University of Virginia Library

MARRIAGE AND MISERY. BY ETHELYN LESLIE HUSTON.

CHARLES GOODWIN, editor Salt Lake Tribune, puts into the mouth of a figurative John Bull, who is lecturing his children, the following sentence:

Apropos of a snub given the Prince of Wales by an American girl, Lillian Russell—even our much-married Lillian—raises her voice in protest at international marriages, and incidentally American snobbery.

What is marriage? as we see it. The veneered vulgarity of the international marriage goes on merrily notwithstanding public opinion freely expressed. We bury the individuality and personality of our daughters and give them as so much chatel to the physically and financially anaemic nobility across the water, to infuse into its diseased and impoverished veins pure blood and into its depleted exchequer pure gold. And this we call marriage. The weak-minded chattel and fatuous mother should be promptly chloroformed without benefit of clergy. But they are instead solemnly consecrated by their clergy, their church and their Fifth Avenue Christ.

And yet, to go back to first principles, is it not that the time are out of joint, and the America herself is responsible for her daughters' shame? America has blinded her eyes with avarice and glutted her brain with greed. She has starved her intellect and gorged her ambition. She has bartered her birthright of nobility and sold her soul to crawling sycophants. She has prostituted her sceptre of power to trusts for tinsel and cowers under the lash of corporations because they bind her brow with

a cap of bells that tinkle an empty song of "Freedom." In the mad rush for gain, America has forgotten its greatness, and in their blind struggle for gold Americans forget what is grand. We have sold our freedom to Britain, we have sold our pride, our individuality, our independence, our self-respect, our power, our dignity and our daughters.

The gods have given us brains to make of our country a brawny one, and we have used our talent to corrupt what was once equality into the unequal factions of power and poverty. The gods have given us genius to soften the crudities of the early century and to brighten our homes and our lives, and instead the inventions and the creations but serve to gild the mansions of the monopolist and to gird the iron more tightly on the wrist of the toiler. We are avaricious, we are vulgar, and we are base. We have lost the dignity of Nature that gave to a fragile lily a royalty before which Solomon's grandeur paled. We have piled stone and brick where the forest oak towered, and voice our strident city cries where the imperious roar of the forest king once startled the echoes. We have turned the oil and filth of our refineries into the streams that once crept purling and laughing through the wild-flowers and grasses, and the black smoke of our factories has silenced the plaintive note of the thrush and strangled the wondrous song of the nightingale. Our grandeur is ostentation and our dignity a dead-letter. The greatness that once longed for new worlds to conquer has degenerated into yellow-fingered grasping for ginger-bread display. The powerful figure of the pioneer could swing its mighty as into the forest root, but in the rythm of labor there was time to pause and rest and listen where "soft music ripples along shore, as the lake breathes." In the stillness Nature's god speaks, and in the patient face of

the woman, shading her eyes where she watches him from the cabin door, is sweeter and nobler dreaming than ever finds resting place in the sharpened and querulous features of our modern rushed society woman.

In English homes are the friendships of generations and beneath their spreading trees their lives epitomise the lotus eater's religion—"There is no joy but calm." Our women know neither the one nor the other. Our social creed and dogma know nothing of friendship, and calm to them is as Greek papyri in a kindergarten. Thus have we grown avaricious and vulgar and in their weariness of things as they are, have our women grown base. They know that their lives miss something, they know that their fierce rivalry and feverish straining for precedence bring them no nearer the Mecca that closes its austere gates to their aching eyes. And for the dignity and pride their lives have lacked, they give their fortunes and sell their bodies and exchange, for a title, the name of which they have grown ashamed. They perhaps shrink, in physical repulsion, from the man who they feel despises while he endures them. They perhaps hunger, with all the woman-nature their pitiful lives have left them, for other lips murmuring in slumber beside them. But over their burning eyes they press the metal circle for which they have crushed their hearts and outraged their sex, and around the delicate limbs they draw the ermines that cannot hide their shame, and in all their poor, empty glory they only read in the cold eyes of the patrician women around them the chill contempt that stamps them as among, but not of their order. "I sometimes think it wisest not to think," and this warped and twisted human nature has a pathos in all its chasing after a gilded butterfly that has always a grinning skull peering through the gold of its wings. The hunger that finds but Apples of Sodom, the life-labor that

wins but the gold of Midas, the ambition that crushes its toy baloon—"and man plods his way through thorns to ashes."

America freed her blacks but rests her social aegis on barter far more hideous. Optimists prate of the world growing better, with their eyes on the mountain tops, but when one reads of frail Lais fined ten dollars in the court-room for earning her daily bread in the only manner possible to a nature in which sin has been bred in the bone by generations of ancestors, and then pictures Dr. Brown of exclusive St. Thomas', New York, murmuring "Benedicite!" over an international marriage ceremony, his handsome face and melodious voice and aristocratic bearing doing full justice to the grandeur of the occasion —it is a contrast in which there is a bitter humor, a farce in which there is something horrible, a comedy that smells of the charnel house.

Is there plan and purpose in all the meaningless mystery and misery? Is "heaven but the vision of fulfilled desire, hell the shadow of a soul on fire?" And are we both? Are we improving? Look on life within its gates. Are we retrograding? Strip the curtains from the hearts of men and women. And marriage, the great pivot upon which swings life itself, what is it? Is it covenant with deity, or contract with the devil? Boise, Ida., October 1.