University of Virginia Library

5. PART V
DR. ARCHIE'S VENTURE

1. I

DR. HOWARD ARCHIE had come down to Denver for a meeting of the stockholders in the San Felipe silver mine. It was not absolutely necessary for him to come, but he had no very pressing cases at home. Winter was closing down in Moonstone, and he dreaded the dullness of it. On the 10th day of January, therefore, he was registered at the Brown Palace Hotel. On the morning of the 11th he came down to breakfast to find the streets white and the air thick with snow. A wild northwester was blowing down from the mountains, one of those beautiful storms that wrap Denver in dry, furry snow, and make the city a loadstone to thousands of men in the mountains and on the plains. The brakemen out on their box-cars, the miners up in their diggings, the lonely homesteaders in the sand hills of Yucca and Kit Carson Counties, begin to think of Denver, muffled in snow, full of food and drink and good cheer, and to yearn for her with that admiration which makes her, more than other American cities, an object of sentiment.

Howard Archie was glad he had got in before the storm came. He felt as cheerful as if he had received a legacy that morning, and he greeted the clerk with even greater friendliness than usual when he stopped at the desk for his mail. In the dining-room he found several old friends seated here and there before substantial breakfasts: cattle-men and mining engineers from odd corners of the State, all looking fresh and well pleased with themselves. He had

a word with one and another before he sat down at the little table by a window, where the Austrian head waiter stood attentively behind a chair. After his breakfast was put before him, the doctor began to run over his letters. There was one directed in Thea Kronborg's handwriting, forwarded from Moonstone. He saw with astonishment, as he put another lump of sugar into his cup, that this letter bore a New York postmark. He had known that Thea was in Mexico, traveling with some Chicago people, but New York, to a Denver man, seems much farther away than Mexico City. He put the letter behind his plate, upright against the stem of his water goblet, and looked at it thoughtfully while he drank his second cup of coffee. He had been a little anxious about Thea; she had not written to him for a long while.

As he never got good coffee at home, the doctor always drank three cups for breakfast when he was in Denver. Oscar knew just when to bring him a second pot, fresh and smoking. "And more cream, Oscar, please. You know I like lots of cream," the doctor murmured, as he opened the square envelope, marked in the upper right-hand corner, "Everett House, Union Square." The text of the letter was as follows:—

This in a bold, jagged handwriting with a Gothic turn to the letters,—something between a highly sophisticated hand and a very unsophisticated one,—not in the least smooth or flowing.

The doctor bit off the end of a cigar nervously and read the letter through again, fumbling distractedly in his pockets for matches, while the waiter kept trying to call his attention to the box he had just placed before him. At last Oscar came out, as if the idea had just struck him, "Matches, sir?"

"Yes, thank you." The doctor slipped a coin into his palm and rose, crumpling Thea's letter in his hand and thrusting the others into his pocket unopened. He went back to the desk in the lobby and beckoned to the clerk, upon whose kindness he threw himself apologetically.

"Harry, I've got to pull out unexpectedly. Call up the Burlington, will you, and ask them to route me to New York the quickest way, and to let us know. Ask for the hour I'll get in. I have to wire."

"Certainly, Dr. Archie. Have it for you in a minute." The young man's pallid, clean-scraped face was all sympathetic interest as he reached for the telephone. Dr. Archie put out his hand and stopped him.

"Wait a minute. Tell me, first, is Captain Harris down yet?"

"No, sir. The Captain hasn't come down yet this morning."

"I'll wait here for him. If I don't happen to catch him, nail him and get me. Thank you, Harry."

The doctor spoke gratefully and turned away. He began

to pace the lobby, his hands behind him, watching the bronze elevator doors like a hawk. At last Captain Harris issued from one of them, tall and imposing, wearing a Stetson and fierce mustaches, a fur coat on his arm, a solitaire glittering upon his little finger and another in his black satin ascot. He was one of the grand old bluffers of those good old days. As gullible as a schoolboy, he had managed, with his sharp eye and knowing air and twisted blond mustaches, to pass himself off for an astute financier, and the Denver papers respectfully referred to him as the Rothschild of Cripple Creek.

Dr. Archie stopped the Captain on his way to breakfast. "Must see you a minute, Captain. Can't wait. Want to sell you some shares in the San Felipe. Got to raise money."

The Captain grandly bestowed his hat upon an eager porter who had already lifted his fur coat tenderly from his arm and stood nursing it. In removing his hat, the Captain exposed a bald, flushed dome, thatched about the ears with yellowish gray hair. "Bad time to sell, doctor. You want to hold on to San Felipe, and buy more. What have you got to raise?"

"Oh, not a great sum. Five or six thousand. I've been buying up close and have run short."

"I see, I see. Well, doctor, you'll have to let me get through that door. I was out last night, and I'm going to get my bacon, if you lose your mine." He clapped Archie on the shoulder and pushed him along in front of him. "Come ahead with me, and we'll talk business."

Dr. Archie attended the Captain and waited while he gave his order, taking the seat the old promoter indicated.

"Now, sir," the Captain turned to him, "you don't want to sell anything. You must be under the impression that I'm one of these damned New England sharks that get their pound of flesh off the widow and orphan. If you're a

little short, sign a note and I'll write a check. That's the way gentlemen do business. If you want to put up some San Felipe as collateral, let her go, but I shan't touch a share of it. Pens and ink, please, Oscar,"—he lifted a large forefinger to the Austrian.

The Captain took out his checkbook and a book of blank notes, and adjusted his nose-nippers. He wrote a few words in one book and Archie wrote a few in the other. Then they each tore across perforations and exchanged slips of paper.

"That's the way. Saves office rent," the Captain commented with satisfaction, returning the books to his pocket. "And now, Archie, where are you off to?"

"Got to go East to-night. A deal waiting for me in New York." Dr. Archie rose.

The Captain's face brightened as he saw Oscar approaching with a tray, and he began tucking the corner of his napkin inside his collar, over his ascot. "Don't let them unload anything on you back there, doctor," he said genially, "and don't let them relieve you of anything, either. Don't let them get any Cripple stuff off you. We can manage our own silver out here, and we're going to take it out by the ton, sir!"

The doctor left the dining-room, and after another consultation with the clerk, he wrote his first telegram to Thea:—

Miss Thea Kronborg,

Everett House, New York.

Will call at your hotel eleven o'clock Friday morning. Glad to come. Thank you.

ARCHIE

He stood and heard the message actually clicked off on the wire, with the feeling that she was hearing the click at the other end. Then he sat down in the lobby and wrote a

note to his wife and one to the other doctor in Moonstone. When he at last issued out into the storm, it was with a feeling of elation rather than of anxiety. Whatever was wrong, he could make it right. Her letter had practically said so.

He tramped about the snowy streets, from the bank to the Union Station, where he shoved his money under the grating of the ticket window as if he could not get rid of it fast enough. He had never been in New York, never been farther east than Buffalo. "That's rather a shame," he reflected boyishly as he put the long tickets in his pocket, "for a man nearly forty years old." However, he thought as he walked up toward the club, he was on the whole glad that his first trip had a human interest, that he was going for something, and because he was wanted. He loved holidays. He felt as if he were going to Germany himself. "Queer,"—he went over it with the snow blowing in his face,—"but that sort of thing is more interesting than mines and making your daily bread. It's worth paying out to be in on it,—for a fellow like me. And when it's Thea — Oh, I back her!" he laughed aloud as he burst in at the door of the Athletic Club, powdered with snow.

Archie sat down before the New York papers and ran over the advertisements of hotels, but he was too restless to read. Probably he had better get a new overcoat, and he was not sure about the shape of his collars. "I don't want to look different to her from everybody else there," he mused. "I guess I'll go down and have Van look me over. He'll put me right."

So he plunged out into the snow again and started for his tailor's. When he passed a florist's shop he stopped and looked in at the window, smiling; how naturally pleasant things recalled one another. At the tailor's he kept whistling, "Flow gently, Sweet Afton," while Van Dusen advised him, until that resourceful tailor and haberdasher exclaimed, "You must have a date back there, doctor; you

behave like a bridegroom," and made him remember that he wasn't one.

Before he let him go, Van put his finger on the Masonic pin in his client's lapel. "Mustn't wear that, doctor. Very bad form back there."

2. II

FRED OTTENBURG, smartly dressed for the after-noon, with a long black coat and gaiters was sitting in the dusty parlor of the Everett House. His manner was not in accord with his personal freshness, the good lines of his clothes, and the shining smoothness of his hair. His attitude was one of deep dejection, and his face, though it had the cool, unimpeachable fairness possible only to a very blond young man, was by no means happy. A page shuffled into the room and looked about. When he made out the dark figure in a shadowy corner, tracing over the carpet pattern with a cane, he droned, "The lady says you can come up, sir."

Fred picked up his hat and gloves and followed the creature, who seemed an aged boy in uniform, through dark corridors that smelled of old carpets. The page knocked at the door of Thea's sitting-room, and then wandered away. Thea came to the door with a telegram in her hand. She asked Ottenburg to come in and pointed to one of the clumsy, sullen-looking chairs that were as thick as they were high. The room was brown with time, dark in spite of two windows that opened on Union Square, with dull curtains and carpet, and heavy, respectable-looking furniture in somber colors. The place was saved from utter dismalness by a coal fire under the black marble mantelpiece, —brilliantly reflected in a long mirror that hung between the two windows. This was the first time Fred had seen the room, and he took it in quickly, as he put down his hat and gloves.

Thea seated herself at the walnut writing-desk, still holding the slip of yellow paper. "Dr. Archie is coming," she said. "He will be here Friday morning."

"Well, that's good, at any rate," her visitor replied with a determined effort at cheerfulness. Then, turning to the fire, he added blankly, "If you want him."

"Of course I want him. I would never have asked such a thing of him if I hadn't wanted him a great deal. It's a very expensive trip." Thea spoke severely. Then she went on, in a milder tone. "He doesn't say anything about the money, but I think his coming means that he can let me have it."

Fred was standing before the mantel, rubbing his hands together nervously. "Probably. You are still determined to call on him?" He sat down tentatively in the chair Thea had indicated. "I don't see why you won't borrow from me, and let him sign with you, for instance. That would constitute a perfectly regular business transaction. I could bring suit against either of you for my money."

Thea turned toward him from the desk. "We won't take that up again, Fred. I should have a different feeling about it if I went on your money. In a way I shall feel freer on Dr. Archie's, and in another way I shall feel more bound. I shall try even harder." She paused. "He is almost like my father," she added irrelevantly.

"Still, he isn't, you know," Fred persisted. "It would n't be anything new. I've loaned money to students before, and got it back, too."

"Yes; I know you're generous," Thea hurried over it, "but this will be the best way. He will be here on Friday did I tell you?"

"I think you mentioned it. That's rather soon. May I smoke?" he took out a small cigarette case. "I suppose you'll be off next week?" he asked as he struck a match.

"Just as soon as I can," she replied with a restless movement of her arms, as if her dark-blue dress were too tight for her. "It seems as if I'd been here forever."

"And yet," the young man mused, "we got in only four

days ago. Facts really don't count for much, do they? It's all in the way people feel: even in little things."

Thea winced, but she did not answer him. She put the telegram back in its envelope and placed it carefully in one of the pigeonholes of the desk.

"I suppose," Fred brought out with effort, "that your friend is in your confidence?"

"He always has been. I shall have to tell him about myself. I wish I could without dragging you in."

Fred shook himself. "Don't bother about where you drag me, please," he put in, flushing. "I don't give—" he subsided suddenly.

"I'm afraid," Thea went on gravely, "that he won't understand. He'll be hard on you."

Fred studied the white ash of his cigarette before he flicked it off. "You mean he'll see me as even worse than I am. Yes, I suppose I shall look very low to him: a fifth-rate scoundrel. But that only matters in so far as it hurts his feelings."

Thea sighed. "We'll both look pretty low. And after all, we must really be just about as we shall look to him."

Ottenburg started up and threw his cigarette into the grate. "That I deny. Have you ever been really frank with this preceptor of your childhood, even when you were a child? Think a minute, have you? Of course not! From your cradle, as I once told you, you've been `doing it' on the side, living your own life, admitting to yourself things that would horrify him. You've always deceived him to the extent of letting him think you different from what you are. He couldn't understand then, he can't understand now. So why not spare yourself and him?"

She shook her head. "Of course, I've had my own thoughts. Maybe he has had his, too. But I've never done anything before that he would much mind. I must put myself right with him,—as right as I can,—to begin

over. He'll make allowances for me. He always has. But I'm afraid he won't for you."

"Leave that to him and me. I take it you want me to see him?" Fred sat down again and began absently to trace the carpet pattern with his cane. "At the worst," he spoke wanderingly, "I thought you'd perhaps let me go in on the business end of it and invest along with you. You'd put in your talent and ambition and hard work, and I'd put in the money and—well, nobody's good wishes are to be scorned, not even mine. Then, when the thing panned out big, we could share together. Your doctor friend hasn't cared half so much about your future as I have."

"He's cared a good deal. He doesn't know as much about such things as you do. Of course you've been a great deal more help to me than any one else ever has," Thea said quietly. The black clock on the mantel began to strike. She listened to the five strokes and then said, "I'd have liked your helping me eight months ago. But now, you'd simply be keeping me."

"You weren't ready for it eight months ago." Fred leaned back at last in his chair. "You simply weren't ready for it. You were too tired. You were too timid. Your whole tone was too low. You couldn't rise from a chair like that,"—she had started up apprehensively and gone toward the window.— "You were fumbling and awkward. Since then you've come into your personality. You were always locking horns with it before. You were a sullen little drudge eight months ago, afraid of being caught at either looking or moving like yourself. Nobody could tell anything about you. A voice is not an instrument that's found ready-made. A voice is personality. It can be as big as a circus and as common as dirt.— There's good money in that kind, too, but I don't happen to be interested in them.— Nobody could tell much about what you might be able to do, last winter. I divined more than anybody else."

"Yes, I know you did." Thea walked over to the old-fashioned mantel and held her hands down to the glow of the fire. "I owe so much to you, and that's what makes things hard. That's why I have to get away from you altogether. I depend on you for so many things. Oh, I did even last winter, in Chicago!" She knelt down by the grate and held her hands closer to the coals. "And one thing leads to another."

Ottenburg watched her as she bent toward the fire. His glance brightened a little. "Anyhow, you couldn't look as you do now, before you knew me. You were clumsy. And whatever you do now, you do splendidly. And you can't cry enough to spoil your face for more than ten minutes. It comes right back, in spite of you. It's only since you've known me that you've let yourself be beautiful."

Without rising she turned her face away. Fred went on impetuously. "Oh, you can turn it away from me, Thea; you can take it away from me! All the same—" his spurt died and he fell back. "How can you turn on me so, after all!" he sighed.

"I haven't. But when you arranged with yourself to take me in like that, you couldn't have been thinking very kindly of me. I can't understand how you carried it through, when I was so easy, and all the circumstances were so easy."

Her crouching position by the fire became threatening. Fred got up, and Thea also rose.

"No," he said, "I can't make you see that now. Some time later, perhaps, you will understand better. For one thing, I honestly could not imagine that words, names, meant so much to you." Fred was talking with the desperation of a man who has put himself in the wrong and who yet feels that there was an idea of truth in his conduct. "Suppose that you had married your brakeman and lived with him year after year, caring for him even less than you do for your doctor, or for Harsanyi. I suppose you would

have felt quite all right about it, because that relation has a name in good standing. To me, that seems—sickening!" He took a rapid turn about the room and then as Thea remained standing, he rolled one of the elephantine chairs up to the hearth for her.

"Sit down and listen to me for a moment, Thea." He began pacing from the hearthrug to the window and back again, while she sat down compliantly. "Don't you know most of the people in the world are not individuals at all? They never have an individual idea or experience. A lot of girls go to boarding-school together, come out the same season, dance at the same parties, are married off in groups, have their babies at about the same time, send their children to school together, and so the human crop renews itself. Such women know as much about the reality of the forms they go through as they know about the wars they learn the dates of. They get their most personal experiences out of novels and plays. Everything is second-hand with them. Why, you couldn't live like that."

Thea sat looking toward the mantel, her eyes half closed, her chin level, her head set as if she were enduring something. Her hands, very white, lay passive on her dark gown. From the window corner Fred looked at them and at her. He shook his head and flashed an angry, tormented look out into the blue twilight over the Square, through which muffled cries and calls and the clang of car bells came up from the street. He turned again and began to pace the floor, his hands in his pockets.

"Say what you will, Thea Kronborg, you are not that sort of person. You will never sit alone with a pacifier and a novel. You won't subsist on what the old ladies have put into the bottle for you. You will always break through into the realities. That was the first thing Harsanyi found out about you; that you couldn't be kept on the outside. If you'd lived in Moonstone all your life and got on with the discreet brakeman, you'd have had just the same

nature. Your children would have been the realities then, probably. If they'd been commonplace, you'd have killed them with driving. You'd have managed some way to live twenty times as much as the people around you."

Fred paused. He sought along the shadowy ceiling and heavy mouldings for words. When he began again, his voice was lower, and at first he spoke with less conviction, though again it grew on him. "Now I knew all this—oh, knew it better than I can ever make you understand! You've been running a handicap. You had no time to lose. I wanted you to have what you need and to get on fast— get through with me, if need be; I counted on that. You've no time to sit round and analyze your conduct or your feelings. Other women give their whole lives to it. They've nothing else to do. Helping a man to get his divorce is a career for them; just the sort of intellectual exercise they like."

Fred dived fiercely into his pockets as if he would rip them out and scatter their contents to the winds. Stopping before her, he took a deep breath and went on again, this time slowly. "All that sort of thing is foreign to you. You'd be nowhere at it. You haven't that kind of mind. The grammatical niceties of conduct are dark to you. You're simple—and poetic." Fred's voice seemed to be wandering about in the thickening dusk. "You won't play much. You won't, perhaps, love many times." He paused. "And you did love me, you know. Your railroad friend would have understood me. I could have thrown you back. The reverse was there,—it stared me in the face,— but I couldn't pull it. I let you drive ahead." He threw out his hands. What Thea noticed, oddly enough, was the flash of the firelight on his cuff link. He turned again. "And you'll always drive ahead," he muttered. "It's your way."

There was a long silence. Fred had dropped into a chair. He seemed, after such an explosion, not to have a word

left in him. Thea put her hand to the back of her neck and pressed it, as if the muscles there were aching.

"Well," she said at last, "I at least overlook more in you than I do in myself. I am always excusing you to myself. I don't do much else."

"Then why, in Heaven's name, won't you let me be your friend? You make a scoundrel of me, borrowing money from another man to get out of my clutches."

"If I borrow from him, it's to study. Anything I took from you would be different. As I said before, you'd be keeping me."

"Keeping! I like your language. It's pure Moonstone, Thea,—like your point of view. I wonder how long you'll be a Methodist." He turned away bitterly.

"Well, I've never said I wasn't Moonstone, have I? I am, and that's why I want Dr. Archie. I can't see anything so funny about Moonstone, you know." She pushed her chair back a little from the hearth and clasped her hands over her knee, still looking thoughtfully into the red coals. "We always come back to the same thing, Fred. The name, as you call it, makes a difference to me how I feel about myself. You would have acted very differently with a girl of your own kind, and that's why I can't take anything from you now. You've made everything impossible. Being married is one thing and not being married is the other thing, and that's all there is to it. I can't see how you reasoned with yourself, if you took the trouble to reason. You say I was too much alone, and yet what you did was to cut me off more than I ever had been. Now I'm going to try to make good to my friends out there. That's all there is left for me."

"Make good to your friends!" Fred burst out. "What one of them cares as I care, or believes as I believe? I've told you I'll never ask a gracious word from you until I can ask it with all the churches in Christendom at my back."

Thea looked up, and when she saw Fred's face, she thought sadly that he, too, looked as if things were spoiled for him. "If you know me as well as you say you do, Fred," she said slowly, "then you are not being honest with yourself. You know that I can't do things halfway. If you kept me at all—you'd keep me." She dropped her head wearily on her hand and sat with her forehead resting on her fingers.

Fred leaned over her and said just above his breath, "Then, when I get that divorce, you'll take it up with me again? You'll at least let me know, warn me, before there is a serious question of anybody else?"

Without lifting her head, Thea answered him. "Oh, I don't think there will ever be a question of anybody else. Not if I can help it. I suppose I've given you every reason to think there will be,—at once, on shipboard, any time."

Ottenburg drew himself up like a shot. "Stop it, Thea!" he said sharply. "That's one thing you've never done. That's like any common woman." He saw her shoulders lift a little and grow calm. Then he went to the other side of the room and took up his hat and gloves from the sofa. He came back cheerfully. "I didn't drop in to bully you this afternoon. I came to coax you to go out for tea with me somewhere." He waited, but she did not look up or lift her head, still sunk on her hand.

Her handkerchief had fallen. Fred picked it up and put it on her knee, pressing her fingers over it. "Good-night, dear and wonderful," he whispered,—"wonderful and dear! How can you ever get away from me when I will always follow you, through every wall, through every door, wherever you go." He looked down at her bent head, and the curve of her neck that was so sad. He stooped, and with his lips just touched her hair where the firelight made it ruddiest. "I didn't know I had it in me, Thea. I thought it was all a fairy tale. I don't know myself any more." He closed his eyes and breathed deeply. "The salt's all gone

out of your hair. It's full of sun and wind again. I believe it has memories." Again she heard him take a deep breath. "I could do without you for a lifetime, if that would give you to yourself. A woman like you doesn't find herself, alone."

She thrust her free hand up to him. He kissed it softly, as if she were asleep and he were afraid of waking her.

From the door he turned back irrelevantly. "As to your old friend, Thea, if he's to be here on Friday, why,"—he snatched out his watch and held it down to catch the light from the grate,—"he's on the train now! That ought to cheer you. Good-night." She heard the door close.

3. III

ON Friday afternoon Thea Kronborg was walking excitedly up and down her sitting-room, which at that hour was flooded by thin, clear sunshine. Both windows were open, and the fire in the grate was low, for the day was one of those false springs that sometimes blow into New York from the sea in the middle of winter, soft, warm, with a persuasive salty moisture in the air and a relaxing thaw under foot. Thea was flushed and animated, and she seemed as restless as the sooty sparrows that chirped and cheeped distractingly about the windows. She kept looking at the black clock, and then down into the Square. The room was full of flowers, and she stopped now and then to arrange them or to move them into the sunlight. After the bellboy came to announce a visitor, she took some Roman hyacinths from a glass and stuck them in the front of her dark-blue dress.

When at last Fred Ottenburg appeared in the doorway, she met him with an exclamation of pleasure. "I am glad you've come, Fred. I was afraid you might not get my note, and I wanted to see you before you see Dr. Archie. He's so nice!" She brought her hands together to emphasize her statement.

"Is he? I'm glad. You see I'm quite out of breath. I didn't wait for the elevator, but ran upstairs. I was so pleased at being sent for." He dropped his hat and over-coat. "Yes, I should say he is nice! I don't seem to recognize all of these," waving his handkerchief about at the flowers.

"Yes, he brought them himself, in a big box. He brought lots with him besides flowers. Oh, lots of things! The old Moonstone feeling,"—Thea moved her hand back and

forth in the air, fluttering her fingers,—"the feeling of starting out, early in the morning, to take my lesson."

"And you've had everything out with him?"

"No, I haven't."

"Haven't?" He looked up in consternation.

"No, I haven't!" Thea spoke excitedly, moving about over the sunny patches on the grimy carpet. "I've lied to him, just as you said I had always lied to him, and that's why I'm so happy. I've let him think what he likes to think. Oh, I couldn't do anything else, Fred,"— she shook her head emphatically. "If you'd seen him when he came in, so pleased and excited! You see this is a great adventure for him. From the moment I began to talk to him, he entreated me not to say too much, not to spoil his notion of me. Not in so many words, of course. But if you'd seen his eyes, his face, his kind hands! Oh, no! I couldn't." She took a deep breath, as if with a renewed sense of her narrow escape.

"Then, what did you tell him?" Fred demanded.

Thea sat down on the edge of the sofa and began shutting and opening her hands nervously. "Well, I told him enough, and not too much. I told him all about how good you were to me last winter, getting me engagements and things, and how you had helped me with my work more than anybody. Then I told him about how you sent me down to the ranch when I had no money or anything." She paused and wrinkled her forehead. "And I told him that I wanted to marry you and ran away to Mexico with you, and that I was awfully happy until you told me that you couldn't marry me because—well, I told him why." Thea dropped her eyes and moved the toe of her shoe about restlessly on the carpet.

"And he took it from you, like that?" Fred asked, almost with awe.

"Yes, just like that, and asked no questions. He was hurt; he had some wretched moments. I could see him

squirming and squirming and trying to get past it. He kept shutting his eyes and rubbing his forehead. But when I told him that I absolutely knew you wanted to marry me, that you would whenever you could, that seemed to help him a good deal."

"And that satisfied him?" Fred asked wonderingly. He could not quite imagine what kind of person Dr. Archie might be.

"He took me by the shoulders once and asked, oh, in such a frightened way, `Thea, was he good to you, this young man?' When I told him you were, he looked at me again: `And you care for him a great deal, you believe in him?' Then he seemed satisfied." Thea paused. "You see, he's just tremendously good, and tremendously afraid of things—of some things. Otherwise he would have got rid of Mrs. Archie." She looked up suddenly: "You were right, though; one can't tell people about things they don't know already."

Fred stood in the window, his back to the sunlight, fingering the jonquils. "Yes, you can, my dear. But you must tell it in such a way that they don't know you're telling it, and that they don't know they're hearing it."

Thea smiled past him, out into the air. "I see. It's a secret. Like the sound in the shell."

"What's that?" Fred was watching her and thinking how moving that faraway expression, in her, happened to be. "What did you say?"

She came back. "Oh, something old and Moonstony! I have almost forgotten it myself. But I feel better than I thought I ever could again. I can't wait to be off. Oh, Fred," she sprang up, "I want to get at it!"

As she broke out with this, she threw up her head and lifted herself a little on her toes. Fred colored and looked at her fearfully, hesitatingly. Her eyes, which looked out through the window, were bright—they had no memories.

No, she did not remember. That momentary elevation had no associations for her. It was unconscious.

He looked her up and down and laughed and shook his head. "You are just all I want you to be—and that is,— not for me! Don't worry, you'll get at it. You are at it. My God! have you ever, for one moment, been at anything else?"

Thea did not answer him, and clearly she had not heard him. She was watching something out in the thin light of the false spring and its treacherously soft air.

Fred waited a moment. "Are you going to dine with your friend to-night?"

"Yes. He has never been in New York before. He wants to go about. Where shall I tell him to go?"

"Wouldn't it be a better plan, since you wish me to meet him, for you both to dine with me? It would seem only natural and friendly. You'll have to live up a little to his notion of us." Thea seemed to consider the suggestion favorably. "If you wish him to be easy in his mind," Fred went on, "that would help. I think, myself, that we are rather nice together. Put on one of the new dresses you got down there, and let him see how lovely you can be. You owe him some pleasure, after all the trouble he has taken."

Thea laughed, and seemed to find the idea exciting and pleasant. "Oh, very well! I'll do my best. Only don't wear a dress coat, please. He hasn't one, and he's nervous about it."

Fred looked at his watch. "Your monument up there is fast. I'll be here with a cab at eight. I'm anxious to meet him. You've given me the strangest idea of his callow innocence and aged indifference."

She shook her head. "No, he's none of that. He's very good, and he won't admit things. I love him for it. Now, as I look back on it, I see that I've always, even when I was little, shielded him."

As she laughed, Fred caught the bright spark in her eye that he knew so well, and held it for a happy instant. Then he blew her a kiss with his finger-tips and fled.

4. IV

AT nine o'clock that evening our three friends were seated in the balcony of a French restaurant, much gayer and more intimate than any that exists in New York to-day. This old restaurant was built by a lover of pleasure, who knew that to dine gayly human beings must have the reassurance of certain limitations of space and of a certain definite style; that the walls must be near enough to suggest shelter, the ceiling high enough to give the chandeliers a setting. The place was crowded with the kind of people who dine late and well, and Dr. Archie, as he watched the animated groups in the long room below the balcony, found this much the most festive scene he had ever looked out upon. He said to himself, in a jovial mood somewhat sustained by the cheer of the board, that this evening alone was worth his long journey. He followed attentively the orchestra, ensconced at the farther end of the balcony, and told Thea it made him feel "quite musical" to recognize "The Invitation to the Dance" or "The Blue Danube," and that he could remember just what kind of day it was when he heard her practicing them at home, and lingered at the gate to listen.

For the first few moments, when he was introduced to young Ottenburg in the parlor of the Everett House, the doctor had been awkward and unbending. But Fred, as his father had often observed, "was not a good mixer for nothing." He had brought Dr. Archie around during the short cab ride, and in an hour they had become old friends.

From the moment when the doctor lifted his glass and, looking consciously at Thea, said, "To your success," Fred liked him. He felt his quality; understood his courage in some directions and what Thea called his timidity in others,

his unspent and miraculously preserved youthfulness. Men could never impose upon the doctor, he guessed, but women always could. Fred liked, too, the doctor's manner with Thea, his bashful admiration and the little hesitancy by which he betrayed his consciousness of the change in her. It was just this change that, at present, interested Fred more than anything else. That, he felt, was his "created value," and it was his best chance for any peace of mind. If that were not real, obvious to an old friend like Archie, then he cut a very poor figure, indeed.

Fred got a good deal, too, out of their talk about Moonstone. From her questions and the doctor's answers he was able to form some conception of the little world that was almost the measure of Thea's experience, the one bit of the human drama that she had followed with sympathy and understanding. As the two ran over the list of their friends, the mere sound of a name seemed to recall volumes to each of them, to indicate mines of knowledge and observation they had in common. At some names they laughed delightedly, at some indulgently and even tenderly.

"You two young people must come out to Moonstone when Thea gets back," the doctor said hospitably.

"Oh, we shall!" Fred caught it up. "I'm keen to know all these people. It is very tantalizing to hear only their names."

"Would they interest an outsider very much, do you think, Dr. Archie?" Thea leaned toward him. "Isn't it only because we've known them since I was little?"

The doctor glanced at her deferentially. Fred had noticed that he seemed a little afraid to look at her squarely—perhaps a trifle embarrassed by a mode of dress to which he was unaccustomed. "Well, you are practically an outsider yourself, Thea, now," he observed smiling. "Oh, I know," he went on quickly in response to her gesture of protest,— "I know you don't change toward your old friends, but

you can see us all from a distance now. It's all to your advantage that you can still take your old interest, isn't it, Mr. Ottenburg?"

"That's exactly one of her advantages, Dr. Archie. Nobody can ever take that away from her, and none of us who came later can ever hope to rival Moonstone in the impression we make. Her scale of values will always be the Moonstone scale. And, with an artist, that is an advantage." Fred nodded.

Dr. Archie looked at him seriously. "You mean it keeps them from getting affected?"

"Yes; keeps them from getting off the track generally."

While the waiter filled the glasses, Fred pointed out to Thea a big black French barytone who was eating anchovies by their tails at one of the tables below, and the doctor looked about and studied his fellow diners.

"Do you know, Mr. Ottenburg," he said deeply, "these people all look happier to me than our Western people do. Is it simply good manners on their part, or do they get more out of life?"

Fred laughed to Thea above the glass he had just lifted. "Some of them are getting a good deal out of it now, doctor. This is the hour when bench-joy brightens."

Thea chuckled and darted him a quick glance. "Bench-joy! Where did you get that slang?"

"That happens to be very old slang, my dear. Older than Moonstone or the sovereign State of Colorado. Our old friend Mr. Nathanmeyer could tell us why it happens to hit you." He leaned forward and touched Thea's wrist, "See that fur coat just coming in, Thea. It's D'Albert. He's just back from his Western tour. Fine head, hasn't he?"

"To go back," said Dr. Archie; "I insist that people do look happier here. I've noticed it even on the street, and especially in the hotels."

Fred turned to him cheerfully. "New York people live

a good deal in the fourth dimension, Dr. Archie. It's that you notice in their faces."

The doctor was interested. "The fourth dimension," he repeated slowly; "and is that slang, too?"

"No,"—Fred shook his head,—"that's merely a figure. I mean that life is not quite so personal here as it is in your part of the world. People are more taken up by hobbies, interests that are less subject to reverses than their personal affairs. If you're interested in Thea's voice, for instance, or in voices in general, that interest is just the same, even if your mining stocks go down."

The doctor looked at him narrowly. "You think that's about the principal difference between country people and city people, don't you?"

Fred was a little disconcerted at being followed up so resolutely, and he attempted to dismiss it with a pleasantry. "I've never thought much about it, doctor. But I should say, on the spur of the moment, that that is one of the principal differences between people anywhere. It's the consolation of fellows like me who don't accomplish much. The fourth dimension is not good for business, but we think we have a better time."

Dr. Archie leaned back in his chair. His heavy shoulders were contemplative. "And she," he said slowly; "should you say that she is one of the kind you refer to?" He inclined his head toward the shimmer of the pale-green dress beside him. Thea was leaning, just then, over the balcony rail, her head in the light from the chandeliers below.

"Never, never!" Fred protested. "She's as hard-headed as the worst of you—with a difference."

The doctor sighed. "Yes, with a difference; something that makes a good many revolutions to the second. When she was little I used to feel her head to try to locate it."

Fred laughed. "Did you, though? So you were on the track of it? Oh, it's there! We can't get round it, miss," as Thea looked back inquiringly. "Dr. Archie, there's a

fellow townsman of yours I feel a real kinship for." He pressed a cigar upon Dr. Archie and struck a match for him. "Tell me about Spanish Johnny."

The doctor smiled benignantly through the first waves of smoke. "Well, Johnny's an old patient of mine, and he's an old admirer of Thea's. She was born a cosmopolitan, and I expect she learned a good deal from Johnny when she used to run away and go to Mexican Town. We thought it a queer freak then."

The doctor launched into a long story, in which he was often eagerly interrupted or joyously confirmed by Thea, who was drinking her coffee and forcing open the petals of the roses with an ardent and rather rude hand. Fred settled down into enjoying his comprehension of his guests. Thea, watching Dr. Archie and interested in his presentation, was unconsciously impersonating her suave, gold-tinted friend. It was delightful to see her so radiant and responsive again. She had kept her promise about looking her best; when one could so easily get together the colors of an apple branch in early spring, that was not hard to do. Even Dr. Archie felt, each time he looked at her, a fresh consciousness. He recognized the fine texture of her mother's skin, with the difference that, when she reached across the table to give him a bunch of grapes, her arm was not only white, but somehow a little dazzling. She seemed to him taller, and freer in all her movements. She had now a way of taking a deep breath when she was interested, that made her seem very strong, somehow, and brought her at one quite overpoweringly. If he seemed shy, it was not that he was intimidated by her worldly clothes, but that her greater positiveness, her whole augmented self, made him feel that his accustomed manner toward her was inadequate.

Fred, on his part, was reflecting that the awkward position in which he had placed her would not confine or chafe her long. She looked about at other people, at other women,

curiously. She was not quite sure of herself, but she was not in the least afraid or apologetic. She seemed to sit there on the edge, emerging from one world into another, taking her bearings, getting an idea of the concerted movement about her, but with absolute self-confidence. So far from shrinking, she expanded. The mere kindly effort to please Dr. Archie was enough to bring her out.

There was much talk of aurae at that time, and Fred mused that every beautiful, every compellingly beautiful woman, had an aura, whether other people did or no. There was, certainly, about the woman he had brought up from Mexico, such an emanation. She existed in more space than she occupied by measurement. The enveloping air about her head and shoulders was subsidized—was more moving than she herself, for in it lived the awakenings, all the first sweetness that life kills in people. One felt in her such a wealth of Jugendzeit, all those flowers of the mind and the blood that bloom and perish by the myriad in the few exhaustless years when the imagination first kindles. It was in watching her as she emerged like this, in being near and not too near, that one got, for a moment, so much that one had lost; among other legendary things the legendary theme of the absolutely magical power of a beautiful woman.

After they had left Thea at her hotel, Dr. Archie admitted to Fred, as they walked up Broadway through the rapidly chilling air, that once before he had seen their young friend flash up into a more potent self, but in a darker mood. It was in his office one night, when she was at home the summer before last. "And then I got the idea," he added simply, "that she would not live like other people: that, for better or worse, she had uncommon gifts."

"Oh, we'll see that it's for better, you and I," Fred reassured him. "Won't you come up to my hotel with me? I think we ought to have a long talk."

"Yes, indeed," said Dr. Archie gratefully; "I think we ought."

5. V

THEA was to sail on Tuesday, at noon, and on Saturday Fred Ottenburg arranged for her passage, while she and Dr. Archie went shopping. With rugs and sea-clothes she was already provided; Fred had got everything of that sort she needed for the voyage up from Vera Cruz. On Sunday afternoon Thea went to see the Harsanyis. When she returned to her hotel, she found a note from Ottenburg, saying that he had called and would come again to-morrow.

On Monday morning, while she was at breakfast, Fred came in. She knew by his hurried, distracted air as he entered the dining-room that something had gone wrong. He had just got a telegram from home. His mother had been thrown from her carriage and hurt; a concussion of some sort, and she was unconscious. He was leaving for St. Louis that night on the eleven o'clock train. He had a great deal to attend to during the day. He would come that evening, if he might, and stay with her until train time, while she was doing her packing. Scarcely waiting for her consent, he hurried away.

All day Thea was somewhat cast down. She was sorry for Fred, and she missed the feeling that she was the one person in his mind. He had scarcely looked at her when they exchanged words at the breakfast-table. She felt as if she were set aside, and she did not seem so important even to herself as she had yesterday. Certainly, she reflected, it was high time that she began to take care of herself again. Dr. Archie came for dinner, but she sent him away early, telling him that she would be ready to go to the boat with him at half-past ten the next morning. When she went upstairs, she looked gloomily at the open trunk in her sitting-room, and at the trays piled on the sofa. She

stood at the window and watched a quiet snowstorm spending itself over the city. More than anything else, falling snow always made her think of Moonstone; of the Kohlers' garden, of Thor's sled, of dressing by lamplight and starting off to school before the paths were broken.

When Fred came, he looked tired, and he took her hand almost without seeing her.

"I'm so sorry, Fred. Have you had any more word?"

"She was still unconscious at four this afternoon. It doesn't look very encouraging." He approached the fire and warmed his hands. He seemed to have contracted, and he had not at all his habitual ease of manner. "Poor mother!" he exclaimed; "nothing like this should have happened to her. She has so much pride of person. She's not at all an old woman, you know. She's never got beyond vigorous and rather dashing middle age." He turned abruptly to Thea and for the first time really looked at her. "How badly things come out! She'd have liked you for a daughter-in-law. Oh, you'd have fought like the devil, but you'd have respected each other." He sank into a chair and thrust his feet out to the fire. "Still," he went on thoughtfully, seeming to address the ceiling, "it might have been bad for you. Our big German houses, our good German cooking—you might have got lost in the upholstery. That substantial comfort might take the temper out of you, dull your edge. Yes," he sighed, "I guess you were meant for the jolt of the breakers."

"I guess I'll get plenty of jolt," Thea murmured, turning to her trunk.

"I'm rather glad I'm not staying over until to-morrow," Fred reflected. "I think it's easier for me to glide out like this. I feel now as if everything were rather casual, anyhow. A thing like that dulls one's feelings."

Thea, standing by her trunk, made no reply. Presently he shook himself and rose. "Want me to put those trays in for you?"

"No, thank you. I'm not ready for them yet."

Fred strolled over to the sofa, lifted a scarf from one of the trays and stood abstractedly drawing it through his fingers. "You've been so kind these last few days, Thea, that I began to hope you might soften a little; that you might ask me to come over and see you this summer."

"If you thought that, you were mistaken," she said slowly. "I've hardened, if anything. But I shan't carry any grudge away with me, if you mean that."

He dropped the scarf. "And there's nothing—nothing at all you'll let me do?"

"Yes, there is one thing, and it's a good deal to ask. If I get knocked out, or never get on, I'd like you to see that Dr. Archie gets his money back. I'm taking three thousand dollars of his."

"Why, of course I shall. You may dismiss that from your mind. How fussy you are about money, Thea. You make such a point of it." He turned sharply and walked to the windows.

Thea sat down in the chair he had quitted. "It's only poor people who feel that way about money, and who are really honest," she said gravely. "Sometimes I think that to be really honest, you must have been so poor that you've been tempted to steal."

"To what?"

"To steal. I used to be, when I first went to Chicago and saw all the things in the big stores there. Never anything big, but little things, the kind I'd never seen before and could never afford. I did take something once, before I knew it."

Fred came toward her. For the first time she had his whole attention, in the degree to which she was accustomed to having it. "Did you? What was it?" he asked with interest.

"A sachet. A little blue silk bag of orris-root powder. There was a whole counterful of them, marked down to

fifty cents. I'd never seen any before, and they seemed irresistible. I took one up and wandered about the store with it. Nobody seemed to notice, so I carried it off."

Fred laughed. "Crazy child! Why, your things always smell of orris; is it a penance?"

"No, I love it. But I saw that the firm didn't lose anything by me. I went back and bought it there whenever I had a quarter to spend. I got a lot to take to Arizona. I made it up to them."

"I'll bet you did!" Fred took her hand. "Why didn't I find you that first winter? I'd have loved you just as you came!"

Thea shook her head. "No, you wouldn't, but you might have found me amusing. The Harsanyis said yesterday afternoon that I wore such a funny cape and that my shoes always squeaked. They think I've improved. I told them it was your doing if I had, and then they looked scared."

"Did you sing for Harsanyi?"

"Yes. He thinks I've improved there, too. He said nice things to me. Oh, he was very nice! He agrees with you about my going to Lehmann, if she'll take me. He came out to the elevator with me, after we had said good-bye. He said something nice out there, too, but he seemed sad."

"What was it that he said?"

"He said, `When people, serious people, believe in you, they give you some of their best, so—take care of it, Miss Kronborg.' Then he waved his hands and went back."

"If you sang, I wish you had taken me along. Did you sing well?" Fred turned from her and went back to the window. "I wonder when I shall hear you sing again." He picked up a bunch of violets and smelled them. "You know, your leaving me like this—well, it's almost inhuman to be able to do it so kindly and unconditionally."

"I suppose it is. It was almost inhuman to be able to leave home, too,—the last time, when I knew it was for

good. But all the same, I cared a great deal more than anybody else did. I lived through it. I have no choice now. No matter how much it breaks me up, I have to go. Do I seem to enjoy it?"

Fred bent over her trunk and picked up something which proved to be a score, clumsily bound. "What's this? Did you ever try to sing this?" He opened it and on the engraved title-page read Wunsch's inscription, "Einst, O Wunder!" He looked up sharply at Thea.

"Wunsch gave me that when he went away. I've told you about him, my old teacher in Moonstone. He loved that opera."

Fred went toward the fireplace, the book under his arm, singing softly:—

"You have no idea at all where he is, Thea?" He leaned against the mantel and looked down at her.

"No, I wish I had. He may be dead by this time. That was five years ago, and he used himself hard. Mrs. Kohler was always afraid he would die off alone somewhere and be stuck under the prairie. When we last heard of him, he was in Kansas."

"If he were to be found, I'd like to do something for him. I seem to get a good deal of him from this." He opened the book again, where he kept the place with his finger, and scrutinized the purple ink. "How like a German! Had he ever sung the song for you?"

"No. I didn't know where the words were from until once, when Harsanyi sang it for me, I recognized them."

Fred closed the book. "Let me see, what was your noble brakeman's name?"

Thea looked up with surprise. "Ray, Ray Kennedy."

"Ray Kennedy!" he laughed. "It couldn't well have been better! Wunsch and Dr. Archie, and Ray, and I,"—

he told them off on his fingers,—"your whistling-posts! You haven't done so badly. We've backed you as we could, some in our weakness and some in our might. In your dark hours—and you'll have them—you may like to remember us." He smiled whimsically and dropped the score into the trunk. "You are taking that with you?"

"Surely I am. I haven't so many keepsakes that I can afford to leave that. I haven't got many that I value so highly."

"That you value so highly?" Fred echoed her gravity playfully. "You are delicious when you fall into your vernacular." He laughed half to himself.

"What's the matter with that? Isn't it perfectly good English?"

"Perfectly good Moonstone, my dear. Like the ready-made clothes that hang in the windows, made to fit everybody and fit nobody, a phrase that can be used on all occasions. Oh,"—he started across the room again,—"that's one of the fine things about your going! You'll be with the right sort of people and you'll learn a good, live, warm German, that will be like yourself. You'll get a new speech full of shades and color like your voice; alive, like your mind. It will be almost like being born again, Thea."

She was not offended. Fred had said such things to her before, and she wanted to learn. In the natural course of things she would never have loved a man from whom she could not learn a great deal.

"Harsanyi said once," she remarked thoughtfully, "that if one became an artist one had to be born again, and that one owed nothing to anybody."

"Exactly. And when I see you again I shall not see you, but your daughter. May I?" He held up his cigarette case questioningly and then began to smoke, taking up again the song which ran in his head:—

"I have half an hour with you yet, and then, exit Fred." He walked about the room, smoking and singing the words under his breath. "You'll like the voyage," he said abruptly. "That first approach to a foreign shore, stealing up on it and finding it—there's nothing like it. It wakes up everything that's asleep in you. You won't mind my writing to some people in Berlin? They'll be nice to you."

"I wish you would." Thea gave a deep sigh. "I wish one could look ahead and see what is coming to one."

"Oh, no!" Fred was smoking nervously; "that would never do. It's the uncertainty that makes one try. You've never had any sort of chance, and now I fancy you'll make it up to yourself. You'll find the way to let yourself out in one long flight."

Thea put her hand on her heart. "And then drop like the rocks we used to throw—anywhere." She left the chair and went over to the sofa, hunting for something in the trunk trays. When she came back she found Fred sitting in her place. "Here are some handkerchiefs of yours. I've kept one or two. They're larger than mine and useful if one has a headache."

"Thank you. How nicely they smell of your things!" He looked at the white squares for a moment and then put them in his pocket. He kept the low chair, and as she stood beside him he took her hands and sat looking intently at them, as if he were examining them for some special purpose, tracing the long round fingers with the tips of his own. "Ordinarily, you know, there are reefs that a man catches to and keeps his nose above water. But this is a case by itself. There seems to be no limit as to how much I can be in love with you. I keep going." He did not lift his eyes from her fingers, which he continued to study with the same fervor. "Every kind of stringed instrument there is plays in your hands, Thea," he whispered, pressing them to his face.

She dropped beside him and slipped into his arms, shutting

her eyes and lifting her cheek to his. "Tell me one thing," Fred whispered. "You said that night on the boat, when I first told you, that if you could you would crush it all up in your hands and throw it into the sea. Would you, all those weeks?"

She shook her head.

"Answer me, would you?"

"No, I was angry then. I'm not now. I'd never give them up. Don't make me pay too much." In that embrace they lived over again all the others. When Thea drew away from him, she dropped her face in her hands. "You are good to me," she breathed, "you are!"

Rising to his feet, he put his hands under her elbows and lifted her gently. He drew her toward the door with him. "Get all you can. Be generous with yourself. Don't stop short of splendid things. I want them for you more than I want anything else, more than I want one splendid thing for myself. I can't help feeling that you'll gain, somehow, by my losing so much. That you'll gain the very thing I lose. Take care of her, as Harsanyi said. She's wonderful!" He kissed her and went out of the door without looking back, just as if he were coming again to-morrow.

Thea went quickly into her bedroom. She brought out an armful of muslin things, knelt down, and began to lay them in the trays. Suddenly she stopped, dropped forward and leaned against the open trunk, her head on her arms. The tears fell down on the dark old carpet. It came over her how many people must have said good-bye and been unhappy in that room. Other people, before her time, had hired this room to cry in. Strange rooms and strange streets and faces, how sick at heart they made one! Why was she going so far, when what she wanted was some familiar place to hide in?—the rock house, her little room in Moonstone, her own bed. Oh, how good it would be to lie down in that little bed, to cut the nerve that kept one struggling, that pulled one on and on, to sink

into peace there, with all the family safe and happy downstairs. After all, she was a Moonstone girl, one of the preacher's children. Everything else was in Fred's imagination. Why was she called upon to take such chances? Any safe, humdrum work that did not compromise her would be better. But if she failed now, she would lose her soul. There was nowhere to fall, after one took that step, except into abysses of wretchedness. She knew what abysses, for she could still hear the old man playing in the snowstorm, "Ach, ich habe sie verloren!" That melody was released in her like a passion of longing. Every nerve in her body thrilled to it. It brought her to her feet, carried her somehow to bed and into troubled sleep.

That night she taught in Moonstone again: she beat her pupils in hideous rages, she kept on beating them. She sang at funerals, and struggled at the piano with Harsanyi. In one dream she was looking into a hand-glass and thinking that she was getting better-looking, when the glass began to grow smaller and smaller and her own reflection to shrink, until she realized that she was looking into Ray Kennedy's eyes, seeing her face in that look of his which she could never forget. All at once the eyes were Fred Ottenburg's, and not Ray's. All night she heard the shrieking of trains, whistling in and out of Moonstone, as she used to hear them in her sleep when they blew shrill in the winter air. But to-night they were terrifying,—the spectral, fated trains that "raced with death," about which the old woman from the depot used to pray.

In the morning she wakened breathless after a struggle with Mrs. Livery Johnson's daughter. She started up with a bound, threw the blankets back and sat on the edge of the bed, her night-dress open, her long braids hanging over her bosom, blinking at the daylight. After all, it was not too late. She was only twenty years old, and the boat sailed at noon. There was still time!