carried them along. When her father got off the pitch she let her own voice out and covered him.

13. XIII

At the beginning of June, when school closed, Thea had told Wunsch that she didn't know how much practicing she could get in this summer because Thor had his worst teeth still to cut.

"My God! all last summer he was doing that!" Wunsch exclaimed furiously.

"I know, but it takes them two years, and Thor is slow," Thea answered reprovingly.

The summer went well beyond her hopes, however. She told herself that it was the best summer of her life, so far. Nobody was sick at home, and her lessons were uninterrupted. Now that she had four pupils of her own and made a dollar a week, her practicing was regarded more seriously by the household. Her mother had always arranged things so that she could have the parlor four hours a day in summer. Thor proved a friendly ally. He behaved handsomely about his molars, and never objected to being pulled off into remote places in his cart. When Thea dragged him over the hill and made a camp under the shade of a bush or a bank, he would waddle about and play with his blocks, or bury his monkey in the sand and dig him up again. Sometimes he got into the cactus and set up a howl, but usually he let his sister read peacefully, while he coated his hands and face, first with an all-day sucker and then with gravel.

Life was pleasant and uneventful until the first of September, when Wunsch began to drink so hard that he was unable to appear when Thea went to take her mid-week lesson, and Mrs. Kohler had to send her home after a tearful apology. On Saturday morning she set out for the Kohlers' again, but on her way, when she was crossing the

ravine, she noticed a woman sitting at the bottom of the gulch, under the railroad trestle. She turned from her path and saw that it was Mrs. Tellamantez, and she seemed to be doing drawn-work. Then Thea noticed that there was something beside her, covered up with a purple and yellow Mexican blanket. She ran up the gulch and called to Mrs. Tellamantez. The Mexican woman held up a warning finger. Thea glanced at the blanket and recognized a square red hand which protruded. The middle finger twitched slightly.

"Is he hurt?" she gasped.

Mrs. Tellamantez shook her head. "No; very sick. He knows nothing," she said quietly, folding her hands over her drawn-work.

Thea learned that Wunsch had been out all night, that this morning Mrs. Kohler had gone to look for him and found him under the trestle covered with dirt and cinders. Probably he had been trying to get home and had lost his way. Mrs. Tellamantez was watching beside the unconscious man while Mrs. Kohler and Johnny went to get help.

"You better go home now, I think," said Mrs. Tellamantez, in closing her narration.

Thea hung her head and looked wistfully toward the blanket.

"Couldn't I just stay till they come?" she asked. "I'd like to know if he's very bad."

"Bad enough," sighed Mrs. Tellamantez, taking up her work again.

Thea sat down under the narrow shade of one of the trestle posts and listened to the locusts rasping in the hot sand while she watched Mrs. Tellamantez evenly draw her threads. The blanket looked as if it were over a heap of bricks.

"I don't see him breathing any," she said anxiously.

"Yes, he breathes," said Mrs. Tellamantez, not lifting her eyes.

It seemed to Thea that they waited for hours. At last

they heard voices, and a party of men came down the hill and up the gulch. Dr. Archie and Fritz Kohler came first; behind were Johnny and Ray, and several men from the roundhouse. Ray had the canvas litter that was kept at the depot for accidents on the road. Behind them trailed half a dozen boys who had been hanging round the depot.

When Ray saw Thea, he dropped his canvas roll and hurried forward. "Better run along home, Thee. This is ugly business." Ray was indignant that anybody who gave Thea music lessons should behave in such a manner.

Thea resented both his proprietary tone and his superior virtue. "I won't. I want to know how bad he is. I'm not a baby!" she exclaimed indignantly, stamping her foot into the sand.

Dr. Archie, who had been kneeling by the blanket, got up and came toward Thea, dusting his knees. He smiled and nodded confidentially. "He'll be all right when we get him home. But he wouldn't want you to see him like this, poor old chap! Understand? Now, skip!"

Thea ran down the gulch and looked back only once, to see them lifting the canvas litter with Wunsch upon it, still covered with the blanket.

The men carried Wunsch up the hill and down the road to the Kohlers'. Mrs. Kohler had gone home and made up a bed in the sitting-room, as she knew the litter could not be got round the turn in the narrow stairway. Wunsch was like a dead man. He lay unconscious all day. Ray Kennedy stayed with him till two o'clock in the afternoon, when he had to go out on his run. It was the first time he had ever been inside the Kohlers' house, and he was so much impressed by Napoleon that the piece-picture formed a new bond between him and Thea.

Dr. Archie went back at six o'clock, and found Mrs. Kohler and Spanish Johnny with Wunsch, who was in a high fever, muttering and groaning.

"There ought to be some one here to look after him

to-night, Mrs. Kohler," he said. "I'm on a confinement case, and I can't be here, but there ought to be somebody. He may get violent."

Mrs. Kohler insisted that she could always do anything with Wunsch, but the doctor shook his head and Spanish Johnny grinned. He said he would stay. The doctor laughed at him. "Ten fellows like you couldn't hold him, Spanish, if he got obstreperous; an Irishman would have his hands full. Guess I'd better put the soft pedal on him." He pulled out his hypodermic.

Spanish Johnny stayed, however, and the Kohlers went to bed. At about two o'clock in the morning Wunsch rose from his ignominious cot. Johnny, who was dozing on the lounge, awoke to find the German standing in the middle of the room in his undershirt and drawers, his arms bare, his heavy body seeming twice its natural girth. His face was snarling and savage, and his eyes were crazy. He had risen to avenge himself, to wipe out his shame, to destroy his enemy. One look was enough for Johnny. Wunsch raised a chair threateningly, and Johnny, with the lightness of a picador, darted under the missile and out of the open window. He shot across the gully to get help, meanwhile leaving the Kohlers to their fate.

Fritz, upstairs, heard the chair crash upon the stove. Then he heard doors opening and shutting, and some one stumbling about in the shrubbery of the garden. He and Paulina sat up in bed and held a consultation. Fritz slipped from under the covers, and going cautiously over to the window, poked out his head. Then he rushed to the door and bolted it.

"Mein Gott, Paulina," he gasped, "he has the axe, he will kill us!"

"The dresser," cried Mrs. Kohler; "push the dresser before the door. Ach, if you had your rabbit gun, now!"

"It is in the barn," said Fritz sadly. "It would do no good; he would not be afraid of anything now. Stay you in

the bed, Paulina." The dresser had lost its casters years ago, but he managed to drag it in front of the door. "He is in the garden. He makes nothing. He will get sick again, may-be."

Fritz went back to bed and his wife pulled the quilt over him and made him lie down. They heard stumbling in the garden again, then a smash of glass.

"Ach, das mistbeet!" gasped Paulina, hearing her hot-bed shivered. "The poor soul, Fritz, he will cut himself. Ach! what is that?" They both sat up in bed. "Wieder! Ach, What is he doing?"

The noise came steadily, a sound of chopping. Paulina tore off her night-cap. Die Bäume, die Bäume! He is cutting our trees, Fritz!" Before her husband could prevent her, she had sprung from the bed and rushed to the window. "Der Taubenschlag! Gerechter Himmel, he is chopping the dove-house down!"

Fritz reached her side before she had got her breath again, and poked his head out beside hers. There, in the faint starlight, they saw a bulky man, barefoot, half dressed, chopping away at the white post that formed the pedestal of the dove-house. The startled pigeons were croaking and flying about his head, even beating their wings in his face, so that he struck at them furiously with the axe. In a few seconds there was a crash, and Wunsch had actually felled the dove-house.

"Oh, if only it is not the trees next!" prayed Paulina. "The dove-house you can make new again, but not die Bäume."

They watched breathlessly. In the garden below Wunsch stood in the attitude of a woodman, contemplating the fallen cote. Suddenly he threw the axe over his shoulder and went out of the front gate toward the town.

"The poor soul, he will meet his death!" Mrs. Kohler wailed. She ran back to her feather bed and hid her face in the pillow.

Fritz kept watch at the window. "No, no, Paulina," he called presently; "I see lanterns coming. Johnny must have gone for somebody. Yes, four lanterns, coming along the gulch. They stop; they must have seen him already. Now they are under the hill and I cannot see them, but I think they have him. They will bring him back. I must dress and go down." He caught his trousers and began pulling them on by the window. "Yes, here they come, half a dozen men. And they have tied him with a rope, Paulina!"

"Ach, the poor man! To be led like a cow," groaned Mrs. Kohler. "Oh, it is good that he has no wife!" She was reproaching herself for nagging Fritz when he drank himself into foolish pleasantry or mild sulks, and felt that she had never before appreciated her blessings.

Wunsch was in bed for ten days, during which time he was gossiped about and even preached about in Moonstone. The Baptist preacher took a shot at the fallen man from his pulpit, Mrs. Livery Johnson nodding approvingly from her pew. The mothers of Wunsch's pupils sent him notes informing him that their daughters would discontinue their music-lessons. The old maid who had rented him her piano sent the town dray for her contaminated instrument, and ever afterward declared that Wunsch had ruined its tone and scarred its glossy finish. The Kohlers were unremitting in their kindness to their friend. Mrs. Kohler made him soups and broths without stint, and Fritz repaired the dove-house and mounted it on a new post, lest it might be a sad reminder.

As soon as Wunsch was strong enough to sit about in his slippers and wadded jacket, he told Fritz to bring him some stout thread from the shop. When Fritz asked what he was going to sew, he produced the tattered score of "Orpheus" and said he would like to fix it up for a little present. Fritz carried it over to the shop and stitched it

into pasteboards, covered with dark suiting-cloth. Over the stitches he glued a strip of thin red leather which he got from his friend, the harness-maker. After Paulina had cleaned the pages with fresh bread, Wunsch was amazed to see what a fine book he had. It opened stiffly, but that was no matter.

Sitting in the arbor one morning, under the ripe grapes and the brown, curling leaves, with a pen and ink on the bench beside him and the Gluck score on his knee, Wunsch pondered for a long while. Several times he dipped the pen in the ink, and then put it back again in the cigar box in which Mrs. Kohler kept her writing utensils. His thoughts wandered over a wide territory; over many countries and many years. There was no order or logical sequence in his ideas. Pictures came and went without reason. Faces, mountains, rivers, autumn days in other vineyards far away. He thought of a Fuszreise he had made through the Hartz Mountains in his student days; of the innkeeper's pretty daughter who had lighted his pipe for him in the garden one summer evening, of the woods above Wiesbaden, haymakers on an island in the river. The round-house whistle woke him from his reveries. Ah, yes, he was in Moonstone, Colorado. He frowned for a moment and looked at the book on his knee. He had thought of a great many appropriate things to write in it, but suddenly he rejected all of them, opened the book, and at the top of the much-engraved title-page he wrote rapidly in purple ink:—

Einst, O Wunder!—

A. Wunsch. Moonstone, Colo. September 30, 18—

Nobody in Moonstone ever found what Wunsch's first name was. That "A" may have stood for Adam, or August, or even Amadeus; he got very angry if any one asked him.

He remained A. Wunsch to the end of his chapter there. When he presented this score to Thea, he told her that in ten years she would either know what the inscription meant, or she would not have the least idea, in which case it would not matter.

When Wunsch began to pack his trunk, both the Kohlers were very unhappy. He said he was coming back some day, but that for the present, since he had lost all his pupils, it would be better for him to try some "new town." Mrs. Kohler darned and mended all his clothes, and gave him two new shirts she had made for Fritz. Fritz made him a new pair of trousers and would have made him an overcoat but for the fact that overcoats were so easy to pawn.

Wunsch would not go across the ravine to the town until he went to take the morning train for Denver. He said that after he got to Denver he would "look around." He left Moonstone one bright October morning, without telling any one good-bye. He bought his ticket and went directly into the smoking-car. When the train was beginning to pull out, he heard his name called frantically, and looking out of the window he saw Thea Kronborg standing on the siding, bareheaded and panting. Some boys had brought word to school that they saw Wunsch's trunk going over to the station, and Thea had run away from school. She was at the end of the station platform, her hair in two braids, her blue gingham dress wet to the knees because she had run across lots through the weeds. It had rained during the night, and the tall sunflowers behind her were fresh and shining.

"Good-bye, Herr Wunsch, good-bye!" she called waving to him.

He thrust his head out at the car window and called back, "Leben sie wohl, leben sie wohl, mein Kind!" He watched her until the train swept around the curve beyond the roundhouse, and then sank back into his seat,

muttering, "She had been running. Ah, she will run a long way; they cannot stop her!"

What was it about the child that one believed in? Was it her dogged industry, so unusual in this free-and-easy country? Was it her imagination? More likely it was because she had both imagination and a stubborn will, curiously balancing and interpenetrating each other. There was something unconscious and unawakened about her, that tempted curiosity. She had a kind of seriousness that he had not met with in a pupil before. She hated difficult things, and yet she could never pass one by. They seemed to challenge her; she had no peace until she mastered them. She had the power to make a great effort, to lift a weight heavier than herself. Wunsch hoped he would always remember her as she stood by the track, looking up at him; her broad eager face, so fair in color, with its high cheek-bones, yellow eyebrows and greenish-hazel eyes. It was a face full of light and energy, of the unquestioning hopefulness of first youth. Yes, she was like a flower full of sun, but not the soft German flowers of his childhood. He had it now, the comparison he had absently reached for before: she was like the yellow prickly-pear blossoms that open there in the desert; thornier and sturdier than the maiden flowers he remembered; not so sweet, but wonderful.

That night Mrs. Kohler brushed away many a tear as she got supper and set the table for two. When they sat down, Fritz was more silent than usual. People who have lived long together need a third at table: they know each other's thoughts so well that they have nothing left to say. Mrs. Kohler stirred and stirred her coffee and clattered the spoon, but she had no heart for her supper. She felt, for the first time in years, that she was tired of her own cooking. She looked across the glass lamp at her husband and asked him if the butcher liked his new overcoat, and

whether he had got the shoulders right in a ready-made suit he was patching over for Ray Kennedy. After supper Fritz offered to wipe the dishes for her, but she told him to go about his business, and not to act as if she were sick or getting helpless.

When her work in the kitchen was all done, she went out to cover the oleanders against frost, and to take a last look at her chickens. As she came back from the hen-house she stopped by one of the linden trees and stood resting her hand on the trunk. He would never come back, the poor man; she knew that. He would drift on from new town to new town, from catastrophe to catastrophe. He would hardly find a good home for himself again. He would die at last in some rough place, and be buried in the desert or on the wild prairie, far enough from any linden tree!

Fritz, smoking his pipe on the kitchen doorstep, watched his Paulina and guessed her thoughts. He, too, was sorry to lose his friend. But Fritz was getting old; he had lived a long while and had learned to lose without struggle.

14. XIV

"Mother," said Peter Kronborg to his wife one morning about two weeks after Wunsch's departure, "how would you like to drive out to Copper Hole with me to-day?"

Mrs. Kronborg said she thought she would enjoy the drive. She put on her gray cashmere dress and gold watch and chain, as befitted a minister's wife, and while her husband was dressing she packed a black oilcloth satchel with such clothing as she and Thor would need overnight.

Copper Hole was a settlement fifteen miles northwest of Moonstone where Mr. Kronborg preached every Friday evening. There was a big spring there and a creek and a few irrigating ditches. It was a community of discouraged agriculturists who had disastrously experimented with dry farming. Mr. Kronborg always drove out one day and back the next, spending the night with one of his parishioners. Often, when the weather was fine, his wife accompanied him. To-day they set out from home after the midday meal, leaving Tillie in charge of the house. Mrs. Kronborg's maternal feeling was always garnered up in the baby, whoever the baby happened to be. If she had the baby with her, the others could look out for themselves. Thor, of course, was not, accurately speaking, a baby any longer. In the matter of nourishment he was quite independent of his mother, though this independence had not been won without a struggle. Thor was conservative in all things, and the whole family had anguished with him when he was being weaned. Being the youngest, he was still the baby for Mrs. Kronborg, though he was nearly four years old and sat up boldly on her lap this afternoon,

holding on to the ends of the lines and shouting "`mup, 'mup, horsey." His father watched him affectionately and hummed hymn tunes in the jovial way that was sometimes such a trial to Thea.

Mrs. Kronborg was enjoying the sunshine and the brilliant sky and all the faintly marked features of the dazzling, monotonous landscape. She had a rather unusual capacity for getting the flavor of places and of people. Although she was so enmeshed in family cares most of the time, she could emerge serene when she was away from them. For a mother of seven, she had a singularly unprejudiced point of view. She was, moreover, a fatalist, and as she did not attempt to direct things beyond her control, she found a good deal of time to enjoy the ways of man and nature.

When they were well upon their road, out where the first lean pasture lands began and the sand grass made a faint showing between the sagebushes, Mr. Kronborg dropped his tune and turned to his wife. "Mother, I've been thinking about something."

"I guessed you had. What is it?" She shifted Thor to her left knee, where he would be more out of the way.

"Well, it's about Thea. Mr. Follansbee came to my study at the church the other day and said they would like to have their two girls take lessons of Thea. Then I sounded Miss Meyers" (Miss Meyers was the organist in Mr. Kronborg's church) "and she said there was a good deal of talk about whether Thea wouldn't take over Wunsch's pupils. She said if Thea stopped school she wouldn't wonder if she could get pretty much all Wunsch's class. People think Thea knows about all Wunsch could teach."

Mrs. Kronborg looked thoughtful. "Do you think we ought to take her out of school so young?"

"She is young, but next year would be her last year anyway. She's far along for her age. And she can't learn much under the principal we've got now, can she?"

"No, I'm afraid she can't," his wife admitted. "She frets a good deal and says that man always has to look in the back of the book for the answers. She hates all that diagramming they have to do, and I think myself it's a waste of time."

Mr. Kronborg settled himself back into the seat and slowed the mare to a walk. "You see, it occurs to me that we might raise Thea's prices, so it would be worth her while. Seventy-five cents for hour lessons, fifty cents for half-hour lessons. If she got, say two thirds of Wunsch's class, that would bring her in upwards of ten dollars a week. Better pay than teaching a country school, and there would be more work in vacation than in winter. Steady work twelve months in the year; that's an advantage. And she'd be living at home, with no expenses."

"There'd be talk if you raised her prices," said Mrs. Kronborg dubiously.

"At first there would. But Thea is so much the best musician in town that they'd all come into line after a while. A good many people in Moonstone have been making money lately, and have bought new pianos. There were ten new pianos shipped in here from Denver in the last year. People ain't going to let them stand idle; too much money invested. I believe Thea can have as many scholars as she can handle, if we set her up a little."

"How set her up, do you mean?" Mrs. Kronborg felt a certain reluctance about accepting this plan, though she had not yet had time to think out her reasons.

"Well, I've been thinking for some time we could make good use of another room. We couldn't give up the parlor to her all the time. If we built another room on the ell and put the piano in there, she could give lessons all day long and it wouldn't bother us. We could build a clothes-press in it, and put in a bed-lounge and a dresser and let Anna have it for her sleeping-room. She needs a place of her own, now that she's beginning to be dressy."

"Seems like Thea ought to have the choice of the room, herself," said Mrs. Kronborg.

"But, my dear, she don't want it. Won't have it. I sounded her coming home from church on Sunday; asked her if she would like to sleep in a new room, if we built on. She fired up like a little wild-cat and said she'd made her own room all herself, and she didn't think anybody ought to take it away from her."

"She don't mean to be impertinent, father. She's made decided that way, like my father." Mrs. Kronborg spoke warmly. "I never have any trouble with the child. I remember my father's ways and go at her carefully. Thea's all right."

Mr. Kronborg laughed indulgently and pinched Thor's full cheek. "Oh, I didn't mean anything against your girl, mother! She's all right, but she's a little wild-cat, just the same. I think Ray Kennedy's planning to spoil a born old maid."

"Huh! She'll get something a good sight better than Ray Kennedy, you see! Thea's an awful smart girl. I've seen a good many girls take music lessons in my time, but I ain't seen one that took to it so. Wunsch said so, too. She's got the making of something in her."

"I don't deny that, and the sooner she gets at it in a businesslike way, the better. She's the kind that takes responsibility, and it'll be good for her."

Mrs. Kronborg was thoughtful. "In some ways it will, maybe. But there's a good deal of strain about teaching youngsters, and she's always worked so hard with the scholars she has. I've often listened to her pounding it into 'em. I don't want to work her too hard. She's so serious that she's never had what you might call any real childhood. Seems like she ought to have the next few years sort of free and easy. She'll be tied down with responsibilities soon enough."

Mr. Kronborg patted his wife's arm. "Don't you believe

it, mother. Thea is not the marrying kind. I've watched 'em. Anna will marry before long and make a good wife, but I don't see Thea bringing up a family. She's got a good deal of her mother in her, but she hasn't got all. She's too peppery and too fond of having her own way. Then she's always got to be ahead in everything. That kind make good church-workers and missionaries and school teachers, but they don't make good wives. They fret all their energy away, like colts, and get cut on the wire."

Mrs. Kronborg laughed. "Give me the graham crackers I put in your pocket for Thor. He's hungry. You're a funny man, Peter. A body wouldn't think, to hear you, you was talking about your own daughters. I guess you see through 'em. Still, even if Thea ain't apt to have children of her own, I don't know as that's a good reason why she should wear herself out on other people's."

"That's just the point, mother. A girl with all that energy has got to do something, same as a boy, to keep her out of mischief. If you don't want her to marry Ray, let her do something to make herself independent."

"Well, I'm not against it. It might be the best thing for her. I wish I felt sure she wouldn't worry. She takes things hard. She nearly cried herself sick about Wunsch's going away. She's the smartest child of 'em all, Peter, by a long ways."

Peter Kronborg smiled. "There you go, Anna. That's you all over again. Now, I have no favorites; they all have their good points. But you," with a twinkle, "always did go in for brains."

Mrs. Kronborg chuckled as she wiped the cracker crumbs from Thor's chin and fists. "Well, you're mighty conceited, Peter! But I don't know as I ever regretted it. I prefer having a family of my own to fussing with other folks' children, that's the truth."

Before the Kronborgs reached Copper Hole, Thea's destiny was pretty well mapped out for her. Mr. Kronborg

was always delighted to have an excuse for enlarging the house.

Mrs. Kronborg was quite right in her conjecture that there would be unfriendly comment in Moonstone when Thea raised her prices for music-lessons. People said she was getting too conceited for anything. Mrs. Livery Johnson put on a new bonnet and paid up all her back calls to have the pleasure of announcing in each parlor she entered that her daughters, at least, would "never pay professional prices to Thea Kronborg."

Thea raised no objection to quitting school. She was now in the "high room," as it was called, in next to the highest class, and was studying geometry and beginning Caesar. She no longer recited her lessons to the teacher she liked, but to the Principal, a man who belonged, like Mrs. Livery Johnson, to the camp of Thea's natural enemies. He taught school because he was too lazy to work among grown-up people, and he made an easy job of it. He got out of real work by inventing useless activities for his pupils, such as the "tree-diagramming system." Thea had spent hours making trees out of "Thanatopsis," Hamlet's soliloquy, Cato on "Immortality." She agonized under this waste of time, and was only too glad to accept her father's offer of liberty.

So Thea left school the first of November. By the first of January she had eight one-hour pupils and ten half-hour pupils, and there would be more in the summer. She spent her earnings generously. She bought a new Brussels carpet for the parlor, and a rifle for Gunner and Axel, and an imitation tiger-skin coat and cap for Thor. She enjoyed being able to add to the family possessions, and thought Thor looked quite as handsome in his spots as the rich children she had seen in Denver. Thor was most complacent in his conspicuous apparel. He could walk anywhere by this time—though he always preferred to sit, or to be pulled in his cart. He was a blissfully lazy

child, and had a number of long, dull plays, such as making nests for his china duck and waiting for her to lay him an egg. Thea thought him very intelligent, and she was proud that he was so big and burly. She found him restful, loved to hear him call her "sitter," and really liked his companionship, especially when she was tired. On Saturday, for instance, when she taught from nine in the morning until five in the afternoon, she liked to get off in a corner with Thor after supper, away from all the bathing and dressing and joking and talking that went on in the house, and ask him about his duck, or hear him tell one of his rambling stories.

15. XV

By the time Thea's fifteenth birthday came round, she was established as a music teacher in Moonstone. The new room had been added to the house early in the spring, and Thea had been giving her lessons there since the middle of May. She liked the personal independence which was accorded her as a wage-earner. The family questioned her comings and goings very little. She could go buggy-riding with Ray Kennedy, for instance, without taking Gunner or Axel. She could go to Spanish Johnny's and sing part songs with the Mexicans, and nobody objected.

Thea was still under the first excitement of teaching, and was terribly in earnest about it. If a pupil did not get on well, she fumed and fretted. She counted until she was hoarse. She listened to scales in her sleep. Wunsch had taught only one pupil seriously, but Thea taught twenty. The duller they were, the more furiously she poked and prodded them. With the little girls she was nearly always patient, but with pupils older than herself, she sometimes lost her temper. One of her mistakes was to let herself in for a calling-down from Mrs. Livery Johnson. That lady appeared at the Kronborgs' one morning and announced that she would allow no girl to stamp her foot at her daughter Grace. She added that Thea's bad manners with the older girls were being talked about all over town, and that if her temper did not speedily improve she would lose all her advanced pupils. Thea was frightened. She felt she could never bear the disgrace, if such a thing happened. Besides, what would her father say, after he had gone to the expense of building an addition to the house? Mrs. Johnson demanded an apology to Grace. Thea said she was willing to make it. Mrs. Johnson said that hereafter,

since she had taken lessons of the best piano teacher in Grinnell, Iowa, she herself would decide what pieces Grace should study. Thea readily consented to that, and Mrs. Johnson rustled away to tell a neighbor woman that Thea Kronborg could be meek enough when you went at her right.

Thea was telling Ray about this unpleasant encounter as they were driving out to the sand hills the next Sunday.

"She was stuffing you, all right, Thee," Ray reassured her. "There's no general dissatisfaction among your scholars. She just wanted to get in a knock. I talked to the piano tuner the last time he was here, and he said all the people he tuned for expressed themselves very favorably about your teaching. I wish you didn't take so much pains with them, myself."

"But I have to, Ray. They're all so dumb. They've got no ambition," Thea exclaimed irritably. "Jenny Smiley is the only one who isn't stupid. She can read pretty well, and she has such good hands. But she don't care a rap about it. She has no pride."

Ray's face was full of complacent satisfaction as he glanced sidewise at Thea, but she was looking off intently into the mirage, at one of those mammoth cattle that are nearly always reflected there. "Do you find it easier to teach in your new room?" he asked.

"Yes; I'm not interrupted so much. Of course, if I ever happen to want to practice at night, that's always the night Anna chooses to go to bed early."

"It's a darned shame, Thee, you didn't cop that room for yourself. I'm sore at the padre about that. He ought to give you that room. You could fix it up so pretty."

"I didn't want it, honest I didn't. Father would have let me have it. I like my own room better. Somehow I can think better in a little room. Besides, up there I am away from everybody, and I can read as late as I please and nobody nags me."

"A growing girl needs lots of sleep," Ray providently remarked.

Thea moved restlessly on the buggy cushions. "They need other things more," she muttered. "Oh, I forgot. I brought something to show you. Look here, it came on my birthday. Wasn't it nice of him to remember?" She took from her pocket a postcard, bent in the middle and folded, and handed it to Ray. On it was a white dove, perched on a wreath of very blue forget-me-nots, and "Birthday Greetings" in gold letters. Under this was written, "From A. Wunsch."

Ray turned the card over, examined the postmark, and then began to laugh.

"Concord, Kansas. He has my sympathy!"

"Why, is that a poor town?"

"It's the jumping-off place, no town at all. Some houses dumped down in the middle of a cornfield. You get lost in the corn. Not even a saloon to keep things going; sell whiskey without a license at the butcher shop, beer on ice with the liver and beefsteak. I wouldn't stay there over Sunday for a ten-dollar bill."

"Oh, dear! What do you suppose he's doing there? Maybe he just stopped off there a few days to tune pianos," Thea suggested hopefully.

Ray gave her back the card. "He's headed in the wrong direction. What does he want to get back into a grass country for? Now, there are lots of good live towns down on the Santa Fe, and everybody down there is musical. He could always get a job playing in saloons if he was dead-broke. I've figured out that I've got no years of my life to waste in a Methodist country where they raise pork."

"We must stop on our way back and show this card to Mrs. Kohler. She misses him so."

"By the way, Thee, I hear the old woman goes to church every Sunday to hear you sing. Fritz tells me he has to wait till two o'clock for his Sunday dinner these days. The

church people ought to give you credit for that, when they go for you."

Thea shook her head and spoke in a tone of resignation. "They'll always go for me, just as they did for Wunsch. It wasn't because he drank they went for him; not really. It was something else."

"You want to salt your money down, Thee, and go to Chicago and take some lessons. Then you come back, and wear a long feather and high heels and put on a few airs, and that'll fix 'em. That's what they like."

"I'll never have money enough to go to Chicago. Mother meant to lend me some, I think, but now they've got hard times back in Nebraska, and her farm don't bring her in anything. Takes all the tenant can raise to pay the taxes. Don't let's talk about that. You promised to tell me about the play you went to see in Denver."

Any one would have liked to hear Ray's simple and clear account of the performance he had seen at the Tabor Grand Opera House—Maggie Mitchell in Little Barefoot —and any one would have liked to watch his kind face. Ray looked his best out of doors, when his thick red hands were covered by gloves, and the dull red of his sunburned face somehow seemed right in the light and wind. He looked better, too, with his hat on; his hair was thin and dry, with no particular color or character, "regular Willy-boy hair," as he himself described it. His eyes were pale beside the reddish bronze of his skin. They had the faded look often seen in the eyes of men who have lived much in the sun and wind and who have been accustomed to train their vision upon distant objects.

Ray realized that Thea's life was dull and exacting, and that she missed Wunsch. He knew she worked hard, that she put up with a great many little annoyances, and that her duties as a teacher separated her more than ever from the boys and girls of her own age. He did everything he could to provide recreation for her. He brought her candy

and magazines and pineapples—of which she was very fond —from Denver, and kept his eyes and ears open for anything that might interest her. He was, of course, living for Thea. He had thought it all out carefully and had made up his mind just when he would speak to her. When she was seventeen, then he would tell her his plan and ask her to marry him. He would be willing to wait two, or even three years, until she was twenty, if she thought best. By that time he would surely have got in on something: copper, oil, gold, silver, sheep,—something.

Meanwhile, it was pleasure enough to feel that she depended on him more and more, that she leaned upon his steady kindness. He never broke faith with himself about her; he never hinted to her of his hopes for the future, never suggested that she might be more intimately confidential with him, or talked to her of the thing he thought about so constantly. He had the chivalry which is perhaps the proudest possession of his race. He had never embarrassed her by so much as a glance. Sometimes, when they drove out to the sand hills, he let his left arm lie along the back of the buggy seat, but it never came any nearer to Thea than that, never touched her. He often turned to her a face full of pride, and frank admiration, but his glance was never so intimate or so penetrating as Dr. Archie's. His blue eyes were clear and shallow, friendly, uninquiring. He rested Thea because he was so different; because, though he often told her interesting things, he never set lively fancies going in her head; because he never misunderstood her, and because he never, by any chance, for a single instant, understood her! Yes, with Ray she was safe; by him she would never be discovered!

16. XVI

The pleasantest experience Thea had that summer was a trip that she and her mother made to Denver in Ray Kennedy's caboose. Mrs. Kronborg had been looking forward to this excursion for a long while, but as Ray never knew at what hour his freight would leave Moonstone, it was difficult to arrange. The call-boy was as likely to summon him to start on his run at twelve o'clock midnight as at twelve o'clock noon. The first week in June started out with all the scheduled trains running on time, and a light freight business. Tuesday evening Ray, after consulting with the dispatcher, stopped at the Kronborgs' front gate to tell Mrs. Kronborg—who was helping Tillie water the flowers—that if she and Thea could be at the depot at eight o'clock the next morning, he thought he could promise them a pleasant ride and get them into Denver before nine o'clock in the evening. Mrs. Kronborg told him cheerfully, across the fence, that she would "take him up on it," and Ray hurried back to the yards to scrub out his car.

The one complaint Ray's brakemen had to make of him was that he was too fussy about his caboose. His former brakeman had asked to be transferred because, he said, "Kennedy was as fussy about his car as an old maid about her bird-cage." Joe Giddy, who was braking with Ray now, called him "the bride," because he kept the caboose and bunks so clean.

It was properly the brakeman's business to keep the car clean, but when Ray got back to the depot, Giddy was nowhere to be found. Muttering that all his brakemen seemed to consider him "easy," Ray went down to his car alone. He built a fire in the stove and put water on to heat

while he got into his overalls and jumper. Then he set to work with a scrubbing-brush and plenty of soap and "cleaner." He scrubbed the floor and seats, blacked the stove, put clean sheets on the bunks, and then began to demolish Giddy's picture gallery. Ray found that his brakemen were likely to have what he termed "a taste for the nude in art," and Giddy was no exception. Ray took down half a dozen girls in tights and ballet skirts,— premiums for cigarette coupons,—and some racy calendars advertising saloons and sporting clubs, which had cost Giddy both time and trouble; he even removed Giddy's particular pet, a naked girl lying on a couch with her knee carelessly poised in the air. Underneath the picture was printed the title, "The Odalisque." Giddy was under the happy delusion that this title meant something wicked,— there was a wicked look about the consonants,—but Ray, of course, had looked it up, and Giddy was indebted to the dictionary for the privilege of keeping his lady. If "odalisque" had been what Ray called an objectionable word, he would have thrown the picture out in the first place. Ray even took down a picture of Mrs. Langtry in evening dress, because it was entitled the "Jersey Lily," and because there was a small head of Edward VII, then Prince of Wales, in one corner. Albert Edward's conduct was a popular subject of discussion among railroad men in those days, and as Ray pulled the tacks out of this lithograph he felt more indignant with the English than ever. He deposited all these pictures under the mattress of Giddy's bunk, and stood admiring his clean car in the lamplight; the walls now exhibited only a wheatfield, advertising agricultural implements, a map of Colorado, and some pictures of race-horses and hunting-dogs. At this moment Giddy, freshly shaved and shampooed, his shirt shining with the highest polish known to Chinese laundrymen, his straw hat tipped over his right eye, thrust his head in at the door.

"What in hell—" he brought out furiously. His good-

humored, sunburned face seemed fairly to swell with amazement and anger.

"That's all right, Giddy," Ray called in a conciliatory tone. "Nothing injured. I'll put 'em all up again as I found 'em. Going to take some ladies down in the car to-morrow."

Giddy scowled. He did not dispute the propriety of Ray's measures, if there were to be ladies on board, but he felt injured. "I suppose you'll expect me to behave like a Y.M.C.A. secretary," he growled. "I can't do my work and serve tea at the same time."

"No need to have a tea-party," said Ray with determined cheerfulness. "Mrs. Kronborg will bring the lunch, and it will be a darned good one."

Giddy lounged against the car, holding his cigar between two thick fingers. "Then I guess she'll get it," he observed knowingly. "I don't think your musical friend is much on the grub-box. Has to keep her hands white to tickle the ivories." Giddy had nothing against Thea, but he felt cantankerous and wanted to get a rise out of Kennedy.

"Every man to his own job," Ray replied agreeably, pulling his white shirt on over his head.

Giddy emitted smoke disdainfully. "I suppose so. The man that gets her will have to wear an apron and bake the pancakes. Well, some men like to mess about the kitchen." He paused, but Ray was intent on getting into his clothes as quickly as possible. Giddy thought he could go a little further. "Of course, I don't dispute your right to haul women in this car if you want to; but personally, so far as I'm concerned, I'd a good deal rather drink a can of tomatoes and do without the women and their lunch. I was never much enslaved to hard-boiled eggs, anyhow."

"You'll eat 'em to-morrow, all the same." Ray's tone had a steely glitter as he jumped out of the car, and Giddy stood aside to let him pass. He knew that Kennedy's next reply would be delivered by hand. He had once seen Ray

beat up a nasty fellow for insulting a Mexican woman who helped about the grub-car in the work train, and his fists had worked like two steel hammers. Giddy wasn't looking for trouble.

At eight o'clock the next morning Ray greeted his ladies and helped them into the car. Giddy had put on a clean shirt and yellow pig-skin gloves and was whistling his best. He considered Kennedy a fluke as a ladies' man, and if there was to be a party, the honors had to be done by some one who wasn't a blacksmith at small-talk. Giddy had, as Ray sarcastically admitted, "a local reputation as a jollier," and he was fluent in gallant speeches of a not too-veiled nature. He insisted that Thea should take his seat in the cupola, opposite Ray's, where she could look out over the country. Thea told him, as she clambered up, that she cared a good deal more about riding in that seat than about going to Denver. Ray was never so companionable and easy as when he sat chatting in the lookout of his little house on wheels. Good stories came to him, and interesting recollections. Thea had a great respect for the reports he had to write out, and for the telegrams that were handed to him at stations; for all the knowledge and experience it must take to run a freight train.

Giddy, down in the car, in the pauses of his work, made himself agreeable to Mrs. Kronborg.

"It's a great rest to be where my family can't get at me, Mr. Giddy," she told him. "I thought you and Ray might have some housework here for me to look after, but I couldn't improve any on this car."

"Oh, we like to keep her neat," returned Giddy glibly, winking up at Ray's expressive back. "If you want to see a clean ice-box, look at this one. Yes, Kennedy always carries fresh cream to eat on his oatmeal. I'm not particular. The tin cow's good enough for me."

"Most of you boys smoke so much that all victuals taste alike to you," said Mrs. Kronborg. "I've got no religious scruples against smoking, but I couldn't take as much interest cooking for a man that used tobacco. I guess it's all right for bachelors who have to eat round."

Mrs. Kronborg took off her hat and veil and made herself comfortable. She seldom had an opportunity to be idle, and she enjoyed it. She could sit for hours and watch the sage-hens fly up and the jack-rabbits dart away from the track, without being bored. She wore a tan bombazine dress, made very plainly, and carried a roomy, worn, mother-of-the-family handbag.

Ray Kennedy always insisted that Mrs. Kronborg was "a fine-looking lady," but this was not the common opinion in Moonstone. Ray had lived long enough among the Mexicans to dislike fussiness, to feel that there was something more attractive in ease of manner than in absentminded concern about hairpins and dabs of lace. He had learned to think that the way a woman stood, moved, sat in her chair, looked at you, was more important than the absence of wrinkles from her skirt. Ray had, indeed, such unusual perceptions in some directions, that one could not help wondering what he would have been if he had ever, as he said, had "half a chance."

He was right; Mrs. Kronborg was a fine-looking woman. She was short and square, but her head was a real head, not a mere jerky termination of the body. It had some individuality apart from hats and hairpins. Her hair, Moonstone women admitted, would have been very pretty "on anybody else." Frizzy bangs were worn then, but Mrs. Kronborg always dressed her hair in the same way, parted in the middle, brushed smoothly back from her low, white forehead, pinned loosely on the back of her head in two thick braids. It was growing gray about the temples, but after the manner of yellow hair it seemed only to have grown paler there, and had taken on a color

like that of English primroses. Her eyes were clear and untroubled; her face smooth and calm, and, as Ray said, "strong."

Thea and Ray, up in the sunny cupola, were laughing and talking. Ray got great pleasure out of seeing her face there in the little box where he so often imagined it. They were crossing a plateau where great red sandstone boulders lay about, most of them much wider at the top than at the base, so that they looked like great toadstools.

"The sand has been blowing against them for a good many hundred years," Ray explained, directing Thea's eyes with his gloved hand. "You see the sand blows low, being so heavy, and cuts them out underneath. Wind and sand are pretty high-class architects. That's the principle of most of the Cliff-Dweller remains down at Canyon de Chelly. The sandstorms had dug out big depressions in the face of a cliff, and the Indians built their houses back in that depression."

"You told me that before, Ray, and of course you know. But the geography says their houses were cut out of the face of the living rock, and I like that better."

Ray sniffed. "What nonsense does get printed! It's enough to give a man disrespect for learning. How could them Indians cut houses out of the living rock, when they knew nothing about the art of forging metals?" Ray leaned back in his chair, swung his foot, and looked thoughtful and happy. He was in one of his favorite fields of speculation, and nothing gave him more pleasure than talking these things over with Thea Kronborg. "I'll tell you, Thee, if those old fellows had learned to work metals once, your ancient Egyptians and Assyrians wouldn't have beat them very much. Whatever they did do, they did well. Their masonry's standing there to-day, the corners as true as the Denver Capitol. They were clever at most every-thing but metals; and that one failure kept them from getting across. It was the quicksand that swallowed 'em

up, as a race. I guess civilization proper began when men mastered metals."

Ray was not vain about his bookish phrases. He did not use them to show off, but because they seemed to him more adequate than colloquial speech. He felt strongly about these things, and groped for words, as he said, "to express himself." He had the lamentable American belief that "expression" is obligatory. He still carried in his trunk, among the unrelated possessions of a railroad man, a note-book on the title-page of which was written "Impressions on First Viewing the Grand Canyon, Ray H. Kennedy." The pages of that book were like a battlefield; the laboring author had fallen back from metaphor after metaphor, abandoned position after position. He would have admitted that the art of forging metals was nothing to this treacherous business of recording impressions, in which the material you were so full of vanished mysteriously under your striving hand. "Escaping steam!" he had said to himself, the last time he tried to read that notebook.

Thea didn't mind Ray's travel-lecture expressions. She dodged them, unconsciously, as she did her father's professional palaver. The light in Ray's pale-blue eyes and the feeling in his voice more than made up for the stiffness of his language.

"Were the Cliff-Dwellers really clever with their hands, Ray, or do you always have to make allowance and say, 'That was pretty good for an Indian'?" she asked.

Ray went down into the car to give some instructions to Giddy. "Well," he said when he returned, "about the aborigines: once or twice I've been with some fellows who were cracking burial mounds. Always felt a little ashamed of it, but we did pull out some remarkable things. We got some pottery out whole; seemed pretty fine to me. I guess their women were their artists. We found lots of old shoes and sandals made out of yucca fiber, neat and strong; and feather blankets, too."

"Feather blankets? You never told me about them."

"Didn't I? The old fellows—or the squaws—wove a close netting of yucca fiber, and then tied on little bunches of down feathers, overlapping, just the way feathers grow on a bird. Some of them were feathered on both sides. You can't get anything warmer than that, now, can you? —or prettier. What I like about those old aborigines is, that they got all their ideas from nature."

Thea laughed. "That means you're going to say something about girls' wearing corsets. But some of your Indians flattened their babies' heads, and that's worse than wearing corsets."

"Give me an Indian girl's figure for beauty," Ray insisted. "And a girl with a voice like yours ought to have plenty of lung-action. But you know my sentiments on that subject. I was going to tell you about the handsomest thing we ever looted out of those burial mounds. It was on a woman, too, I regret to say. She was preserved as perfect as any mummy that ever came out of the pyramids. She had a big string of turquoises around her neck, and she was wrapped in a fox-fur cloak, lined with little yellow feathers that must have come off wild canaries. Can you beat that, now? The fellow that claimed it sold it to a Boston man for a hundred and fifty dollars."

Thea looked at him admiringly. "Oh, Ray, and didn't you get anything off her, to remember her by, even? She must have been a princess."

Ray took a wallet from the pocket of the coat that was hanging beside him, and drew from it a little lump wrapped in worn tissue paper. In a moment a stone, soft and blue as a robin's egg, lay in the hard palm of his hand. It was a turquoise, rubbed smooth in the Indian finish, which is so much more beautiful than the incongruous high polish the white man gives that tender stone. "I got this from her necklace. See the hole where the string went through? You know how the Indians drill them? Work the drill with

their teeth. You like it, don't you? They're just right for you. Blue and yellow are the Swedish colors." Ray looked intently at her head, bent over his hand, and then gave his whole attention to the track.

"I'll tell you, Thee," he began after a pause, "I'm going to form a camping party one of these days and persuade your padre to take you and your mother down to that country, and we'll live in the rock houses—they're as comfortable as can be—and start the cook fires up in 'em once again. I'll go into the burial mounds and get you more keepsakes than any girl ever had before." Ray had planned such an expedition for his wedding journey, and it made his heart thump to see how Thea's eyes kindled when he talked about it. "I've learned more down there about what makes history," he went on, "than in all the books I've ever read. When you sit in the sun and let your heels hang out of a doorway that drops a thousand feet, ideas come to you. You begin to feel what the human race has been up against from the beginning. There's something mighty elevating about those old habitations. You feel like it's up to you to do your best, on account of those fellows having it so hard. You feel like you owed them something."

At Wassiwappa, Ray got instructions to sidetrack until Thirty-six went by. After reading the message, he turned to his guests. "I'm afraid this will hold us up about two hours, Mrs. Kronborg, and we won't get into Denver till near midnight."

"That won't trouble me," said Mrs. Kronborg contentedly. "They know me at the Y.W.C.A., and they'll let me in any time of night. I came to see the country, not to make time. I've always wanted to get out at this white place and look around, and now I'll have a chance. What makes it so white?"

"Some kind of chalky rock." Ray sprang to the ground and gave Mrs. Kronborg his hand. "You can get soil of any color in Colorado; match most any ribbon."

While Ray was getting his train on to a side track, Mrs. Kronborg strolled off to examine the post-office and station house; these, with the water tank, made up the town. The station agent "batched" and raised chickens. He ran out to meet Mrs. Kronborg, clutched at her feverishly, and began telling her at once how lonely he was and what bad luck he was having with his poultry. She went to his chicken yard with him, and prescribed for gapes.

Wassiwappa seemed a dreary place enough to people who looked for verdure, a brilliant place to people who liked color. Beside the station house there was a blue-grass plot, protected by a red plank fence, and six fly-bitten box-elder trees, not much larger than bushes, were kept alive by frequent hosings from the water plug. Over the windows some dusty morning-glory vines were trained on strings. All the country about was broken up into low chalky hills, which were so intensely white, and spotted so evenly with sage, that they looked like white leopards crouching. White dust powdered everything, and the light was so intense that the station agent usually wore blue glasses. Behind the station there was a water course, which roared in flood time, and a basin in the soft white rock where a pool of alkali water flashed in the sun like a mirror. The agent looked almost as sick as his chickens, and Mrs. Kronborg at once invited him to lunch with her party. He had, he confessed, a distaste for his own cooking, and lived mainly on soda crackers and canned beef. He laughed apologetically when Mrs. Kronborg said she guessed she'd look about for a shady place to eat lunch.

She walked up the track to the water tank, and there, in the narrow shadows cast by the uprights on which the tank stood, she found two tramps. They sat up and stared at her, heavy with sleep. When she asked them where they were going, they told her "to the coast." They rested by day and traveled by night; walked the ties unless they could steal a ride, they said; adding that "these

Western roads were getting strict." Their faces were blistered, their eyes blood-shot, and their shoes looked fit only for the trash pile.

"I suppose you're hungry?" Mrs. Kronborg asked. "I suppose you both drink?" she went on thoughtfully, not censoriously.

The huskier of the two hoboes, a bushy, bearded fellow, rolled his eyes and said, "I wonder?" But the other, who was old and spare, with a sharp nose and watery eyes, sighed. "Some has one affliction, some another," he said.

Mrs. Kronborg reflected. "Well," she said at last, "you can't get liquor here, anyway. I am going to ask you to vacate, because I want to have a little picnic under this tank for the freight crew that brought me along. I wish I had lunch enough to provide you, but I ain't. The station agent says he gets his provisions over there at the post-office store, and if you are hungry you can get some canned stuff there." She opened her handbag and gave each of the tramps a half-dollar.

The old man wiped his eyes with his forefinger. "Thank 'ee, ma'am. A can of tomatters will taste pretty good to me. I wasn't always walkin' ties; I had a good job in Cleveland before—"

The hairy tramp turned on him fiercely. "Aw, shut up on that, grandpaw! Ain't you got no gratitude? What do you want to hand the lady that fur?"

The old man hung his head and turned away. As he went off, his comrade looked after him and said to Mrs. Kronborg: "It's true, what he says. He had a job in the car shops; but he had bad luck." They both limped away toward the store, and Mrs. Kronborg sighed. She was not afraid of tramps. She always talked to them, and never turned one away. She hated to think how many of them there were, crawling along the tracks over that vast country.

Her reflections were cut short by Ray and Giddy and

Thea, who came bringing the lunch box and water bottles. Although there was not shadow enough to accommodate all the party at once, the air under the tank was distinctly cooler than the surrounding air, and the drip made a pleasant sound in that breathless noon. The station agent ate as if he had never been fed before, apologizing every time he took another piece of fried chicken. Giddy was unabashed before the devilled eggs of which he had spoken so scornfully last night. After lunch the men lit their pipes and lay back against the uprights that supported the tank.

"This is the sunny side of railroading, all right," Giddy drawled luxuriously.

"You fellows grumble too much," said Mrs. Kronborg as she corked the pickle jar. "Your job has its drawbacks, but it don't tie you down. Of course there's the risk; but I believe a man's watched over, and he can't be hurt on the railroad or anywhere else if it's intended he shouldn't be."

Giddy laughed. "Then the trains must be operated by fellows the Lord has it in for, Mrs. Kronborg. They figure it out that a railroad man's only due to last eleven years; then it's his turn to be smashed."

"That's a dark Providence, I don't deny," Mrs. Kronborg admitted. "But there's lots of things in life that's hard to understand."

"I guess!" murmured Giddy, looking off at the spotted white hills.

Ray smoked in silence, watching Thea and her mother clear away the lunch. He was thinking that Mrs. Kronborg had in her face the same serious look that Thea had; only hers was calm and satisfied, and Thea's was intense and questioning. But in both it was a large kind of look, that was not all the time being broken up and convulsed by trivial things. They both carried their heads like Indian women, with a kind of noble unconsciousness. He got so tired of women who were always nodding and jerking;

apologizing, deprecating, coaxing, insinuating with their heads.

When Ray's party set off again that afternoon the sun beat fiercely into the cupola, and Thea curled up in one of the seats at the back of the car and had a nap.

As the short twilight came on, Giddy took a turn in the cupola, and Ray came down and sat with Thea on the rear platform of the caboose and watched the darkness come in soft waves over the plain. They were now about thirty miles from Denver, and the mountains looked very near. The great toothed wall behind which the sun had gone down now separated into four distinct ranges, one behind the other. They were a very pale blue, a color scarcely stronger than wood smoke, and the sunset had left bright streaks in the snow-filled gorges. In the clear, yellow-streaked sky the stars were coming out, flickering like newly lighted lamps, growing steadier and more golden as the sky darkened and the land beneath them fell into complete shadow. It was a cool, restful darkness that was not black or forbidding, but somehow open and free; the night of high plains where there is no moistness or mistiness in the atmosphere.

Ray lit his pipe. "I never get tired of them old stars, Thee. I miss 'em up in Washington and Oregon where it's misty. Like 'em best down in Mother Mexico, where they have everything their own way. I'm not for any country where the stars are dim." Ray paused and drew on his pipe. "I don't know as I ever really noticed 'em much till that first year I herded sheep up in Wyoming. That was the year the blizzard caught me."

"And you lost all your sheep, didn't you, Ray?" Thea spoke sympathetically. "Was the man who owned them nice about it?"

"Yes, he was a good loser. But I didn't get over it for a long while. Sheep are so damned resigned. Sometimes, to this day, when I'm dog-tired, I try to save them sheep

all night long. It comes kind of hard on a boy when he first finds out how little he is, and how big everything else is."

Thea moved restlessly toward him and dropped her chin on her hand, looking at a low star that seemed to rest just on the rim of the earth. "I don't see how you stood it. I don't believe I could. I don't see how people can stand it to get knocked out, anyhow!" She spoke with such fierceness that Ray glanced at her in surprise. She was sitting on the floor of the car, crouching like a little animal about to spring.

"No occasion for you to see," he said warmly. "There'll always be plenty of other people to take the knocks for you."

"That's nonsense, Ray." Thea spoke impatiently and leaned lower still, frowning at the red star. "Everybody's up against it for himself, succeeds or fails—himself."

"In one way, yes," Ray admitted, knocking the sparks from his pipe out into the soft darkness that seemed to flow like a river beside the car. "But when you look at it another way, there are a lot of halfway people in this world who help the winners win, and the failers fail. If a man stumbles, there's plenty of people to push him down. But if he's like `the youth who bore,' those same people are foreordained to help him along. They may hate to, worse than blazes, and they may do a lot of cussin' about it, but they have to help the winners and they can't dodge it. It's a natural law, like what keeps the big clock up there going, little wheels and big, and no mix-up." Ray's hand and his pipe were suddenly outlined against the sky. "Ever occur to you, Thee, that they have to be on time close enough to make time? The Dispatcher up there must have a long head." Pleased with his similitude, Ray went back to the lookout. Going into Denver, he had to keep a sharp watch.

Giddy came down, cheerful at the prospect of getting into port, and singing a new topical ditty that had come up

from the Santa Fe by way of La Junta. Nobody knows who makes these songs; they seem to follow events automatically. Mrs. Kronborg made Giddy sing the whole twelve verses of this one, and laughed until she wiped her eyes. The story was that of Katie Casey, head dining-room girl at Winslow, Arizona, who was unjustly discharged by the Harvey House manager. Her suitor, the yardmaster, took the switchmen out on a strike until she was reinstated. Freight trains from the east and the west piled up at Winslow until the yards looked like a log-jam. The division superintendent, who was in California, had to wire instructions for Katie Casey's restoration before he could get his trains running. Giddy's song told all this with much detail, both tender and technical, and after each of the dozen verses came the refrain:—

Thea laughed with her mother and applauded Giddy. Everything was so kindly and comfortable; Giddy and Ray, and their hospitable little house, and the easy-going country, and the stars. She curled up on the seat again with that warm, sleepy feeling of the friendliness of the world—which nobody keeps very long, and which she was to lose early and irrevocably.

17. XVII

The summer flew by. Thea was glad when Ray Kennedy had a Sunday in town and could take her driving. Out among the sand hills she could forget the "new room" which was the scene of wearing and fruitless labor. Dr. Archie was away from home a good deal that year. He had put all his money into mines above Colorado Springs, and he hoped for great returns from them.

In the fall of that year, Mr. Kronborg decided that Thea ought to show more interest in church work. He put it to her frankly, one night at supper, before the whole family. "How can I insist on the other girls in the congregation being active in the work, when one of my own daughters manifests so little interest?"

"But I sing every Sunday morning, and I have to give up one night a week to choir practice," Thea declared rebelliously, pushing back her plate with an angry determination to eat nothing more.

"One night a week is not enough for the pastor's daughter," her father replied. "You won't do anything in the sewing society, and you won't take part in the Christian Endeavor or the Band of Hope. Very well, you must make it up in other ways. I want some one to play the organ and lead the singing at prayer-meeting this winter. Deacon Potter told me some time ago that he thought there would be more interest in our prayer-meetings if we had the organ. Miss Meyers don't feel that she can play on Wednesday nights. And there ought to be somebody to start the hymns. Mrs. Potter is getting old, and she always starts them too high. It won't take much of your time, and it will keep people from talking."

This argument conquered Thea, though she left the

table sullenly. The fear of the tongue, that terror of little towns, is usually felt more keenly by the minister's family than by other households. Whenever the Kronborgs wanted to do anything, even to buy a new carpet, they had to take counsel together as to whether people would talk. Mrs. Kronborg had her own conviction that people talked when they felt like it, and said what they chose, no matter how the minister's family conducted themselves. But she did not impart these dangerous ideas to her children. Thea was still under the belief that public opinion could be placated; that if you clucked often enough, the hens would mistake you for one of themselves.

Mrs. Kronborg did not have any particular zest for prayer-meetings, and she stayed at home whenever she had a valid excuse. Thor was too old to furnish such an excuse now, so every Wednesday night, unless one of the children was sick, she trudged off with Thea, behind Mr. Kronborg. At first Thea was terribly bored. But she got used to prayer-meeting, got even to feel a mournful interest in it.

The exercises were always pretty much the same. After the first hymn her father read a passage from the Bible, usually a Psalm. Then there was another hymn, and then her father commented upon the passage he had read and, as he said, "applied the Word to our necessities." After a third hymn, the meeting was declared open, and the old men and women took turns at praying and talking. Mrs. Kronborg never spoke in meeting. She told people firmly that she had been brought up to keep silent and let the men talk, but she gave respectful attention to the others, sitting with her hands folded in her lap.

The prayer-meeting audience was always small. The young and energetic members of the congregation came only once or twice a year, "to keep people from talking." The usual Wednesday night gathering was made up of old women, with perhaps six or eight old men, and a few sickly girls who had not much interest in life; two of them, indeed,

were already preparing to die. Thea accepted the mournfulness of the prayer-meetings as a kind of spiritual discipline, like funerals. She always read late after she went home and felt a stronger wish than usual to live and to be happy.

The meetings were conducted in the Sunday-School room, where there were wooden chairs instead of pews; an old map of Palestine hung on the wall, and the bracket lamps gave out only a dim light. The old women sat motionless as Indians in their shawls and bonnets; some of them wore long black mourning veils. The old men drooped in their chairs. Every back, every face, every head said "resignation." Often there were long silences, when you could hear nothing but the crackling of the soft coal in the stove and the muffled cough of one of the sick girls.

There was one nice old lady,—tall, erect, self-respecting, with a delicate white face and a soft voice. She never whined, and what she said was always cheerful, though she spoke so nervously that Thea knew she dreaded getting up, and that she made a real sacrifice to, as she said, "testify to the goodness of her Saviour." She was the mother of the girl who coughed, and Thea used to wonder how she explained things to herself. There was, indeed, only one woman who talked because she was, as Mr. Kronborg said, "tonguey." The others were somehow impressive. They told about the sweet thoughts that came to them while they were at their work; how, amid their household tasks, they were suddenly lifted by the sense of a divine Presence. Sometimes they told of their first conversion, of how in their youth that higher Power had made itself known to them. Old Mr. Carsen, the carpenter, who gave his services as janitor to the church, used often to tell how, when he was a young man and a scoffer, bent on the destruction of both body and soul, his Saviour had come to him in the Michigan woods and had stood, it seemed to him, beside the tree he was felling; and how he dropped his axe and

knelt in prayer "to Him who died for us upon the tree." Thea always wanted to ask him more about it; about his mysterious wickedness, and about the vision.

Sometimes the old people would ask for prayers for their absent children. Sometimes they asked their brothers and sisters in Christ to pray that they might be stronger against temptations. One of the sick girls used to ask them to pray that she might have more faith in the times of depression that came to her, "when all the way before seemed dark." She repeated that husky phrase so often, that Thea always remembered it.

One old woman, who never missed a Wednesday night, and who nearly always took part in the meeting, came all the way up from the depot settlement. She always wore a black crocheted "fascinator" over her thin white hair, and she made long, tremulous prayers, full of railroad terminology. She had six sons in the service of different railroads, and she always prayed "for the boys on the road, who know not at what moment they may be cut off. When, in Thy divine wisdom, their hour is upon them, may they, O our Heavenly Father, see only white lights along the road to Eternity." She used to speak, too, of "the engines that race with death"; and though she looked so old and little when she was on her knees, and her voice was so shaky, her prayers had a thrill of speed and danger in them; they made one think of the deep black canyons, the slender trestles, the pounding trains. Thea liked to look at her sunken eyes that seemed full of wisdom, at her black thread gloves, much too long in the fingers and so meekly folded one over the other. Her face was brown, and worn away as rocks are worn by water. There are many ways of describing that color of age, but in reality it is not like parchment, or like any of the things it is said to be like. That brownness and that texture of skin are found only in the faces of old human creatures, who have worked hard and who have always been poor.

One bitterly cold night in December the prayer-meeting seemed to Thea longer than usual. The prayers and the talks went on and on. It was as if the old people were afraid to go out into the cold, or were stupefied by the hot air of the room. She had left a book at home that she was impatient to get back to. At last the Doxology was sung, but the old people lingered about the stove to greet each other, and Thea took her mother's arm and hurried out to the frozen sidewalk, before her father could get away. The wind was whistling up the street and whipping the naked cottonwood trees against the telegraph poles and the sides of the houses. Thin snow clouds were flying overhead, so that the sky looked gray, with a dull phosphorescence. The icy streets and the shingle roofs of the houses were gray, too. All along the street, shutters banged or windows rattled, or gates wobbled, held by their latch but shaking on loose hinges. There was not a cat or a dog in Moonstone that night that was not given a warm shelter; the cats under the kitchen stove, the dogs in barns or coal-sheds. When Thea and her mother reached home, their mufflers were covered with ice, where their breath had frozen. They hurried into the house and made a dash for the parlor and the hard-coal burner, behind which Gunner was sitting on a stool, reading his Jules Verne book. The door stood open into the dining-room, which was heated from the parlor. Mr. Kronborg always had a lunch when he came home from prayer-meeting, and his pumpkin pie and milk were set out on the dining-table. Mrs. Kronborg said she thought she felt hungry, too, and asked Thea if she didn't want something to eat.

"No, I'm not hungry, mother. I guess I'll go upstairs."

"I expect you've got some book up there," said Mrs. Kronborg, bringing out another pie. "You'd better bring it down here and read. Nobody'll disturb you, and it's terrible cold up in that loft."

Thea was always assured that no one would disturb her

if she read downstairs, but the boys talked when they came in, and her father fairly delivered discourses after he had been renewed by half a pie and a pitcher of milk.

"I don't mind the cold. I'll take a hot brick up for my feet. I put one in the stove before I left, if one of the boys hasn't stolen it. Good-night, mother." Thea got her brick and lantern, and dashed upstairs through the windy loft. She undressed at top speed and got into bed with her brick. She put a pair of white knitted gloves on her hands, and pinned over her head a piece of soft flannel that had been one of Thor's long petticoats when he was a baby. Thus equipped, she was ready for business. She took from her table a thick paper-backed volume, one of the "line" of paper novels the druggist kept to sell to traveling men. She had bought it, only yesterday, because the first sentence interested her very much, and because she saw, as she glanced over the pages, the magical names of two Russian cities. The book was a poor translation of "Anna Karenina." Thea opened it at a mark, and fixed her eyes intently upon the small print. The hymns, the sick girl, the resigned black figures were forgotten. It was the night of the ball in Moscow.

Thea would have been astonished if she could have known how, years afterward, when she had need of them, those old faces were to come back to her, long after they were hidden away under the earth; that they would seem to her then as full of meaning, as mysteriously marked by Destiny, as the people who danced the mazurka under the elegant Korsunsky.

18. XVIII

Mr. Kronborg was too fond of his ease and too sensible to worry his children much about religion. He was more sincere than many preachers, but when he spoke to his family about matters of conduct it was usually with a regard for keeping up appearances. The church and church work were discussed in the family like the routine of any other business. Sunday was the hard day of the week with them, just as Saturday was the busy day with the merchants on Main Street. Revivals were seasons of extra work and pressure, just as threshing-time was on the farms. Visiting elders had to be lodged and cooked for, the folding-bed in the parlor was let down, and Mrs. Kronborg had to work in the kitchen all day long and attend the night meetings.

During one of these revivals Thea's sister Anna professed religion with, as Mrs. Kronborg said, "a good deal of fluster." While Anna was going up to the mourners' bench nightly and asking for the prayers of the congregation, she disseminated general gloom throughout the household, and after she joined the church she took on an air of "set-apartness" that was extremely trying to her brothers and her sister, though they realized that Anna's sanctimoniousness was perhaps a good thing for their father. A preacher ought to have one child who did more than merely acquiesce in religious observances, and Thea and the boys were glad enough that it was Anna and not one of themselves who assumed this obligation.

"Anna, she's American," Mrs. Kronborg used to say. The Scandinavian mould of countenance, more or less marked in each of the other children, was scarcely discernible in her, and she looked enough like other Moonstone

girls to be thought pretty. Anna's nature was conventional, like her face. Her position as the minister's eldest daughter was important to her, and she tried to live up to it. She read sentimental religious story-books and emulated the spiritual struggles and magnanimous behavior of their persecuted heroines. Everything had to be interpreted for Anna. Her opinions about the smallest and most commonplace things were gleaned from the Denver papers, the church weeklies, from sermons and Sunday-School addresses. Scarcely anything was attractive to her in its natural state—indeed, scarcely anything was decent until it was clothed by the opinion of some authority. Her ideas about habit, character, duty, love, marriage, were grouped under heads, like a book of popular quotations, and were totally unrelated to the emergencies of human living. She discussed all these subjects with other Methodist girls of her age. They would spend hours, for instance, in deciding what they would or would not tolerate in a suitor or a husband, and the frailties of masculine nature were too often a subject of discussion among them. In her behavior Anna was a harmless girl, mild except where her prejudices were concerned, neat and industrious, with no graver fault than priggishness; but her mind had really shocking habits of classification. The wickedness of Denver and of Chicago, and even of Moonstone, occupied her thoughts too much. She had none of the delicacy that goes with a nature of warm impulses, but the kind of fishy curiosity which justifies itself by an expression of horror.

Thea, and all Thea's ways and friends, seemed indecorous to Anna. She not only felt a grave social discrimination against the Mexicans; she could not forget that Spanish Johnny was a drunkard and that "nobody knew what he did when he ran away from home." Thea pretended, of course, that she liked the Mexicans because they were fond of music; but every one knew that music was nothing very real, and that it did not matter in a girl's

relations with people. What was real, then, and what did matter? Poor Anna!

Anna approved of Ray Kennedy as a young man of steady habits and blameless life, but she regretted that he was an atheist, and that he was not a passenger conductor with brass buttons on his coat. On the whole, she wondered what such an exemplary young man found to like in Thea. Dr. Archie she treated respectfully because of his position in Moonstone, but she knew he had kissed the Mexican barytone's pretty daughter, and she had a whole dossier of evidence about his behavior in his hours of relaxation in Denver. He was "fast," and it was because he was "fast" that Thea liked him. Thea always liked that kind of people. Dr. Archie's whole manner with Thea, Anna often told her mother, was too free. He was always putting his hand on Thea's head, or holding her hand while he laughed and looked down at her. The kindlier manifestation of human nature (about which Anna sang and talked, in the interests of which she went to conventions and wore white ribbons) were never realities to her after all. She did not believe in them. It was only in attitudes of protest or reproof, clinging to the cross, that human beings could be even temporarily decent.

Preacher Kronborg's secret convictions were very much like Anna's. He believed that his wife was absolutely good, but there was not a man or woman in his congregation whom he trusted all the way.

Mrs. Kronborg, on the other hand, was likely to find something to admire in almost any human conduct that was positive and energetic. She could always be taken in by the stories of tramps and runaway boys. She went to the circus and admired the bareback riders, who were "likely good enough women in their way." She admired Dr. Archie's fine physique and well-cut clothes as much as Thea did, and said she "felt it was a privilege to be handled by such a gentleman when she was sick."

Soon after Anna became a church member she began to remonstrate with Thea about practicing—playing "secular music"—on Sunday. One Sunday the dispute in the parlor grew warm and was carried to Mrs. Kronborg in the kitchen. She listened judicially and told Anna to read the chapter about how Naaman the leper was permitted to bow down in the house of Rimmon. Thea went back to the piano, and Anna lingered to say that, since she was in the right, her mother should have supported her.

"No," said Mrs. Kronborg, rather indifferently, "I can't see it that way, Anna. I never forced you to practice, and I don't see as I should keep Thea from it. I like to hear her, and I guess your father does. You and Thea will likely follow different lines, and I don't see as I'm called upon to bring you up alike."

Anna looked meek and abused. "Of course all the church people must hear her. Ours is the only noisy house on this street. You hear what she's playing now, don't you?"

Mrs. Kronborg rose from browning her coffee. "Yes; it's the Blue Danube waltzes. I'm familiar with 'em. If any of the church people come at you, you just send 'em to me. I ain't afraid to speak out on occasion, and I wouldn't mind one bit telling the Ladies' Aid a few things about standard composers." Mrs. Kronborg smiled, and added thoughtfully, "No, I wouldn't mind that one bit."

Anna went about with a reserved and distant air for a week, and Mrs. Kronborg suspected that she held a larger place than usual in her daughter's prayers; but that was another thing she didn't mind.

Although revivals were merely a part of the year's work, like examination week at school, and although Anna's piety impressed her very little, a time came when Thea was perplexed about religion. A scourge of typhoid broke out in Moonstone and several of Thea's schoolmates died of it. She went to their funerals, saw them put into the

ground, and wondered a good deal about them. But a certain grim incident, which caused the epidemic, troubled her even more than the death of her friends.

Early in July, soon after Thea's fifteenth birthday, a particularly disgusting sort of tramp came into Moonstone in an empty box car. Thea was sitting in the hammock in the front yard when he first crawled up to the town from the depot, carrying a bundle wrapped in dirty ticking under one arm, and under the other a wooden box with rusty screening nailed over one end. He had a thin, hungry face covered with black hair. It was just before supper-time when he came along, and the street smelled of fried potatoes and fried onions and coffee. Thea saw him sniffing the air greedily and walking slower and slower. He looked over the fence. She hoped he would not stop at their gate, for her mother never turned any one away, and this was the dirtiest and most utterly wretched-looking tramp she had ever seen. There was a terrible odor about him, too. She caught it even at that distance, and put her handkerchief to her nose. A moment later she was sorry, for she knew that he had noticed it. He looked away and shuffled a little faster.

A few days later Thea heard that the tramp had camped in an empty shack over on the east edge of town, beside the ravine, and was trying to give a miserable sort of show there. He told the boys who went to see what he was doing, that he had traveled with a circus. His bundle contained a filthy clown's suit, and his box held half a dozen rattle-snakes.

Saturday night, when Thea went to the butcher shop to get the chickens for Sunday, she heard the whine of an accordion and saw a crowd before one of the saloons. There she found the tramp, his bony body grotesquely attired in the clown's suit, his face shaved and painted white,—the sweat trickling through the paint and washing it away,— and his eyes wild and feverish. Pulling the accordion in

and out seemed to be almost too great an effort for him, and he panted to the tune of "Marching through Georgia." After a considerable crowd had gathered, the tramp exhibited his box of snakes, announced that he would now pass the hat, and that when the onlookers had contributed the sum of one dollar, he would eat "one of these living reptiles." The crowd began to cough and murmur, and the saloon keeper rushed off for the marshal, who arrested the wretch for giving a show without a license and hurried him away to the calaboose.

The calaboose stood in a sunflower patch,—an old hut with a barred window and a padlock on the door. The tramp was utterly filthy and there was no way to give him a bath. The law made no provision to grub-stake vagrants, so after the constable had detained the tramp for twenty-four hours, he released him and told him to "get out of town, and get quick." The fellow's rattlesnakes had been killed by the saloon keeper. He hid in a box car in the freight yard, probably hoping to get a ride to the next station, but he was found and put out. After that he was seen no more. He had disappeared and left no trace except an ugly, stupid word, chalked on the black paint of the seventy-five-foot standpipe which was the reservoir for the Moonstone water-supply; the same word, in another tongue, that the French soldier shouted at Waterloo to the English officer who bade the Old Guard surrender; a comment on life which the defeated, along the hard roads of the world, sometimes bawl at the victorious.

A week after the tramp excitement had passed over, the city water began to smell and to taste. The Kronborgs had a well in their back yard and did not use city water, but they heard the complaints of their neighbors. At first people said that the town well was full of rotting cottonwood roots, but the engineer at the pumping-station convinced the mayor that the water left the well untainted. Mayors reason slowly, but, the well being

eliminated, the official mind had to travel toward the standpipe—there was no other track for it to go in. The standpipe amply rewarded investigation. The tramp had got even with Moonstone. He had climbed the standpipe by the handholds and let himself down into seventy-five feet of cold water, with his shoes and hat and roll of ticking. The city council had a mild panic and passed a new ordinance about tramps. But the fever had already broken out, and several adults and half a dozen children died of it.

Thea had always found everything that happened in Moonstone exciting, disasters particularly so. It was gratifying to read sensational Moonstone items in the Denver paper. But she wished she had not chanced to see the tramp as he came into town that evening, sniffing the supper-laden air. His face remained unpleasantly clear in her memory, and her mind struggled with the problem of his behavior as if it were a hard page in arithmetic. Even when she was practicing, the drama of the tramp kept going on in the back of her head, and she was constantly trying to make herself realize what pitch of hatred or despair could drive a man to do such a hideous thing. She kept seeing him in his bedraggled clown suit, the white paint on his roughly shaven face, playing his accordion before the saloon. She had noticed his lean body, his high, bald forehead that sloped back like a curved metal lid. How could people fall so far out of fortune? She tried to talk to Ray Kennedy about her perplexity, but Ray would not discuss things of that sort with her. It was in his sentimental conception of women that they should be deeply religious, though men were at liberty to doubt and finally to deny. A picture called "The Soul Awakened," popular in Moonstone parlors, pretty well interpreted Ray's idea of woman's spiritual nature.

One evening when she was haunted by the figure of the tramp, Thea went up to Dr. Archie's office. She found him

sewing up two bad gashes in the face of a little boy who had been kicked by a mule. After the boy had been bandaged and sent away with his father, Thea helped the doctor wash and put away the surgical instruments. Then she dropped into her accustomed seat beside his desk and began to talk about the tramp. Her eyes were hard and green with excitement, the doctor noticed.

"It seems to me, Dr. Archie, that the whole town's to blame. I'm to blame, myself. I know he saw me hold my nose when he went by. Father's to blame. If he believes the Bible, he ought to have gone to the calaboose and cleaned that man up and taken care of him. That's what I can't understand; do people believe the Bible, or don't they? If the next life is all that matters, and we're put here to get ready for it, then why do we try to make money, or learn things, or have a good time? There's not one person in Moonstone that really lives the way the New Testament says. Does it matter, or don't it?"

Dr. Archie swung round in his chair and looked at her, honestly and leniently. "Well, Thea, it seems to me like this. Every people has had its religion. All religions are good, and all are pretty much alike. But I don't see how we could live up to them in the sense you mean. I've thought about it a good deal, and I can't help feeling that while we are in this world we have to live for the best things of this world, and those things are material and positive. Now, most religions are passive, and they tell us chiefly what we should not do." The doctor moved restlessly, and his eyes hunted for something along the opposite wall: "See here, my girl, take out the years of early childhood and the time we spend in sleep and dull old age, and we only have about twenty able, waking years. That's not long enough to get acquainted with half the fine things that have been done in the world, much less to do anything ourselves. I think we ought to keep the Commandments and help other people all we can; but the main thing is to live those

twenty splendid years; to do all we can and enjoy all we can."

Dr. Archie met his little friend's searching gaze, the look of acute inquiry which always touched him.

"But poor fellows like that tramp—" she hesitated and wrinkled her forehead.

The doctor leaned forward and put his hand protectingly over hers, which lay clenched on the green felt desk-top. "Ugly accidents happen, Thea; always have and always will. But the failures are swept back into the pile and forgotten. They don't leave any lasting scar in the world, and they don't affect the future. The things that last are the good things. The people who forge ahead and do something, they really count." He saw tears on her cheeks, and he remembered that he had never seen her cry before, not even when she crushed her finger when she was little. He rose and walked to the window, came back and sat down on the edge of his chair.

"Forget the tramp, Thea. This is a great big world, and I want you to get about and see it all. You're going to Chicago some day, and do something with that fine voice of yours. You're going to be a number one musician and make us proud of you. Take Mary Anderson, now; even the tramps are proud of her. There isn't a tramp along the `Q' system who hasn't heard of her. We all like people who do things, even if we only see their faces on a cigar-box lid."

They had a long talk. Thea felt that Dr. Archie had never let himself out to her so much before. It was the most grown-up conversation she had ever had with him. She left his office happy, flattered and stimulated. She ran for a long while about the white, moonlit streets, looking up at the stars and the bluish night, at the quiet houses sunk in black shade, the glittering sand hills. She loved the familiar trees, and the people in those little houses, and she loved the unknown world beyond Denver. She felt as if she were being pulled in two, between the desire to go

away forever and the desire to stay forever. She had only twenty years—no time to lose.

Many a night that summer she left Dr. Archie's office with a desire to run and run about those quiet streets until she wore out her shoes, or wore out the streets themselves; when her chest ached and it seemed as if her heart were spreading all over the desert. When she went home, it was not to go to sleep. She used to drag her mattress beside her low window and lie awake for a long while, vibrating with excitement, as a machine vibrates from speed. Life rushed in upon her through that window—or so it seemed. In reality, of course, life rushes from within, not from without. There is no work of art so big or so beautiful that it was not once all contained in some youthful body, like this one which lay on the floor in the moonlight, pulsing with ardor and anticipation. It was on such nights that Thea Kronborg learned the thing that old Dumas meant when he told the Romanticists that to make a drama he needed but one passion and four walls.

19. XIX

It is well for its peace of mind that the traveling public takes railroads so much for granted. The only men who are incurably nervous about railway travel are the railroad operatives. A railroad man never forgets that the next run may be his turn.

On a single-track road, like that upon which Ray Kennedy worked, the freight trains make their way as best they can between passenger trains. Even when there is such a thing as a freight time-schedule, it is merely a form. Along the one track dozens of fast and slow trains dash in both directions, kept from collision only by the brains in the dispatcher's office. If one passenger train is late, the whole schedule must be revised in an instant; the trains following must be warned, and those moving toward the belated train must be assigned new meeting-places.

Between the shifts and modifications of the passenger schedule, the freight trains play a game of their own. They have no right to the track at any given time, but are supposed to be on it when it is free, and to make the best time they can between passenger trains. A freight train, on a single-track road, gets anywhere at all only by stealing bases.

Ray Kennedy had stuck to the freight service, although he had had opportunities to go into the passenger service at higher pay. He always regarded railroading as a temporary makeshift, until he "got into something," and he disliked the passenger service. No brass buttons for him, he said; too much like a livery. While he was railroading he would wear a jumper, thank you!

The wreck that "caught" Ray was a very commonplace one; nothing thrilling about it, and it got only six lines in

the Denver papers. It happened about daybreak one morning, only thirty-two miles from home.

At four o'clock in the morning Ray's train had stopped to take water at Saxony, having just rounded the long curve which lies south of that station. It was Joe Giddy's business to walk back along the curve about three hundred yards and put out torpedoes to warn any train which might be coming up from behind—a freight crew is not notified of trains following, and the brakeman is supposed to protect his train. Ray was so fussy about the punctilious observance of orders that almost any brakeman would take a chance once in a while, from natural perversity.

When the train stopped for water that morning, Ray was at the desk in his caboose, making out his report. Giddy took his torpedoes, swung off the rear platform, and glanced back at the curve. He decided that he would not go back to flag this time. If anything was coming up behind, he could hear it in plenty of time. So he ran forward to look after a hot journal that had been bothering him. In a general way, Giddy's reasoning was sound. If a freight train, or even a passenger train, had been coming up behind them, he could have heard it in time. But as it happened, a light engine, which made no noise at all, was coming,— ordered out to help with the freight that was piling up at the other end of the division. This engine got no warning, came round the curve, struck the caboose, went straight through it, and crashed into the heavy lumber car ahead.

The Kronborgs were just sitting down to breakfast, when the night telegraph operator dashed into the yard at a run and hammered on the front door. Gunner answered the knock, and the telegraph operator told him he wanted to see his father a minute, quick. Mr. Kronborg appeared at the door, napkin in hand. The operator was pale and panting.

"Fourteen was wrecked down at Saxony this morning,"

he shouted, "and Kennedy's all broke up. We're sending an engine down with the doctor, and the operator at Saxony says Kennedy wants you to come along with us and bring your girl." He stopped for breath.

Mr. Kronborg took off his glasses and began rubbing them with his napkin.

"Bring—I don't understand," he muttered. "How did this happen?"

"No time for that, sir. Getting the engine out now. Your girl, Thea. You'll surely do that for the poor chap. Everybody knows he thinks the world of her." Seeing that Mr. Kronborg showed no indication of having made up his mind, the operator turned to Gunner. "Call your sister, kid. I'm going to ask the girl herself," he blurted out.

"Yes, yes, certainly. Daughter," Mr. Kronborg called. He had somewhat recovered himself and reached to the hall hatrack for his hat.

Just as Thea came out on the front porch, before the operator had had time to explain to her, Dr. Archie's ponies came up to the gate at a brisk trot. Archie jumped out the moment his driver stopped the team and came up to the bewildered girl without so much as saying good-morning to any one. He took her hand with the sympathetic, reassuring graveness which had helped her at more than one hard time in her life. "Get your hat, my girl. Kennedy's hurt down the road, and he wants you to run down with me. They'll have a car for us. Get into my buggy, Mr. Kronborg. I'll drive you down, and Larry can come for the team."

The driver jumped out of the buggy and Mr. Kronborg and the doctor got in. Thea, still bewildered, sat on her father's knee. Dr. Archie gave his ponies a smart cut with the whip.

When they reached the depot, the engine, with one car attached, was standing on the main track. The engineer had got his steam up, and was leaning out of the cab impatiently.

In a moment they were off. The run to Saxony took forty minutes. Thea sat still in her seat while Dr. Archie and her father talked about the wreck. She took no part in the conversation and asked no questions, but occasionally she looked at Dr. Archie with a frightened, inquiring glance, which he answered by an encouraging nod. Neither he nor her father said anything about how badly Ray was hurt. When the engine stopped near Saxony, the main track was already cleared. As they got out of the car, Dr. Archie pointed to a pile of ties.

"Thea, you'd better sit down here and watch the wreck crew while your father and I go up and look Kennedy over. I'll come back for you when I get him fixed up."

The two men went off up the sand gulch, and Thea sat down and looked at the pile of splintered wood and twisted iron that had lately been Ray's caboose. She was frightened and absent-minded. She felt that she ought to be thinking about Ray, but her mind kept racing off to all sorts of trivial and irrelevant things. She wondered whether Grace Johnson would be furious when she came to take her music lesson and found nobody there to give it to her; whether she had forgotten to close the piano last night and whether Thor would get into the new room and mess the keys all up with his sticky fingers; whether Tillie would go upstairs and make her bed for her. Her mind worked fast, but she could fix it upon nothing. The grasshoppers, the lizards, distracted her attention and seemed more real to her than poor Ray.

On their way to the sand bank where Ray had been carried, Dr. Archie and Mr. Kronborg met the Saxony doctor. He shook hands with them.

"Nothing you can do, doctor. I couldn't count the fractures. His back's broken, too. He wouldn't be alive now if he weren't so confoundedly strong, poor chap. No use bothering him. I've given him morphia, one and a half, in eighths."

Dr. Archie hurried on. Ray was lying on a flat canvas litter, under the shelter of a shelving bank, lightly shaded by a slender cottonwood tree. When the doctor and the preacher approached, he looked at them intently.

"Didn't—" he closed his eyes to hide his bitter disappointment.

Dr. Archie knew what was the matter. "Thea's back there, Ray. I'll bring her as soon as I've had a look at you."

Ray looked up. "You might clean me up a trifle, doc. Won't need you for anything else, thank you all the same."

However little there was left of him, that little was certainly Ray Kennedy. His personality was as positive as ever, and the blood and dirt on his face seemed merely accidental, to have nothing to do with the man himself. Dr. Archie told Mr. Kronborg to bring a pail of water, and he began to sponge Ray's face and neck. Mr. Kronborg stood by, nervously rubbing his hands together and trying to think of something to say. Serious situations always embarrassed him and made him formal, even when he felt real sympathy.

"In times like this, Ray," he brought out at last, crumpling up his handkerchief in his long fingers,—"in times like this, we don't want to forget the Friend that sticketh closer than a brother."

Ray looked up at him; a lonely, disconsolate smile played over his mouth and his square cheeks. "Never mind about all that, padre," he said quietly. "Christ and me fell out long ago."

There was a moment of silence. Then Ray took pity on Mr. Kronborg's embarrassment. "You go back for the little girl, padre. I want a word with the doc in private."

Ray talked to Dr. Archie for a few moments, then stopped suddenly, with a broad smile. Over the doctor's shoulder he saw Thea coming up the gulch, in her pink chambray dress, carrying her sun-hat by the strings. Such a yellow head! He often told himself that he "was perfectly

foolish about her hair." The sight of her, coming, went through him softly, like the morphia. "There she is," he whispered. "Get the old preacher out of the way, doc. I want to have a little talk with her."

Dr. Archie looked up. Thea was hurrying and yet hanging back. She was more frightened than he had thought she would be. She had gone with him to see very sick people and had always been steady and calm. As she came up, she looked at the ground, and he could see that she had been crying.

Ray Kennedy made an unsuccessful effort to put out his hand. "Hello, little kid, nothing to be afraid of. Darned if I don't believe they've gone and scared you! Nothing to cry about. I'm the same old goods, only a little dented. Sit down on my coat there, and keep me company. I've got to lay still a bit."

Dr. Archie and Mr. Kronborg disappeared. Thea cast a timid glance after them, but she sat down resolutely and took Ray's hand.

"You ain't scared now, are you?" he asked affectionately. "You were a regular brick to come, Thee. Did you get any breakfast?"

"No, Ray, I'm not scared. Only I'm dreadful sorry you're hurt, and I can't help crying."

His broad, earnest face, languid from the opium and smiling with such simple happiness, reassured her. She drew nearer to him and lifted his hand to her knee. He looked at her with his clear, shallow blue eyes. How he loved everything about that face and head! How many nights in his cupola, looking up the track, he had seen that face in the darkness; through the sleet and snow, or in the soft blue air when the moonlight slept on the desert.

"You needn't bother to talk, Thee. The doctor's medicine makes me sort of dopey. But it's nice to have company. Kind of cozy, don't you think? Pull my coat under you more. It's a darned shame I can't wait on you."

"No, no, Ray. I'm all right. Yes, I like it here. And I guess you ought not to talk much, ought you? If you can sleep, I'll stay right here, and be awful quiet. I feel just as much at home with you as ever, now."

That simple, humble, faithful something in Ray's eyes went straight to Thea's heart. She did feel comfortable with him, and happy to give him so much happiness. It was the first time she had ever been conscious of that power to bestow intense happiness by simply being near any one. She always remembered this day as the beginning of that knowledge. She bent over him and put her lips softly to his cheek.

Ray's eyes filled with light. "Oh, do that again, kid!" he said impulsively. Thea kissed him on the forehead, blushing faintly. Ray held her hand fast and closed his eyes with a deep sigh of happiness. The morphia and the sense of her nearness filled him with content. The gold mine, the oil well, the copper ledge—all pipe dreams, he mused, and this was a dream, too. He might have known it before. It had always been like that; the things he admired had always been away out of his reach: a college education, a gentleman's manner, an Englishman's accent—things over his head. And Thea was farther out of his reach than all the rest put together. He had been a fool to imagine it, but he was glad he had been a fool. She had given him one grand dream. Every mile of his run, from Moonstone to Denver, was painted with the colors of that hope. Every cactus knew about it. But now that it was not to be, he knew the truth. Thea was never meant for any rough fellow like him—hadn't he really known that all along, he asked himself? She wasn't meant for common men. She was like wedding cake, a thing to dream on. He raised his eyelids a little. She was stroking his hand and looking off into the distance. He felt in her face that look of unconscious power that Wunsch had seen there. Yes, she was bound for the big terminals of the world; no way stations for her. His

lids drooped. In the dark he could see her as she would be after a while; in a box at the Tabor Grand in Denver, with diamonds on her neck and a tiara in her yellow hair, with all the people looking at her through their opera-glasses, and a United States Senator, maybe, talking to her. "Then you'll remember me!" He opened his eyes, and they were full of tears.

Thea leaned closer. "What did you say, Ray? I couldn't hear."

"Then you'll remember me," he whispered.

The spark in his eye, which is one's very self, caught the spark in hers that was herself, and for a moment they looked into each other's natures. Thea realized how good and how great-hearted he was, and he realized about her many things. When that elusive spark of personality retreated in each of them, Thea still saw in his wet eyes her own face, very small, but much prettier than the cracked glass at home had ever shown it. It was the first time she had seen her face in that kindest mirror a woman can ever find.

Ray had felt things in that moment when he seemed to be looking into the very soul of Thea Kronborg. Yes, the gold mine, the oil well, the copper ledge, they'd all got away from him, as things will; but he'd backed a winner once in his life! With all his might he gave his faith to the broad little hand he held. He wished he could leave her the rugged strength of his body to help her through with it all. He would have liked to tell her a little about his old dream,—there seemed long years between him and it already,—but to tell her now would somehow be unfair; wouldn't be quite the straightest thing in the world. Probably she knew, anyway. He looked up quickly. "You know, don't you, Thee, that I think you are just the finest thing I've struck in this world?"

The tears ran down Thea's cheeks. "You're too good to me, Ray. You're a lot too good to me," she faltered.

"Why, kid," he murmured, "everybody in this world's going to be good to you!"

Dr. Archie came to the gulch and stood over his patient. "How's it going?"

"Can't you give me another punch with your pacifier, doc? The little girl had better run along now." Ray released Thea's hand. "See you later, Thee."

She got up and moved away aimlessly, carrying her hat by the strings. Ray looked after her with the exaltation born of bodily pain and said between his teeth, "Always look after that girl, doc. She's a queen!"

Thea and her father went back to Moonstone on the one-o'clock passenger. Dr. Archie stayed with Ray Kennedy until he died, late in the afternoon.

20. XX

On Monday morning, the day after Ray Kennedy's funeral, Dr. Archie called at Mr. Kronborg's study, a little room behind the church. Mr. Kronborg did not write out his sermons, but spoke from notes jotted upon small pieces of cardboard in a kind of shorthand of his own. As sermons go, they were not worse than most. His conventional rhetoric pleased the majority of his congregation, and Mr. Kronborg was generally regarded as a model preacher. He did not smoke, he never touched spirits. His indulgence in the pleasures of the table was an endearing bond between him and the women of his congregation. He ate enormously, with a zest which seemed incongruous with his spare frame.

This morning the doctor found him opening his mail and reading a pile of advertising circulars with deep attention.

"Good-morning, Mr. Kronborg," said Dr. Archie, sitting down. "I came to see you on business. Poor Kennedy asked me to look after his affairs for him. Like most railroad men he spent his wages, except for a few investments in mines which don't look to me very promising. But his life was insured for six hundred dollars in Thea's favor."

Mr. Kronborg wound his feet about the standard of his desk-chair. "I assure you, doctor, this is a complete surprise to me."

"Well, it's not very surprising to me," Dr. Archie went on. "He talked to me about it the day he was hurt. He said he wanted the money to be used in a particular way, and in no other." Dr. Archie paused meaningly.

Mr. Kronborg fidgeted. "I am sure Thea would observe his wishes in every respect."

"No doubt; but he wanted me to see that you agreed to his plan. It seems that for some time Thea has wanted to go away to study music. It was Kennedy's wish that she should take this money and go to Chicago this winter. He felt that it would be an advantage to her in a business way: that even if she came back here to teach, it would give her more authority and make her position here more comfortable."

Mr. Kronborg looked a little startled. "She is very young," he hesitated; "she is barely seventeen. Chicago is a long way from home. We would have to consider. I think, Dr. Archie, we had better consult Mrs. Kronborg."

"I think I can bring Mrs. Kronborg around, if I have your consent. I've always found her pretty level-headed. I have several old classmates practicing in Chicago. One is a throat specialist. He has a good deal to do with singers. He probably knows the best piano teachers and could recommend a boarding-house where music students stay. I think Thea needs to get among a lot of young people who are clever like herself. Here she has no companions but old fellows like me. It's not a natural life for a young girl. She'll either get warped, or wither up before her time. If it will make you and Mrs. Kronborg feel any easier, I'll be glad to take Thea to Chicago and see that she gets started right. This throat man I speak of is a big fellow in his line, and if I can get him interested, he may be able to put her in the way of a good many things. At any rate, he'll know the right teachers. Of course, six hundred dollars won't take her very far, but even half the winter there would be a great advantage. I think Kennedy sized the situation up exactly."

"Perhaps; I don't doubt it. You are very kind, Dr. Archie." Mr. Kronborg was ornamenting his desk-blotter with hieroglyphics. "I should think Denver might be better. There we could watch over her. She is very young."

Dr. Archie rose. "Kennedy didn't mention Denver.

He said Chicago, repeatedly. Under the circumstances, it seems to me we ought to try to carry out his wishes exactly, if Thea is willing."

"Certainly, certainly. Thea is conscientious. She would not waste her opportunities." Mr. Kronborg paused. "If Thea were your own daughter, doctor, would you consent to such a plan, at her present age?"

"I most certainly should. In fact, if she were my daughter, I'd have sent her away before this. She's a most unusual child, and she's only wasting herself here. At her age she ought to be learning, not teaching. She'll never learn so quickly and easily as she will right now."

"Well, doctor, you had better talk it over with Mrs. Kronborg. I make it a point to defer to her wishes in such matters. She understands all her children perfectly. I may say that she has all a mother's insight, and more."

Dr. Archie smiled. "Yes, and then some. I feel quite confident about Mrs. Kronborg. We usually agree. Good-morning."

Dr. Archie stepped out into the hot sunshine and walked rapidly toward his office, with a determined look on his face. He found his waiting-room full of patients, and it was one o'clock before he had dismissed the last one. Then he shut his door and took a drink before going over to the hotel for his lunch. He smiled as he locked his cupboard. "I feel almost as gay as if I were going to get away for a winter myself," he thought.

Afterward Thea could never remember much about that summer, or how she lived through her impatience. She was to set off with Dr. Archie on the fifteenth of October, and she gave lessons until the first of September. Then she began to get her clothes ready, and spent whole after-noons in the village dressmaker's stuffy, littered little sewing-room. Thea and her mother made a trip to Denver to buy the materials for her dresses. Ready-made clothes for

girls were not to be had in those days. Miss Spencer, the dressmaker, declared that she could do handsomely by Thea if they would only let her carry out her own ideas. But Mrs. Kronborg and Thea felt that Miss Spencer's most daring productions might seem out of place in Chicago, so they restrained her with a firm hand. Tillie, who always helped Mrs. Kronborg with the family sewing, was for letting Miss Spencer challenge Chicago on Thea's person. Since Ray Kennedy's death, Thea had become more than ever one of Tillie's heroines. Tillie swore each of her friends to secrecy, and, coming home from church or leaning over the fence, told them the most touching stories about Ray's devotion, and how Thea would "never get over it."

Tillie's confidences stimulated the general discussion of Thea's venture. This discussion went on, upon front porches and in back yards, pretty much all summer. Some people approved of Thea's going to Chicago, but most people did not. There were others who changed their minds about it every day.

Tillie said she wanted Thea to have a ball dress "above all things." She bought a fashion book especially devoted to evening clothes and looked hungrily over the colored plates, picking out costumes that would be becoming to "a blonde." She wanted Thea to have all the gay clothes she herself had always longed for; clothes she often told herself she needed "to recite in."

"Tillie," Thea used to cry impatiently, "can't you see that if Miss Spencer tried to make one of those things, she'd make me look like a circus girl? Anyhow, I don't know anybody in Chicago. I won't be going to parties."

Tillie always replied with a knowing toss of her head, "You see! You'll be in society before you know it. There ain't many girls as accomplished as you."

On the morning of the fifteenth of October the Kronborg family, all of them but Gus, who couldn't leave the store, started for the station an hour before train time. Charley

had taken Thea's trunk and telescope to the depot in his delivery wagon early that morning. Thea wore her new blue serge traveling-dress, chosen for its serviceable qualities. She had done her hair up carefully, and had put a pale-blue ribbon around her throat, under a little lace collar that Mrs. Kohler had crocheted for her. As they went out of the gate, Mrs. Kronborg looked her over thoughtfully. Yes, that blue ribbon went very well with the dress, and with Thea's eyes. Thea had a rather unusual touch about such things, she reflected comfortably. Tillie always said that Thea was "so indifferent to dress," but her mother noticed that she usually put her clothes on well. She felt the more at ease about letting Thea go away from home, because she had good sense about her clothes and never tried to dress up too much. Her coloring was so individual, she was so unusually fair, that in the wrong clothes she might easily have been "conspicuous."

It was a fine morning, and the family set out from the house in good spirits. Thea was quiet and calm. She had forgotten nothing, and she clung tightly to her handbag, which held her trunk-key and all of her money that was not in an envelope pinned to her chemise. Thea walked behind the others, holding Thor by the hand, and this time she did not feel that the procession was too long. Thor was uncommunicative that morning, and would only talk about how he would rather get a sand bur in his toe every day than wear shoes and stockings. As they passed the cottonwood grove where Thea often used to bring him in his cart, she asked him who would take him for nice long walks after sister went away.

"Oh, I can walk in our yard," he replied unappreciatively. "I guess I can make a pond for my duck."

Thea leaned down and looked into his face. "But you won't forget about sister, will you?" Thor shook his head. "And won't you be glad when sister comes back and can take you over to Mrs. Kohler's to see the pigeons?"

"Yes, I'll be glad. But I'm going to have a pigeon my own self."

"But you haven't got any little house for one. Maybe Axel would make you a little house."

"Oh, her can live in the barn, her can," Thor drawled indifferently.

Thea laughed and squeezed his hand. She always liked his sturdy matter-of-factness. Boys ought to be like that, she thought.

When they reached the depot, Mr. Kronborg paced the platform somewhat ceremoniously with his daughter. Any member of his flock would have gathered that he was giving her good counsel about meeting the temptations of the world. He did, indeed, begin to admonish her not to forget that talents come from our Heavenly Father and are to be used for his glory, but he cut his remarks short and looked at his watch. He believed that Thea was a religious girl, but when she looked at him with that intent, that passionately inquiring gaze which used to move even Wunsch, Mr. Kronborg suddenly felt his eloquence fail. Thea was like her mother, he reflected; you couldn't put much sentiment across with her. As a usual thing, he liked girls to be a little more responsive. He liked them to blush at his compliments; as Mrs. Kronborg candidly said, "Father could be very soft with the girls." But this morning he was thinking that hard-headedness was a reassuring quality in a daughter who was going to Chicago alone.

Mr. Kronborg believed that big cities were places where people went to lose their identity and to be wicked. He himself, when he was a student at the Seminary—he coughed and opened his watch again. He knew, of course, that a great deal of business went on in Chicago, that there was an active Board of Trade, and that hogs and cattle were slaughtered there. But when, as a young man, he had stopped over in Chicago, he had not interested himself in the commercial activities of the city. He remembered it as

a place full of cheap shows and dance halls and boys from the country who were behaving disgustingly.

Dr. Archie drove up to the station about ten minutes before the train was due. His man tied the ponies and stood holding the doctor's alligator-skin bag—very elegant, Thea thought it. Mrs. Kronborg did not burden the doctor with warnings and cautions. She said again that she hoped he could get Thea a comfortable place to stay, where they had good beds, and she hoped the landlady would be a woman who'd had children of her own. "I don't go much on old maids looking after girls," she remarked as she took a pin out of her own hat and thrust it into Thea's blue turban. "You'll be sure to lose your hatpins on the train, Thea. It's better to have an extra one in case." She tucked in a little curl that had escaped from Thea's careful twist. "Don't forget to brush your dress often, and pin it up to the curtains of your berth to-night, so it won't wrinkle. If you get it wet, have a tailor press it before it draws."

She turned Thea about by the shoulders and looked her over a last time. Yes, she looked very well. She wasn't pretty, exactly,—her face was too broad and her nose was too big. But she had that lovely skin, and she looked fresh and sweet. She had always been a sweet-smelling child. Her mother had always liked to kiss her, when she happened to think of it.

The train whistled in, and Mr. Kronborg carried the canvas "telescope" into the car. Thea kissed them all good-bye. Tillie cried, but she was the only one who did. They all shouted things up at the closed window of the Pullman car, from which Thea looked down at them as from a frame, her face glowing with excitement, her turban a little tilted in spite of three hatpins. She had already taken off her new gloves to save them. Mrs. Kronborg reflected that she would never see just that same picture again, and as Thea's car slid off along the rails, she wiped a tear from her eye. "She won't come back a little girl,"

Mrs. Kronborg said to her husband as they turned to go home. "Anyhow, she's been a sweet one."

While the Kronborg family were trooping slowly homeward, Thea was sitting in the Pullman, her telescope in the seat beside her, her handbag tightly gripped in her fingers. Dr. Archie had gone into the smoker. He thought she might be a little tearful, and that it would be kinder to leave her alone for a while. Her eyes did fill once, when she saw the last of the sand hills and realized that she was going to leave them behind for a long while. They always made her think of Ray, too. She had had such good times with him out there.

But, of course, it was herself and her own adventure that mattered to her. If youth did not matter so much to itself, it would never have the heart to go on. Thea was surprised that she did not feel a deeper sense of loss at leaving her old life behind her. It seemed, on the contrary, as she looked out at the yellow desert speeding by, that she had left very little. Everything that was essential seemed to be right there in the car with her. She lacked nothing. She even felt more compact and confident than usual. She was all there, and something else was there, too,—in her heart, was it, or under her cheek? Anyhow, it was about her somewhere, that warm sureness, that sturdy little companion with whom she shared a secret.

When Dr. Archie came in from the smoker, she was sitting still, looking intently out of the window and smiling, her lips a little parted, her hair in a blaze of sunshine. The doctor thought she was the prettiest thing he had ever seen, and very funny, with her telescope and big handbag. She made him feel jolly, and a little mournful, too. He knew that the splendid things of life are few, after all, and so very easy to miss.