Historical & Legendary Ballads & Songs By Walter Thornbury. Illustrated by J. Whistler, F. Walker, John Tenniel, J. D. Watson, W. Small, F. Sandys, G. J. Pinwell, T. Morten, M. J. Lawless, and many others |
I. |
II. |
III. |
IV. |
V. |
I. |
II. |
III. |
IV. |
V. |
VI. |
VII. |
Historical & Legendary Ballads & Songs | ||
Norse Battle-Song.
To scare half the Saxon kings,
As when wolf leaps from forest den
Fly the Jarls and Eldermen,
How the monks scoop out the graves
When they see us on the waves!
Howl, ye grey wolves of the weald,
At the gleaming of the shield!
When ye sniff the crimson food!
Grows the green turf moist and red
Never springs the corn again,
Where the blood poured down like rain.
We bring woe to husbandmen,
In the wold and in the glen.
Leap, ye fires upon the crags,
At the flapping of our flags!
When he hears us shout to Odin;
Where the grey sea sounding o'er,
Comes the savage cry to Thor;
Now we plough the stubborn waves,
Saxon vassals, dig your graves.
With their wealth our decks we cumber;
Thorpe and homestead, rick and barn,
From the distant Lindisfarne,
To the City of the Plain,
Where the Saxon monarchs reign,
We have burnt as flat and bare
As the moor the foxes share.
Priests leave lovers still unwed:
At the grave's mouth lies the corse,
And the mourners cry “To horse!”
Sickles rust amid the corn,
Untouched stands the reaper's horn.
When they see us on the waves,
Then the sexton digs the graves.
There an heritage we find;
Wheresoever steers the prow,
Is our own, as this is now.
Wessex trembles at our shout;
The Land Ravager is out;
England, from its north to south,
Shudders in the white shark's mouth.
How Thor went to Fish for the Midgard Serpent.
A LEGEND FROM THE NORSE MYTHOLOGY.
Without his mighty gauntlets, or brazen thunder-car,
Over the rainbow bridge of heaven the son of Odin went,
Nor gods, nor men, nor dwarfs, nor elves, knew aught of his intent.
Where those who hunt the whale and shark dwelt in the times of yore,
He came unto a giant's hut with feignéd looks of shame,—
He seemed a fair-haired stripling, as he shouted Hymir's name.
He dragged his boat, so huge and black, down to the heaving wave.
Then Thor besought him long and loud his toil to let him share;
But Hymir cried, “Thou puny boy, thine be a meaner care,—
I go to where the walrus dives far 'neath the frozen sea,
Where the sun doth glow at midnight, and where the storm-birds scream
In millions round the icy cliffs, and bergs that float and gleam.”
“I'll serve thee, Hymir, as a serf, with honesty and truth;
I will not be the first to say, half tremblingly, ‘Put back,’
Though wind blow high, or ice close in, or tempest-cloud grow black.”
And from the mightiest bull its head wrung off without a word;
Then both leaped swiftly in the boat, and thrust it off to sea,
And, bending to the massy oars, drove it on silently.
For they had reached the sunken sands beyond the walrus bay;
But Thor replied, that farther yet he knew of better shores;
And silently, with head bent down, drove fiercer at the oars.
“Now stop,” he said, “thou stubborn youth, we've reached the frozen land;
Turn ere the Serpent swallow us, or ice, with closing teeth,
Grind us in two, or our frail boat split on the reef beneath.”
Then thrust the flesh upon the hook, and, without word or sign,
To Hymir's horror through the surf the stripling tossed the head,
And down through fathoms of blue wave it sunk as it were lead.
It seemed as if it breathed and strove to reach the distant goal;
Hymir in vain, protesting, cried, “Turn, turn the boat to land;
The icebergs are around us now, below us the quicksand.
The All-Father threw him there to roam the unfathomable main;
That serpent, sprung from Loki's race, rules in the ocean gloom.
Turn, boy, and draw not down on us the inevitable doom.”
And Hymir trembled when he saw the red light in his eye.
Far, far the ice-cliffs glittering shone, far the white cliffs stretched forth,
Until the blue mist rose and hid the boundaries of the North.
The serpent, gluttonous and fierce, ran at the great bull's head;
The anchor-hook, so sharp and strong, deep in his palate drove,
The keen steel flukes their bloody way into his gullet clove.
O'er shoals and splintering bergs and rocks, where herds of walrus sleep.
Thor, by the rowlocks, grim and stern, held stalwartly and fast,
Clenching the cable in his grip until the worse were past;
Until the waves rose frothing up and hid that savage fray;
He pulled until he forced his feet through the boat's yielding planks,
And, planted firm, he stood at last upon the granite banks.
Spouting out venom in black floods, and breathing clouds of flame;
O'er leagues of ocean spread his coils in scaly mountains piled,
Far o'er the ice that rolled and crashed in tumult loud and wild.
For fast his skiff was settling down into the whirlpool flood,
And just as Thor upraised his mace, his hunting-knife he drew,
And with a stroke the massive rope he severed clean in two.
Deep in the dark abyss to wail till the day of Ragnarök,
The axe-age and the sword-age dire, when shields shall cleave in twain,
And Loki over Nifleheim with his wolf brood shall reign.
A buffet that would split an oak. Into the rolling flow
Headlong he fell, and headlong sank; then with swift strides the god
Forded the whirling torrent, and once more dry land trod.
An Old Danish Ballad Re-sung.
Only seventeen years that Spring.
Your pack of hounds loose on the lea.
And we will ride to a happier land.”
But thou shalt ride and I will run.”
More than enough for you and me.”
And these lovers met neither rich nor poor.
On the hill-side or over the plain.
Life with them was a Summer dream.
With one who was evil and never good.
Slay that traitor, or he'll slay thee.”
For bent is his back and grey his hair.”
And where have you stolen that bonny bride?”
And I fear me much for the maiden's life.”
Why does she wear that hood of red?
Why do I gold and jewels spy?”
And beat at the door till they let him in.
“Out at play with the cowslip ball.”
Go, count your maidens o'er again.
With young Earl Brand, the English knight.”
And rode swift down the mountain glen.
And cries, “Ride faster, or draw your sword.”
You must stand by till the fight be done;
You must stand by and see me fall.”
And fourteen times he slew his man:
Four rogues stretched on the trampled fern.
Gave him a deep and deadly wound.
But kissed his lady upon her steed.
And there he bound his bleeding side.
“'T is but the gleam of your scarlet hood.”
Then he fell dead on the chamber floor.
The Labours of Thor.
BEING A NORSE LEGEND FROM THE PROSE EDDA.
The path to the giants' countryLies o'er a broad deep cliff-bound sea,
Through forest and swamp, o'er fell and moor,
And waste and barren, stony and poor;
None since the earliest days of yore
Have crossed that sea, or stood on that shore,
Yet Thor once by a magic clue
Traversed it, seeking deeds to do.
Treeless and open to wind and rain.
The walls rose up to meet the stars,
Its gates were guarded with triple bars.
Thor, he wrestled with beam and bolt,
Gave many a twisting angry jolt,
But in vain. So then, as a weasel creeps
Between the stalks of the wheatsheaf heaps,
He angrily slipped: how the wise god's thought
All Loki's barriers set at nought!
With golden turrets that clove the sky,
And seeing a door wide open stand,
He entered, and lo! the giant band
Seated on benches around the hall,
And Loki throned above them all.
Cried, frowning, “Who is this stripling here?
The warrior Thor? let him merit his fame
By doing some deed that is fitting his name.”
Smiled at Thor's angry challenging,
But he arose, and his giant race,
And came to a broad and level place,
Then called to Hugi, one of his train,
To race with Thor on that grassy plain.
Tears of rage were in Thor's fierce eyes,
He ran as fast as the swallow flies,
But as the arrow the bird o'ertakes,
Swifter than fire in the dry grass brakes,
Hugi outran him and reached the place,
Then turned and met Thor face to face.—
“Bravely lost,” cried Loki then,
“But Hugi is fleeter than gods or men.”
“I challenge you giants, one or a score.”
Loki called for a walrus-horn,
Thor looked at it with angry scorn.
“Bold drinker,” said Loki, “now drain that cup,
In two good draughts you should toss it up.
The veriest woman, it seems to me,
Could quaff that goblet in two or three.”
A mere poor unshaped rustic thing.
The god was thirsty, and raised the horn
To his eager lips with a savage scorn.
A long deep draught he fiercely took,
Never stopping to breathe nor look;
But still when he set the goblet down
(And Loki smiled at his wrathful frown),
The liquor was lessened never a whit;
Three draughts he took, but scarce a bit
The cup was emptier: breathless, worn,
Thor gave back the giant's horn.
Will to-day be clutched by those hands of thine.”
“Try me, ye giants, with one feat more;
That was a horn that no god could quaff.”
“Try him,” cried Loki, with crafty eyes;
“Bring him that cat our children prize.
Let us see you lift it, mighty Thor,
Though scarce so strong as we held you for.”
While he spoke a large black cat sprang in,
Whining, and purring, and struggling.
And clutched its fur with a tiger grasp.
He strained, and grappled, and gnawed each limb,
But that cat was still stronger far than him.
Our cat is stalwart, and thou art nought.”
None here who will dare wrestle with me
Now I am wroth.” Then Loki cried,
“I see none here but could tame thy pride.
Let somebody call that poor old crone,
Elli, my nurse, she will quell thee alone.”
Came hobbling in: she was old and bent,
She stared at Thor with a feigned surprise,
And lower upon her crutch she leant.
Tighter Thor held her, firmer she stood,
Strong as the oak-tree in the wood;
Then she twined and grappled him slowly down,
Till at last, in spite of curse and frown,
He fell on one knee. Then the crone laughed out,
And the hall-roof shook with the giants' shout.
Led Thor out of the city gate.
Baffled and chafed was mighty Thor,—
Never had been so fooled before.
Who baffled thy force with my subtlety.
A cloud of magic was over thee thrown;
All those spells were mine alone.
What wonder that thou wert set at nought
By Hulgi our runner, for Hulgi was Thought!
No wonder that thou wert laughed to scorn
For failing to drain that mighty horn,
For its one end reached the bottomless sea,—
A draught, O Thor, for even thee!
Midgard Serpent that cat of ours
Foiled thy rage and thy fiercest powers.
Old Age that lean and crippled crone,
By whom thou wert all but overthrown.
Sooner or later she lays us low,
Yes! all of us fall beneath her blow.
Now let us part, and I'm not loth:—
Come not again, or 'twere worse for both;
But if thou dost, a spell shall fall
That will hide from thee giants, city, and all.”—
Thor waxed wroth, and seized his mace,
But Loki had vanished, nor left a trace.
When Thor strode back to storm the town,
He only found a bare lone down.
A Dorsetshire Legend.
I.
Thorkill and Thorston from Jutland cameTo torture us Saxons with sword and flame,
To strip our homesteads and thorps and crofts,
To burn our barns and hovels and lofts,
To fell our kine and slay our deer,
To strip the orchard and drag the mere,
To butcher our sheep and reap our corn,
To fire our coverts of fern and thorn,
Driving the wolves and boars in bands
To raven and prey on our Saxon lands.—
We had watched for their galleys day and night,
From sunrise until beacon-light;
But still the sea lay level and dead,
And never a sail came round the Head.—
We watched in vain till one Autumn day,
When a woolly fog that northward lay
Sullenly rose, and the broad grey sea
Sparkled and danced in the full bright sun
(The shadows were purple as they could be):
Then stealing round by Worbarrow Bay,
Past Lulworth Cove and the White Swyre Head,
The black sails came, and every one
When they saw the sight turned pale as the dead.
II.
The black sails spread in a long curved line,Like a shoal of dog-fish, or rather of sharks,
When, chasing the porpoise in the moonshine,
They leave behind them a drift of sparks.
Those coal-black sails bore slowly on,
Past Kingsland Bay and Osmington,
By the white cliff of Bindon Hill,
Past Kimmeridge and Gad Cliff Mill;—
Then with a bolder fiercer swoop
Bore down the Danish robber troop,
Skimming around St. Adhelm's Head,
With its chantry chapel and its rocks
Stained green and brown by tempest shocks,
And its undercliff all moss and heather,
And ivy cable and green fern feather,
And steered straight on for Studland Bay,
Where all our Saxon treasure lay.
III.
Their sails, as black as a starless night,Came moving on with a sullen might;
Rows of gleaming shields there hung
Over the gunwales, in order slung;
And the broad black banners fluttered and flapped
Like raven's pinions, as dipped and lapped
The Norsemen's galleys; their axes shone.—
Every Dane had a hauberk on,
Glittering gold; how each robber lord
Waved in the air his threatening sword!—
One long swift rush through serf and foam,
And they leapt ere the rolling waves had gone,
On our Saxon shore, their new-found home.
With a clash of collars and targe and spear,
With a laughing shout and a rolling cheer,
Like wolf-hounds when the wolf's at bay
Those bearded warriors leapt ashore—
(If there was one there were forty score)—
And dragged their galleys with fierce uproar
To where our fishing-vessels lay:
Who dare resist? Woe worth the day!
IV.
They drank our ale and stole our corn,And slew our sheep and burnt our ricks,
And long, long, long before the morn,
And filled the chalice and paten with blood
Of monks they had hung to the Holy Rood.
V.
Thorkill was old and worn and grey,The best of his years had passed away;
Grim and silent, he hated our race:—
He'd sworn by Odin he would deface
Every cross on our Saxon shore,
And light the cliffs for fifty mile
With fires to make the Norsemen smile.
But Thorston his brother was fair and young,
With chest like a bull, and knotty brow,
Bold and frank, and merry and brave,
Liking nothing so much as a blow,
And no home like the tossing wave.
A walrus-horn at his breast there hung,
Great rings of gold and amber bound
His wrists and ankles and neck around.
VI.
They seized our Bishop Witikind,And bound him while they drank to Thor,
Who had brought them safe to the Saxon shore.
The old man, patient, calm, resigned,
His pale thin face all streaked with gore,
Stood praying there, as they ate their feast
And quaffed the mead and slew the beast.—
He stood in his robes of cloth of gold,
And jewelled mitre and broidered cope,
And while the legend and tale they told,
The helmsmen bound him with knotty rope;
And they scoffed, and mocked, and drank to him,
Cursing his god; and then they flung
The logs from their bonfire; limb by limb
Maiming and bruising and torturing him,
The while the abbey bells they rung,
Till Thorkill threw him upon the board,
And Thorston smote him with axe and sword.
VII.
Our women were hid in Wareham caves,There looking out on the sky and waves;
They were praying for us, who, on the down,
Were watching the flames of our burning town.
VIII.
We trapped the sleeping wolves as they lay,Drunk with wine 'mid their spoil and prey;
Thorkill and Thorston with cords we bound,
The others we lashed as one lashes a hound;—
Their hands were red with our children's blood,
Having slain a dozen in Peverel Wood.
We led the rest out to the plashes,
Down by the brook near the pollard ashes,
Seating them there on a fallen tree,
Ankles and knees tied fast with cord,
A twist of oziers in each rogue's hair,
As a grip for the hand, so that the sword
Might sweep at the necks left white and fair.
IX.
There they sat, but not like felons,Or trembling like doves in the falcons' talons,
But bold, erect, and with eyes keen bent,
To see our Eldermen's intent.
Caring no more for the blow of death
Than a tough oak does for a passing breath.
Thorkill and Thorston, stiff as stone,
Stood bound to a neighbouring tree alone.
X.
The outermost man was first to die,Then we beheaded the next in turn,
Throwing his head on a heap of fern
Laid there to sop up the Danish blood,
As you throw a dead dog carelessly
When you've caught him poaching in a wood.
As the headsman passed he severally
Asked each in the row if he feared death.
Third Dane, growling between his teeth,—
“What befell my father must happen to me:
Better to perish and gloriously
Than live a felon and slave like thee.”
For we've been guessing this very day
Whether a headless man can feel;
Let me then grasp a knife in my hand,
And if, when my head falls, I shall throw
The knife in return for the coward blow,
Then you Saxons will understand
That I felt the pain. Strike quick, thou slave,
Come, settle the matter, you sturdy knave.”
The headsman lifted his axe and smote,
But the knife dropped down on the gory sand.
“Aim at my face,” the fifth man cried,
“I will not flinch, for it is our pride
In Jutland never to blench nor shrink,
Mouth to quiver, nor eyelid wink.”—
The headsman smote him full in the teeth,
And he dropt dead on the crimson heath.
XI.
Alfric paused when he saw but twoOf all the Norsemen band remained.
Thorkill and Thorston, they of the crew
The proudest, though with fresh blood bestained.
Thorston was still in the bloom of youth.
Eyes all glowing with love and truth,
Golden hair that fell clustering down
Over his cheek of ruddy brown.
“Do you fear death?” said one of our band,
Swinging the axe in his threatening hand.
“What is fear?” cried the stripling Dane.
“But I pray thee let no serf strike me,
Nor one whose hand these murders stain.”
Then I, who had power to pardon and save,
Came and said, “What if I spare thy life,
Thou Jutland robber?” “Who is it asks?”
He said, with bold eye glancing brave;
“We Danes know nothing of Saxon tasks.
What must I pay to thee, Jarl?” he said.
“Loose him,” I cried, “and let him free.”—
Alfric, maddened to hear the Dane,
He, who had slain the sturdiest men,—
Ran with his heavy curtal axe,
And said, “If the older rogue go free,
Thorston at least shall pay the tax.”
But the young Dane threw him swiftly down,
And Alfric falling, the binding cord
Was in the struggle cut with a sword.
Thorston his freedom quick regained,
And with one blow was Alfric brained.
Yet in a moment twenty or more
Bound the Dane faster than before.
Then I asked Thorston if he would deign,
Being a noble Pirate and Thane,
To grasp us with the hand of peace,
And let all strife from that day cease.
“Yea will I,” bold the young man cried.
“Gladly,” cried Thorkill, “once for all,
Friends on the wave, and friends in hall.”
“Undo the rope,” I cried: 't was done,—
And we were friends ere set of sun.
Twice was the battle at Wareham won,
For we found the old saw still run true,
“Brave enemies make brave friends,” they say.
Bertha, my sister, Thorston wed;
And when old Thorkill was one year dead,
Thorston o'er Jutland's fiords blue
And over the mainland had the sway.
The Death of King Warwolf.
And feeling that death was nigh at hand,
Resolved to die as a hero should—
Not pent in a bed, and then hid in the sand;
So he clad him brave in his golden mail,
And took his axe and his massiest shield,
And his spear, and his bow, and his two-edged sword,
That no one else but himself could wield.
And load it with trunks of the driest pine,
And store it with oak-butts knotty and ringed,
And pile it with fir-cones line on line.—
So they set the gold-cloth sails all fair,
And tied the well-worn helm due north,
And they bore him down on their brazen shields
To the barque that was destined to bear him forth.
In his royal robe and glittering crown,
As the fateful galley bore away
Slowly out of sight of the town,
Singing to Odin hymns of praise,—
Cheerily, though with a failing breath,
He went in splendour and bold of heart,
In a kingly way to meet King Death.
Below the long grey line of sea;
And then there arose a great red glare,
That seemed to crimson fitfully
The whole broad heaven, and melt the waves
Into one cauldron of blood-red light,
And soon all suddenly there fell
A pitchy gloom, and then came—night.
The Two Norse Kings.
A YORKSHIRE BALLAD.
Plough fast the green bath of the whale.
A gold band round his knotty brow.
Are by each wroth king proudly borne.
That brooch Jarls from the walrus tore.
Their red prows cast a flaming track.
Each bid his rowers do their best.
Broad meadows with a stream between.
Touch at one bound the sandy peak.
Like sunbeams spring forth either brand.
Bonthron laughs loud with cruel mirth.
Red grows the sand, and red the field.
Swarm, ravens, on each chalky jag.
Are scattered on the Saxon mould.
Soon are the shouts to Odin borne.
May not, if it could, rehearse.
Rises o'er that battle-ground;
Calls it in legends “Bonthron's Moor.”
The Gibbet Tree.
Were hewing abbey wood;
Pine beams for chancel roof they sought,
And oak beams for the rood.
The cuckoo-flowers in bloom;
But overhead the raven croaked,
Amid the pine-trees' gloom.
Spread where the saplings grew;
But still the raven boded ill,
Above them out of view.
But where the axes rang—
All in between the hazel stems—
The speckled orchis sprang.
Down from the great beech-tree
The climbing squirrel turned to look,
And watched them silently.
Cast gleams across the dell;
The thrushes piped and fluted
Where'er the sunbeams fell.
Hearing the woodmen's tread;
No merry blackbird hushed his song;
No echoing cuckoo fled.
Amid the fir-trees' line,
With song and psalm and gibe and curse,
They hewed a stately pine.
Around them as they wrought:
Deep in the centre of the glade
They'd found the tree they sought:—
All jagg'd with broken spars,
With lessening ledges of close boughs,
Impierceable by stars.
With ever-hungry steel;
Slowly before their stalwart arms
The tree began to reel.
“This tree that soon will fall
May prove a gibbet for some wretch
To swing and scare us all?”
And said, “Why, Olaf, man,
We hew the beams for an organ-loft
And for a shaven clan.”
They saw a brazen urn,
Brimming with coined Roman gold,
That made their wild eyes burn.
They grappled in their pride;—
Till wild beast Guthren drove his knife
Into fierce Olaf's side.
Above the fir-trees' line,
And croaked, his prophecies fulfilled,
Upon the gibbet pine.
With murdered Olaf's blood
Swung Guthren—he, the abbot's thrall,
Who'd hewed the gibbet wood.
The Hammermen of Old.
Stalwart to forge the Norsemen's steel, the sword, the spear, but never the plough—
Had, after years of care and thought, of heat, and sweat, and grappling pain,
Beat out a suit of close-linked mail to guard King Siegfried's heart and brain.
Fit to resist the Saxon axe, and the fang and claw of beast;
Against it spears were bulrushes, and arrows but oat-straws;
'Twas made for men who mocked at swords, and cared not for the laws.
And in the sun, a clashing heap, he threw it down to bask;
Then stretched himself beside his door, to sing (he cared for nought):
Just then Æmilias wandered by absorbed in gloomy thought.
No sword, e'en by a mine-dwarf made, could dint its links one whit.”
“I'll weld a blade,” Æmilias said, “that shall shear through this steel,
And cleave the braggart wearing it from helmet down to heel.”
“We care not what you village smiths upon your stithies forge.”
So saying, he arose and smote an anvil clean in twain,
And dashed the fire out with his foot, then dashed it in again.
Striding through thorns and hemlocks tall, to where his black forge stood;
Then fanned his sleeping charcoal fires, and dragged his anvil forth,
And sorted out his choicest ore from the far-frozen North.
Paved with dead leaves and resinous cones, but lit by no star-spark;
The black bear's growl, the badger's cry, were the only sounds to cheer;
The squirrel gambolled overhead: no woodman's hut was near.
Æmilias brought the potent sword: glad was he and elate.
'T was smoky blue, nor polished yet, but fit for gods to wield;
He brought it with a warrior's pride, beating it on his shield.
He severed with a keen-drawn stroke, laughing aloud in pride.
Then, without courtesy or sign, strode off unto his den:
He was the churliest of the brood of mighty hammermen.
Amid the brightness and the gloom of never-quenchéd fires,
He beat and hammered, filed and ground, still tempering the blade,—
The night wolves, baying, fled away from that re-echoing glade.
He tempered it in ice and milk, and bear's and fox's gore;
Laid it in nests of scarlet coals, and in the golden blaze,
And smote it on his ringing forge for two and twenty days.
A bale of wool that floated white on the thawed water's flow;
But, still unsatisfied, he strode back to his murky den,
More steadfast at his chosen art than all the hammermen.
Amid the flames that round him leaped with their keen wavering spires;
He then went forth, and with his blade a floating pack of wool
Carved clean in twain and at one stroke. His work was ripe and full.
Patience and Wisdom must combine each in its several part:
Either away, the craftsman's work remained mere wood or stone,
And that wise Patience is to art as flesh is to our bone.
And went to where the king and court, and all the warrior folk,
Had gathered, praising Mimer; then, with a stealthy smile,
Æmilias bade him meet the test, and this he said in guile.
The lords and ladies round him grouped, a goodly sight to see;
On their rich robes the emerald stones shone with eternal Spring,
Round cloth of gold the belts of gems were proudly glistening.
Impatient for the trial blow: “Strike hard!” he cried aloud.
While he yet spoke the giant sword flew like a windmill round,
And smote him, keen and rude and fierce, and felled him to the ground.
From brain to heart, from head to foot, stealing from fold to fold.”
“Then shake thyself!”—Æmilias cried, with a sour sturdy laugh;
And lo! the bleeding hammerman fell cloven fair in half!
In ponderous shirt of pliant steel no more to strut or shine;
Split like a beechen log, he fell at great King Siegfried's feet,
To sullen, bragging hammermen, a warning very meet.
The Wiltshire Cairn.
Amber anklets and sword of bronze,
A wolf-skin clothing his giant limbs,
Tawny with thirty Summers' suns,
Was slain beneath those great beech-trees
By Roman spearmen, who had found
His last retreat, and burnt his hut,
And dragged his wife in fetters bound.
Above the level of the downs,
Upon whose summit, dry and sear,
Ground-thistles spread their purple crowns;
While round it nets the dry crisp thyme
The bees love so: those old trees wave
Just where the Roman spearmen struck,
And Caradoc had here his grave.
And now the thrush upon the thorn
Sings heedless of that chieftain's fate;
And on this golden July morn,
A little butterfly, all blue,
In the mid air is hovering
Around the flowering grass that grows
Above the ashes of the king.
In golden sections, fading dim,
To the grey ridge of farther down;
That burring murmur is the hymn
Of the great conqueror Steam, the chief
Of new reformers. See that whiff
Of flying smoke—that is the train;
Fast burrowing in the tunnelled cliff.
The Norseman's Serf.
I
“Sing me a song that will make me young,”Cried the Dane to the captive boy,
“A song that will stir my blood like wine.”
So he sung of peace and joy;
But every Dane, with a frown of scorn,
Clashed on his target and blew his horn.
II
Then, to soothe those hard and wolfish hearts,He sung them a lullaby.
A rocking tune that mothers croon
To the children upon their knee;
Still they would not listen, the thievish horde,
But beat their knives on the oaken board.
III
“We want a song of youth and love.”Then he struck his harp with might,
And sang of the eyes that had shot their fire
Into his breast that night.
Till the old king kissed the ring he wore,
And cried, “My kingdom for her once more!”
IV
They said, “Chant now of the Saxon shore.”So he sang of those long white walls,
Where the broad surf seethes and the breakers leap,
And the galley rises and falls.
Then they roared, “Launch out!” and their axes rose
And beat together the wild tune's close.
V
“Give us a seaman's stave!” cried they.So he sang of the steady gale,
That fills with a full and constant breath
The straining galley's sail,
And drives, come daylight or come dark,
To the Saxon shore, the Danish bark.
VI
And he told of the green surge under the cliffs,And the white wave spitting foam
O'er the jagged snout of the “Shark-tooth” reef,
Not a mile from his Cornish home.
Then every Viking cried, “To sea!”
Hearing that song of pride and glee.
VII
“Give us a battle-cry!” they shout.And he blew them a trumpet blast,
Like the shrill night shriek from a burning town,
That makes the wolf aghast.
Then they cried, “Away!” and the galleys sprang
To the waves' embrace, as the captive sang.
The Dying Viking.
I
“Bring me my armour, Sigurd,I'll die as my fathers died,
Not like a wolf in a shepherd's trap,
But in all a warrior's pride.
Strike on the brazen targets,
And let our clarions ring;
I'll meet this Death they talk of,
As a King should meet a King.
II
“Olaf, take you my vesselsWith the dark and threatening sails,
Go forth and scare the Saxon,
Harry his fertile vales;
Dye helm and hauberk crimson,
Ply well the sword and torch;
Go, brain the Murcian bishops
In their shattered temple-porch.
III
“And thou, my bowman, Harold,Be thine to plunder France;
Smite with the axe and hammer
At the vine-grower's lance.
Sack churches, fire the homesteads,
Turn red the muddy Seine;
Burn standing corn and orchard,
Make barren every plain.
IV
“Ye are my raven-feeders,Ye are my warrior brood,
Be yours to give the falcons
The cravens for their food.
But, Oscar, thou my youngest,
Thou hast thy mother's face,
Be thine to guard the peasants,
And found a peaceful race.
V
“Thou shalt bring home some maiden,With eyes like violet flowers
When they spring up sweeter, fresher,
After the sunny showers.
You'll let the pine-woods dwindle
Around our fortress hill,
And corn in golden billows
Gird many a freeman's mill.
VI
“But quick,—my heart beats slower,Life's sand is running fast;
Out with a thousand galleys—
I hear the quickening blast—
One hour, and in Luffoden
Our walrus-horns shall ring,
For I'll meet this Death they talk of,
As a King should meet a King.”
A Legend of the Red Sea.
—Arab Proverb.
Upon the Red Sea's burning sands,
Beating his breast with bleeding hands.
The deep dark wave he tries to scan,
Vainly, as but the hopeless can.
That all the night in vain was set,
His flimsy boat was leaky wet.
His hooks the night-dews blunt and rust,—
In God the Arab has no trust.
With eyes that deepest pity fills
For human griefs and human ills.
He curses the poor locust-tree,
That sheds its fruit so lavishly.
From where the black-eyed houris dwell
(What men think Heaven is often Hell).
It broke to diamond-dust; with mirth
Of mocking voices came the birth.
Half fire (but fire that's hid in cloud),
Arose, and Abib shrieked aloud.
“We Genii mourn not for the dead.
I am your god where'er I tread!
He from his throne has long been hurled,
His sun-cloud banner long since furled.
Of mad fool's trances—a dream-king,
A God without a brain or wing.
More than thy crazy bark can hold,
In this dark sea—if thou art bold.
The world beneath thee tramp and beat;
Dominion to the wise is sweet.
His useless circle hath outrun.
Thy insect life is but begun.”
“My Simoon horse has come for me,”
The Genii cried: “be rich and free.”
And demons, an exulting band,
Rode with it to the desert land.
The moonbeams on the waters dance,
The quick waves meeting, flash and glance.
The ropes in a wide circle flew,
And slowly settled sure and true.
A burden ponderous and great,
Then glimmers of a golden freight.
A golden robe that laps and clings,
A blazing crown with emerald rings.
A massy golden targe that rung,
Still to the Pharaoh's body hung.
His lips are pressed in stern grimace,
One hand is on his quiver-case.
“Pharaoh, the son of Isis—he
Who rules both Egypts—kneel to me.”
The signet on his turban burns,
“Yes! this is what God's chosen earns.”
Drives pilgrims from the holy East,
And slays the Christians at their feast.
His mandates fly on tireless wing,
And make the desert echoes ring.
The desert, wheresoe'er he tread,
With human blood is crimson red.
And Abib, with his head hung down,
Upon a cross now wears the crown.
The Death of Rufus.
Sat Rufus at the board,
And many an abbot round him,
And many a Norman lord.
Flew fast amid the glee,
While the brutal laugh of Rufus
Rang o'er the revelry.
For the sun was bright on high,
Like the blessed angels' dwelling-place
It glowed in yonder sky.
A holy Mass has said,
A Mass for the buried Saxon prince,
A Mass for the royal dead.
While the jest he shouted loud,
Of him who wore the Conqueror's crown,
Of battle or of shroud.
Wild was his frenzied air;
Though his brain seemed seared by vision,
His hands were clasped in prayer.
Died in a curse away,
As he stamped his foot and shouted,
“What would the driveller say?”
“Beware thee of the chase;
I saw a blood-red comet
Hang o'er a blasted place.
Outstretchéd is His hand,
His flaming sword He quivers
O'er a black and guilty land.”
Gazed at the monk who spoke;
No voice of idle mocker
The solemn silence broke.
Into St. Swithin's shrine,
Crowned as for fight or banquet,
With that haughty mien of thine.
Seize on the relics there,
And with thy teeth” (stern Rufus smiled)
“The sainted treasure tear.
Dashed thee into a tomb,
And smoke and flame from the vault came up,
Till the stars were hid in gloom.”
Wild laughter shook the hall:
“A tale to please a holy nun;
Go, paint it on thy wall.
To him who sat him next.
“Waes hael! to the fat monk's treasures
Hid 'neath a rugged vest.
“I only love the bold.
'T is but a monk, a drivelling priest,
Who sells his dreams for gold.
He dashed them down in scorn.
“Thy soul will need some Masses
Before the morrow morn.”
“Fill up another bowl;
I'll never starve the body
In hopes to save the soul.
And tremble at a dream;
Who mates with monks and shaven fools,
A coward knave I deem.
A beggared hermit roam,
While I with hound and falcon
Hunt in my royal home.
The steed at Mons I rode;
By the holy cross at Lucca,
'T is the best I e'er bestrode.
And the hollow bay of hound;
The heart of Norman chieftain
Beats quicker at the sound.”
“Already in yon bay,
The bands all bound for Poictou
For thee, their monarch, stay.”
And a savage oath he swore—
“Though yon woods were full of devils,
I'd hunt me there the boar.”
Rides the gay cavalcade,
By many a ruin'd village,
Through many a tangled glade.
Blazed with a fiery light,
O'er ruined church and hamlet
Came slowly on the night.
The sun will take of earth,
All silent rode the hunters,—
It seemed no place for mirth.
Dark, dark, on every side,
Like a countless host of spirits
Stood the forest spreading wide.
The oaks, hoar monsters, stood.
No eye may pierce the stillness,
The blackness of the wood.
Their old moss'd boughs were spread,
Scarce could the sun's last glory
Stream through the shade o'erhead.
At the savage laugh and song.
Hounds from the leash are parted,
The hunters sweep along.
Intent on sylvan prize;
From the parting rays of sunlight
The monarch veils his eyes.
Swift came the glancing dart;
It has pierced the crownéd hunter,
It quivers in his heart.
Comes the charcoal burner's wain;
It brings no hart for abbot's board,
It bears the royal slain.
Chants the monk at St. Swithin's shrine:
“Great God!” the dreamer mutters,
“Thine is the vengeance, Thine.”
The Dedication of the Cathedral.
TEMP. 1401.
William of Wykeham (moribundus) loquitur.
Slow as the rings of rind around an oak,
Has grown this building dedicate to God,
Until at last the gilt star of the vane
Gleams in mid-air, and seems to crown the whole
As with a royal seal. Father of Light,
Mercy, and Love, accept this offering,
Poor earthly tabernacle, miserable type
Of heavenly mansions,—opal, chrysopras,
Jacinth, and emerald,—soon by Eden's gate
To meet my gaze, but in His own good time.
Hold on my tomb the Founder's carvéd shrine,
To show this long and patient work of mine
That's now accomplished. Thunder, tamed to breathe
Forth angels' music, shake the vaulted choir,
Till the great pillars vibrate; harmonies
Soar to the poiséd roof—yes, soar and float,
And bring me foretastes of the heaven beyond.
Is a mere nest of pride, ambition, greed—
Until the Spirit come, the Shekinah,
And dwell within, and claim it all for God.—
Better than trampled vines and shattered mills,
Won by the red-stained lance, to see this house
Raised to God's glory and His ceaseless praise.—
Races may come and go, and kings be born,
Or slain in battle; statesmen shape the world
Unto fresh issues; still men's prayers shall rise
From this my building night and day for aye.—
See the great windows, like the jewelled gates
Of Paradise, burning with harmless fire!
Forests of stone, ye columns, spring in joy,
And bear your holy burden; round ye twine
The wayside flowers, types of God's gracious love,
Sent for their beauty only, to cheer man.
That when the cardinals in crimson train,
The mitred bishops, and the acolytes,
The censer-swingers and the pale meek monks,
Enter the western door, and welcoming hymns
Break forth like birds in Spring, and every face
Turns where the tapers and the banners come,
I may repeat the song of Simeon,
And pass at once as in a summer dream;
My God and Saviour, so I die of joy,
And pass rejoicing to my heavenly home,
Soothed by the thought that in a whirlwind age,
Mid clash of swords and flights of crossbow bolts
And darkening arrows, I have helped to bring
Thoughts of a purer, nobler life to some,
And reared a refuge for Faith, Hope, and Love.
The Legend of the Prince's Plume.
A STORY OF THE BATTLE OF CRESSY, FROM FROISSART.
I.
The bramble's crimsoning leaf was crusted and curded with silver;
White nets of sparkling thread, the cobwebs, hung on the bushes,
Where spiders, frozen and dead, were swaying like felons in fetters;
Heavy and frozen the folds hung from the slumbering banners;
Muffled, and solemn, and low, came the sound of the sentinels' voices.
Rose, and, filling the air, gladdened the heart of the monarch;
Armed, and wearing a crown, his long hair flowing and snowy,
Mixed with his beard as it fell on the steel and gold of his armour;
Sceptre and prop of a realm guarded from Mahomet's children;
His helm was crested with plumes, spoils of the birds of the desert,
A triple white feather and crest glittered high over his visor.
At his feet knelt, praying, his son, armed and prepared for the saddle;
His charger, pawing the ground, neighed by the open pavilion,
Ardent as hound for the chase, eager to leap on the lances.
The king spake never a word, but lifted his eyes unto heaven,
And his tears fell trickling fast as he muttered a prayer and a blessing;
But the lad, impatient and hot, vaulted at once on his charger,
And cried to the banners, “Advance, in the name of the Prince of Bohemia!”
Then, with a flourish of horns and a burst of chivalrous music,
The knights swept eagerly on, and bore down the slope of the valley,
With ruffle of pennon and flag, and a tossing of threatening lances,
Then the blind king fell to the ground, and prayed with passionate weeping,
Blessing both banner and crest, in the name of St. James the Apostle,
The patron saint of his son, the saint of the land of Bohemia.
II.
Prayed him to tarry awhile, and not to lead yet to the battle.
“Strike at the English, the knaves!” cried the proud prince, smiling in anger;
“This day,” said the heir to the throne, “we must win honour or perish.”
Taking the flag in his hand, he swore to lead on with the foremost.—
Close, and deadly, and thick shot the threatening ranks of the archers,
Drawing together their shafts, equal in skill and in courage.—
As the prince rode leisurely on, deep through the flood of the battle,
Stripes of crimson and white adorned his numberless trappings:
“These are womanly things!” cried the brave young prince of Bohemia;
“Away with this gilding and fur, this tinsel unstained by the battle—
These chains of jewels and gold, mere marks for the shafts of an archer!
Kings in the days of romance wore rude steel forged with the hammer,
Close-fitting hauberk with links defying the Mussulman sabres;
My father's is beaten and bruised, and split with Carpathian arrows,
Crimson with blood from the heart of Paynims, slain in the mêlée;
This badge I wear on my shield was won in the fray with the heathen.
These plumes of an ostrich were torn from the brow of an infidel Soldan,
To-day they shall glimmer afar o'er the tempest and roar of the onset.—
Leave women ermine and fur, soft mantles satin and silken;
Give me a clothing of steel, and adamant dug from the mountain,
Steel that may laugh at the swords and splinter the lances of iron,
Deriding even the stones from the catapults groaning and shrieking.”
So said the prince as he mounted and rode down the hill to the battle:
The giant whose mantle was trimmed with the beards of the kings he had vanquished,
Launcelot, Knight of the Lake, and Percival, slayer of dragons
Yet these, though noble and rich, were clad like labouring peasants
Compared to the barons and earls who encircled the Prince of Bohemia.—
Gabriel Count of Bayonne cried, “To-day will be saddest of any,
Knights of Cyprus and Crete, if we beat not these English in battle.”
As helms flashed sparkles of fire like the anvil under the hammer;
Flights of arrows and bolts flew thick as the swallows in Autumn,
'Gainst the puissant monarch's array, 'gainst the horses blazoned and barded.
All the cross-bowmen of France led on the chosen battalion,
Close as the hairs of a brush were the numberless heads of the lances,
And through them, like roar of the beasts heard by night in a tropical forest,
Came cries of “St. Dennis for France!” “St. Dennis for France and the Lilies!”
As the sun, breaking out of a cloud, shone on the swords and the armour.
While the trumpets were sounding, and rang with a merry and chivalrous cadence,
From the sky came flying a dove and perched on the staff of a banner;
Then they knew they were favoured of God, and clamoured, and all moved together.
“Advance!” loud shouted the prince, “and bear down these ravening robbers.
Chandos, and Talbot, and Scrope, guards the dark clusters of archers;
The Duke of Athens is down, swept off by the hurrying eddies,
And under an oak in a lane lies stretched Sir Reginald D'Artois.”
Then, making the sign of the cross, and raising his eyes unto heaven,
“Now is the season for death,” cried the prince, and spurred to the rescue;
“Neville and Darcy and Scrope are hemming us in with their horses;
Strike, for the glory of God, strike, for the flag of St. Dennis!
Make us a way through the press, or die in the gap we have cloven;
As is the usage of knights we will dig out a grave with our axes.
Now, by St. Anthony's head, to the death of a knight or to conquest!”
Then the prince leaped again on his steed, and hurled in the thick of the battle.
III.
But a traitor and villanous spy ran to the King of Bohemia,Tears in his treacherous eyes, and knelt at the feet of the monarch.
“What tidings, Sir Knight, of my son? I fear he is slain in the mêlée?”
“Alas!” said the traitor, “he's fled by the highway leading to Paris,
Leaving his barons and flag to the care of his squires and his yeomen.”
Not caring an hour to survive this shame and this stain on my honour.”
As he spoke rolled down on his beard hot tears of anger and sorrow.
“I will carry my banner to death through ranks of the insolent foemen;
Ah! as God is my help, I will never return from the battle,
By Him who, weeping for us, died on the tree like a felon.
Let us break the van of these slaves. Advance, Sir Knight, with my banner.—
Ye all are my vassals and friends,” cried the king, as he smothered his sorrow;
“Ye will not refuse the request of an old man weary and broken:
I fain would strike with my sword, if only one blow, in this contest;
'T is better to fall in the field than to die with one's head on the pillow.
Tie my steed's bridle to yours, and lead me first with my banner.”
Then two of the stalwartest knights tied their three bridles together,
And slow, and silent, and sad they rode down the hill to the valley.
IV.
“My son, any tidings of him?” said the king, as an archer came running,And fell at the feet of his prince, wounded and feathered with arrows.
“How goes the battle below—where is my son and his horsemen?”—
“Ha! by St. Ives and St. Giles, and the crown of our Lady in heaven,
Schwartzhof and Hoffmann are dead, and half the stout troopers of Binzlau.”—
“And my son?” “By the road that turns hard by the neighbouring valley,
I saw him lopping his lance four feet from the wood of the handle,
Doffing the spurs from his heels, and standing at bay 'mong the hunters;
His eyes half hid by the plumes that covered his brow and his forehead;
He had stripped his trappings and gems, his helm was dinted and cloven,
His sword was clotted and dark, and dark was his visor and armour,
His red beard tangled and long fell on his breast and his shoulders;
His right hand wielding an axe, was cleaving a road through the archers;
Mowing a path to the tents; he trampled the dead and the dying,—
Seeing my armour and badge he waved me a proud salutation.—
So through flights of great stones, 'mid the terrible roar of the engines,
Through thrustings of lances and blades, and sweepings of two-handed falchions,
Through cleavings of gorgets and shields and clouds of gathering banners,
Through shriekings, groanings, and cries, and curses, and moanings to Heaven,
I came to render thee aid, loving thee chiefest of any.”—
“Go,” said the monarch, and sighed. “Thou hast home and a child to inherit.
My son is no traitor, thank God! but died in the heart of the onslaught;
I am now childless and old, and life is to me but a burden:
Go tell the monarch of France how the chief of Bohemia perished.”
Then slow and silent and sad the old blind king and his courtiers
Bound all their bridles together and rode down into the battle.
V.
Deep under mountains of dead, gashed, and smitten, and trampled,The heralds searching the field, counting the banners and scutcheons,
Found the corpse of the son pierced with arrows and lances;
Above him the old man lay, the old blind King of Bohemia,
One arm round the neck of the youth and one on a gash in his forehead.
The Black Prince pausing to watch the heralds seeking the banners,
Bent, and plucking the crest, the three white plumes of the ostrich,
Placed them, spotted with blood, in the battered peak of his helmet.
The Great West Window.
AN OLD CATHEDRAL LEGEND.
How proud was its painter, Father John!
The watchings by night at the furnace door,
The long days' ponderings, all were o'er;
The fires were quenched, and the fluxes and paints,
The tracings of monarchs, and prophets, and saints
Were rolled and labelled, and hidden away,
And life for Friar John was all holiday;
His brushes were thrown in the nettly croft,
And so was the palette he'd used so oft.
But when he saw that shining rood
Glow like sunset seen through a wood,
There rose in his soul a wicked pride,
And his heart beat quick with a fuller tide,
Nor thought Friar John, as his work he eyed,
If God in that work was glorified.
Blooming with an eternal spring
Of jewel colours and precious dyes,
Deep and rich as the western skies
Such as the depths of the forest hide;
Lapis-sapphire for martyr's robe;
Scarlet for Herod's fiery pride;
Ruby for Michael's flaming sword;
Golden splendour for crown and globe
Of David, the chosen of the Lord;
Amethyst, emerald, peacock's dyes,
At summer sunsets, and hues of flowers
That start up purple after the showers—
The rose's crimson and iris bloom;
Sunny lustres and topaz gloom,
Encircling a pale sad face,
A glory lighting it shed from skies
That shone like God's own dwelling-place:
And all these burned and melted so,
That there was within a kingly glow,
A pulse of light, a life-blood flowing,
Its varied colours ever showing.
As in a mirror, he saw upraised
The veil that hides the spirit world,
And the dim curtain slowly furled,
Showing behind that crystal wall,
Fiends that danced and mocked at his fall,
Wild monsters beaked, and fanged, and horned,
Goblins that him and his glass saints scorned,
And sneering Satan above them all.
But Friar John prayed full loud and long,
And chanted many a holy song,
And read his vesper service through,
Ave and Pater not a few,
Till heaven opened, and angel and saint
Came to comfort that sinner faint
With prayer and promise; and now again,
With purer eye and calmer brain,
He looked, and through the coloured screen
That parted earth from heaven's serene,
He saw, through flushes of rainbow dyes,
The opening gates of Paradise.
The Monk and the Water Spirit.
From hawthorn branches drifts of snow,
Driving the bees in a cluster forth,
As the loud wild breath of the wintry North
Scares the rooks with its warning shout,
When it tosses the nests in the elms about;
And the tree, a prey to the rude storm's teeth,
Falls and crushes the kine beneath;
And the rough blast down the chimney bore,
Startles dull sleep with its muffled roar.
And sailed through the flower-stalks round about;
While some steer back to their secret hold,
Laden deep with the liquid gold;
Up in the vaulted blue so high
Sings the lone hermit of the sky;
And like the nuns that heed not Spring,
Their ceaseless psalms the throstles sing;
The sparrow, that 'mid the long grass feeds,
Shakes from the blade the dewy beads.
Came a lone monk, chanting a Paternoster;
His rosary hung from his long thin arm,
He wore a crown of the faded palm;
The moss was soft to his sandalled feet,
As seraph's breath the flowers smelt sweet.
Hollow and worn, and meagre and wan,
Was the sunken face of that childless man.
He saw the young birds 'mid the boughs,
With a dull, sad aching throb his brows.
Yet knows God's sweet dew nourishes them.
The clouds drift past by twos and threes,
No leaf stands single on the trees;
The doves together stem the wind,
One common nest they seek and find;
The hollow murmurs of their note
Like echoes through the branches float.
The very insects swarm together,
And dance amid the sunny weather.
The wind seems to him the devil's howl.
But the bird's song rises an angel's prayer,
Cleaving the blue and crystal air,
Until it reaches God's throne above,
And fades in ecstacy of love.
Visions of Paradise he weaves;
And from the bright page on his knee
He chants a solemn Litany.
Came he to this lonely coast;
He did not come for doles, for alms,
From hot Egypt and its palms,
But for the blessed Jesus' sake,
To the shore of Breddyn's reedy lake.
Many a Candlemas fled past,
Many a Yule has followed fast,
Many springs have passed away,
Many a morning grown to day.
A fawn stepped forth from out the shade;
A wreath of flowers was on its neck;
It came unto the lone monk's beck,
And lead him slowly through the wood
To where a broken cross there stood;
And in a valley girt with trees,
That waved and beckoned in the breeze,
He sees a lake spread broad and clear,
A lake he never knew was here.
Like a thought of joy in a lover's dream,
A lady, pale, but O how fair!
Like wavering moonlight fell her hair,
And o'er a breast would shame the snow,
In torrents rippled to and fro;
Her eyes, as dark as winter night,
Grew radiant with a starry light;
She spoke not, but she smiled and signed,
And music filled the forest wind.
Its shrinking leaves in its silver cup,
She slowly sank into the flood,
Not like a mortal of flesh and blood;
And through the reeds, like a parting dirge,
The low wind-murmurs creep and surge.
Once more she rose, she held a crown,
And smiled no more, but a cruel frown
Lit up her face as she stretched her hand
To the monk, who stood on the reedy sand.
The choicest boughs from the trees they pluck;
They trampled down the tangled flowers,
And drove the fawn from its ferny bowers;
When they reached the lake they saw on the bank,
Dead in the lake where the heron drank,
The long-robed monk, and his white beard floats
On the tide-like weeds; while mournful notes
The weeping willow sighs, and grieves
To the waves that kiss its drooping leaves.
The Dead Bride.
The scarfs flow crimson billowing out,
The silver trumpets sounding loud,
The people cheer with hearty shout:
Beneath the gilded canopy,
In mournful beauty and in pride,
Followed by lords and ladies,
Paces the royal bride.
The sea-god holds his trident up;
Fast from his horn the bright drops pour,
Like silver pieces from a cup.
The goddess of the place is gone,
She heads that royal train to-day,—
The fruit may fall in sun and shade,
The flowers may bloom for whom they may.
Bring out the silver plate and gold,
In every room the tables set,
With jewelled cups for young and old.
The conduit's running red with wine,
The minster bells are mad for joy,
Yet not a maiden seems to smile,
Nor laughs one single merry boy.
A thunder-cloud is on his brow,
As now beneath the city gates
Again the silver clarions blow.
How like a conqueror he walks
Living above the crowd, apart,
More like the burner of a town
Than he who wins a woman's heart.
A fierce oppressor of the boor,
A man relentless, hard, and bad,
Who grinds the pale face of the poor.
They say that she was sold to him,
Torn like a wild dove from its nest;
They say she fades, like April snow.
'T is a hard fate—but God knows best.
Is white with flowering May;
The sunshine paves the road with gold
This radiant holiday.
The little birds their ceaseless hymns
Are singing in the sky,
Only one cloud is rolling white
Through the blue sea on high.
With curtained litter wait,
And watchful spearmen guarding stand
Outside the western gate.
Then in that little silken nest
The bride is onward borne,
With clang of steel and clash of brass,
And merry-sounding horn.
No paler were the bride;
It seems as if it were a vault
To which she deigns to ride.
In vain the grim king whispers
Rude warnings in her ear,
She greets his jesting with a sigh,
His soothing with a tear.
Before the bridal train,
White May-flowers frolic horsemen
Over the lady rain.
Fair boys, with angels' voices,
Sang hymns to love and Spring,
Glad thousands shouted welcomes
That make the green woods ring.
And tenors silvery shrill
Singing, and all together,
As the train wound over the hill.
But whether it was hill or moor,
Or whether it was dale,
The bride was ever silent,
The bride was ever pale.
“What mean ye thus to ride
With a golden glare and a trumpet blare,
And all for a dead-cold bride?”
The horsemen stopped in anger,
And crowded to the front;
The bridegroom looked still sterner
Even than he was wont.
The banners were furled down,
The rear ranks thought the vanguard
Had reached the royal town.
The ranks were broke—they drew apart
The curtains gold and red,—
Beneath the canopy there lay
The young bride pale and dead.
And knelt by her dead side;
“Thou, Death, hast wedded her to me,”
He in his anguish cried.
“Kill him!” a hundred voices
Shouted; and in a breath
He seized the cold hand of the corpse.
And with her welcomed death.
The Legend of St. Vitus.
In the mid Summer, came an anchorite,
Pale, shrunk as any corpse, thin, lean, and blanched,
From dwelling in the tombs deep from the light:
Tall, gaunt, and wan, across the desert sand
He strode, trampling on avarice; by his side,
Licking his hands, two dappled panthers paced,
With lolling tongues, and dark and tawny hide.
The minarets arose like long keen spears
Planted around a sleeping Arab's tent.
The Saint's attendants pricked their spotted ears
When the Muezzin, with his droning cry,
Summoned to prayers, and frightened vultures screamed,
Swooping from the gilt roof that glittered in the sky,
Or the tall parapet that o'er it gleamed.
Grave turbaned men, weighing out heaps of pearls,
Around a splashing fountain; wafts of myrrh
Rose to the curtained roof in wreathing curls,
And Abyssinian slaves, with sword and bow,
Watched at the doorway, while a dervish danced
In giddy circles, chanting Allah's name,
With long lean arms outstretched and eyes entranced.
And struck the dervish silent with a blow
That loosened half his teeth (the infidel!),
And tossed the censers fiercely to and fro;
Then sang, defiant of the angry men,
“How long, O Lord, how long?” and raised his eyes
To the high heaven, praying God to send
Some proof to them from out those burning skies.
With steel and bowstring, swift to choke and bleed,
The Saint drew forth from underneath his robe
A Nubian flute, carved from a yellow reed;
So wild and wayward that, on either hand,
Straightway perforce the turbaned men began
To whirl and circle like the wind-tossed sand.
A mosque, with many domes and cupolas,
And roof hung thick with lamps and ostrich-eggs,
And round the walls a belt of crescent stars.
Towards the Mecca niche the worshippers
Bent altogether in a turbaned row;
So, seeing this idolatry, the Saint
Struck the chief reader twice a sturdy blow.
With sabres drawn, upon the holy man,
To toss him to the dogs. The panthers still
Kept them at bay until the Saint began
Upon his flute to breathe his magic tune,
Such as the serpent-charmers use to charm
The sand-asps forth, and straightway priests and flock
Began to circle round; and free from harm
Where in divan he and the Vizier were,
Girt with the council of the rich and wise,
And all the Mullahs who his secrets share.
There he raised up the crucifix on high,
Spat on the Koran, cursed Mohammed's name,
Took the proud Caliph's turban from his head,
And threw it to his panthers. Fire and flame
The candle comes unguarded; swords flashed out
By twenties, and from inner court to court
Ran the alarm, the clamour, and the shout.
The Saint, unmoved, drew forth his magic flute
(It was the greatest miracle of all),
And, lo! the soldiers, counsellors, and slaves
Swept dancing, fever-stricken, round the hall.
Round went the Vizier, raging as he danced.
Round went the archers, and the sable crew
Tore round in circles, every one entranced
By that sweet mystic music Heaven sent;
Round, round in ceaseless circles, swifter still,—
Till dropped each sword, till dropped each bow unbent.
Glided unhurt, and sought the market-place,
Where dates rolled forth from baskets, and the figs
Were purple ripe, and every swarthy face
Was hot with wrangling; and he cursed Mahound
Loud in the midst, and set up there his cross,
O'er the mosque gate, and wailed aloud a psalm,—
“Let God arise, and all His foes confound.”
Shouted, “Slay, slay the wretch!” and “Kill, kill, kill!”
And some seized palm-tree staves and jagged shards;
In every eye there was a murderous will,
Until the Saint drew forth again his flute,
And all the people drove to the mad dance,
With nodding heads and never-wearying feet,
And leaden eyes fixed in a magic trance.
They fell in swoons and fevers, worn and spent.
Then the stern anchorite took his magic flute,
And broke it o'er his knee, and homeward went,
Tossing the useless tube, now split and rent,
Upon the sand; then through the desert gate
Passed, with his panthers ever him beside;
And raised his hands to heaven and shouted forth,
“Amen, amen! God's name be glorified!”
Guido's Model.
Sat one pleasant Summer afternoon
('T was the old Farnese's sumptuous palace).
The walls were blazoned with the gilded moon
In crescent, and sweet tangles of those flowers
That blossom into faces, while birds play,
Fluttering from twig to twig, and lizards run
Below, and jewelled beetles crawl from spray to spray.
Stood open for the vine to ramble in;
The birds were in the garden down below;
The silver-columned fountain, tall and thin
As a magician's wand, rose in the air;
Great yellow clouds, laden with sunshine, passed;
The sky, one flawless sapphire, floated there.
Quietly painting that pure, gentle face
You've seen in lonely chapels oft and oft;
Calm, sweet, and radiant, with a saintly grace;
Chaste as a virgin martyr glorified;
Without one thought of earth, pure as the snow
Upon the Alp-peak, with no stain of sin
Sullying her form, save where one rapturous glow
The dove-like eyes were all intent on heaven.
A Sabbath sanctity was in the air,
And not one glare of Passion's burning leven.
Where was the proud and dark-eyed beauty then,
The painter's model? Where the peasant girl
All love and happiness? Where, then, was she
With throbbing bosom and with lavish curl?
Facing the central window, dozed or prayed.
Her cheeks were wrinkled leather, and her hair,
In one grey half-starved knot of grizzled braid,
Crowned her old nodding, semi-palsied head.
Her breviary was resting on her knees,
Nor recked she what the chiding painter said.
His scarlet gown and robes of cobweb lace
Trailed on the marble floor; with convex glass
He bent o'er Guido's shoulder; soon his face
Grew wistful, and then curdled to a smile,
As he beheld the crone, and looked again.
“Where is thy model, Guido?” Guido said,
“I keep her, cardinal, locked up in my brain.”
The Apparitor of the Secret Tribunal.
ALBERT DÜRER'S AGE.
He could not hear me for the beat
Of his strong hammer rivetting
The gold that needs but burnishing.
(I trod with stealthy velvet feet.)
The gilded gorget all but done,
One furbish of the blazoned sun—
Of the keen biting file, one rasp—
Of the close pincers, just a grasp.
He roused the furnace; fierce, though slow,
The fading coals began to glow;
The dark and light in pulses came.
I dropped the roll, and when the flame
Came roaring back—I was away.
We meet again—perhaps to-day.
Beside his work of twenty years;
His palette cracked and underfoot,
His canvas wet with passion's tears.
Behind a screen I stood to mark
The sequel of his hopes and fears.
Grinned at his master's lust for fame.
The Titian Venuses laughed round
From painted ceiling where they're bound.
He fell asleep. I thrust the band
That tied the roll into his hand.
A pimp was whispering in his ear;
The Seven deadly Sins stood round,
His mistress and his monk were near.
He spurned a peasant with his foot,
And all the courtiers laughed to see.
I smiled, but longed to show the scroll
Would spoil their grinning revelry.
Then with the crowd I knelt to kiss
The great man's robe, and in his sleeve
I slipped the thing. I saw him start,
A coward, smitten to the heart.
(We meet before to-morrow eve.)
But I was gone ere he could cry,
“Ho! Switzers! stop that villain spy!”
Aflame with candles, line on line;
The incense hid him; crossed with gold
His vestments were. I groped my way
Through mists of myrrh, to kiss his hand,
The foremost of the kneeling band;
And while the holy father turned
To where the lighted tapers burned
To bless the people, in the Pyx
I slipped the letter sealed with red—
I laughed to see his solemn tread,
His silver bell, his cross of gems,
His bows, and all his holy tricks,
His gold and ivory crucifix.
I stayed, under my hood to see
The end of all that mummery,
And just as belfries knelled the noon,
I saw the good man reel and swoon.
A triumph filled his fading eye;
Upon one hand there fell a light,
He knew not that a friend was nigh.
A golden scum was rising fast
Within his urn of tepid glass:
A crucible with crimson oil
Began to seethe, and hiss, and boil.
He now was lord of earth and heaven,
He trod on kings—(a juggler's dream);
He saw the vassal monarchs pass,
Hailing him sage and lord (the ass!)
I threw the warning letter in,
And left the fool to guess his sin.
Of the park terrace, blithe as May.
The mole creeped out to hear the boy;
The hawk beside him dropped his prey;
The bees grew silent in the flower;
The thorn-bush shook its snowy shower
For pleasure; rabbits came to feed
Around him, on the crop-eared mead.
I tied the notice to his hook
While he was poring o'er his book,
Heedless of float and rod—in dreams
Of Luther and his devil schemes.
The jester teazed the kingly bird;
The children, on the terrace walk,
Were playing with a giant sword.
The baron smote his tardy grooms,
Cursed the old steward, called for wines,
And frowned—when red upon the wall,
As red as blood, the sunset shines.
It passed—night sponged it out—ah, would
Time could erase a stain of blood!
I bribed the jester with a gaud
To hand my letter to his lord.
Waiting for news from Helvoetsluys,
To say his ship, in spite of gales,
Had reached the port without a bruise.
Each moment turned his bloodshot eyes
Were weighing treasure saved from sharks,
From reef and galley, Turk and Jew,
From tempest, leak, and whirlpool blue.
Just as the windows darkened there,
I set my foot upon the stair.
“Arrived from Holland—safe—a prize,
Good tidings of the two Allies.”
I push the letter underneath
The cheating villain's chattering teeth.
He calls, impatiently, “A light!”
It comes—but I am out of sight.
I sought the leper in his hut,
Darkened with nettles: he, the boor,
The poorest of the vilest poor,
Stood groping in the slimy fen
For leeches for the fevered men
He dwelt with—doling out a hymn.
He stooped and toiled—good Lord! to see
One happy in his misery.
Such fools and slaves this heresy
Beguiles. I slipped into his creel
The warning of the rope and steel.
That one night's summonses will bring.
It's thus we catch the toad and eft,
And clear religion's tainted spring,
Purging the air with fires and fires,
Till, beacon-like, these ceaseless pyres
Shall burn away the Lutheran mist,
And show man heaven. Peace has kissed
Righteousness long enough, I wist.
The brutal baron, and the sage—
His gold dissolved; the armourer—
His work all done—upon one stage
The merchant and the alchemist—
Gold-winner and gold-maker. See
The men in black—the rope and steel,
The straining rack, the bruising wheel,
The torture-water, and the vaults
Where fools throw bloody somersaults;
So deep, no tell-tale groan can rise
To God, who watches in the skies,
With smiles, these scourgéd heresies!
All shaking in a row, before
The three, the ten, the six, the four,
The cross-swords, angle, star, and eye,
The open book, the mystery.
We meet—they come this very eve;
But when go hence?—nay, by your leave.
The Ride of Nostradamus.
SCENE, PARIS.—TEMP. 800.
Came to chide the wicked king;
Threw into his foolish lap Normandy's red cancelled map,
Told him of his woes—the spring.
Ludovicos the Wicked spurned, as his beard he champed and churned,
The gold footstool at his feet;
Nostradamus, with a frown, broke in two the royal crown,
Crying, “Fool, thy fate is meet!”
Lifted up his ivory rod;
Smote the old man, bent and weak, on his thin and withered cheek.
“Is our juggler turned a god?”
Nostradamus at the gates mounts his horse that champing waits—
What a red scar on his face!—
Rides through Paris hot in anger, with an iron din and clangour,
Heaping curses on the place.
Lightnings shrivel up the dead!
Hear me, beings of the air, wheresoever now ye fare,—
Melt the gold crown from his head!”
As the angry wizard spoke, witch-fogs rose as thick as smoke,
Drowning all the roofs and spires:
Through these mists like arrows passed, hot and eager, fierce and fast,
Lurid shafts of sudden fires.
For an earthquake shook the street;
At the clatter of his hoofs, spectres danced upon the roofs,
Voices answered deep and frequent underneath our trembling feet.
“Water-demons, livid blue, river rapids looking through,
Drive your corpses down the fords!
Mine and Salamander kings, with your fiery throbbing wings,
Smite with fevers as with swords!”
O'er the roofs of Notre-Dame;
Shooting stars fell sheaf by sheaf, like the Autumn's dropping leaf,
Raining as the darkness came.
Then the listening weathercocks, perched above the turret clocks,
Clapped their golden wings and crowed;
Up the stone king on the bridge leaped from frozen saddle-ridge,
Where for centuries he rode.
All the blood-red royal martyrs in the golden sheets of glass
At the eastern window glared—even Pontius Pilate stared,
Seeing Nostradamus pass.
Withered bishop on his tomb, praying for the knell of doom,
Rose erect, and slowly lifted crumbling grave-clothes from his face;
Cross-legged old crusading knight sprang impatient for the fight,
With the devil-army crowding to the Jewish battle-place.
All the bells began to clash;
Every giant beat his mace on the well-worn hollow place
With an anger mad and rash;
Every clock began to strike any hour it seemed to like—
All the wheels were on the buzz;
Every hand was on the move, every weight ran in its groove,
Fit to chafe the man of Uz.
All the silver fish stared there,
Looking up with wondering mouth, whether you gazed north or south,
Gaping for both speech and air.
As he threads the city gate, where the stone gods sit and wait,
Down they hurled their marble globes.
Have you seen—has any one—how the eighteen-pounders run?—
Thistle-down against his robes.
On the roof and in the tower;
Whizz! they flew in frightened rout, from the church bells round about,
Where with hoots they count the hour.
With a shrieking yell and bark, every hound awoke the dark,
Tugging fierce at kennel-chain;
Yellow-toothed and carrion rats woke the miller's sleeping cats
By their squeaking in the grain.
Scaring sleeping citizen;
Nightmares, many-hoofed and red, trod and trampled on the bed
Of the beggar in his den—
Woke him by a dying scream from a cruel suffering dream:
Many naked rose to pray.
Comets with a crimson glare blazed across the troubled air,
Till the night was bright as day.
Wrath and curses dire and dark;
Thunder, with its blasting boom, split the blesséd martyr's tomb;
Lightnings splintered on St. Mark;
Fire ran fast along the ground, darkness dismally profound
Covered Paris—pomp and pride;
Children, though unborn, might rue that dread curse that blighting flew:—
Curse not wizards when they ride!
And the doom had come indeed:
Wicked Louis, gashed and red, lay upon his battle-bed,
Careless of his realms that bleed.
Now the moral of my tale: Let the wise man never fail
To respect a wizard's age,
Never pull his reverend hair, never mock him with a stare:
Dreadful is the wizard's rage!
The Jester's Passing Bell.
A LEGEND OF THE REIGN OF FRANCIS THE FIRST: DURING WHOSE REIGN THE “BLACK DEATH”—AN INFECTIOUS SPECIES OF PLAGUE—RAVAGED BOTH ENGLAND AND FRANCE.
NOON.And his cat-soft velvet foot,
Comes slipping between the grey beech trunks
And over the green-mossed root:
Now with a cuckoo's double note,
Now with the white owl's hoot.
Of Indian scent and lustre,
Are where, at dusk, the nightingales
Do most delight to muster.
But now the sunshine's golden darts
Do such shy creatures fluster.
Comes where the fountain leaps,
Waving its snowy feather
O'er its shadow as it sleeps,
Where the elm its mount of whispering leaves
In summer richness heaps.
Are gay with lords and ladies;
The royal peacock struts i' the sun,
The blackbird sings where shade is;
The bloodhound, basking by the gate,
Of page nor groom afraid is.
Tolling his silver bell;
(None know the meaning of the thing,
Or how it so befell,
Nor think he does it bodingly,
Calling to heaven or hell.)
Are seated in divan,
Or ladies tired in velvet,
Each with a silver fan.
The Jester tolls o'er the charts and maps
That cover the red-lined plan.
For to-night the yellow mask,
The Jester's death-bell tolling
Frightens her from her task.
She fears to question Bobinel,
Nor his meaning dares to ask.
So trips the crazy creature,
And death in every feature.
It was somehow ominous of ill,
And something above nature.
Of the broad terrace lingers,
Touching the cord of his boding bell
With lean and shrunken fingers,
There comes from a distant tower the voice
Of the requiem's hooded singers.
Each in her gold-net caul,
Working on tapestry, fit for a queen,
“The death of the Prophet Paul.”
Quoth he: “This Jew that you build of thread,
Will laugh at the world when they've buried us all.”
The steward counts and reads;
Before him lie three open chests
Brimming with title-deeds.
Quoth he: “This parchment lasts for years,
And life-long mischief breeds.”
In the merry tilting-ring;
Where frightened dames, half laughing,
Unto their lovers cling;
Where pages whisper messages
With low and bated breath,
Bobinel, with his silver bell,
Announces—the King—Death!
NIGHT.
At the royal palace gate;
There were groans in turret chambers,
Where all was pomp and state;
There were frozen faces on gilt beds—
That warning had come too late.
By men veiled fold on fold;
The city was full of cries and moans,
There was nothing bought nor sold;
The graves were gaping everywhere—
Too late had the Jester tolled.
The Lady Witch.
The fatal hour was slowly looming,
The sky grew coffin-black, the tomb
Was gaping for her: she must die.
The term the devil's bond laid down,
Had run: good angels on her frown.
A long good bye. The forest flowers
No more for her on dewy showers
Must nightly feed. The clouds were furled
That floated o'er her as she walked:
She went to let her subjects free,
Enslaved for that long century.
That lit the rosy balmy air,
Shed on her blanchéd cheek, once fair,
False hues that seemed to make her proud,
As from the wood that lady came,
And laughed to see the fountain gay
Shower pearls in wantonness away.
The moon at midnight, stay the bird
In the mid-sky, yea! chill the lips
Of the hot devil. It was heard
By the cold figure of the fountain god:
He dropped his carvéd marble horn,
And trembled as she laughed in scorn;
Shook as if driven by the wind,
As fierce against the elm-trees' rind,
The water, with a banner's gleam,
Flew silvering out, and then sank back:
Now, when she turned towards the south,
Broke murmurs from his marble mouth.
Up to its topmost leaf and spray;
All its rude branches bent one way,
Casting snake shadows in the brook—
Dark winding shapes that writhed about:
The very roots beneath the ground
Were shuddering at that magic sound.
And pale drowned faces crowded up,
Like bubbles in a brimming cup:
The dead were all at her command:
The ripples ceased, the brook stood still.
She passed—the shadows in her train,
And all was life and joy again.
Which waved as when the breezy south
Kisses the young Spring's rosy mouth,
Drying the fretful April showers;
Through the tall grass a murmur ran.
She passed; again the sun broke forth,
From east to west, from south to north.
And sang into her little ear
The angels' secrets. Without fear
The robin, from the beech-tree tall,
Led her confiding to his nest.
Among the sapphire eggs with care
She looked—no magic stone was there.
Gathering behind her in a train
Sad and funereal, as when rain
Darkens the sun. She spoke a name.
That made them follow—none refused—
Formless and dark: they are the shapes
That mock at man—our sorrows' apes.
The vassal fairies, half afraid,
Creeped out, and at her feet they laid
Rough acorn-bowls of pure dew, sent
From cellars of King Oberon,
And showed her in the half-shut flowers
The black bees cringing from the showers.
And musical with choral throngs,
The thrushes whistled endless songs,
The blue air with their gladness rings.
The very fledgelings on the bough
Chirped, every one, as best they could;
Joy filled the dark heart of the wood.
Grew iris with the coloured mail
Of beetles, glittering horn and tail.
All jewels had their rivals there:
Gold moved about the forest ground,
With glittering emerald and pearl,
And diamond wings that fold and furl.
The amber cloud dissolved in rain,
Then, leaping round her, like a train
Of dancing spirits mad with love,
Sprang the globed diamond-glistening drops.
Down fell the dew that gemmed the larch,
Bright o'er her rose the rainbow-arch.
Three fountains leaped up arrow swift;
As snap their chains the wild beasts bound
Sprang forth the water's silver drift,
Tracking the lark up through the sky;
The silver columns joined the cloud
To earth, so frail and yet so proud.
Grew into slow and tearful song,
Mourning intolerable wrong.
A funeral murmur made the breeze
Sound as of stifling, sobbing words;
Yet every other thing on earth
But that sad wind seemed full of mirth.
Hiding reluctantly the earth;
The Spring day, at that sunshine dearth,
Cowered timidly for fear of ill.
The lady witch's hour of doom
Was nigh she knew, so silent stood
The awe-struck trees in the hushed wood.
She beckoned on the ridgy shore,
Then ceased that wild complaining roar,
And music moved upon the wave,
Rising in solemn symphony.
The very storm-birds ceased their screams,
And floated silent as in dreams.
To roar for her: with foaming lips
The breakers swept like an eclipse
Over the sky and rocks; a tempest lashed
The billows on in legions. Can
Old Neptune tame such steeds as these,
And urge them wheresoe'er he please?
Passed down the hard and level sands,
Wringing her little helpless hands,
To where the first waves, leaping, break;
Then, as a creature bound and driven,
She passed into the whirlpool's hell.
Whither? I may not dare to tell.
The Cavalier's Escape.
Trap! trap! went the grey;
But pad! pad! pad! like a thing that was mad,
My chestnut broke away.—
It was just five miles from Salisbury town,
And but one hour to day.
Rap! rap! the mettled grey;
But my chestnut mare was of blood so rare,
That she showed them all the way.
Spur on! spur on!—I doffed my hat,
And wished them all good day.
Splintered through fence and rail;
But chestnut Kate switched over the gate—
I saw them droop and tail.
To Salisbury town—but a mile of down,
Once over this brook and rail.
Past the walls of mossy stone;
The roan flew on at a staggering pace,
But blood is better than bone.
I patted old Kate, and gave her the spur,
For I knew it was all my own.
And I saw their wolfs' eyes burn;
I felt like a royal hart at bay,
I looked where highest grew the May,
And deepest arched the fern.
One blow, and he was down.
The second rogue fired twice, and missed;
I sliced the villain's crown.
Clove through the rest, and flogged brave Kate,
Fast, fast to Salisbury town!
Thud! thud! upon the sand;
With a gleam of swords, and a burning match,
And a shaking of flag and hand:
But one long bound, and I passed the gate,
Safe from the canting band.
The Legend of the Lockharts.
I
King Robert on his death-bed lay, wasted in every limb,The priests had left, Black Douglas now alone was watching him:
The earl had wept to hear those words, “When I am gone to doom,
Take thou my heart and bear it straight unto the Holy Tomb.”
II
Douglas shed bitter tears of grief—he loved the buried man,So bade farewell to home and wife, to brother and to clan;
And soon the Bruce's heart, embalmed, in silver casket locked,
Within a galley, white with sails, upon the blue waves rocked.
III
In Spain they rested; there the king besought the Scottish earl,To drive the Saracens from Spain, his galley sails to furl:
It was the brave knight's eagerness to quell the Paynim brood
That made him then forget the oath he'd sworn upon the Rood.
IV
That was his sin: good angels frowned upon him as he wentWith vizor down and spear in rest, lips closed, and black brow bent;
Upon the turbans fierce he spurred, the charger he bestrode
Was splashed with blood, their robes and flags he trampled on the road.
V
The Moors came fast with cymbal-clash and tossing javelin,Ten thousand horsemen, at the least, round Castile closing in;
Quick as a deer's foot snaps the ice Black Douglas thundered through,
And struck with sword and smote with axe among the heathen crew.
VI
The horse-tail banners beaten down, the mounted archers fled—There came full many an Arab curse from faces smeared with red:
The vizor fell, a Scottish shaft had struck him on the breast;
Many a Moslem's frightened horse was bleeding head and chest.
VII
But suddenly the caitiffs turned and gathered like a net;In closed the tossing sabres fast, and soon were crimson wet;
Steel jarred on steel—war hammers smote on helmet and on sword,
Yet Douglas never ceased to charge upon that heathen horde.
VIII
Till all at once his eager eye discerned amid the fightSt. Clair of Roslyn, Bruce's friend, a brave and trusty knight,
Beset with Moors who hewed at him with sabres dripping blood—
'T was in a rice-field where he stood, close to an orange-wood.
IX
Then to the rescue of St. Clair Black Douglas spurred amain:The Moslems circled him around, and shouting charged again;
Then took he from his neck the heart, and as the case he threw,
“Pass first in fight,” he cried aloud, “as thou wert wont to do!”
X
They found him ere the sun had set upon that fatal day;His body was above the case, that closely guarded lay,
His swarthy face was grim in death, his sable hair was stained
With the life-blood of the felon Moors, whom he had struck and brained.
XI
Sir Simon Lockhart, knight of Lee, bore home the silver case,To shrine it in a stately grave and in a holy place.
The Douglas deep in Spanish ground they left in royal tomb,
To wait in hope and patient trust the trumpet of the Doom.
The Old Cathedral Organist.
I climbed these dusty, winding stairs
To play the Dean in: how I spurned
Beneath my feet all meaner cares,
When first I leant, my cheek on fire,
And looked down blushing at the choir!
I thought they watched me as I played;
While Palestrina's stern, sad face
Seemed in the twilight to upbraid;
Pale fingers moved upon the keys—
The ghost-hands of past centuries.
Above the door I used to lean,
And watch the puffing crimson hood,
As floated in, full sail, the Dean;
And then, the organ breathing low,
Began to murmur soft and slow.
The solemn prophecy and psalm
Rise up like incense; and I loved
Before the prayer the lull and calm,
Till, like a stream that bursts its banks,
Broke forth brave Purcell's “O give Thanks.”
And thirty stops, as blind men do
The voices of the friends they love,
The birds' song, and the thunder too;
And the fierce diapason's roar,
Like storms upon a rocky shore.
The dusty seat, my old loved throne,
Unto another; and no more
Shall come here in the dusk alone,
Or in the early matin hour,
To hear my old friend's voice of power.
Lying beneath the chancel floor,
In that dark nook I shall delight
To hear the anthem's swell once more,
And to myself shall calmly smile
When music floods the vaulted aisle.
Less skilful than my own was once,
In my snug nest I'll lie, and mark
The blunders of the foolish dunce;
But to myself the secret keep,
And turn me round again to sleep.
The Court Historian.
LOWER EMPIRE, CIRCA 700 A.D.
That shone with a blood-red light,
Just as the sun began to sink;
His vellum was pumiced a silvery white:
“The Basileus”—for so he began—
“Is a royal sagacious Mars of a man,
Than the very lion bolder;
He has married the stately widow of Thrace”—
“Hush!” cried a voice at his shoulder.
Bright as a dragon-fly's skin;
His gold-leaf shone like the robe of a queen;
His azure glowed as a cloud worn thin,
Deep as the blue of the king-whale's lair:
“The Porphyrogenita Zoe the fair
Is about to wed with a prince much older,
Of an unpropitious mien and look”—
“Hush!” cried a voice at his shoulder.
The birds leaped up on the spray,
The yellow fruit swayed and drooped and swung;
It was Autumn mixed up with May.
(O but his cheek was shrivelled and shrunk!)
“The child of the Basileus,” wrote the monk,
“Is golden-haired, tender, the queen's arms fold her,
Her step-mother Zoe doth love her so”—
“Hush!” cried a voice at his shoulder.
All gathered to guard the text:
There was Daniel snug in the lions' den,
Singing, no whit perplexed;
Brazen Samson with spear and helm:—
“The queen,” wrote the monk, “rules firm the realm,
For the king gets older and older;
The Norseman Thorkill is brave and fair”—
“Hush!” cried a voice at his shoulder.
The Night after Culloden.
Moved with its peacock-train,
As the four and twenty fiddlers
Struck up a merry strain.
There was the Laird o' the Willow Glen,
And Sir John of Siller Hall;
Not to forget the Lairds of Fife,
With the Flanders lace and fall.
The crimson and the blue,
Moved solemnly along the room,
Slow pacing, two and two.
Cinnamon coat and claret vest
Wore old Sir Robert Clare,
He had the small-sword by his side,
And the powder in his hair.
With their suspended bows,
When at the gate into the street
There fell three angry blows;
Then, with a bang of folding-doors,
As out flew many a blade,
A stranger came: his red hat bore
The Hanover cockade.
Swords hedged the brave man round;
Swords flashed and glittered past his eyes,
Keen pointed, newly ground.
Ten ladies fainted, twenty screamed;
The satins shook and stirred;
He stood as in the eagle trap,
A crowned and royal bird.
Slipped fiddle in its bag;
The trumpeter with quavering note
In time began to lag;
The dancer, half-way through the dance,
Stopped, listening half afraid,—
Oh, shame for twenty Jacobites
To tremble at one blade!
Waving away the swords,
“Charles Stuart, whom ye call your chief,
With all his naked hordes,
Is routed on Culloden Moor,—
God bless the day of Spring!—
He flies! a price is on his head!
Adieu! God save the King!”
Head up, and chest full spread,
No rebel dared to even touch
The badge upon his head.
The swords drooped down, and on their knees
Some prayed and sobbed and wept:
How franticly towards the door
A dozen Tories leapt!
To ship for Popish France,—
A pretty way for gentlemen
To end a pleasant dance!
You cried “Pretender!” and the blood
Rose hot into their face:
These were the men who, beggar-like,
Filled church and market-place.
To take coach at the door;
They would not stay for stirrup-cup,
But hurried to the shore.
The ferry-boats were filled that night
With muffled men in black,
And every northern road was choked
With horsemen spurring back.
Unto the market-place;
The scaffolds grew around the cross,
Stern was the hangman's face.
All night the sullen hammers went;
And when the day turned white,
They brought the wounded creatures out—
The relics of the fight.
The Statue in the Market-place.
I.
A crumbling statue, old, and rent by many a lightning blow,
Stood—sad and stern, and grim and blank—upon its mossy base;
The woes of many centuries were frozen in its face.
Yet no one knew when he it aped began or ceased to reign,
Nor who it was, nor what it was, could any rightly say,
For the date upon its pedestal was fretted quite away.
And stars above were shining out with many a diamond spark,
It used to cast its giant shade across the market square,
And through the darkness and the shine it fixed its stony stare.
An hour at least past midnight, when the moon was up and clear,
Near to that statue's mouldy base, deep hid beneath the ground,
A treasure vast of royal wealth was certain to be found.
On fountain and cathedral roof by turns eclipse it cast;
Before it fled the pale blue light, chased as man's life by death,
And deep you heard the great clock tick, like a sleeping giant's breath.
II.
A lean and yellow dark-eyed man, Hans Memling was his name;
In scarlet hood and blood-red robe, in crimson vest and gown,
For twenty years, the moonlight through, he'd sat and watched the town.
As yonder stars shot blessed light through the clear midnight air;
When, chess-board-chequered, black and white, part silver and part jet,
The city lay in light and shade, barred with the moonbeams' net.
Rose thick around the market square and its old cloistered walks,
When gurgoyles on the Minster tower made faces at the moon,
The convent gardens were as bright as if it had been noon,—
His Arab books, his bottled toads, his sulphurous fiery trials,
His red-hot crucibles, and dyes that turned from white to blue,
His silver trees that starry rose the crystal vases through.
The letters twined with crimson flowers, the covers golden hasped,
With dripping stills and furnaces, whose doors were smouldered black,
With maps of stars and charts of seas lined with untraversed track.
A skeleton, bound hand and foot, did ever by him sit,
Pale corpses, prisoned all in glass, stood round his chamber barred,
Two mummies at his blistered door kept ever watch and ward.
No spell of Arabic alchemist but he had long since traced;
They said he only stirred the lead, and straight it turned to gold;
And so his wickedness and wealth increased a hundredfold.
On fountain and cathedral roof by turns eclipse it cast,
Before it fled the pale blue light, chased as man's life by death,
Deep, low you heard the great clock tick, like a sleeping giant's breath.
III.
Rippling in silvery lustre the leafy columns down,
They roofed the town-hall fair and bright with bonny silver slates,
They even turned to argent pure the bars of the prison gates.
And thought her angel sisters three had come all veiled in light;
The wild-beast felon in his cell started and thought it day,
Cursing the torturer who, he dreamt, had chid him for delay.
Shone radiant in the blessed light—so radiant ne'er before,
As now began the airy chimes in the cathedral tower
To chant, as with a lingering grief, the dirges of the hour.
And said as plain as Devil-voice or friendly spirit can,
“Go, Memling, dig beneath the base of the statue in the square,
The Secret of all Secret's hid beneath the earth-heaps there.”
First draining off a magic draught from an Egyptian cup,
For he dreamt he saw his room piled full of solid bars of gold,
Great bags of jewels, diamond-blocks, spoil of the kings of old.
Upon the eaves the rain-drop tears in ice-jags shining froze;
His starry lantern duly lit, with cold he crept and shook,
As with his pickaxe and his spade his stealthy way he took.
The Devil, floating o'er his slave, smiled at his puny power;
Hans Memling plied his crowbar fast—the thirteenth blow he gave,
The ponderous statue fell, and crushed the brains out of the knave.
No shadow left to sully it, it spread as bright as day;
At dawn they found Hans Memling, crushed, dead-cold beneath the stone,
But what he saw, and what he found, has never yet been known.
The Pompadour.
All in flower, so white and pure,
Strut the red and yellow lacqueys
Of this Madame Pompadour.
Elbowing the lame and poor
From the chapel's stately porches—
“Way for Madame Pompadour!”
Sigh and hobble, sad, footsore,
Jostled by the chariot-horses
Of this woman—Pompadour.
Wistful for the opening door),
With a rippling sweep of satin,
Sailed the queenly Pompadour.
Glides, so confident and sure,
With her fan that breaks through halberds—
In went Madame Pompadour.
Speculator, lean and poor,
Cringe and shrink before the creatures
Of this harlot Pompadour.
Cries a poet at the door,
Squeezed and trampled by the lacqueys
Of the witching Pompadour.
Sighs a pimp behind the door,
Jammed and bullied by the courtiers
Of this strumpet Pompadour.
Fat and with the voice of four,
Black silk stockings soiled by varlets
Of this Rahab Pompadour.
Fit for monarchs to adore!”
“Clear the way!” was still the echo,
“For this Venus—Pompadour.”
Fly the portals—clocks strike four:
With a burst of drums and trumpets
Come the King and Pompadour.
Swift and the Mohawks.
[In one of his letters to Stella, dated from Harley Street, Swift speaks with angry disgust of the nightly outrages then perpetrating in London by bands of dissolute revellers, who assumed the Indian name of Mohawks, to express their wildness and ferocity. From what we can gather about them, from stray passages in the “Spectator” and elsewhere, it would appear that the Mohawks were in the habit of slitting the noses of poor servant-maids, and enclosing bewildered old citizens, on their way home from their tavern clubs, in prickly circles of sword-points, besides breaking windows with showers of halfpence, ill-treating old watchmen, pulling down shop signs, and doing other wanton and selfish mischief. In the following ballad I have confronted them with Swift.]
Comes at the midnight chime,
Just as above the silvering roofs
The moon begins to climb.
There is something stern about the place,
And sad about the time.
For rebels' heads are there;
The moonshine, now a silver crown,
Rests upon each in the air,
So bright that you can see their eyes
Upon the clear stars stare.
That skirts St. Clement's tower
As high aloft an angel's voice
Is meting out the hour;
And on the street the moonbeams broad
Meridian brightness shower.
With clash of shivering glass;
With bristling swords and flaming links,
That let no watchman pass;
A yellow gown upon a pole
Leads on the drunken mass.
The revellers rush on;
Red smoky whirls of drifting flame
Light faces wobegone—
Such faces only night can show,
Day never on them shone.
The drunken Mohawks shout;
“Unearth, old fox! no preaching now
Will save your bacon—out!
Or we'll slit your nose, and float your chair
Down stream—now, sir, come out!”
Put down the black sedan;
Then out at once—wild beast from cage—
Strides forth a black-browed man,
Who pushes back the line of swords,
And faces all that clan.
Some village priest, no more—
And yet a lion, and at bay,
He daunted all the score;
As, all unarmed, the stern man stood,
Backward the foremost bore.
You fools and knaves by fits;
Who let bad wine creep up and steal
Your poor besotted wits;
E'en now for you the hangman works,
And chain to collar knits!
Your dice and greasy cards;
Back, lazy prentices and thieves,
Back to your Bridewell wards!
Go to the hospitals, and pine
With Blood Bowl Alley's hordes.
For ye the gibbet creaks;
Go, join the highwayman, and kill
The miser when he squeaks;
Or cower around the glass-house when
The penthouse shelter leaks.
Back to your kennels—go!”
(Each bitter word that grim man spoke
Fell like a bruising blow)
“Spawn of the serpent, to your holes!
He calls you from below!”
The sternness of that face;
The banners droop, the tankards sink,
The cowering links give place;
The stuttering mouths, the vacant eyes
Look sober for a space.
Nor dares to brave that eye;
Then, one by one, like snow in thaw,
Melts all that company;
The swords are sheathed, the lights go out,
Hushed is their tipsy glee.
Humming a biting rhyme;
The moon, just now eclipsed, had ceased
To soar, and soaring climb.
There was something stern about the man,
And sad about the time.
Dr. Johnson's Penance.
(Is what I see arise),
Crowded with farmers, ruddy men,
Muffled up to the eyes;
For cold and bitter rain beats fast
From the grey cheerless skies.
Past knots of wrangling hinds,
A burly man with deep-lined face,
Chafed by the churlish winds,
Strides on like dreary packman who
His galling burden binds.
His wig is scorched and worn;
His slouching coat flaps loose and long—
Its buttons but of horn;
The little lace upon its cuffs
Is frayed and soiled and torn.
Of shrinking leaf and flower,—
A day the sun to shine or warm
Has neither wish nor power;
So fitful falls the wavering vail
Of the cold bitter shower.
In chattering dismay,
Like wicked thoughts in sinners' minds
When they kneel down to pray;
He sees them not, for darkness deep
Bars out for him the day.
Seem yawning in the way;
The sun, a mere vast globe of jet,
Bodes God's great wrath alway;
He hears strange voices on his track
That fill him with dismay.
Like demons in the sky,
Watching to do some hurt to man,
But for the sleepless eye
Of God, that, whether day or night,
Still baffles them from high.
Toils on, close covered in;
The pedlar, spite of cloak and pack,
Is drenched unto the skin;
The road to Wroxeter is thronged
With cattle crowding in.
The farmers canter on,
(Sure corn that morning has gone down,
They look so wobegone);
Till now shone out the steeple vane
The sun has flashed upon.
The burly man strides fast;
On market stalls and crowded pens
No eager look he cast;
He thought not of the wrangling fair,
But of a day long past.
Stands towering o'er the stalls,
Where on the awnings, brown and soaked,
The rain unceasing falls;
Where loud the vagrant auctioneer
With noisy clamour bawls.
That laughing rustics fill,
But gazes on one stall where sits
A stripling, quiet and still,
Selling his books, although the rain
Falls ceaselessly and chill.
He stands, head low and bare,
Heedless of all the scoffing crowd
Who jostle round and stare,
Crying, “Why, lads, here's preacher man
Come to this April Fair.”
Holding his swollen side;
Another clacks his whip, a third
Begins to rail and chide,
While salesmen cried their prices out
And with each other vied.
For one long hour at least,
The market women leering said,
“This is some crazy priest
Doing his penance,—pelt him, boys!
Pump on the Popish thief!”
One with raised hammer there
Kept it still poised, to see the man;
The buyers paused to stare;
The farmer had to hold his dog,
Longing to bite and tear.
The stranger strides away,
Past deafening groups of flocks and carts
And many a drunken fray;
The sin of fifty years' agone
That penance purged away.
Or foolish weak regret;
He was a great good man, whose eyes
With tears that day were wet;
'T was a brave act to crush his pride—
Worthy of memory yet.
Charles Lamb and the Chimney-sweeps.
[Of all this great humorist's drolleries, one of the most extravagant was the supper he and some fellow-wits once gave a party of chimney-sweeps in Bartholomew Fair. He describes the feast himself in one of his essays, with irresistible and matchless quaintness. Three tables were set for the black boys among the pens, where, in spite of occasional charges of cattle, the guests contrived, amid all the fun of the fair, to bolt a barrowful of hissing sausages, and toss off countless pots of small beer. The host's fun consisted in keeping up all the forms of a ceremonious festive dinner, much to the astonishment and amusement of the black brothers. I here beg the spirit-rappers of the metropolis to apologize to the ghost of Southey for my indirect parody of his admirable “Battle of Blenheim.”]
The penny trumpet blew,
Yet nought disturbed the boist'rous mirth
Of that young sable crew—
I know not what the month might be,
But 't was the fair of Bartlemy.
Entranced the bumpkins' eyes,
As yet unmarred by tears or blows,
And of the natural size—
I know not what the month might be,
But 't was the fair of Bartlemy.
Were sounding on each hand,
The flabby, bragging drum tried hard
To drown the rival band—
I know not what the month might be,
But 't was the fair of Bartlemy.
The festive day had come;
Smithfield was echoing with the sound
Of showman's gong and drum—
I know not what the month might be,
But 't was the fair of Bartlemy.
You heard the Cheap Jack's shout
Above the clamour of the quacks,
Who duped the giddy rout—
I know not what the month might be,
But 't was the fair of Bartlemy.
The sausages were hissing;
The fat cooks, ruddy faced, were there:
No sable guest was missing—
I know not what the month might be,
But 't was the fair of Bartlemy.
The guests all jetty black;
The beer was frothing in the jugs,
Of nothing there was lack—
I know not what the month might be,
But 't was the fair of Bartlemy.
Watching each youngster's mouth,
With careful eyes and ready jug
Anticipating doubt—
I know not what the month might be,
But 't was the fair of Bartlemy.
Half-burst or underdone,
Back to the pan he hurried it,
Bidding the fat cook “run!”—
I know not what the month might be,
But 't was the fair of Bartlemy.
And, “Silence for the Chair!”
And “A song from Master Rattlebrush
To celebrate the fair”—
I know not what the month might be,
But 't was the fair of Bartlemy.
The Golden Age again
Come back, with love, and hope, and trust
Exulting in its train—
I know not what the month might be,
But 't was the fair of Bartlemy.
“The brush above the laurel,”
“The cloth,” “The gentlemen in black,”
Then, for relief, a carol—
I know not what the month might be,
But 't was the fair of Bartlemy.
Put on the “grand monsieur.”
With “Gentlemen, I pray your leave,
This beer, I fear is new”—
I know not what the month might be,
But 't was the fair of Bartlemy.
Scaring the negro night;
They rose, the conclave, with a shout,
Exuberant with delight!—
I know not what the month might be,
But 't was the fair of Bartlemy.
These urchins black were seen
Poking their heads through chimney-pots,
Their white teeth glist'ning clean;
Forgetful of their feast, maybe,
And of the fair of Bartlemy.
The Death of Winkelreid.
BATTLE OF SEMPACH, JULY 9, 1386.
And farmers gazed with pride and joy upon their ripening crops,
The watchmen on our tall church towers, looking t'wards Willislow,
Saw the stacked barley in a flame, and the wheat-fields in a glow.
With lance, and bow, and banner spread, a dire revenge to take.
On Monday morning, when the dew lay bright upon the corn,
Each man of Sempach blew alarm upon his mountain horn.
The reapers threw their sickles down, and ran to join the fray;
We knelt and prayed to Heaven for strength, crying to God aloud;
And lo! a rainbow rising shone against a thunder-cloud.
Warriors of Uri, strong as bulls, were there among the rest;
The oldest of our mountain priests had come to fight—not pray,
Our women only kept at home upon that battle-day.
The chamois hunters, lithe and swift, mingle together there;
Rough boatmen from the mountain lakes, and fishermen by scores;
The children only had been left to guard the nets and oars.
Where cow-bells chimed among the pines, and far above in pride
The granite peaks rose soaring up in snowy pinnacles,
Past glaciers' ever-gaping jaws and vulture's citadels.
Their burly lances bleak and bare as any winter wood,
Geneva sent her archers stout, and swordsmen not a few,
And over the brave men of Berne their great town banner blew.
With flail, and club, and shrieking horns, upon that Austrian horde!
But they stood silent in the sun, mocking the Switzer bear,
Their helmets crested, beaked, and fanged, like the wild beasts that they were.
We strove to hew, and rend, and cleave that hill of steel apart;
But clamped like statues stood the knights in their spiked phalanx strong,
Though our Swiss halberds, and our swords, hewed fiercely at the throng.
Keen on their visors' glaring bars, and sharp upon their breasts;
Fierce plied our halberds at the spears, that thicker seemed to grow:
The more we struck, more boastfully the banners seemed to blow.
Only the sterner when our bolts flew thick about their ears;
Our drifts of arrows blinding fell, and nailed the mail to breast,
But e'en the dead men as they dropped were ramparts to the rest.
And crimsoned every Austrain knight from helmet unto heel.
They slew their horses where they stood, and shortened all their spears,
Then back to back, like boars at bay, they mocked our angry cheers.
“Out on ye, men of Zurich town! go back and tend your plough;
Sluggards of Berne, go hunt and fish, when danger is not nigh.
See now how Unterwalden taught her hardy sons to die!”
Bore down a sheaf of spears, and made a pathway for our bands.
Four lances splintered on his brow, six shivered in his side,
But still he struggled fiercely on, and, shouting “Victory!” died.
With sword, and mace, and partisan, that struck, and stabbed, and crushed;
Their banners beaten to the earth and all their best men slain,
The Austrians threw away their shields and fled across the plain.
And Sempach saw rejoicing men returning from the fray.
As we bore home brave Winkelreid a rainbow spanned our track,
But where the Austrian rabble fled a thunderstorm rolled black.
The Phantom Ships.
Mere films of cloudy air,
Go gliding past through light and shade,
Through gleams and lustres rare;
Or where the moonbeam's silver path
Sheds glory o'er the sea,
Or where the sunbeam's splendour
Rests in its majesty.
Mere tiny films of gray,
Go sailing, sailing, past the cliffs,
And past the frothing bay.
Are they from East or from the West?
From Turkey or from Spain?
Or but the shadows of dream-ships
Gliding across my brain?
With sailing wings spread gray,
Flaunt forth no crimson pennons
In chivalrous display;
Steer down the channel, past the shoal,
With no rejoicing cheer,
With no resounding cannon,
Nor fire-flash glancing clear.
Of days long since rolled by;
O'er dreamland seas they glide along,
Their gray sails mounting high.
Glide on—glide on! ye shadowy fleet,
And bear your dead away,
Past glistening sands and rampart cliffs,
And little frothing bay.
The Pipers' Match.
HOW FOURTEEN PIPERS PLAYED FOR THE PRIZE OF THE PIPERS' FIELD AT FIFE
Mad Jock the dusty miller;
Daft Wat the witless, baxter born;
Black Rob, a laird with siller;
Red Ranting Tom of Cupar town,
With Sandie Jim the ranger—
Not many played as droll a tune,
And never a lad a stranger.
With grim determination,
As Tom struck up a pibroch tune
With snorting exultation.
Then Sandie Jim blew out the bags,
And his bull chest inflated;
His chaunter's nasal squeak and twang
Proved he was not o'errated.
“The auld Wife's tapsalteerie,”
“The Laird's Farewell,” “Guide night to a',”
And “Eh, the Gloaming's eerie!”
“The Blood-red Feather Willie wore,”
“The Landlord's strapping Daughter,”
“The Blackbird's Song,” “The bonny Wren,”
And “The White Rose over the Water;”
“The Droning dreary Weaver,”
“The Breastknot that my Jeanie gave,”
“The Douglas and the Riever,”
“The merry Bells of old Dundee,”
“The Deil and Simple Sanders,”
My Love is like the red, red Rose,”
And “The Fusiliers' March through Flanders.”
Their wheels raced through a chorus;
The old men, reeking pipe in mouth,
Cried, “Eh, the Lord who's o'er us!”
The grunters set up squeaking;
They stopped the dominie's harangue,
And drowned the bethrell's speaking.
'T was stark night when they ended;
I trow that many a bag next day
Had need to be amended.
All through noonday the fun went on,
Still getting hot and faster;
For every piper knew his art,—
Not one but was a master.
A crown extemporaneous;
Each squeezed his tardy swelling bag,
The chaunters blew spontaneous.
The fourteen pipers played their best
(Yes, two were undertakers);
The man who played the others down
Would win the Forty Acres.
With fourteen butchers after,
Such would have been the sobs and drones,
The squeaks and eldritch laughter.
Oh, up and down the silver keys
Went with a lively rattle,
That drowned the gossips' noisy clack,
And all the children's prattle!
And “The Bush aboon Traquair;”
“My Wife was a bonny wee thing,” sir,
“With the loveknot in her hair;”
“The Bruce's Death,” and “Dumbiedykes;”
“Oh, down among the Barley!”
“The Mermaid's Ballad,” “Caller hoo!”
And “The bonnie House o' Airlie.”
Were never heard in heaven;
Then blazon out like seven;
They'd bray and hiss, and snort and squeak,
Then sham a wild bull roaring,
And all at once spring up like larks
Through April's sun-showers soaring.
Grew every fitful minute;
There wasn't one but you had thought
A devil yelled within it;
A hiss, a spurt, a jerk, a groan,
And then a blurting screaming,
Wild sounds as of a kelpie's dance
Heard in a sick man's dreaming.
When in the bride comes pacing,
And galloping each after each
The merry notes are racing;
You've heard the harvest dancer's song
At midnight growing riper,—
Double the noise, and you'll conceive
The tumult of the piper.
As in the knees were turning!
The swollen cheeks squeezed up the eyes,—
You'd think the keys were burning,
So quick the whistling and the drone,
So quick the touch and go, sir,
As on they played, till out the moon
Seemed all at once to blow, sir.
Saw all the steeples reeling;
The floor, the wall, the stools spun round,
And like a wheel the ceiling;
A witch's dance, the high-backed chairs,
The drawers and oaken table:
The great round world was on the spin,
And everything unstable.
To hear their “Maggie Lauder;”
The rows of fir-trees in the glen,
To the tune of “Over the Border,”
Moved up in rank; and all the fish
Within the brook's sweet bendings
Sprang in the air to hear the jigs
That circled without endings.
That had a horse to ride;
They ringed the moon with eldritch croon,
And yelled and screeched and cried;
Auld Nickie Ben was at their head,
Upon a he-goat straddling:
A witch's broomstick is a nag
That isn't long a-saddling.
And left each flail and shovel;
The leper, tearing rags to strips,
Laughed from his lonely hovel;
The fairies, like a diamond wheel,
Spun round the mushroom tables,
Calling their bonny nags, the bats,
From the rat-haunted gables.
His tune began to flutter;
Then Watty dropped his tiring arm,
And curses gan to mutter;
'T was quite a sight when Ranger Jim
Threw down his gold-laced beaver,
And cried, “The devil take the laird,
The baxter, and the weaver!”
Strathspeys and Tullochgorums,
Farewells and jigs and pibroch tunes,
With all their variorums.
'T was not till Sol had quite burned out
That Rob the laird gave over;
Then Ranting Tom blew out his bags,
And struck up “Jock's in Clover.”
Unto his silver chaunter,
And round and round the Piper's Field
He strutted,—Oh, the ranter!
They led him home, and on his way,
The hills of Kinlock over,
He played the golden moon adown
To the tune of “Jock's in Clover.”
John of Padua.
A LEGEND OF LONGLEAT.
A grave wise man with a dark pale face,
He sat him down with a pondering brow,
And rule and compass to plan and trace
Each door and window, and terrace and wall,
And the tower that should rise to crown them all.
Wise John at his great and patient toil,
At his squares and circles, and legends and lines,
And many a night he burnt the oil,
Till the house with its pillared porch began
To slowly grow in the brain of that man.
With mullioned windows, row on row,
And balustrades and parapets,
Where the western wind should wildly blow;
And cresting all the vanes, to burn
And glisten over miles of fern.
The house arose as out of a dream:
Wide and stately, and tall and fair,
With windows to catch the sunset gleam;
Fifteen fair miles of subject lands
Girdle it round where it proudly stands.
And chapel and turret, and acres of roof,
And porch, and staircase, and welcoming hall,
And gate that would keep no beggar aloof;
Three kings had died since it began,
And John had grown old, and pale, and wan.
His red-lined parchments slowly rolled,
His work was ended—the night had come—
He bound and numbered them, fold by fold;
And sat as gravely in the sun,
As if his toil had scarce begun.
With its shining acres of beaten lead,
Its glittering windows, row on row,
That centuries hence, when he was dead,
Should shine as they were shining then—
A landmark unto other men.
And the great wide porch, like an open hand
Stretched out to welcome, and the tower
That rose like a fountain o'er the land;
And the great elms bosoming round the walls,
The singing birds' green citadels.
In the self-same posture, self-same place,
But the plans had dropped from his thin wan hands,
A frozen smile was on his face;
And when they spoke no word he said,
For John of Padua sat there—dead.
Longleat, the seat of the Marquis of Bath, situated on the borders of Wiltshire, is a beautiful example of the Italian architecture of the Elizabethan age. It took some forty years in building, cost a fabulous sum of money, and was the work of John, an architect of Padua, who also built old Somerset House.
Tintoretto.
(SCENE: VENICE. TIME: THE PLAGUE YEAR.)
Three searchers and three peering shadows came,
Before them and behind them lurked the night,
Save where the torches' wavering yellow flame
Blew backwards, lighting up the stony face
Of some street statue, or a crucifix:
There was no sound, save where, upon a step,
The water lipped, black as the sluggish Styx.
To where there sat upon the water-stair,
Resting one foot upon a piled-up boat,
A man, wrapped all in black, his tangled hair
Hid half his face, who,—crying, “Why! you leave
Your work half done;”—chid rough and angrily;
“Rogues, did not Francia say that Tintoret,
The painter, had a daughter dead? go see.”
Leaped from the stair into the laden boat,
Joining their master. “Time was made for slaves,”
Cried one in jest: “let the dead woman wait.”
And then they quenched each torch, and thrust the bark
Into the fuller tide and Lido way,
Turned the boat's head, and, roaring out a song,
They passed,—those searchers, with their ghastly prey.
Before whose padlocked door a watchman paced,
Sat one beside a bed—the curtains closed,—
Brooding entranced; a picture, half erased,
Before him on the easel; palette, brush,
Upon the floor; one lamp, against the wall,
Cast flickering shadows on the tapestry
Of the great palace doorway, wide and tall.
The haggard, bearded man, so worn and pale,
And tore the curtains back, and set the lamp
By the dead face, and raised the veil
That hid her features, now so saintly calm,
And, with a madman's wild and fevered haste,
Renewed the task that wrung him to the heart,
Muttering, as swiftly the fierce lines he traced,
The harpies snatch this angel from my side,
And leave his proud-eyed girl, with lavish hair
And great white shoulders, to enhance his pride,
And serve round sweetmeats to the senators,
Who flock to him by dozens, to hand down
To ages, heedless of the boon, each vacant face,
Steeped in one dull dark fog of golden brown.
'T is he who sweeps the ducats to his lap.
He paints the Emperors, Cardinals, and Popes;
To him the meanest boatman doffs his cap.
Out on the cunning, envious, wily hunks!
But quick to work before those wretches come,
At the first light, to steal my angel hence,
And tear my darling from her father's home.
And now Maria, her own self again,
My hope and solace, my sweet singing-bird,
The soother of my long and bitter pain,
The sun of this old house, the ceaseless joy
Of this whole quarter, very saint and queen,
Pure as the lily in the virgin's hand.
How calm she lies, how still, and how serene!
She'll smile to see St. Luke my wrinkled hand
Grasp at the golden gate, while Titian takes
The lower seat. I have him on the hip.
That hour will pay for all past checks and spurns;
God grant it dawn, and soon, yes, very soon.
Maria cara, bid St. Jerome come
To see my masterpiece: God grant this boon.
Ranged in their circles all to welcome me.
Maria cara, they will bring a crown
For thy old father,—Immortality
Is won at last! Stop, the cold cobalt light
Streams through the curtains on my dead child's bed.”
There was a wrenching at the padlocked door,
And loud arose the cry,—“Bring out your dead!”
How Lady Blanche Arundel held Wardour for King Charles.
I.
Saw Wardour Castle fair and strong in arms for Charles the King;
The elms were black with noisy rooks, the meadows gilt with flowers,
With rosary of blossoms, Time counted the dying hours.
The grooms were hissing in the stalls, the boys played with the foals,
The Lady Blanche among her maids was busy as the best,
Unconscious that the carrion-crow was hovering o'er her nest.
Was startled by a warning shout from those within the hall,
And down the wind-tossed avenue, from out a storm of dust,
Galloped a wounded serving-man, whose helmet was all rust.
One with a broken sword red-wet, who screamed upon a horn;
And then a rout of flying men groaning and very white,
Each swearing, as he hoped for grace, Cromwell would come that night.
The shepherds brought us news of Strode, and many a troop they'd passed
A moment Lady Blanche turned pale, but soon flushed angry red,
To think old England's golden crown should deck a brewer's head.
The rusty pikes were lifted down from the long ratchet-holds,
Great stones were piled upon each ledge, the guns were duly scoured,
Upon the highest tower our flag of angry challenge lowered.
Ready to shower their fiery lead on frowning Puritan;
And every one got out his scarf and plume to ready be,
For gallant face brave men should wear when danger's on the lee.
The butler, in a pluméd hat, above all others towered;
The very turnspit marched about, with gun and partizan,
As noisy with his threats and oaths as any serving-man.
II.
No primrose of the early Spring was purer to the sight:
The fleecy clouds of Summer dawn move with such stately grace,
Unchanging morning sunshine shone from out her pretty face.
The violet loved to have her tread upon its purple leaves;
Before her gentle presence birds ceased not their carolling;
She shed a tranquil joy on all, as does the early Spring.
And yet, of all that busy hive, she was the fair Queen Bee.
For idleness, or ribaldry, or drunken revelling sport,
Dared never e'en to set a foot within the inner court.
Yet when that evil news with shrieks came sweeping from the west,
And pale-faced fools were pouring in with news of deadly harm,
She changed at once—a sudden storm broke flashing from that calm.
To wring from stone-faced Puritans what Puritans would yield;
She was alone without a friend, yet never thought of fear,
For gathered in her castle walls was food for seven year.
III.
A muffled drum, with mournful throb, sounded upon the breeze;
And dark and slow the Puritans began their leaguer then,
Not in the open manly way of honest gentlemen.
At night they poured the hot shot in where we stood firm at bay.
They scorched our walls, they blackened doors, they splintered roof and pane,
But to the brave old trusty place no entrance could they gain.
Spur round and round old Wardour's towers, like couriers riding post.
Their pikes were thirsting for our blood, yet we were snug and warm,—
All under Wardour's battlements were safe from every storm.
The gall and bile were oozing through his scurvy sallow skin;
He bade us all surrender to this Cromwell, “England's lord:”
The women were to go in peace; the men, yield to the sword.
We drove the crop-ear from the gate, with scoffing laugh and hoot;
We crushed his trumpet, snapped his staff, and set the dogs at him:
Ha! but for Lady Blanche's grace they'd torn him limb from limb.
Till coldest-blooded man of us had battering enough;
'T was butt and butt, and point and point, and eager pike to pike,
'T was foin and parry, give and take, as long as we could strike.
Urging us on with voice and look to scourge this currish band.
She stood amid the fire and flame in the red gap of the wall,
An angel sent to comfort us—the bravest of us all.
Till, oozing out in drops, our strength began to melt away.
We fell asleep while taking food, we scarce had power to load,
Yet even then our Lady's voice woke us as with a goad.
Their bullets upon door and roof fell in unpitying shower;
At last, on specious promises of mercy to us all,
Our Lady Blanche hung out a flag of white upon the wall.
They felled the old oaks in the park with axes keen and sharp;
Unearthed our leaden conduit-pipes, and melted them in bars;
Tore our great pictures into strips, and split the floors in stars.
Yet God had not forgotten us, nor had His justice slept;
For that day week Newcastle's “Lambs” fell on this lying rout,
Shot, piked, and sabred half the troop, and burnt the others out.
The Witches' Ride.
Mount, mount, gossips, and spur away.
Brown bog-rushes, or broom, or crutch,
We've far to ride ere the break of day.
Three times over my drowned babe's grave;
'T is time, my gossips, 't is time to go,
The moon is glittering bright on the wave.
The air is alive with their widening ranks;
Let the seamen beware the sunken shoals,
And the surf that lashes the weltering banks.
Where the thin white rack is gliding;
We will chase our lady, all through the night,
On our horses that need no chiding.
Will be shouldering round and following;
Hark! over our heads the jet-black owl
To the snow-white owl is halloaing.
Is under the mad wind shouting;
Oh! woe betide the Fifeshire bark
That our mocking light is doubting.
Till Edinbro' yonder grows small as your hand,
The steeples no bigger than crisping-pins,
And a long white strip the Bamboro' land.
With the pennons of smoke all blowing one way;
When the stars slink in, and the moon grows pale,
When the sun still sleeps, and the clouds are grey.
And we've far to cross into bonny France;
We fear no shaft in the southern land,
No guard can stop us with sword or lance.
Through the murderer's window, to tempt him more;
And we'll drop a rope near the gambler's bed,—
It will serve his turn when the game is o'er.
Shining to guide us to horse, to horse;
Now then, gossips, we'll mount at once—
For the churchyard ghosts are out in force.
That shall wreck and burn, and smite and slay;
King Satan will smile to hear of our work—
Mount, sisters! we've much to do ere day.
The Last Witch-Burning.
AT FORFAR, JUNE 17---.
A scud of wind-tossed blue,
A drift of vapour, crimson proud,
Shot purple through and through,
Then a scurl of the greys of a wild-dove's wing
With shifting pearly hue.
(The sun in blazoned pride),
They led old Elspeth to the stake,
Her withered hands both tied;
They brought her with a blast of pipes,
As men bring home a bride.
Even the beggar's bitch
Bit at her as she trembling went
To die—“the poisoning witch.”
Patched cloaks flocked with soft scarlet hoods:
The poor as well as rich.
Pelting the blackening mud;
They would not stay to file the bridge,
But dragged her through the flood.
Old palsied hags from windows screamed,
Longing to drink her blood.
Black lines, that widened out,
Of ploughmen running; on the wind
Came curse, and groan, and shout:
But, God! to hear no single sob
Or sigh from all that rout!
To spare the strangling life
That in the vixen moans and barks
Deep in the tumbling strife;
Or ask the Indian Chief to give
Mercy when blood is rife.
Humbly upon her breast,
Walks painfully with bleeding feet,
A rope strains round her chest;
Sickly her watery eyes upturn
To the gallows farther west.
Snow-streaked with wintry years,
Floats out when any gust of wind
Brings billowing storms of cheers;
The rolling mob still screech and roar,
No bloodshot eye drops tears.
The volume to her lips;
Oh! then arose a flame of yells
As when war's red eclipse
Passes. The leaping hangman then
Cried out for “stronger whips.”
Sang far from human toil,—
Miles, miles around the ripening corn
Was in a golden boil;
The bee upon the blue flower swung
In restless, happy moil.
The distant death-bell rung,
And, drowning it, five thousand screamed
The ribald dirge that's sung
When the great King Devil has his own,
And another witch is hung.
Those shrunk limbs to the stake;
Her idiot sisters' thankful smiles
Approve the pains they take,
And all the cruel, mocking care
With which the sticks they break.
The hard-faced hangman fits,
An iron chain around her waist
And round her ankles knits,
As ready for the fire his man
The beech log cleaves and splits.
Into the billet heaps,
Its fiery, serpent quivering tongues
Make eager, hungry leaps;
See the poor creature stretch her hands
To warm them. No one weeps!
A thunder-cloud of smoke,
In one ribbed column tall and black,
Rose thirty feet, then broke:
It blotted out the setting sun
As with a burial cloak.
The mumble of a prayer,
And lo! a shriek, swift, dagger keen,
Sprang up and stabbed the air,
Then just one burning hand that strove
To wave and beckon there.
As when the softening Spring
Breaks up the icy Northern seas,
Melting ring after ring:
Then, rising o'er their guilty heads,
The lark sought Heaven's King.
That rose up to those skies,
High, high above the burning light
And sea of brutal eyes,
The storms and eddies round the stake
Of brutal wild-beast cries?
Of ashes silvery white,
And filmy sparks that broke in blooms
Of fitful scarlet light,
When scudding winds, with fiery gush,
Drove the children left and right.
A child laughed with those bands—
She was the maid the hag bewitched
Upon the laird's own lands;
And when she saw the ash blow red
She clapped her little hands.
Ne'er lit that fire again;
None wore that calcined collar more,
With its griping, throttling strain:—
'T was a cruel deed, and only sweet
To the bigot's blighted brain.
The Young Queen-Wife.
HOW MARGARET OF NAVARRE DISPORTED IN THE LOUVRE GARDENS.
Struggle through mists of silvery water;
All round the yellow blossoms press,
Turning the crystal gold. O daughter
Of France, the darling of the sun,
Thou Valois, royal, proud, and fair,
See how the swan, with arching neck,
Casts snowy shadows everywhere.
The golden shoals of Indian fish
Leap to the surface, lover-like,
Anticipating beauty's wish.
She shakes her jewel-glittering fan,—
They disappear beneath the lilies,
Turning as quick as dragon-flies,
As fickle-swift as Arab fillies.
Queen Margaret runs to race the swallow,
By courtly nodding poplar-trees,
Or through the laurels in the hollow;
And now with pretty angry haste
She flies her little Persian hawk,
Gold jesses on, at butterflies
That skim the level terrace-walk.
Upon the mossy violet bank,
And laughs to swooning at the page
Claiming the jester's bells and rank;
Now mounts her dappled palfrey, which
She governs with a silver thread,
A rope of pearls about her breast,
A Venice tiring on her head.
In madcap caracoles, and turns
Around the pompous Chamberlain,
Until his flap-ear tingling burns;
Then strikes, with wanton page's whip,
The piebald jester Bobinel,
Or at the snowy rings of doves
Fires off her Milan petronel.
Rose effervescing like champagne;
She laughed when sullen Coligny
Told her how hard it was to reign—
How hard to share a monarch's joys,
And yet escape a monarch's sins;
She, mocking says, “Our Admiral
Thinks much too crabbedly of things.
I will, throughout our sunny France,
In every pot a capon boil,
To light the fire break pike and lance;
I banish every sullen face—
Let all who love their Margot smile—
Perpetual sunshine I command,
Believing melancholy guile.”
Blew three times on a silver horn;
And all cried, “Viva Marguerite!
The Rose, the Rose without a thorn!”
She, laughing, bowing, stroked her hawk,
And bade them saddle for the chase,
Trying her crossbow lock—serene
Her candid brow, her happy face.
As full of gambols as a fawn—
Born some May morn, and sunbeam fed,
Child of the sunshine and the dawn.
To see her, when the poet took
His pen to write a canzonet,
Lean languidly against the vase,
Beside the Psyche grandly set!
When she would call him to the dance,
Or with a blossom, playful tossed,
Awoke him from a moody trance.
Her laugh was good as book and bell
To scare all evil things away;
Whene'er she came, she seemed to chase
One-half the shadows from the day.
Her bosom was the sunniest snow—
A lily, Summer-tinged, her neck—
Ivory white her swelling brow.
Oh, she was beautiful!—her skin
Was soft as rose-leaves—fie! her hand
Was white as April's purest cloud—
She was fit Queen for Dian's band!
With such a swimming, dancing light,
They shed a glory when they beamed,
Star-like and excellently bright.
A Venice tiring, edged with pearls,
Arched o'er her forehead like a wreath;—
What lapidary's angled stone
Could match the eyes that shone beneath?
She bade them shower the flower-leaves o'er her;
A Flora crowned, she stood to hear
Old Ronsard touch his “Mandragora”—
The Sleep Song, that he made to lull
His mistress, whom his serenade
Had woke too rudely—sweet it was
To hear a lute so deftly played.
Proud gathers up her satin train,
Laughing to scorn old Coligny
Telling a Valois how to reign;—
Maulevrier passing through an arch
Of flowers still dripping with the dew,
Whispers, “The Admiral will know more
By next year's St. Bartholomew.”
A Hindoo Legend.
Under the shadow of a tree—A tamarind-tree—the Krishna played.
His mother's hut was very near;
Upon the roof the flickering shade,
Netted with sunshine, cheerful spread.
The earthen drum was sounding there,
The market flag was fluttering red
High o'er the crowded village square.
'T was noon, and in the swamps' deep fens
The buffaloes were wallowing;
Torpid within their jungle dens
The tigers, gorged, were all asleep.
Even the feather-grass was still,
The lotus-flowers had closed their eyes,
The palm-tree waved not on the hill.
The little Krishna in his play
Some milk had from a temple taken.
His brothers ran and told the deed,
Thinking the Krishna Heaven-forsaken.
The angry mother eager ran
To seize the thief and all his clan;
And hurrying with a wrathful speed,
She found him by the temple gate.
He sank upon his knees and blushed,
And bent before the rod too late,
Still that foul sacrilege denying.
“Open your mouth, nor, Krishna, prate;
Your breath will show that you are lying.”
His mouth he opened angrily:
“There, mother, now I pray thee see.”—
She looked into his mouth so dark,
And saw, with awe and ecstasy,
Rising up slowly, spark by spark,
Like bubbling fire through the Summer wave,
Like golden flowers from a holy grave,
The three worlds and the seven seas,
The stars above the mount of heaven,
The guardian gods on the elephants,
Bright Meru's nectar-flowing founts.
The mighty tortoise that on its back
Poises the earth, and the floating rack,
All rolling thro' the deep blue gloom
As it will roll till the day of doom.
Then prostrate at the Krishna's feet
His mother fell, now contrite, weak;
And hailed him Lord of Earth and Heaven,
Of the three worlds and oceans seven.
A Dream of the East.
In a lattice-windowed chamber looking out upon a court;
And in that Eastern room there is rising through the gloom
A little bubbling fountain, that dances in its sport.
And at my back the cushions are striped with purple silk;
My turban is of green, and my shoes are red, I ween,
And my kaftan, like my mantle, is as white as camel's milk.
A crescent of keen steel, with a hilt of precious stone;
And I hear the Nubians' laughter, and the joke it follows after,
As I doze in state and listen while I day-dream all alone.
From a silver perfume vessel that is standing near the door;
And I see the citron's blossom, as the light winds kiss and toss them,
And I hear the distant murmur like the waves upon the shore.
In the bath-room and the garden, the seraglio and kiosk;
And while the day is closing, and I am here reposing,
The Moolahs are now lighting the lamps in yonder mosque.
And a dripping, tinkling, dimpling, very pleasant to the ear;
And the violet sherbét in a silver bowl is set
On a little stool of ivory that is stationed very near.
No courier's come, and Samarcand may sleep or may rebel;
All Persia is at rest, and the rising in the West
I can strangle when I wish, with one strong grip of my hand.
I arise, and calm and gravely clap three times my royal hands;
And quickly Dinerzade and the fair Schehezerade
Come and seat themselves beside me, and obey my high commands.
Curling from the fiery apex of a fragrant old cigar,
Calenders and stern magicians, brown and bearded old physicians,
Kings half marble, ladies fairer than the opening balsam far.
On the fire the swarth magician sprinkles incense and perfume;
Till the desert valley shakes, and the earth beneath them quakes,
And he sees the trees of jewels and the subterranean gloom.
Rubbing the old lamp so battered, with a handful of rough sand;
When, to rouse his fear and wonder, come the genii amid thunder,
Bearing silver cups and vessels to their master's royal hand.
At the palace that the Afrits built for him of molten gold,
At the precious stones that flame round the windows' diamond frame,
And the hangings of rich damask looped up, costly fold on fold.
Ali Baba's slily watching, snugly nestled in a tree,
When the Forty Thieves appearing, ride by, on their steeds careering;
And the cavern portal widens to the “Open, sesame!”
Marking doors with chalk, and spying, watching early, watching late,
Till the Forty robbers, hid underneath the oil-jar lid,
Are stifled, drowned, or stabbed—a well-deservéd fate.
Till the cruel, choking fish-bone stops the revel and the dance;
Then the tumult and the fear, in the city far and near,
Till the barber wakes him quickly, from his deep, alarming trance.
When the magic horse is carried out into the palace square,
And the negro, grim and black, leaps upon the charger's back,
And with a hoarse mocking “farewell,” flies aloft into the air.
Comes the hero with his princess hurrying joyful home again;
And a merry clash of cymbals, and a vibrating of timbrels,
Ends with joy and noisy welcome all the bitter hours of pain.
Till, the Diamond Valley reaching, he unties the knotted band;
Gropes about, the gems collecting, not a moment recollecting
That he's in a magic circle, girt with snakes on every hand.
Till he draws the copper vessel, sealed with lead, unto the shore,
And from it now there is arising a mighty form of size surprising,
Which by Solomon was prisoned twice twelve hundred years or more.
All my visions and dream-castles into air, from whence they came;
Then comes in the urn hot steaming, that ends all my pleasant dreaming,
And as I pound the sleeping coals, up starts the wakening flame.
The Vizier's Parrot.
An Indian parrot, green and scarlet-winged,
A bird of wisdom, once King Hownynama's;
Its filmy eyes were all with wrinkles ringed:
With gravity befitting a royal bird,
It ate and talked, and watched the coming finger,
Holding its head awry to catch the voice
Of every laughing slave or passing singer.
“King Red-Cloak,” for a bright flamingo colour
Was half its plumage; and its beak a dagger
Of curious curve—it needed Rustum's valour
To face its bite; peach, almond, fig, or apple,
It would dissect with calm consideration.
It was of wondrous age, and, if it chose,
Could have revealed the lore of many a nation.
Raven or child, or eunuch it could follow,
Just like an echo, giving every sound,
Or whisper, shout or scream, or cry or hallo,
With a droll twinkle of its beady eyes,
And rocking change of foot, and fluttering,
—Spiteful and humorous, goblin-like and quaint—
Of its green plumage and its crimson wing.
To hunt the leopard, and sat down beside
Red-Mantle's cage, with sugared fruits and cakes
To tempt the Indian bird, that listening eyed
The turbaned man that muttered the Koran
(His former master), with a wistful look,
And soon began to chatter o'er his hoard
Like moolah mumbling o'er a sacred book.
Gathered in the divan; the secrets hidden
From all but it,—some inklings of a plot,
But too apparent to that guest unbidden:
Or they will slay us!” “Dead men tell no tales.”
“This very night after the hunting, mind,
Strike all together.” “Death to those who fail!”
And to his palace slow and silent went,
Musing o'er what he'd heard, and tracking out
The parrot's prattle with a stern intent. . . . . .
At sunset came the Vizier to his bath,
And, as he raised the curtain, met a hand,
Bony and strong, that closed upon his throat,
And choked his life out by Haroun's command.
The Chase of the Siren.
A DORIC LEGEND.
Heard at night a spirit summons,
Sounding over wood and commons,
Over fallow, rock, and tillage,
Waking all the rustic sleepers,
Weary with the toil of tillage.
From their clay nests woke the thrushes;
Where the brook thro' fern-leaves gushes—
Brook that Summer scarcely stanches;
Woke the bird whose endless sorrow
Rest, nor years, nor absence stanches.
Woke and heard the spirit calling,
As the chill night-dew was falling.
“Lo!” they said, “'t is an Immortal
Come to bless our new-built temple—
Now the moonbeam strikes its portal.”
Peered into the moonshine quiet,
Thinking it some rustic riot
Of god Pan, who often plays
To the Bacchantes in the midnight,
All dark through, so they but praise.
Where the dew, so fresh and gleaming,
Like a diamond treasure beaming,
Studs the rose-flowers, dear to lovers.
Can it be a wandering Siren
Luring Dryads from their lovers?
Then it moaneth like the dying;
Now it clamours like the flying
Of a host fierce driven seaward;
Then there comes a sound of pinions
As of creatures winging seaward.
Where moss banks the violets cover,
Where the amorous night-moths hover,
By the brooks that playful wrangle,
Washing round the roots of beeches,
Where the water-courses jangle.
Keeping cadence to the beating
Of the wild Fauns' golden cymbals,
When their blood the wine is heating,
When the lambs burn on the turf,
And the worshippers are meeting.
From the bramble woods came creeping,
Then the tortoise from its sleeping
Slowly woke, and loud and madder
Howled the wolf, as if tormented
By those sounds that cheered all other—
Sounds that Echo answered sadder.
In between the wattled houses,
And each drowsy shepherd rouses.
Faces stare out on the tillage,
Thinking that some God were coming,
Or the light-armed hot for pillage.
Hearing it, leapt from their pallets—
Rose from hovel, loft, and garrets.
Swift and strong as angry leopards,
Out into the moonlit forest,
Hurried all the enchanted shepherds.
In the moonshine—silver burning;
Never thought they of returning—
(Why should I the fable garble?)—
Bold they ran, and lithe and sturdy,
With their broad chests white as marble.
Past the grotto of the Nymph,
Where so crystal dripped the lymph,
O'er the plain so broad and ample,
Ran each madman lured to ruin
By his fellow-fool's example.
Such a flood of eager faces,
Throwing by his crook each races;
Sinew strung with courage bolder,
Every pliant muscle straining—
Garments blowing from each shoulder.
Fierce they breast the angry billows,
Where droop all the mournful willows,
Where old aspens shake and quiver;
Still beyond them ran the music,
Luring them across the river.
From afar for those their lovers—
Then still sweeter far it hovers—
Comes the music to them praying;
Vain the wailing supplication,
Not one runner is delaying.
Evil led and evil seeking—
Caring not for wife or maiden,
Caring not for child or master,
All their hope is on the Siren,
Could they struggle on but faster.
All that wild chase swept and vanished—
Slowly the last runner vanished.
Then arose, high as a fountain,
Such a scream of hopeless anguish
That it seemed to rend the mountain.
They were sought by wood and hollow,
Where the goat's foot scarce could follow;
Wine was poured from golden beakers,
Incense burnt and fatlings offered,
But in vain,—lost spirit-seekers!
Who had left her emerald hollow
To lure such as these to follow,
Through all dangers that environ,
To her home amidst the surges,
For she hates man—does the Siren.
The Madman of Corinth.
He beat his wife, and struck his child; and his ruthless savagery
Did not abate till he came and sat on a hill above the sea.
As he sat and watched the haven, afar from other men,
And the gulf spread blue and sapphire clear before his steadier ken.
As he saw the triremes sailing forth, shaking out fold by fold
Their canvas to the north-west wind, that blew keen, fresh, and cold.
For him, those stately argosies with spreading white sails bent,
For gold, and frankincense, and myrrh, and nard and spikenard sent.
And waved his ragged robe and staff, and screamed his royal commands.
And ordered forth “more sail, more sail!” to eastern, western lands.
He shouted from the grassy cliffs, and mounting higher, higher,
Blessed all the ships returning, from Sicily or Tyre.
For him the bustle and the din of Corinth's crowded streets;
For him each wave upon the stones of quay and harbour beats.
They purged his brains with hellebore, and woke him from that sleep,
And drove away those wild fierce thoughts that through a frenzy creep;
Crying, “Alas! my honest friends, I know you meant no ill;
But still, instead of saving me, you only came to kill.”
With iris changes gay and swift, transient and fancy-fed;
Without them, earth is but a grave, and life the dross of lead.
The Cumæan Sibyl.
I
King Tarquin sat beside the open door,Looking towards Soracte, as the west
Reddening the broidered bands upon his vest,
The gold that bound his brow and sandals rimmed;
With a rich vintage splendour deluging,
The sunset filled from out its vase-like globe
The new-built palace of the Roman King.
II
It crimsoned the white marble temple walls,And turned the Tiber to a stream of blood,
Boding Rome's future: Romulus's shield
Shone not more ruby than that rolling flood
The sun incarnadined; as from the west,
Out of that splendour gliding calm and slow,
There moved a figure with a hooded face,
That passed into the dark from out the glow.
III
A priestess, she had come with sacred books,That Roman wealth may buy; but, cold and hard,
Tarquin with mocking smile smote on his sword,
And struck the ground to call his bodyguard,
And spurned the scrolls the Sibyl humbly laid
Upon the floor. “Begone, thou witch!” he cried,
“Three hundred pieces of our hard-won gold?
Hag, dotard, hence! or we will tame thy pride.”
IV
Sunset once more, and Tarquin's Volscian slavesToiled at the ramparts of the temple hill;
Again through boding bars of crimson light
The Sibyl came, and grave and proudly still
Proffered the books; but only four were left;
Still the same price she asked. The King arose
To strike the beldam with his dagger-heft,
And from his presence drive her forth with blows.
V
Another twilight, and again she cameGliding from out the brightness without sound.
Only three books were left; the envious fire
Had shrunk the precious hoard. Two Gabians bound
Cowered before scornful Tarquin's all-consuming wrath;
The Sibyl laid the books upon his throne,
Drew her thick hood over her wrinkled face,
And stood like Niobe new turned to stone.
VI
“Lost opportunities,” exclaimed a sage,“Have voices for the wise; beware, O King,
Lest you reject the presents of the Gods:
From pride alone one-half life's sorrows spring.”
Then Tarquin bent, and from an ivory chest
Scooped out two handfuls of the Volscian gold,
And threw it to the Sibyl; slow her hand
Hid it within her mantle's dusky fold.
VII
Then gliding to the shadow of the wall,—Shadow that swiftly widened,—she became,
E'en as they gazed, a blurred and shapeless fog,
Tinged here and there with glimmer of a flame,
Such as the sunset leaves in the dim west
Cresting the Sabine Hills; then flickering low
Like the marsh fire at sunrise, it grew dark
Throughout all Rome, save on one shrine below.
The Avatar of Zeus.
Girt with his sages and priests—each one;
Wrapped in his purple and gold he shone,
As the great sun shines when the day has begun.
His crown was crested with seven stars,
His sceptre blazed like a rod of fire,
In a flood of snow his grey beard fell:
“'T is Zeus,” they cried, “the round world's sire.”
Of kneeling suitors, a god-like man
Strode,—where he moved he clove a way,
“A shipwrecked stranger!” the murmur ran.
He kissed the cheek of the beggar child;
He halved his fruit with the leper brood;
He spurned the parasite's ready knee;
He frowned on the bad, and he smiled on the good.
Where the flute-players played their Lydian hymns.
He waited not where the Scythian slaves
Were oiling their scarred huge brawny limbs.
But he sought the green turf altar raised
To the Gods, in the pious days of old,
And he threw a garland upon the stone,
And knelt, with an offering of gold.
And tore his robe, and stamped, and cried,
“Ho! spearmen! seize this wandering man;
Is our royal throne to be thus defied?—
Shall all Greece kneel to the Basileus,
And not this poor barbarian slave?—
Ho! there, bring cords and rods to chide
This impious rogue, this cheat, this knave!”
From out the old Rhodopian Hills:
Blood-colour turned th' eclipsing sun,
With blood flowed down the mountain rills.
Dread voices came from earth and sea,
The strong oaks groaned from east to west.
All knelt but one;—there shone a light!
“The God! the God!” he stood confessed.
Threw his gold crown on the gateway sand,
Tore fierce his purple, rent in twain
His royal robe, and raised his hand.
“Behold!” he cried, “great Zeus hath come!
Lead him, ye slaves, to my ivory throne;
Dropped from the clouds, or cast by the wave,
He hath come but to claim what is his own.”
For the crowd soon turned to its foolish mirth.
They said that it was but a dream—a trick—
A vision-witch sent to vex the earth,—
So that the king's pride grew to still greater pitch,
And his crimes increased, till a stripling lad
Smote him one day as he sat on his throne;
Then Thrace was freed, and Greece was glad.
Hylas.
[Hylas was a beautiful Grecian youth who accompanied Hercules in the Argonautic expedition. While stooping down to fill his pitcher, at a river of Bithynia, he was dragged in by the Nymphs, and heard of no more among men.]
I sing of the white arms wreathing,
I sing of the song so sweet
That the River Nymphs were breathing,
When Hylas bounded down,
Through the sunbeams on the mountain,
And stooped to twine a crown
Of the rush-flowers by the fountain.
Ha! ha! ha! laughed the rill,
And the Satyr laughed his fill,
And the yellow flowers, and the wandering breeze,
Laughed from the purple hill.
“Beware!” cried the Dryads from the boughs,
Whose leaves were never still.
And fashioned a flute like Pan's,
Laughed to find music in a weed,
And clapped his snow-white hands.
He aped the coo of the dove,
That broods in the greenwood dark,
And he mimicked the joy and love
Of Phœbus' bird—the lark.
Ha! ha! ha! laughed the rill, &c.
When it hears the reapers' rout;
He aped the mirth from the harvest borne,
And mimicked the reapers' shout;
He screamed as the seamews scream
O'er the drowned men on the shore,
Then piped a hymn to the stars that gleam
O'er the billows that leap and roar.
Ha! ha! ha! laughed the rill, &c.
That the nightingale sang all day,
And the breeze it whispered its every whim
To the shadows asleep that lay;
And the cypress waved on high,
Shutting out the prying sun,
And the stars of the midnight sky
Were barred out every one.
Ha! ha! ha! laughed the rill, &c.
Hushed when it heard his flute,
And the very breeze from the mountain brow
Grew gradually mute.
But the river would not cease
Its low soft undertone,
But still to itself went whispering peace,
As it flowed o'er rock and stone.
Ha! ha! ha! laughed the rill, &c.
Dove in the wood, 't was thou,
There, for I heard.—It came
From the bird on the poplar bough.”
“O Hylas, shun the river,
For the Nymphs are hiding there,
Yon where the trailing willows shiver
In the sunset's golden air.”
Ha! ha! ha! laughed the rill, &c.
But nothing scares the brave;
Zeus to the good is near,
On land and in the wave,”
Too late to Zeus he cries,
For the Nymphs have borne him off,
And the only sound that fills the skies
Is the shouting Satyr's scoff.
Ha! ha! ha! laughed the rill, &c.
Pan Vinctus—Pan Victor.
I
Pan sat blowing his pipe of reeds,Where the ferns branched over him,
And the sun's great orb of burning gold
Was hid by an oak's huge limb:
He piped to the Fauns and the Nymphs unseen,
And the Dryads hiding the boughs between,
In that fir wood mossy and dim.
II
He sat and played on his magic pipeUnder the fir-tree's odorous cones:
The nightingales with envy heard
The wealth of those deep, rich tones,
Fluting, gurgling, trilling, thrilling,
All the woods with music filling,
Cheering the Gods on their thrones.
III
The sunshine played round his laughing face,The shadows crept to his feet,
The birds came fluttering round the boughs
To hear that song so sweet,
Flowing, rippling, fluttering, rising,
Or with a gladdening joy surprising,
As of a cymbal beat.
IV
The mole crept up to listen and mark,The squirrel stole down to hear,
For joy the very fish in the stream
Were leaping far and near,
As the pipe was breathing softly, lowly,
Now soaring swift, now sinking slowly,
With a mirth that laughed at fear.
V
Two hunters, tracking a wounded stag,Came peeping through the trees,
With pursed-up mouths and hands to their ears,
To catch and question the breeze:
They heard the pipe, like a wild bird singing,
Pour out its pure and silvery ringing,
As they stealthily couched on their knees.
VI
They leaped out fierce on the heedless Pan,With bow-strings bound his hands;
They led him back to the little town,
Followed by boors in bands.
Loosing him then, they set him playing,
And the notes went soaring, fluttering, swaying
Over the stubble lands.
VII
Then the fishermen threw down their spangled nets,And the vineyard men their knives,
And slaves came running to hear the song,
With the youths, and children, and wives,
As the notes went gushing and bubbling forth,
With echoes that answered from south to north,
As thick as bees from their hives.
VIII
“Brain him!” cried out a butcher's slave;While a priest whispered “Sacrifice;”
And a murderous thirst for the Satyr's blood
Reddened the fishermen's eyes.
But still the music went rippling on,
The glad notes chasing the glad notes gone,
Like runners seeking a prize.
IX
Then Pan blew a longer, wilder note,Till the fir woods stirred and shook,
Down the banks and over the brook.
And still the pipe went murmuring,
As the stream bursts forth from its mountain spring:
There were Satyrs in every nook!
X
And on with a lusty shout they came,Clashing cymbals with might and main,
Waving sheep-crooks in homage rude,
Dancing welcome over the plain;
And still their monarch sat still and played,
By neither priest nor slave dismayed,
Nor by their threatening train.
XI
Then Pan, in his anger, changed those menTo aspens, and such poor shivering trees,
And ever since they have stood by that town
Trembling to every fitful breeze,
As if that pipe was murmuring still,
Sending its magic o'er plain and hill,
O'er rivers, rocks, and leas.
The Search of Ceres for Proserpine.
[When Pluto carried off Proserpine, as she was gathering flowers in the Vale of Enna, Ceres lit a torch at the flames of Ætna, and sought for her through the world.]
Toss the white snow from their branches,
Now that hush the thunder-spasms,
And its dark rain winter stanches;
Where from mosses oozing, weeping,
Leap the rivers swift as leopards,
Down the crags that shadow sleeping,
Wrapp'd in wolf-skins, the arm'd shepherds,
Where the glittering snow-peaks shine,
Ceres seeks for Proserpine.
Hurries, singing in his glee,
Louder than the swift Eurotas,
Glad as slave just broken free,
Singing like a rambling truant,
Shouting an unceasing pæan,
Through the meads its waters fluent
Hurry to the bright Ægean;
There past olive and past vine,
Ceres seeks for Proserpine.
And the wild boar whets its tushes,
Where 'mid rocks and ivy bowers,
From its cave the river rushes;
Where the bees upon the heather
Murmur like a nation praying,
Singing, singing all together,
For the latest sunbeam staying;
Where the olive-branches twine,
Ceres seeks for Proserpine.
Struggling through the pliant reeds,
And the hovering hawk is gloating
O'er the cygnet as it feeds;
Where the bladed flags are bending,
Like Narcissus, o'er the stream,
Watching with a joy unending
In the wave their blossoms gleam;
By those waters hyaline
Ceres seeks for Proserpine.
Like wild beasts the waves are roaring,
The sea-eagle's restless soaring;
Where her monsters Scylla's driving,
As the tempest howls in madness,
And the dying seaman's striving
To clutch fast the reef in sadness,
O'er the sands that gleam and shine,
Ceres seeks for Proserpine.
The Boy Martyr.
NERO IMPERATOR.
I.
The arena swam with human blood and with the blood of beast;
The tigers felled, the leopards stabbed, the huge snakes mashed to death:
Resting awhile to fan themselves, the multitude takes breath.
High up above the circling seats the whirling pigeons flew;
Below in arching shadows cool the children hide and play,—
No warning growl, nor hiss, nor moan can Roman boy dismay.
The gladiators cut and gashed are resting in their cells,
The tridents and the gory nets, the axes and the swords,
Are lying in a dusty heap beside the hooks and cords.
The cobbler and the augur's man, the actors jest and rhyme;
The bath slaves and the soldiers sit shouldering seat by seat,
The drover and the fisherman, the thief and boxer meet.
Have sent their wicked thousands here, and each of bloodshed talks;
The Tiber's bare, the temple's shut, the baths are empty all,
There only is one sleeping slave in Cæsar's golden hall.
Flaps breezily as Auster now whispers with breath of love;
His robe unloosed, his pimps and slaves basking around his feet.
Who lay—hands bound—with bleeding backs in subtetranean den;
Nor of that little Christian boy, brought from the chalky shore,
Where Dorobernium's fort looks down upon the channel's roar.
In vain the slaves from swaying roof rain the sweet-scented dew;
The gladiators, quaffing draughts of myrrh and Sabine wine,
Felt that a gloom was on the Plebs, and dread the fatal sign.
From Cæsar to the meanest churl, not one seemed at his ease;
All day the thumbs had been turned down, howe'er a man might fight,
For hungry folks are sour and sad, and full of spleen and spite.
A snake and wild cat, or a cub, to grapple with a child;
Or ostriches and antelopes—here Nero rose and cried
For some fresh combat—man and beast—that ne'er had yet been tried.
II.
The Nubian cymbals clash and chime the amphitheatre round,
As open fly a dozen doors, and robed in red, and blue,
The gladiators doomed to death come pacing two and two.
The cestus-wearers march, and sing their noisy hymns to Mars;
The netters and the light-armed lads, the agile targeteers,
Syrian and Greek, Arab and Gaul, heedless of hiss or cheers.
Made of Parnassus laurel-wood, and strung with golden wire;
Again the gladiators pass through the Vomitory's door,
And the dull arena's ring of blood is silent as before.
With lolling tongues and stealthy walk, till chafed by blow and brand;
Or German boars to gore and rush, chasing the bleeding man;
Or mighty snakes to wind and leap as only such things can?
A Briton's child to struggle with a thief from Thessaly,
A brawny giant scarred and burnt, covered with dust and blood,
His feet all red as vineyard men's with the grapes' purple flood.
Smiling at bony Death, who shook o'er him a funeral urn;
His father dead, his brothers slaves, his town burnt to the ground,
His tribe destroyed, his country lost, his mother chained and bound.
The giant swung his trident round and wiped his crimson brow;
David when trampling on the bear looked like that Christian youth,
With such a halo on his face of holy love and truth.
Slowly his heart yields up its life unto this mere weak child;
He strikes with giant force, but, lo! he bites the gory sand,
The unfleshed trident snaps and falls from the dead giant's hand.
Nero stands up and waves his wands that like the sunbeams shine:
“Curse Christ and live, O boy!” he cried. The lad looked up,
Pushing fierce back with angry hand the flatterer's proffered cup.
The boy put one foot on the dead, and braved the howling men;
“Christ and His cross alone!” he shouted, pallid, but stern and cool;
Then Nero rose, and screaming cried, “To the lions with this fool!”
A gnash of gory teeth, a wave of bloody dripping hair,
A dreadful shriek that rose above the shouts of countless men,
As Moorish gladiators drove the beast back to his den.
Of the golden gates of Paradise opening silently.
And beckoning hands, and snowy wings, and odours as of balm;
Then storm and darkness sudden changed to an eternal calm.
Through all the arches, from each bench, the human rivers flow;
Nero, forgetting crime so small, drove to his golden home,—
But God did not forget it—no—go look ye now at Rome.
A Tartar Foray.
Grim, bearded faces, flashing swords,
Wild cries of “Pillage!” “Burn!” and “Slay!”
As swept o'er Persian bounds the hordes.
With Koran texts, long lines of spears,
All bending eastward; through scared towns,
They ride with curses and with cheers.
Pale wounded men, and maid, and child,
Pricked on with lances, till their blood
Lest trails to lure the wolf o' the wild.
Great gold vessels from Ispahan;
And their choicest prize was a Persian bride,
Who rode at the back of a Calmuck man;
Of the Tartar chief, and pitched his tent;
Who drove his camels and ground his sword,
And guarded his lord where'er he went.
And a heart as hard as the granite stone;
One who had stabbed, and slashed, and cleft
A dozen men that day alone.
And love for a daughter so fair and young;
And he gave a word to cheer the slave—
A kindly word, though in rugged tongue.
Ere the bride implored him, with weeping eyes,
To spare her the shame of a lingering death,
And the horrors of sinful miseries.
Drew a knife from his girdled side;
And slew at a stroke, though he dared not look,
She who besought him—the Persian bride.
Swooping like hawks before the wind;
And they broke swift into the Calmuck hordes,
And smote in front, and smote behind.
To leap among the robbers flying—
He clasped his bride with eager arms:
He'd saved her, but he'd saved her dying.
The Wood Echo
A GREEK LEGEND.
“Shaping reeds?” I know not whether,
Watching where the raven croaks,
Or idly stripping a jay's feather.
Hark! I'll question him,—“Hei, Pan! Hei, Pan!
Ho, Pan!—Ho, Pan!” Now together—
Hear his deep voice shout “together!”
With the cares of years gone by;
He wails the old Gods long since dead,
Blind he gazes at the sky.
Hear his answer,—“All must die! Hei, Pan!
Hei, Pan! Ho, Pan! Ho, Pan!—All must die!”
Where the beech-leaves drift and spread,
Where the fir-cones sway and swing,
Where the trees are brazen red.
No, he never sleeps!—“Why, Pan! Why, Pan!
Hei, Pan! Hei, Pan! Hei, Pan!—Why, Pan!”
Where the moon is bright and high,
He sits beneath the riven oak,
The last God left beneath the sky.
Now I'll rouse him.—“Hark ye, Pan! Hark ye, Pan!
Hallo, Pan! why, you must die!”
Hear his mocking—“You must die!”
Ever for an answer right,
Quick the giant's hoarse reply—
“Ha! ha! ha! ha!”—“Pan, good night!”
Garrulous he's not. “Good night! Good night!”
Hear his courtesy,—“Good night!”
Baucis and Philemon.
(A LEGEND OF AN ENGLISH WORKHOUSE.)
I
What does it matter whether Giles or Styles(The name is not material to the story)?
Some years ago there was an old, old pair,
With time, not trouble, bent and bowed and hoary.
In a trim cottage overrun with flowers,
They'd lived for forty years of sun and showers.
II
Outside the door, the well-thatched hives were set,And bees with busy angry eagerness
Ransacked the honeyed hollyhocks for toll,
Still dreading winter's pinching meagreness.
The vine to the old walls did fondly cling,
To no croft oftener came the birds to sing.
III
On the white threshold loved the cat to doze(A humble type of calm and quiet content),
Within were peace and holy happiness,
As e'er of yore beneath the patriarch's tent,
The poplars wavered by the roadside there,
As if to warn away all woe and care.
IV
But hard times came, the wolf was at the doorWith gnashing jaws—that gaunt wolf Poverty,
And Sickness halted in with livid face,
And Hope fled bleeding from armed misery.
There are but two retreats that beggars crave,
The parish workhouse and the pauper's grave.
V
They left that cottage (as the first pair leftTheir withering Eden), silent, full of tears,
And slowly took their solitary way,
Mocked by a gibing mob of cruel fears,
And at the workhouse gate with claspéd hands,
Parted for ever “by the law's commands.”
VI
No, not for ever! Duly once a week,When the sad pauper prisoners came to pray
In the dull chapel-room, barred like a gaol,
And scarcely lit by the dull sun's dim ray,
They saw each other for one little space.—
What though they gazed upon each other's face,
VII
It was a weekly death to part again,Yet while the droning voices mumbled on,
They sat and joined their hands across the aisle,
As in the happy days for ever gone.
The angels looking from their homes above,
Smiled on that pure, imperishable love.
VIII
How could it last? those long and dreary hoursThe prison clock doled out were hours of pain,
That sordid crowd could never yield a friend;
Their hearts grew chill—a weight was on each brain:
The quiet home, so peaceful and so neat,
Brute Poverty had trod beneath its feet.
IX
Almost together—but a week apart,The old folks died, unpitied and unwept;
Eternal calm upon each dead face came,
A calm—majestic as on kings that slept.
Strange that the jargon of the doctor's art
Disdains to classify “the broken heart.”
X
But e'en the grave did not unite the two:Apart they lay beneath the rank green grass,
In the damp churchyard's coldest, dreariest place,
The same black yew-tree shadowed them. Alas!
The poor have but few mourners, yet the dew
Hung in big tears on flowers that o'er them grew.
XI
When last I saw their quiet, humble graves,A shower was sprinkling on the turfen mounds,
And there rose from the blossoming orchard trees
A pleasant harmony of mingling sounds,
And then a rainbow coloured the white sky,
As 'twere the gate of heaven opening silently.
In my Gondola.
The Campanile springs,
Where round St. Mark's the angels still
Poise their unfaded wings,
I in my floating hearse dream on
While my old boatman sings.
Where the bronze charger stands;
To that old house—a palace once,
Now spoiled by Austrian hands—
Its marbles rent by heat and cold,
Ill clamped with rusty bands.
Where dusky Titians glow,
And where Bellini's jewelled saints
All congregate below.
No, not to-day the chapel dim,
Half-lit by silver lamps,
Nor that old Doge's nameless tomb,
Defaced by carking damps.
O'er glories dead and past,
O'er pride dethroned by cruel Time,
That rude Iconoclast.
Oh, how this city, Ocean's Queen,
Is beggared now at last!
Still boasts its faded kings;
Where, quaint and querulous with age,
The old Custode sings,
And feebly tries to reach the web
Where the lean spider clings.
Are stamped with globes and stars,
And where above the throne of State,
Still glowers a painted Mars.
Out on that curséd Austrian drum,
Beneath the window-bars!
Bends at the shrine, now bare,
No starry candles glimmer bright
Through the dim balmy air;
And yet a halo seems to shine
Round the one picture there.
Aping a royal pride,
His golden wealth flashed lustre down
Upon the passing tide,
His purple gondolas, long since
A Tyrian glory dyed,
Upon the old stained floor,
Where stones turn emerald in the beams
That through the vine-leaves pour;
It ever falls, yet can't efface
One blot of human gore.
And on the marble stair,
Where the quick lizard flits across,
Fearing the very air.
A bad man's conscience knew such fears,
Long centuries since, just there.
The Adriatic's tide
Had just received the ring that joined
The bridegroom to the bride;
The golden barge with sails of silk
Moved homeward o'er the tide;
With gems the windows shone:
Her bridal dress had on;
Flags shook from every roof—the bells
All day had madly gone.
The perfumes on his cloak,
Here the Doge sat, and heard the wave
Moan as if one had spoke;
And thought of how the gory rack
Those pale lean limbs had broke.
Knelt down awhile to pray,
Then stood erect and eyed the crowd
Like a royal stag at bay,
And smiled on doves that o'er him flew
To some isle far away.
A groaning man did lie,
And of the burning roof, where one
Prepared himself to die.
And e'en the strangler's burly knave
Had tear-drops in his eye.
The Forty bend and write,
Smiling so grimly when they hear
The brawny headsman smite.—
His dream was broken by a star,
That flashed across the night.
A roll of paper float,
Dropped by that sable gondolier
That turns yon corner—note
How pale his face turns—“Doge, beware!”
Upon his vision smote.
Rose to a window grate.
The morning came; they found a plume
Beside the water-gate;
A letter torn, some drops of blood.
The Doge had fled—too late!
My dream has passed away;
Back with my floating hearse, and quick,
Before that dying ray
Leave the last roof, and darkness pall
The dead corse of the day.
Flutter at my wild cry,
Now that I see yon saints look up
Devoutly to the sky;
Where Christ upon a golden throne
Is robed and crowned on high.
Brought from the Asian shore;
Those are the brazen steeds the Greeks
Bridled in days of yore;
Yonder the wingéd lion tries
From his stone chains to soar.
Slaves snore in every boat;
Slaves' songs at night along the tide
On these free breezes float;
Slaves stab and gamble in the square,
And tear poor Freedom's throat.
Unworthy such a home,
Laugh, sing, and sleep beneath the shade
Cast by their giant dome,
Slaves of the butcher and the priest—
Of Austria and of Rome.
Leads on the bayonets. See
Insolent soldiers pacing round
A city once so free.
Rise, hero of yon lonely isle,
And give them liberty.
A Christmas Scene at Rome.
THE RIVAL PIFFERARI.
I
Our Lady of Seven Sorrows—Hush!(Paolo, man, why the deuce do you push?)
Seven poniards meet in her breast.
Queen of Angels, she's now at rest.
There are the sbirri spying about,
Ready to snap us, there's not a doubt,
If we or the Mattei draw a knife,
These Romans think so much of a life.
II
Mary, Mother! smile now and thenOn us, the poor Abruzzi men.
Star of Heaven, shine graciously!—
Why, there's old Matteo's whelp I see,
Sneering at Beppo's peacock feather,
And the hole in his jacket of untann'd leather.
Th' impenitent thief had such a face—
I wish we were in a quieter place.
III
Holy Saint Simon! look at him now!For half a paul I'd give him a blow.
See how he's tossing his rosary,
Cospetto! in gibe and in mockery.
And there are the devil's younger kin
Piping away through thick and thin
To out-play us—faster, louder:
I wish I'd my gun and a little powder.
IV
Shout out our hymn to Paul and Peter:Never stop for the special metre.
Carlo, the beasts are looking this way;
Giacomo, didn't I tell you?—Pray!
Can't Onofrio people sing
As well as Matteo's underling?
Down to the image of Mary Mother!
Here come Luigi and his brother.
V
Now we are strong enough at last.Filippo, the time for the Ave's past.
Snatch old Matteo's bagpipe, lad,
It's sure to make the whole lot mad.
Throw it to me. I stamp on it.—There!
Let them gibber, we none of us care.
Giacomo, now for a steady stab,—
I've got him down on the fountain slab.
VI
Matteo's grappling with Paolo yonder.Holy Father! who'll beat, I wonder.
Saints be thanked, the old man groans!
That's right—dash him upon the stones.
Bene, bene! that is the dig
To let the heart's-blood out of the pig.
Slip off, fratelli! I hear a drum,
And quick, before the Zouaves come.
Lady Mabel's Lovers.
I.
The flowers their dewdrop coronets were wearing, every one,
The gentle morning sunshine shone softly on her face.
There the Dacres once held revel, each one loved and each one feared;
O'er the woods, by Autumn gilded, gazed the royal turrets down,
To the friendly with a greeting, to the foeman with a frown.
Scutcheoned doors, embrasured niches, chimneys to the swallows known,
Gilded weathercocks that circled restlessly to every wind,
Fickle as a lady's favour, changeful as a woman's mind.
The chapel had its western windows guarded by full many a saint;
Past the gatehouse spread the gardens, girt by marble statues round,
Where the yew-tree's sable hedges by rich belts of flowers were bound.
Beneath the calm broad river wandered, sapphire blue as summer sky;
In the distance, past the ploughmen, mill and smithy, park and stile,
Crept the high road, white and glaring, winding on mile after mile.
II.
Smirking, simpering, bowing, prating, past each oriel and gable,
Waving plumes and fluttering satins—one alone, now three, then two,
They paced the lozenge-paven terrace, by the close-clipped walls of yew.
Old Sir Francis, proud and stately, with his well filled park and pen;
Then the Welsh knight, Griffith Wynkin, rather curved about the leg,
Bragging coarsely of his stables, and his brown mare, “Little Meg.”
Then that lawyer, Master Vellums, proud of money, not of race;
Last of all that noisy fopling, Marmaduke Macgillivray,
Talking nonsense, or loud ranting lines from Shirley's latest play.
One his scented glove was pulling, or was tying up his scarf;
One was stooping, gay adjusting fluttering ribbons at his knee,
Or was merry, disentangling chains and badges two or three.
The lawyer he was recommending “no eviction, if by force;”
The fop was picking clove carnations for the Lady Mabel's hair,
Vowing by “Sir Phœbus' chariot” that she was “excelling fair.”
Paced a poet-student, sunken-cheeked and thin: the lad
By his mistress was unnoticed, by the pages held at scorn:
He stood upon that terrace-walk the unhappiest creature born.
The falcon on her little wrist fretted in pretty wanton rages.
One cord of pearls alone she wore, twisted around her hair;
Whene'er she moved a breath of Spring filled all the amorous air.
Mabel walked in silent anger past the beds of flowering gold;
Not a look she gave of greeting to that base, unworthy crew,
Swirling round her train of satin o'er the soft grass bloomed with dew.
III.
A maiden blush was on her cheek, her eyes with anger burned.
“Villain suitors!” cried the lady, “eating up my poor estate;
I, Penelope unguarded, still for a deliverer wait.
From their insolence release me—none to chase away these slaves?—
Smell-feasts, who with churlish clamour, seek my poor defenceless hand,
Only that they may the sooner gnaw into my gold and land!”
But each one, sullen, flung his cloak athwart his craven breast.
Then stepped the gentle student-boy before those recreant men,
And drew his sword, and cried aloud, “Back each one to his den!”
From every gilded sheath flashed out the angry sword of each:
“Let's whip this bookworm, poor and hungry, to his scurvy garret lair,
To read his Ovid's wanton songs, and pine and scribble there.”
The lover strode, his eyes flashed red, as royal stag at bay;
He would not use his sword for fear to fright the lady fair,
But leapt and seized the foremost man, his strong hand in his hair.
Striking hard and sturdy buffets on the mouths of those proud lords;
Snapping blades and tearing mantles, like a lion at his meal,
Laughing at the stab of dagger and the flashing of their steel.
Though blood ran out and daubed his face, still fell his angry stroke.
A wild bull goring could not drive with more impetuous horn
Than he, the stripling so despised, when he arose in scorn.
Here lay a brooch of Indian pearl, and there an emerald stone;
They threw their swords away and fled, each pale as parted corse,
They did not stay to rest or eat, but took at once to horse.
Looked with fixed eyes as in a trance—neither the silence broke.
He spurned the jewels with his foot, then knelt to kiss her hand—
He the poor vagrant London poet, and she the lady of the land.
Looking at his breast and forehead, lest some wound should bleed the while.
Low he bowed, and was departing, picking up a broken sword,
Fearing ambush from the vengeance of some bruised and beaten lord.
Like a prophet's revelation then upon him burst love's beam.
He turned, and kissed her lips and forehead, and one long wind-driven tress,
Then whispered; and a soft low murmur, scarcely syllabled, said “Yes.”
German Hussar Songs.
I.
'T is a true pledge, understand.
Love is our eternal lot,
Mind these words, “Forget-me-not.”
Minny, I will think of you
Till this sabre snaps in two.
I am steeped in misery,
Without thee my life is lost
All the Summer long in frost.
Lizzy, I will dream of you
Till this sabre snaps in two.
Fanny absent, all is woe,
In my heart Love's arrow burns
Till the moment she returns.
Though this sabre snaps in two,
Fanny, I will think of you.
Mary, if you'll credit me,
You had loved me dearest, best,
Chosen me from all the rest.
Mary, I will think of you
Till this sabre snaps in two.
Of King Crœsus, ay, twice told,
Would it be as dear to me,
Sweetest, as the love of thee?
Bessy, I will think of you
Till this sabre snaps in two.
Stops Love's very keenest drouth.
Kitty (don't let people hear),
You must be my wife, my dear.
Kitty, I will think of you,
Though this sabre snaps in two.
II.
We charge upon the enemy;
But ere we mount, brave fame to seek,
We kiss our darling's lip and cheek,
And parting, parting, cry Hurrah!
As fast as thunderbolts we go,
United by a holy band,
For God and for the Fatherland,
And all, and all with an Hurrah!
When our red sabres meet their eye.
No mere revenge has given us breath,
Our cry is “Victory or Death!”
And all, and all with an Hurrah!
Sunshine and Love fill all the air,
And welcome is the cry we hear
As home we reach, and far and near
They shout and shout, as we, Hurrah!
The Return of the Bear-Hunters.
My boy Fritz with the golden hair?
I stuck in my hat this sprig of fir—
Your sister Clara, 't was picked by her.
My horn athwart my breast I'd cast;
Yet I would not fire when from the bush
The hind leaped gaily—hoosh, hoosh, hoosh!
The bear that our bravest dogs had fought.
On the mountain-side the echoes rang—
I saw his grizzly snout—bing-bang!
None of the others went half so near.
Then he came at me; the dogs like chaff
He scattered; again I went piff-paff!
Very near twice as deep as hell.
'T was love that helped me shoot so true;
Clara, 't was thinking, my own, of you!
Then sounded my horn, Trara, trara!
I've promised Clara the thick brown skin
To line her father's cloak within.
Hoosh, hoosh, trara, Heisa, bing-bang!
A magic bullet I'd cast that day:
Zamiel, harm me not, I pray.
When you are fit to handle a gun,
You too shall make the old cliffs laugh
With the snap, crack, whistle, bing-bang, piff-paff!
The Death of th' Owd Squire.
The wind was howling away, like a Bedlamite in a fit,
Tearing the ash-boughs off, and mowing the poplars down,
In the meadows beyond the old flour-mill, where you turn oft to the town.
And deluging on the roof, as the Devil were come to pass;
The gutters were running in floods outside the stable door,
And the spouts splashed from the tiles, as if they would never give o'er.
Were wrenching at the shutters, while a ceaseless pelt of leaves
Flew at the door in gusts; and I could hear the beck
Calling so loud, I knew at once it was up to a tall man's neck.
And Tom, the coachman, he was there, a-practising for the choir;
But it sounded desmal, anthem did, for Squire was dying fast,
And the doctor'd said, do what he would, “Squire's breaking up at last.”
Though he had never once been heard up there since master's boy lay dead;
And the only sound, besides Tom's toon, was the stirring in the stalls,
And the gnawing and the scratching of the rats in the owd walls.
And the chill rain, and the wind and cold, made us all shake with fear;
We listened to the clock upstairs,—'t was breathing soft and low,
For the nurse said at the turn of night the old Squire's soul would go.
Didn't he shoot the Bowton Squire, who dared write to his wife?
He beat the Rads at Hindon town, I heard, in 'Twenty-nine,
When every pail in market-place was brimmed with red port wine.
He'd kept the Marley hounds, man, as his fayther did afore;
And now to die, and in his bed—the season just begun—
It made him fret, the doctor said, as 't might do any one.
Squire made me blow my horn outside as we was going to kill;
And we turned the hounds out in the court—that seemed to do him good;
For he swore, and sent us off to seek a fox in Thornhill Wood.
Where missus died ten years ago when Lammastide shall come:
I mind the year, because our mare at Salisbury broke down;
Moreover the town hall was burnt at Steeple Dinton town.
Tom, he was off, but I awake sat, watch and ward to keep;
The moon was up, quite glorious like, the rain no longer fell,
When all at once out clashed and clanged the rusty turret bell,
Tom he leapt up, and I leapt up, for all the house ablaze
Had sure not scared us half as much; and out we ran like mad—
I, Tom, and Joe, the whipper-in, and t' little stable lad.
I felt as sure as though I saw Squire Barrowby was dead;
When all at once a door flew back, and he met us face to face;
His scarlet coat was on his back, and he looked like the old race.
The maids were sobbing on the stairs, for he looked fierce and wild:
“Saddle me Lightning Bess, my man,” that's what he said to me;
“The moon is up, we're sure to find at Stop or Etterby.
I'll have a run once more before they put me underground:
They brought my father home feet first, and it never shall be said
That his son Joe, who rode so straight, died quietly in his bed.
Then clapped the old black velvet cap upon his long grey hair,
Thrust on his boots, snatched down his whip; though he was old and weak,
There was a devil in his eye, that would not let me speak.
The moon was up above the woods, just east of Haggard Bourne;
I buckled Lightning's throat-lash fast; the Squire was watching me;
He let the stirrups down himself, so quick, yet carefully.
He drove the yard gate open, man, and called to old Dick Blount,
Our huntsman, dead five years ago—for the fever rose again,
And was spreading, like a flood of flame, fast up into his brain.
While we stood there, all pale and dumb, scarce knowing he was gone;
We mounted, and below the hill we saw the fox break out,
And down the covert ride we heard the old Squire's parting shout.
Beyond the hurdles by the beck, just half-way down the vale;
I saw him breast fence after fence—nothing could turn him back;
And in the moonlight after him streamed out the brave old pack.
Hoping to turn him at the brook, that could not well be past,
For it was swollen with the rain; but, Lord! 't was not to be;
Nothing could stop old Lightning Bess but the broad breast of the sea.
She broke across the fallow land that runs by the down side;
We pulled up on Chalk Linton Hill, and as we stood us there,
Two fields beyond we saw the Squire fall stone dead from the mare.
A cloud came over the broad moon, and something dimmed our sight,
As Tom and I bore master home, both speaking under breath;
And that's the way I saw th' owd Squire ride boldly to his death.
The Three Statues of Ægina.
Toils o'er his heaps of Samian clay.
The years of anxious care are past—
A masterpiece is wrought at last.
He breaks the mould, and, lo! appears
A rustic God, with wild goat's ears.
Over the clay must sigh and sweat.
“Not strength alone, but beauty, gives
The prize for which the sculptor lives.”
A second trial—Venus he
Has shown us rising from the sea.
“In art that wisdom must have sway;
That beauty, true, is flower and root,
Wisdom alone the ripened fruit.”
Again his lamp burns, day and night,
And, lo! Minerva, mailed in light.
The oak-crown in his wrinkled hands.
“All hail to Chiron!” is the cry
That scares the white doves in the sky.
“Why sits he, then, with upturned face,
Nor moveth from his resting-place?”
A shade that victor crown has on.
They bear pale Chiron to the pile,
Where the blue waves unceasing smile;
And there, in sunshine and in gloom,
Those triple statues guard his tomb.
Warlock Woods.
Soon they'll come crashing through the hazel copse;
Already rocking like poor wind-tossed ships,
I see their reeling spars and waving tops.
The knights have yielded to King Mammon's lords;
Rent is the good escutcheon—sable, gules;
Shivered at last the brave Crusaders' swords.
Will strew the covert, all o'ergrown with fern:
I hear the jarring axe that cleaves and splits;
I see the woodman's fires that crackling burn.
When boughs are snapped, and branches tempest-cleft,
When dead leaves drift across the rainy skies,
And not a wayside flower of hope is left.
When hyacinths in shade grow blue and rank,
When echoing cuckoos greet the Spring again,
And violets purple every primrose bank.
Waiting the footfall and the pitying eyes;
And here, with sullen psalms and gloomy prayers,
The Ironsides have doled their prophecies.
Strung their big bows, and filed their arrow-heads,
While the wine-jug went round so fierce and fast,
When near them lay the fallow-deer just dead.
The suicide's last prayer, the lover's sigh,
The murdered one's wild scream: it is for this
I hold them bound to man in sympathy.
Old giants, centuries long without a fear,
Fall prostrate at one scornful tap from thee,
Frail ivory hammer of the auctioneer.
No more to be the homes of hawk or owl;
No more on stormy nights the banshee wind
Shall through thy riven branches gasp and howl.
Dutch Pictures.
This is how the Dutchman painted—
Glossy satin, all a-shine:
Amber rich, as bright as wine.
Holding flagon to his eye,
Every word a curse or lie.
Drunken skips, and reeling prances,
Troopers with red drums and lances.
Orange scarfed, who drink and smoke,
Careless what boor's head is broke.
Swansdown edged, each one a goddess;
But laughing at an ape—which odd is.
Over door-hatch—vine-leaves green—
Gadding round the window screen.
Screw their faces to a flute—
Grey and scarlet each man's suit.
Mountebanks who make fools stare;
Drunken fights, with lugging hair.
Looking, in a mocking way,
At the skittle-players' fray.
Yellow-red, or dark as wine.
Willows standing in a line;
Where the barges drag and pass,
Stared at by the milking lass.
Teniers' silver purity;
Potter's broad serenity—
Crystal tender to the eye;
Subtle in each harmony.
Yellow silk, as bright as wine—
Never thoughtful, wise, or sainted—
This is how the Dutchman painted.
A Lie.
Rough, and rank with a thorny growth,
With its spotted leaves, and its purple flowers
(Blossoms of Sin, and bloom of Sloth);
Slowly it ripened its baneful seeds,
And away they scattered in swift grey showers.
And they spread o'er a hundred miles of land.
'T is centuries now since they first took flight,
In that careless, gay, and mischievous band,
Yet still they are blooming and ripening fast,
And spreading their evil by day and night.
A Rifle Duel in Arkansas.
So I swore I would drop him or he drop me:
We met with rifles near Cedar Creek
'Bout sundown, yesterday was a week.
Croaking and gloating and waiting for me;
The rattlesnakes moved in the cotton-wood copse,
The night wind sighed in the cane-brake tops.
He clicked the trigger: no waste of speech.
He pulled out slowly his powder-horn,
Then greased a bullet, and whistled in scorn.
With much goodwill, yet not much art:
The bullet it splintered and chipped the tree,
A coppery cedar, close to me.
Cutting the skunk's old felt hat through,—
An inch too high, but it raised his hair,
And made the buzzards flap in the air.
Then leaped up twice with a yell and a shout;
“Old coon,” he cried, “when I fire again,
I'll drill a hole in your Yankee brain.”
And his black smeared hand moved over his chin;
“Hallo!” he shouted, “that's one to me.”
Jammed down the cone of smooth-greased lead
(I'd measured him out my largest charge),
Then fired, and shot him clean through the head.
The Year's Twelve Children.
January, worn and grey,Like an old pilgrim by the way,
Watches the snow, and shivering sighs,
As the wild curlew round him flies;
Or huddled underneath a thorn,
Sits praying for the lingering morn.
February, bluff and bold,
O'er furrows striding, scorns the cold;
And with his horses two abreast,
Makes the keen plough do his behest.
Rough March comes blustering down the road,
In his wroth hand the oxen's goad;
Or, with a rough and angry haste,
Scatters the seed o'er the dark waste.
April, a child, half tears, half smiles,
Trips full of little playful wiles;
And laughing 'neath her rainbow hood,
Seeks the wild violets in the wood.
May, the bright maiden, singing goes
To where the snowy hawthorn blows,
Watching the lambs leap in the dells,
Hearing the simple village bells.
June, with the mower's scarlet face,
Moves o'er the clover-field apace,
And fast his crescent scythe sweeps on
O'er spots from whence the lark has flown.
July—the farmer, happy fellow,
Laughs to see the corn grow yellow;
The heavy grain he tosses up
From his right hand as from a cup.
August—the reaper cleaves his way
Through golden waves at break of day;
Or on his waggon, piled with corn,
At sunset, home is proudly borne.
September, with his braying hound,
Leaps fence and pale at every bound;
And casts unto the wind in scorn
All cares and dangers from his horn.
October comes, a woodman old,
Fenced with tough leather from the cold;
Round swings his sturdy axe, and lo!
A fir-branch falls at every blow.
November cowers before the flame,
Bleared crone, forgetting her own name!
Watches the blue smoke curling rise,
And broods upon old memories.
December fat and rosy strides,
His old heart warm, well clothed his sides,
With kindly word for young and old,
Laughing a welcome, open flings
His doors, and as he does it, sings.
The Wreck off Calais.
SATURDAY, OCTOBER 4, 1866.
The women ran, screaming, along the pier,
The wind like a wild beast howled; the night
Grew darker as, with a shudder of fear,
We saw just then, by the flash and flare
A hissing rocket a moment cast,
A tossing wreck swept almost bare,
Ay! the cruel end it was coming fast!
A few more surges of angry wave,
And a floating spar and a plank would be
All that was left. Was there none to save?
None to struggle with surf and tide,
And the foaming hell of the angry flood,
That raved and raged with a devilish pride,
Howling, as 't were, for human blood?
That wrestled with Satan at sea that night;
And the steady lighthouse flame fell there
On the women's faces, wan and white;
The children sobbed, and the mothers wept,
Hearing the sailors' screaming cries,
As the torchlight fell on the waves that leapt,
And gleamed on the staring and sorrowing eyes.
Of the wolfish waves as they bore along,
And swept o'er the wreck with a ravening crush.
Then the moon shone out from the gloom bygone,
And up in the rigging dark it showed,
Bound to the ropes, five half-drowned men.
And one poor boy, who a spar bestrode
Till a breaker bore him into its den.
As below, on the moonlit level sands,
The women knelt in their agony,
And wrung their tight-clasped pallid hands.
Lent only a terror to the snow,
And a horror and fear to the rolling surge,
And the restless mighty seethe and flow.
Ran eagerly down to the farther sand,
And dragged the life-boat quickly out,—
Not one of us lads but bore a hand.
'T was bedded deep in the silt and snow,
And the drift was round it high and fast;
But we dragged it steadily, though slow,
Till the deeper water was reached at last.
Came tow'rds us, biting his lips, and bade
The noisy Frenchmen, who after him ran,
“Pull out at once.” Well, they were afraid;
Shouting their gibberish loud enough;
But half-way came a wave at play,
And the lubbers were not of a right good stuff.
Then we went mad at that, and raced
For the boat at the other end of the town;
And we ferried across; but the fools, disgraced,
Would not bring the key, and were sullen and glum.
So we tore down the rails, which did quite as well,
And launched the boat, and were cool and dumb,
Till we pulled away for that foaming hell.
As we shot like a sea-bird to the wreck;
Our hearts were good, but how weak our hands!
Waves do not yield to a coxswain's beck.
A cruel sea struck our staggering boat,
A moment, and half of us had gone;
And I and some others, on oars afloat,
Saw the careless wave roll roaring on.
And life to them is a paltry thing
Compared with duty; so quickly they
Pushed off while we were still struggling;
And rescuing all that were left, again
We pulled through the racing rolling tide,
And saved the last Frenchman, whose worn weak brain
Had turned when his friends had slowly died.
Our steamboat left with the five dead men,
And half-way across we sang a psalm
Beside the row of coffins, and then
The captain read us a chapter or two,
Till presently up the white cliffs came;
But not for them, the brave and true,
Who put the Calais men to shame.
Basking.
Where the grass is all in flower,
Where the wild rose sheds its leaves,
Where the great ox-daisies tower.
I watch the butterfly
Roam all the wide field over,
As lazily I lie
For once at least in clover.
Around me and above me;
The wild doves in the copse
Murmur as if they love me.
I hear a voice once dear
In every blackbird's whistle,
And even in the chirp
Of the goldfinch on the thistle.
For a Summer hour at least,
And I bid the fairies come
To the revel and the feast,
From the honeysuckle's bloom,
From the bell of the foxglove swaying,
From the cup of every flower
Where the little rogues are playing.
Burns like a gunner's fuse,
When the dead men trampled lie;
And see, fast over my shoes
The ants, an eager host,
Are bent upon invading,
Fierce, ruthless, hot, and keen,
For conquest and crusading.
Of grasses gaily dancing
I see shy creatures peep,
And fairies' quick eyes glancing;
Small monsters climb and pry
Upon the cowslip blossom,
Clinging like sailor boys
When the sou'-westers toss 'em.
Of silver gauze is darting;
The midges circling waltz,
Now meeting, and now parting.
In the brook that near me flows
The yellow lily's swimming,
Where just beyond the mill
The fuller stream is brimming.
The dappled cows are browsing,
And there on the kingcup's gold
The sleeping bee is drowsing.
As the fairies will not come,
At least in any number,
I'll steal just half an hour
For a little dreamy slumber.
By these Summer sounds and sights;
Titania, come in splendour,
Crowned with thy glowworm lights.
Come in the sunlight dim,
And kiss me as I'm sleeping;
Already thy fairy guards
Their secret watch are keeping.
Down a precipice of dreams,
Deeper than ever Vulcan fell—
I see strange lands and streams;
When all at once soft lips touch mine
(It's a fact that I am stating),
And the sweetest voice you ever heard
Says, “Darling, tea is waiting.”
The Blackbird's Song.
The lark's nestled soft in the cloud,
The swallow lies snug close under the eaves—
But the blackbird's fluting it loud;
He pipes as no hermit would nor should,
Half a mile deep in the heart of the wood,
In the green dark heart of the wood.
His head close under his wing;
The lark's come down to his home on the earth—
But the blackbird still will sing,
Making the heart of the dark wood thrill
With the notes that come from his golden bill,
That flow from his golden bill.
The Private Burying-Place.
The beech unfolds its pleated leaves;
The goldfinch in the hawthorn-bush
Its nest with soft moss weaves;
Hard by, the brook (where cresses throng)
Runs, babbling merrily, along.
For my last long tranquil sleep.
I'll lie with folded hands in trance,
Through which low murmuring tones will creep,
Dim memories of yesterday,
And voices sweet, but far away.
(Those red-barked giants of the wood);
The rooks are wheeling round the elms,
That now the widening blossoms hood;
No other sound, but where the brook
Gurgles around some stony nook.
I shall lie underneath the grass,
And still, like one in a half-trance,
Shall yet distinguish men that pass;
For sorrows, even such as mine,
Death brings a certain anodyne.
Shall poise above me; and the bees
Drag at the purple clover flowers;
And all day long, high in the trees,
The blackbird, with his golden pipe,
Shall sing of Summer ere 't is ripe.
What majesty there is in Death!
What riches that no king can touch!
What mystery in the ceasing breath!
Sorrows that time hath brought to me,
Share not my immortality.
And daisies star my emerald pall;
And soft shall fall the Summer dew,
And soft the Summer showers shall fall;
The sunbeams shall point to my grave,
And the plumed grasses o'er me wave.
Of this great planet-ship of ours,
And it shall roll and circle on
Through its predestined days and hours,
Come storm or tempest, I shall rest
Warm in my little sheltered nest.
Or swathes of cold effacing snow,
Or let the sunshine burn and parch,
I shall be still and calm below;
I shall fear neither rain nor sun,
When I and Mother-earth are one.
Like the winged thistle-seed; why then
Fear Death more than the clover does?
We cannot change the doom of men.
So welcome Death: these woes of mine,
They need thy certain anodyne.
Tædium Vitæ.
Was God's last work—each wind that blows
Howls the old tunes.—Ah! see, I pluck
The million millionth rose.”
Nothing is old to the fresh brain.
In every blushing dawn I see
Creation's morning o'er again.
That ruffles out upon yon beech;
The birds sing of Eternal Love,
And struggle for the gift of speech.
Framed on the pattern of last Spring,
The old jags cut in the same way
As when Ahab was King.
Rose-tipped as in the Tartar fields,
The day that, crowning Tamerlane,
His horsemen clashed their shields.
On old and very settled rules,
And needs no Fashion's pattern-book,
No second course of model schools.
Castle Clare.
From beech-tree rusty-red,
Now music comes to wake the flowers
That sleep on mossy bed.
For blackbirds pipe upon the elms
To the echoes hiding there;
And merry and strong the thrushes flute
All round brave Castle Clare.
The swans are on the wave,
The trout leap up for very joy
In silver armour brave;
The lark above the fallow sings,
Poised in the calm blue air,
Rejoicing every breeze that blows
Sweetly o'er Castle Clare.
That gilds their circling vanes;
Laden with gentle rains.
The birds upon a thousand trees,
Like children free from care,
Carol in the green spreading parks
Of leaf-clad Castle Clare.
Leap, welcoming the Spring;
I am the happiest creature born,
For Love has crowned me king.
Nelly, to-day, with arm in mine,
Said “Yes” to my fond prayer;
And now the meadows seem all flowers
Around dear Castle Clare.
Shells.
Deep, deep below the mountain wave;
From that unutterable calm
Where the worn seaman finds a grave;
Death's frontier—where the tempests cease;
Where never sound of sorrow comes,
And all is silence, all is peace;
Small beaded dust. But, who would stay
To scrutinize mere lees and drift,
Thrown by at the creation day?
“Folded her arms while worlds were spinning,
Accomplished nothing of her plans,
But lingered in the mere beginning.”
Taught me that Nature never sleeps;
And that the sea's her treasure-house,
Where she her choicest jewels keeps.
What freckled surface, iris-dyed!
Fluted and grooved, with iv'ry lips,
Spotted like panthers, peacock-eyed!
And you will see the fairy work—
The ruby specks, the azure veins,
That in the tiniest hollow, lurk.
These smallest of created things,
Then hid them in the boundless deep?
Say, why do Autumns follow Springs?
In these, in all, thou sneering one!
Deride the God who made the fly,
You scorn the God who made the sun!
The Birth of Song.
As the bubbles do in wine;
Born of the sweetness and the strength
That prove the draught divine.
Leap forth in early May;
As swift as lark in morn of June
Springs up to greet the day;—
The rainbow has its birth;
As rapid as the crystal fount
Upstarteth from the earth;—
The echo pass away,
But still a thought of beauty past
Within some mind will stay.
Sitting in the Sun.
And kinsmen shun me with a flout;
When hair grows white, and eyes grow dim,
And life's slow sand is nigh run out,
I'll ask no boon of any one,
But sing old songs, and sit i' the sun.
And all my thoughts shall backward turn;
When eyes shall cease to glow with love,
And heart with generous fire to burn,
I'll ask no boon of any one,
But sing old songs, and sit i' the sun.
And suns shine not as once they did;
When parting is no more a grief,
And I do whatsoe'er they bid,
I'll ask no boon of any one,
But sing old songs, and sit i' the sun.
That guards some little cottage door,
I'll dance a grandchild on my knee,
And count my past days o'er and o'er,
Asking no boon of any one,
But to sing old songs, and sit i' the sun.
An Autumn Evening.
Went drifting down the west,
Like barks that in their haven soon
Would moor and be at rest.
The Day sank down, a monarch tired,
Upon Night's sable breast.
Yet now and then it stirred
A great tree's top, and whispering,
Awoke a slumbering bird,
Who half aroused, but only chirped
A song of just a word.
Spread out a thousand arms,
Each with a torch, whose crimson flame
Stretched o'er the peaceful farms,
And o'er the yellow corn, that lay
Unconscious of all harms.
A desert tract of air,
Where no rich clouds, like Indian flowers
Bore blossoms bright and fair;
And over all, a sense of want
And something lost was there.
Easter Sunday in the Country.
No ploughman drives his team abreast;
And in the pure blue silent air
There reigns a sanctity of rest.
Type of Christ breaking from His tomb,
The lark is rising through the gloom.
I hear the blessed Sabbath bell,
And, standing on the down, I mark
The wandering music lour and swell.
Thro' yellow clouds the lark has risen,
Like one new broken from Death's prison.
To hail the happy Easter-time;
From Winter's tomb breaks forth the Spring,
The year will soon be in its prime;
The lark in sunlight glorified,
At death and sorrow doth deride.
Like soldiers guarding round a grave;
The lark it soars exulting up,
Like Him who came to bless and save,
And rises on this morn of May
Type of the Resurrection-day.
Between earth and yon burning red,
The blessed bird goes soaring on,
Singing to us so cold and dead.
Soaring where red cloud joins the blue,
Piercing resistless through and through.
The maidens with their hair so sheen,
With kindly welcome and with smile,
They cluster on the village green.
Hark! in the air the angels sing
In chorus, glorifying Spring.
Call to us o'er the russet leas;
O'er squared-out fields, and fallows dark,
Long winding lanes, and marshalled trees,
From the grey spire that from the graves
Points to the God who hears and saves.
Dewfall.
A letter wet with tears she shed:
First grief like a blight-wind blows,
Blistering life's Summer rose.
O'er a face that seemed to sleep—
Far away from home and those
Who saw our love grow like a rose.
Pores o'er life's torn chart and plan
Traces lines almost erased,
Traces letters half defaced:
By his side a faded rose,
Yellow, withered,—“one of those.”
The Great Enchanter.
His treasurer to dispense
His lavish alms, and turn to gold
His scanty pence.
And sets the fettered free;
He calls the beggar from his den
To golden luxury.
Reverses Fate's decrees;
And bids the briefless Pleader rise
Judge of the Common Pleas.
Wreathes the starved poet's brow;
And calls the hero still unknown
From lonely village plough.
And from his shadowy plain,
Down Memory's long and cloudy vaults,
The dead glide back again.
Divine equality!
Blesses the monarch in his state,
The slave upon the sea.
The only Golden Age;
Sleep! O thou blessed alchemist,
Thou holy Archimage!
An old Ballad Re-written.
ANNAN WATER.
But my love Annie's wondrous bonny;
I'm loth that she should wet her feet,
For, oh! I love her best of ony.
Go, saddle quick, and make him ready;
For I will down the Gatehope Slack,
And see my winsome little lady.
I'll lead her till the black is weary;
And fill me up a cup of wine.
For, eh! the storm is loud and dreary.
I swore it on the lips of Annie;
I swore it with her hand in mine,
And not by one oath, but by many.
And I could scoop it out at leisure,
I'd give it all to have to-night
Two honey kisses from my treasure.”
From either spur the blood was flying;
But ere he won the Gatehope Slack,
The horse was not an hour from dying.
From bank to brae the waters pouring;
They hungered for a drowning man;
'Twas for more food that they were roaring.
He rode as straight and fair as any;
And he would neither halt nor stay,
For he was seeking bonnie Annie.
Through moss and moor, and pool and mire;
His spurs with red were dripping fast,
And from the steel hoofs flashed the fire.
If ye're the steed to win my deary,
On corn and hay ye'll live for aye,
And never spur shall make you weary.”
But when she reached the nearest ford,
She couldn't have gone a furlong more
Though you had smote her with a sword.
I'll give you, man, good golden money
To put me o'er the darkening stream,
For I must cross to see my honey.
And not one oath alone, but many,
That though it rained a stream of fire,
I'd cross and see my winsome Annie.”
From brae to bank the falls are pouring:
The bonnie grey mare sweats for fear,
To hear the Water Kelpy roaring.
His silver buckle, hat and feather,
He's burst the waistcoat from his breast,
He's thrown away his broad belt leather.
I wot he swam both strong and steady;
But the tide was broad, his strength it failed,
—He never saw his bonny lady.
And woe betide the brittle briar!
They broke when grasped by my love's hand,
When his strong limbs began to tire.”
This night ye are a mournful river;
Over thy floods I'll build a brig,
That ye no more true love may sever.”
All Alone!
And the thrush has ceased its lay,
Then the robin, all alone,
Perches on the mossy stone, All alone!
For the joys all gone away,
Like the leaves and their array,
Like the flowers the last year sown, Passed away!
And the last leaf's fallen—dead;
Then the robin, all alone,
Sits upon the churchyard stone, All alone!
Where Death reigns as on a throne,
Stone at foot, and stone at head—
Things that Death can call his own—
Cold the lassie's bridal-bed,
Cold the pillow at her head; All alone!
The Grub Street Poet's Vision.
Did not Dante see again his Beatrice
On the broad golden steps of heaven at sunset,
Calm in serenity of changeless peace?
Bailiff harpies vex its garret-dwellers;
No more nectar from bright Hebe's beaker
Fills up the hogsheads in the poet's cellars.
Lo, there descends a gracious vision. See!
Where the huge bow of the proud crescent Quadrant,
Bends with such power and stately majesty.
In Roman triumph to a poet's seeming
There sits a very queen—but, nay, a Goddess,—
The Venus of my long, long years of dreaming.
In anger thirty weary years ago!
Ah! she regards me not: yet, would she know me,
Poor, old, and worn with life's rough ebb and flow?
The brow of Dian, bright, serenely chaste,
The neck of Hebe, eyes of Ariadne,
The zone of Venus girding round that waist.
Shaped out a Nereïd from the marble stone
Half so divinely fair. And in a moment
Dead love returns and claims his fallen throne.
Show for a moment through the parting gloom,
So came that vision, and so swift its passage,
Then deeper, darker spreads the boding gloom.
Life's joys are only shown us and withdrawn;
Once more the weary tramp, the lonely vigil,
The drudging labour till the grey of dawn.
In Clover.
JUNE.
Thick and tangled at our feet;
Crimson-spotted lies the field,
Blood-blotted like a warrior's shield.
Where the poppies, full of scorn,
Proudly wave above the corn.
There is music at our feet,
In the clover, honey-sweet.
Through the corn-fields as they go;
From the wheat, as from a sea,
Springs the lark, in ecstasy.
Now the bloom is on the blade,
In the sun and in the shade.
There is music at our feet,
In the clover, honey-sweet.
My own Miniature.
Regardless of ambition, pelf,
Much more the meaner sins,
And all the diplomatic wiles
That earn in life's poor game those smiles
The best finesser wins?
Like daisy opening to the light
In budding April-time?
I, whom an unrelenting sun
So long ago burned fiery dun
In hateful Indian clime?
With many a curious pleated quill,
Like paper round a flower!
A little Philip Sidney sure,
A boyish saint so meek and pure,
Heedless of Pride and Power.
To every breeze that chose to blow?
Behold this ivory ball!
Time's cannoned off it many a day;
I've had my rubs in Life's rough play,
Yet seldom won at all.
They use in these degenerate days
To mock at reverend age.
Ha! little hair is left, you see,—
Time pats our heads so heavily
Before we're fully sage.
I donned that suit called “Skeleton:”
I see it once again.
Like little Tommy in the book,
I'm reading gallant Captain Cook
Beside the rolling main.
Who longed to tempt the surges wild
And seek fresh golden lands.
Since then by cruel breakers crossed,
I have been wrecked and tempest-tossed,
And run on countless sands.
The world is round and I am flat,
And Hope a coloured bubble;
Love a mere mirage of the heart,
And thinking but a painful art
To magnify Life's trouble:
That scorches fools who would draw nigher,
Striving to win a name:
I have been singed (I know) myself,
Yet seeking Honour and not Pelf,—
These scars are from the flame!
And Good were stable, though there blew
Care's tiger winds by dozens—
That Work's a remedy for care,
Better than any change of air;
That Want and Sloth are cousins.
Since shone upon me childhood's sun,
And what a reel unwound!
Who would have thought that rosy face
Would ever fix in such grimace
And be in leather bound?
It's ploughed and trenched and wrinkled now,
And whitened with Grief's dredger.
With many lines drawn on account
To swell the terrible amount
In Time's remorseless ledger.
Faces in the Fire.
Watching the red coals change their shape:
Through waving flames rise gates and towers,
Black eyeballs stare, and hot mouths gape;
While dreaming I spin rhyme on rhyme
Of dewfall and the Summer-time.
Or Devil's arrows barbed with red;
I stab the fire's heart—hot the rain
That falls from veins that branch and spread;
And then I doze, or spin a rhyme
Of dewfall and green Summer-time.
Upon the wainscot silently;
I let the sable creatures be;
And careless sit and spin my rhyme
Of dewfall and the Summer-time.
Glides forth my oldest skeleton,—
Comes silent and sits by the fire,
His hands upon his knees of bone;
While shuddering still I weave my rhyme
Of dewfall and hot Summer-time.
Sit staring at the crimson fire:
Whate'er I do, he moveth not,
Watching the midnight's funeral pyre,
As through long lonely hours I rhyme
Of dewfall and sweet Summer-time.
“Left his Home.”
Taking his watch down from the nail,
Just as he always used to do;
Leaning his hoe against the rail
As he turned round to kiss our George
(Who ran to push the gate), and bent
A curious kind of look at me
And little Bessy, as he went.
Then gave a sigh, and one more look,
As 'yont the elm-tree in the lane
The shuddering willows three times shook.
I heeded not the warning then.
'T was ten years since, this very day,
That Robert left us all alone,
And took yon path, the Hindon way.
That shroud the valley and the lake,
Looms through the golden harvest moon,
And glows o'er down, and hill, and brake,
I think I see him in the dusk,
When George is playing at the door,
And spring to meet his welcoming arms,
As I have done so oft before.
As when he left me, he will come,
Meeting me down a row of sheaves;
And we shall hurry laughing home,
And wake our boy with kisses, then
He'll take his favourite seat and tell
Of his mysterious wanderings,
And what the day he left befell.
His back towards me, by a brook
Full of swift-darting trout, whose fins
Flash past the weed-drifts as I look.
A dying fish flaps on the grass—
Then, led by something that I see,
I steal still closer to his side:
He turns. O gracious God, 't is he!
Some Winter's night, when I am old,
There'll come a beggar lame and bent,
And pale and shivering with the cold.
And when I bring him to the fire,
He'll call me by the fondling name
He used to twenty years ago,—
Oh, should I know him if he came?
When I am under churchyard grass,
Tell him how oft I spoke of him,
And take him there, that he may pass
Near where I lie asleep, and see
If the tears fall for her he left.
Oh, agony of lingering grief!—
Yet, George, I am not quite bereft.
The Skeleton.
The seed shook out; yet here a God
Dwelt for awhile, and through those eyes
Looked at the world with strange surmise.
A parasite or baser thing,
Thou 'dst hope in youth, despair when old,
Great joy, and misery untold;
And life only a tale re-told.
With eyes of deep inquiry fixed;
Eyes—clay, with fiery essence mixed.
The flower the gardener's skill that shows,
The crown of this our human frame,
Full of all beauty tongue can name.
The spring of life's pulsating flood—
The heart that, till death's fevers parch,
Beats still its solemn funeral march?
Type of the planets, one and all,
Those windows of the human face,
The soul's peculiar dwelling-place?
This hand to execute the deed?
The sinful mouth is passed away,
The workman hand is sodden clay.
Is passed into the earth again,
Swift as the last star fades in fear,
Hearing exulting chanticleer.
Where life and heat had once their reign,
Till death's cold torpor froze the flood,
And spread its opiate through the blood.
These dry brown pipes of porous bone—
This skull, the hovel of the mind,
To will, to loosen, and to bind?
So runs a flippant fool's abuse;
Behold the first sketch of the man,
The outline of God's mighty plan!
“What! this the rose that poets name
‘The king of flowers’?” Let beauty sheathe
The basement bones, nor look beneath.
Clothe first with flesh the ruder forms;
Give me the bloom that pulsing glows,
And paints the cheeks with living rose.
Fill the full eye with shifting lights;
Nor praise this outline of a man,
This bony scaffold's ghastly plan.”
And felt the death-stroke of His rod;
Love, hate, and joy together filled
These veins, that once both thought and willed.
Released by death, has fled away;
The fire's gone out, the door's ajar—
This aërolite was once a star.
The Angler's Song.
Bob, Bob,
By the spongy osier-bed;
Where the rushes are brown-red;
Where the willows bend and weep;
Where the fat carps snort and sleep;
Where the otters rob;
For the float,
All vermilion, round, and swimming
Where the deepest tide is brimming;
Where the dragon-fly is skimming;
Where the water-lily's swimming
Round my flopping boat—
Bobbing float;
Where the sallow fawn is drinking;
Where the swallow sets me thinking;
Where the water's clear and blue,
And the gravel shineth through,
Round my shallow boat.
Where the pigeon's in the fir,
Where its brooding mother's song
Murmurs love the whole day long,
All above the branching oaks,
'Neath which the water-lily soaks—
I bob, bob, bob—
Bob, bob, bob,
Like Job, not caring for jokes.
Poises o'er the ponderous beam;
Where the perche's thorny fin
Pricks the sullen otter's skin,
And the bars upon his back
Show the zebra gold and black;
Where above the bosoming dell
Stands the buck, to snort and “bell”—
I bob, bob, bob—
Bob, bob, bob,
Passing my time so happy and well.
The Philosopher of the Garden.
The leaves like Rumour's tongues are stirring;
Though inarticulate their speech,
Their prophecies are all unerring.
Yet why forestall a coming sorrow?
My motto's Carpe diem. Birds,
Sing to me of a happy morrow.
Of Lucy; let the limes
Fling down their blossoms in sweet showers
Upon me, as in olden times.
Some golden cloud like melting amber,
Or sunbeam ray of happiness,
O'er Fortune's crags to guide my clamber.
Or bankrupt, beggared, and rejected,
The dusk will see my diadem
Of hope cast off, forlorn, dejected.
Watching the bats flit o'er the laurels;
Railing at Venus, chiding Mars,
Hating the very thrush that carols.
The orchard flowers still upward floating,
While greedy bees the thyme above
On their uncounted gains are gloating.
Fear makes me hesitate and ponder;
The clouds go pulsing o'er the hill:
Will Lucy be at home, I wonder?
All is still sunshine; quicker, swallow,
Sweep in long curves across the mead,
Yet I'll spin faster down the hollow.
A bud has opened since I lingered;
Its blush like Lucy's—how the room
Grew merrier last night, when she fingered
Mad witches dancing round a gibbet
In storm and thunder, till the moon
Laughed out.—Where did the fellow crib it?
Dolce, cantabile—it rambled
By moonlit willows row on row—
O'er floating lilies now it gambolled.
No sunbeam moving 'cross a shadow,
But brings a memory of her—proud,
Sing like her, bird in lustrous meadow.
Glad sunshine, brighten all the clover:
I feel a knight with spear and shield;
With hopes and fears my heart runs over.
Gay as a butterfly on roses—
The man is bringing round the mare;
This child this very hour proposes.
Love's Calendar.
Is whispering sweet to me;
The fairest things bring nearest
The memory of thee.
Are singing their bridal song,
And violets round the bushes
Spread in a purple throng.
(The rainbow arch of heaven)
Seems like a glimpse to mortal
Of vanished Eden given.
The yellow leaves in showers,
And the fretful rain-drop patters
In the grey autumnal hours.
Hung crystals on each spray,
And when the red oak splinter
Scared night's grim ghosts away.
Plotted each wind that blew.
But why detail each season?—
I love the whole year through!
Sea-side Hexameters.
I.
Many-footed and swift the trampling waves of the ocean,Breast to breast, rising and falling, leap on to the battle;
White-maned and fierce, three deep, fleet as the steeds of the prairie;
White-maned, tameless, and swift as the raging horse of the Tartar;
Level in rank, unsaddled, unbridled, unridden by any,
For none but the angel of wrath can bestride them, or rein them.
In madness, incessant, they dash on the jutting horns of the headlands,
Fierce as the patriot Swiss on the lances of tyrannous Hapsburgh.
White froth tossed from their lips like the slaver of madmen in fetters,
Pressing to shore as far as the eye can discover, they gather,
Hurrying on with a deafening shout, like the spearmen of Cæsar,
The white cliffs of Britain his goal, when he prayed kneeling down for a moment,
Then leaped on through the surf, deriding the hurtling arrows.
Lit by the flare of his torch, and the threatening glare of the beacons,
And with a cry to Mars the legions from Egypt strode after,—
Far in the distance the sea calls back its broken battalions,
Dyed red in the sunset, as stained with the gore of an onset.
Multitudinous, routed and baffled, now seaward they're plunging,
As the sun indeed were a bale-fire, and the Saxons were rising,
At the cry of the bands of the heathen, the Danes and the Norsemen.
Some are whispering hope, with a ceaseless murmurous music,
Others moaning with pain, but a few still mad for the battle.—
Thou, mighty ocean, though in calm or in storm, resteth never,
Grey and cloudy the sea, sky and water are blended together;
Yet still on the shore you hear the long deep roll of thy thunder.
The white mist rose from the bay, but the tumult hoarse and cavernous
Ceases not ever, though the stars in the wet sand's reflected.
Red shine the clouds on the beach like the glare of a gathering beacon;
But still plunge ever the waves with a deep diapason majestic,
As far from the din and the roar, and the feverish tumult of cities,
I watch the wave pressing smooth, the hard sand hollowed and ribbed.
Ay, for the planks of the ship the sea-worm and canker hath fretted
Ay, for the mast-bedded deep, and firm in the labouring sea-drift;
Ay, for the pennon of crimson the slippery dark weed hath tangled;
Ay, for the twine of the cable, now loosened, and shredded, and sodden;
Rough with the sea-shell, crisping and white with the glittering crystals;
Scurfed with the salt, and green and brown with wet glistening ribbons
Of bladdery weed, and branch of the uprooted trees of the ocean.
Deep lie the dead in the slope where the sand heaps in furrows and hollows;
Close and swelling and soft as the snow in the clustering mountains.
Wail on, O sea, and mourn for the creatures you slay in your anger.
God made us both, ocean and man: then why dost thou harm us?
Or why is thy cry full of sorrow, now shriller, now deeper?
Why in thy voice are contained all the choking shrieks of the drowning?
Heaving and leaping above us, splash, roaring and shouting, the breakers,
Beware of the surf in the bay, beware of the reefs to the leeward.
The waves climb up on the shore, but howling and ceaselessly falling
Back from the buttressed walls of their prison, a dungeon eternal.
II.
Roar, ye dumb giants, gasping, howling, and moaning, yet wordless,Your cry is no neigh of the war-horse, but of spirits in torture,
Despairing, but bent on destruction, resolved upon conquest;
No hope, but a moaning of anguish, no scream of the terrible onset;
No! but a dauntless despair and a courage and vigour undying;
Impotent—true—against God, but stormy and cruel and wrathful;
Feeding on man, wretched man, and tossing the dead in derision;
A prey for the fish and the birds, a sport to the tides and the currents,
Thy step to the shore is the slow irresistible step of the lion.
Blind is thy wrath, thou art deaf to the prayer of the wretched and drowning;
White with thy foam is the fluttering wing of the chattering sea-bird,
That flits and hovers around the raft, and the faint and the sinking.
Level, and barren, and waste, broad as the mighty Atlantic;
Vast, and level, and dim, shapeless, and veined with broad shadows.
Thou art obedient still to a nameless, majestical presence;
Restless as heart of a spirit, still pulsing and throbbing and breathing;
Many may sleep on the reef, or the raft, that approaches the whirlpool;
The gull folds its wings in the evening, the fisher the sail of his pinnace.
Deep is thy roar, as the tumult of gathering nations revolting;
Vast, and boundless, and level, and waste thy watery prairies,
Stemming the rocks in the bay, thy waves hurry on like bold swimmers;
Tossing the spray and the froth, in the sunlight prismatic it flashes,
While the long deep roll of thy tide washes over its torrents.
The keystone of the arch of the rainbow's the throne of the Father,
But its triple shaft, shedding light, rooteth deep as thy caverns,
Ere it smoulders away like a dream in the flames of the sunset.
Red shines the light on the sand like the glimmering flare of a beacon,
Warning the seaman in storm of the shore and its breakers and danger.
And the boatmen, aged and blind, listen with joy to the storm-wind,
Telling tales to each other of wreck on those shores, and of danger;
Flickering blue, like a flame dyed with the colour of heaven,
The crystal, wavering sea, restless with dimple and ripple,
Grows cloudy and grey, toward the evening, stormy and wrathful,
Inky, and streaked with dark green, threatening, white with its foam-crest;
No longer creeps up to the shore with the murmuring voice of a lover,
Whispering and wooing and gentle, in dusk of the glimmering twilight,
But stormy and fierce as a knight at the ebony gate of a giant,
Cursing Mahommed, and vowing to heap up despair and destruction
On Soldan, and Paynim and hound, by the help of the guardian angels,
By the help of our Lady the Virgin, the saints, and confessors, and martyrs.
The old grey tower on the cliff stands like a crumbling landmark,
Dark through the mists of the eve, silver-flamed in the mellowing moonlight,
Now red, and burning, and bright, a pillar of fire in the sunset;
On the shore the waves break in with the foam of the breakers dyed crimson,
Like the surf that pours in on the swamps of the black Malebolge,
The cry of whose waves is the howl of the creatures in lingering torment—
Of Cain, Holofernes, and Herod, Ananias, Sapphira, and Judas.
They leap up high, and curvet with the proud-crested neck of a war-horse;
And around the ambient air is filled with their loud acclamations,
For the sea has voices of woe, as well as of wrath and of anger—
Amid all the roar and the foam, I hear the hoarse shells of the Tritons;
See the nymphs diving and soaring, flashing like swallows in æther,
Heralds of Neptune, the long green mane of whose trampling horses
I can discern through the waves that the sun makes bright and transparent;
Glaucus, and Sylla, and Circe, the Syrens, and daughters of Nereus,
Trapped in rich fetters of shells, and the crimson fibres of sea-weed,
Led by the winds, and lulled by the voice of the creatures of ocean,
Who follow behind as the flocks do the pipe and the hurrying shepherd.
Proteus drives after them all the glittering shoals of the tunny,
For already the spears are sharpened, the eager fisherman, waiting,
Prays to the Gods of the Ocean, adoring with frequent libation;
Soon shall his sail brace out with the favouring gale from the western,
His prey come rolling and leaping and sporting and gleaming to windward;
Food for the hearth and the altar, food for the long nights of Winter.
Beware of the ledge of the rock, black and jagged as the snout of a monster,
Glimmering, frothy, and white as a shark's teeth glitter and glisten;
And beyond, dark as backs of the whales in the ocean antarctic,
Deep in the sand-troughs, blindly the billows welter and wallow.
The waves, like the Magi, bring presents, but not of red gold and of spices,
For their gifts are unworthy and base, deluding, and scornful, and mocking:
Sea-weed and leaves that are torn from the wavering forests of ocean;
Washings of sand, bright silt, grit, coloured and sparkling and golden;
Or, pale and shroudless, the dead, borne on the wandering billow,
The dead of a region unknown, the driftings of gale and of tempest,
Washed up on the land as in scorn, with a roar of derision;
At night when the star on the cliff seems to answer the lights on the water,
Far from the din, and the roar, and the feverish tumult of cities.
Temple Bar.
That hast so often, from afar,
Risen amid my dreams;
When avalanches round me roared,
Or where the Tagus, sunlit, poured
Its stately golden streams;
The Alp-peaks flushed with rosy red
The sunset dyes arrayed;
And where, below on lily banks,
The half-wild goats in straggling ranks
Fed, leaped, or, butting, played;
And, like a final deluge, poured
Majestically calm;
And where arose the Pyramid,
At starry twilight almost hid,
And waved the lonely palm.
The glimmering, horny light that plays
Around thy window-panes;
Thy posture-making kings, and she
Who brought proud Spain upon his knee,
And still up yonder reigns.
Strike terror now to Tory souls,
(Thank God, those days are altered!)
A statesman now may lose his head
Many a year before he's dead,
Long ere his last word's faltered.
I've seen in days of Summer drouth
Thy archway flaming red
With sunset crimsons fold on fold,
That turned the Strand to burning gold,
Then darkened overhead.
I've seen the sprinkling silver light
Transmute thy royalty;
Invest thy kings with saintly gleams,
Crowning with halo of moonbeams
Thy transient majesty.
At midnight bend their chiding brow
On Boswells reeling home;
Nor Goldsmith curses German kings,
And wishes, among other things,
For Chevalier from Rome.
Gazing upon a sky, dark, drear,
Holding his bated breath;
While moonshine blanched the windowed arch,
That howling, bitter night in March,
He pondered upon death.
Through this dark gate of Time will pass,
Forced by their cruel star;
And many Boswells, Johnson led,
Will pass through you when I am dead,
To heavens that lie afar.
It makes my blood in ague shiver,
To think how fast life's flowing;
And how our little frail canoes,
No bigger than a giant's shoes,
Sink ere we know they're going.
Autumn Pictures.
I. EVENING.
The sky is throbbing thick with stars—
I see the never-parted Twins,
And, guarding them, the warrior Mars;
High, too, above the dark elm-trees,
Glitter the sister Pleiades.
No foot upon the quiet road;
No bird stirs in the covert walks;
Only the watchman is abroad.
From distant gate, the mastiff's bark
Comes sounding cheerly through the dark.
Rise patterned 'gainst the twilight sky;
The restless swallow sleeps at last,
The owl unveils its luminous eye;
Our cottage like a lighthouse shines
From out its covering of vines.
The kindly angel-stars are watching,
O'er the long line of dark-ridged roof,
Far over gable-end and thatching;
And now I blow the light out—pray,
Dear wife, for him who's far away.
II. MORNING.
With heart revived and brighter eyes,
Now Morning glitters in the grass;
With gladsome thought, I 'gin to rise.
The lawn is blooming dewy grey,
Flower-like expands the golden day.
His morning hymn sings sweet to me;
High on the topmost twig alone
He carols, calm, clear, jocundly.
The yellow leaves around him fall;
From distant fields the blackbirds call.
Blooms with a steadfast flame,
Like other flowers in slow decay,
Going to whence they came:
Like swarms of golden butterflies,
The dead leaves fill October skies.
The market carts jog by,
While morning clouds, go, fraught with light,
In order through the sky.
The trees, with hushed and bated breath,
Are waiting silently for death.
Blythe as in April-time;
The gathering swallows on the roofs
Look toward another clime,
Teaching us all that, proud or meek,
We too another home must seek.
Our Village at Daybreak.
And watch the widening sunshine its day's bright march begin,
As the burnished clouds turn fiery red, and the lark awakes his kin.
You hear the joyful blackbird in the parson's croft that sings,
Where the thankless wasp sucks at the grapes, yet, while they feed him, stings.
Stitching away with prying eyes at the miller's daughter's shoe;
She's the deftest foot in the country-side, and beauty enough for two.
The sturdy lad, who smacked the whip, seemed to be all of a glow;
The ploughman's horses stride along, broad-chested, in a row.
The flowers are out; the brook chirps on, each happy in its degree;
And the ripples of red run over the sky as the wind shouts in its glee.
Glad faces look up at the morning sky, and voices fill the town,
While drowsy girls at the village pump brim up the pitcher brown.
Through flowery lanes, by river-sides, resting at many a stile,
(A vagrant artist, on the tramp), and singing all the while.
Friend Robin.
Singing sweet and blythe;
Careless of Time's hour-glass
And his crooked scythe.
Prodigal of pleasure
In a harmless way,
Greeting in the sunshine
This thy holiday.
Wandered in the wood,
We shall still remember
Thou wert kind and good.
As their cheeks grew paler,
And with tears were wet,
Thou didst sprinkle o'er them
Many a violet.
In the chilly eaves
Thou didst strew their corses
With the mouldering leaves
Well the ancient poet,
Greatly loving thee,
Said thou wert the emblem
Of sweet Charity.
Burn among the corn,
While the thrushes carol
To the blue-eyed morn,
Thou art hushed and silent:
But when Summer's reign
Ends, and leaves are falling,
Thou art gay again.
When the rains begin,
While the gay flowers wither,
And the woods grow thin.
Now that, half regretful,
Red leaves drift along,
Like an old friend's greeting,
Comes thy little song.
Gold tints every leaf,
Sharp the frost comes nipping,
And we've piled the sheaf.
Now the flails are sounding
On the threshing-floor,
Let me sit and hear thee
Singing by my door.
In the Summer-time,
But the swallow leaves us
Ere the rain and rime.
Thou alone art faithful
In the mist and cold,
Pleasant Winter carols
Singing as of old.
Smith of Maudlin.
The very night I pass away,
And cloud-propelling puff and puff,
As white the thin smoke melts away;
Then Jones of Wadham, eyes half-closed,
Rubbing the ten hairs on his chin,
Will say, “This very pipe I use
Was poor old Smith's of Maudlin.”
The ruffling gownsmen three abreast,
The stiff-necked proctors, wary-eyed,
The dons, the coaches, and the rest;
Sly “Cherub Sims” will then purpose
Billiards, or some sweet ivory sin;
Tom cries, “He played a pretty game—
Did honest Smith of Maudlin.”
The mad bull's jerk, the tiger's strength;
The Balliol men have wopped the Queen's—
Hurrah! but only by a length.
Dig on, ye muffs; ye cripples, dig!
Pull blind, till crimson sweats the skin;—
The man who bobs and steers cries, “Oh
For plucky Smith of Maudlin!”
Red sparks are breaking through the cloud;
The man who won the silver cup
Is in the chair erect and proud;
Three are asleep—one to himself
Sings, “Yellow jacket's sure to win.”
A silence:—“Men, the memory
Of poor old Smith of Maudlin!”
A freshman dons the swollen glove;
With slicing strokes the lapping sticks
Work out a rubber—three and love;
With rasping jar the padded man
Whips Thompson's foil, so square and thin,
And cries, “Why, zur, you've not the wrist
Of Muster Smith of Maudlin.”
I shall lie still, and free from pain,
Hearing the bed-makers sluff in
To gossip round the blinded pane;
Try on my rings, sniff up my scent,
Feel in my pockets for my tin;
While one hag says, “We all must die,
Just like this Smith of Maudlin.”
And all I hear will be the fly
Buzzing impatient round the wall,
And on the sheet where I must lie;
Next day a jostling of feet—
The men who bring the coffin in:
“This is the door—the third-pair back,—
Here's Mr. Smith of Maudlin!”
Silver-Shoe.
MOLTON STEEPLE RACES,—1858.
The west was leaden grey,
Till in the east rose a fire of red,
That burnt all the fog away.
The firs were hung with cones,
The oaks were golden green with moss,
The birch wore its silver zones.
Were feeding under the boughs
Of the oaks, that stretched their guarding arms
Around the manor-house.
And “Hurrah!” for the fiery roan,
But the caps went up like a cloud in the air
For Silver-shoe alone.
Was mailed with winners' shoes,
And we trampled out to the crop-eared down
By laughing ones and twos.
From the firs was shaking down,
As we cantered out by the dark thorned trees,
And over the green hill crown.
The roan gave a snorting shout,
But you never heard a rolling cheer
Till Silver-shoe came out.
And then we stole along,
Past the line of rails and the nodding heads,
And past the thicker throng.
Till like a boat well rowed,
Together went our hoofs thrown out,
So evenly we strode.
Past the crimson-spotted thorns,
And away we go with a toss of hats
And a driving blast of horns.
Ting, ting the rings and chains,
Chat, chat, chatter over the stones,
And splash through the red clay lanes.
A lather on their hides,
And soon blood-drops from the rowel pricks
Oozed red from dripping sides.
And the strong-built Irish grey,
But Silver-shoe was the only one
To show them all the way.
And bright his deep brown eye;
He could do anything but walk,
And everything but fly.
Over the hollow down:
He was the chosen of the ten,
And the pet of Salisbury town.
Clean over the wattled fence,
And crash through the bristling purple hedge,
With its thorny mailed defence.
With its shining fourteen feet;
At the double rail the roan broke down,
But the black mare was not beat.
Together went our stride,
Till I saw the blood in a crimson thread
Run down Black Bessy's side.
And never touched a twig,
But I shuddered to see a stiff strong fence
That rose up bold and big.
Broad yawned the ditch below:
I gave him head, and gave him spur,
And let my wild blood go.
Though staggering and blown:
As I rode in trusty Silver-shoe
His saddle seemed a throne.
The trees were waltzing too,
As off I leaped, and clapped the flank
Of the winner—Silver-shoe.
Primrose Time and Snow Time.
I
Even the dead leaves, old and brown,Were warm with the April sun;
And merry and bright, with their yellow light,
The primroses, every one,
Lit up the dappled hazel-stems,
The moss, and the cuckoo-flowers.
How little Cousin Madge and I
Laughed out to see the showers!
As we bound each other with daisy-chains—
I was the king and she was the queen;
And thus we spent the hours.
II
Leaves were turning, and Summer was gone.In bunches brown and spiked
The filberts grew, and, a merry crew,
We plundered where'er we liked.
While others carolled, and danced, and sung,
I drew dear Madge aside;
And round her waist my hand I laced
With a chosen lover's pride.
In her gentle eyes I turned to look,
I saw love hiding there.
A kiss she gave and a kiss I took;
Then came a word through the trembling air
And she was my plighted bride.
III
I stood beside her closing grave,But a single hour ago:
The leaves fell dead, and overhead
Bickered the ceaseless snow.
White, white it fell on the new-turned earth,
Pure as her parted soul;
With shuddering gasps of bursting tears,
I heard the death-bell toll.
No more for me the primrose time,—
My heart lies coffined there;
Sorrow's tempest and age's rime
Alone I must suffer and bear,
Until I reach my goal.
The Bells of Avignon.
A joyous town with many a steeple,
Towers and tourelles, roofs and turrets,
Sheltering a merry people.
In each tower, the bells of silver,
Bronze, or iron, swayed so proudly,
Tolling deep and swinging cheerly,
Beating fast and beating loudly.
Two! Four! One! Three! still repeating;
Five! Seven! Six! Eight! hurrying, chasing;
Bim-bom-bing-bang merry beating.
All the day the dancing sextons
Dragged at bell-ropes, rising, falling;
Clanging bells, inquiring, answering,
From the towers were ever calling.
Stood and listened to the chiming;
And within his lofty château
Sat the Pope, and beat the timing;
Minstrels, soldiers, monks, and jesters
Laughed to hear the merry clamour,
As above them in the turrets
Music clashed from many a hammer.
Far away across the bridges,
'Mong the vine-slopes, upward lessening,
To the brown cliffs' highest ridges,
Clamoured those sonorous bells;
In the Summer's noontide wrangling,
In one silver knot of music
All their chimes together tangling.
Round the town-house in the mornings;
Scattering joy and jubilations,
Hope and welcome, wrath and scornings;
Ushering kings, or mourning pontiffs;
Clanging in the times of thunder,
And on nights when conflagrations
Clove the city half asunder.
Through the darkness starry-dotted,
Far across the bridge so stately,
Now by lichens blurred and blotted,
Came that floating, mournful music,
As from bands of angels flying,
With the loud blasts of the tempest
Still victoriously vieing.
All its bells was ever pealing,—
Whether to scare evil spirits,
Still round holy cities stealing?
Yet, perhaps, that ceaseless chiming,
And that pleasant silver beating,
Was but as of children playing,
And their mother's name repeating.
With a music so untiring;
One! Two! Three! in merry cadence,
Rolling, crashing, clanging, firing.
Hence it was that in past ages,
When 'mid war those sounds seemed sweeter,
La Ville Sonnante people called it,
City sacred to Saint Peter.
Lone and sad, the grass-grown city
Has its bell-towers all deserted
By those ringers—more's the pity.
Pope and cardinal are vanished;
And no music fills the night air;
Gone the red robes and the sable;
Gone the crosier and the mitre.
The Old World and the New.
In this blind old world of ours,
The earth has lost its vigour,
Men's brains have lost their powers.
And the flowers that cannot bloom!
Alas! for the lack of air and of sun,
Alas! for the lowering gloom.
And the moors that yield no corn!
Alas! for the lingering harvests,
And the still-delaying morn!
Around the untilled downs,
And the orphans weep in the alleys
Of the rich and sumptuous towns.
In this deaf old world of ours,
The earth has lost its vigour,
Men's brains have lost their powers.
“Away to the Virgin Land,
Away to the boundless prairie,
Fresh from God's shaping hand.”
Point to the broad free West,
And I watch the sea-birds leading
To the golden realms of rest.
In this dumb old world of ours,
The earth has lost its vigour,
Men's brains have lost their powers.
Shall soon roll with the ripening grain,
And the merry streams flow lavish
Over the desert plain.
Pave roads with Pharaoh's bones,
Hew from the pyramids of the Past
The Future's temple stones.
Dayrise and Sunset.
(A SONG.)
Into the blue and ambient air,
When lilacs toss their purple plumes
And every cherry-tree grows fair,—
Through fields with morning tints a-glow
I take my rod and singing go.
Below the ripples of the mill,
When the white moth is hovering
In the dim sky so hushed and still,
I watch beneath the pollard ash
The greedy trout leap up and splash.
Are wading in the shallower tide,
While still the dusk is tinged with rose
Like a brown cheek o'erflushed with pride—
I throw the crafty fly, and wait;
Watching the big trout eye the bait.
And there's a magic in the hour,
But I forget the sweets of love
And all love's tyranny and power,
And with my feather-hidden steel
Sigh but to fill my woven creel.
I push my eager homeward way,
Through glades of drowsy violets
That never see the golden day.
Yes! while the night comes soft and slow,
I take my rod and singing go.
Snow Crystals.
Like the voice of one who watches by the newly-coffined dead.
Now the landmarks are all gone, and the white tide, deep and strong,
Rises, like a second deluge, hiding paths we used to tread.
“Bury all, and heap above us, in one wide and common grave,
Rising over hedge and wall, slowly, till it cover all,
As above the host of Pharaoh rose the Red Sea's turbid wave?”
“Good and gentle is the angel from whose wings shake down the snow:
Not a single fragile flower but he guards it from the shower;
Much more, then, earth's feathered creatures from the icy winds that blow.”
Loading every branch, and clinging to the trunk and to the bough:
Yonder, in the whitened furrow, like a monument of sorrow,
Like a dead man in a desert, still unburied lies the plough.
Like the seed the sower scatters from his rough and horny hand;
See it heaving into waves, swelling into shapeless graves,
Rippling into curves and frettings, like the ocean's silver sand.
Crystal round the ruby berries and the green and glossy leaf,
Clinging to the netted boughs, massing on the sloping house,
Filling all the mind and feelings with a blank, unreasoning grief.
Sloping in a massy buttress up against the old church wall,
Hollowed into roadside caves by the night-wind's gnawing waves,
Turning every roof to silver—hut and palace, farm and hall.
Glares a whiteness, pale and ghastly, on the chancel-roof and floor,
Like the glimmering of white from a shroud in the midnight
On the face of frightened watcher listening to a creaking door.
As they melt in trickling dew-drops on the robin's crimson breast—
As the bright-eyed, timid thrush, breaking sudden from the bush,
Scatters in a shower the snow-flakes that have brimmed his last year's nest.
Guarding yonder ruby berry, like a magic talisman,
Fluttered frightened at the snow rustling through the brake below,
As the hare flew, scared and startled, from the coming steps of man.
Heavy, when the cold wind's shaking every snow-enamelled tree,
Filtering through the netted boughs, where the fluttering birds arouse
From their chilly, frozen torpor, with a twittering of glee.
Now the swift hoofs drive the snow in a white dust all about,
Like the frothing of a cup, when a yeoman brims it up,
Like the white surf foaming, snorting, when the loud north-westers shout.
Now the shepherd's all night lighted by the glimmer from the snow;
Muffled rolls the wheel by day, hollow sounds the watch-dog's bay,
And the death-bell's booming cometh solemnly and slow.
And the footprints of the birds are the only signs of life—
One vast, broad, and level plain, where only Death and Silence reign,
Foes to God, and foes to man, with all human things at strife.
Comes a watchful angel's voice, clear yet softly through the dark,
As the wind grows louder, higher, spreading like a prairie fire,
And the elm shakes like the mainmast of a tempest-tossing bark.
Soon the blue will slowly widen, and the air with music ring;
And from out this snowy tomb, like a soul unto its doom,
Shall the Spring leap up in gladness, and to God his praises sing!”
Five Lessons from old Schoolmaster Nature.
LESSON I.
Ten years to build a house? The mushroom's roofIn one night rises,
And surprises
The shepherd lout ere crushed beneath his hoof.
LESSON II.
Years to work one room full of tapestry?The rose's shoot
Has grown a foot
Since last night's rain. O Nature's majesty!
LESSON III.
Three years to fix on canvas a dead saint?Careless to-day
Through earth made way
The lily;—dullard, learn from it to subtly paint.
LESSON IV.
Poor prodigal! you toss your gold in showers away?The Autumn tree
As recklessly
Flings all its leaves; but they return in May.
LESSON V.
Kind Nature keeps for all of us a gentle school.Even the wise
Through it may rise
Still wiser. Sorrow and death alone can teach the fool.
The Good People.
I
Where the fern grew high and branchingAbove the moss and flowers,
I crept as soft as a squirrel
Hiding from Summer showers.
II
I heard the fairy harpersMimic the thrushes' song,
Music to speed the dancing
Of many an elfin throng.
III
Quiet as hunter stealingUpon a sleeping roe,
I stepped between the fir-trees,
All marshalled row by row.
IV
I pressed the pliant branchesThat hid the beech-tree dell,
Where hung the trailing bindweed,
And cords of ivy fell.
V
I sought the greener darknessThrough fern brakes on and on,
Then broke from out the shadow;
But the dancers all were gone.
VI
The glow-worms led me falsely,The thrushes had betrayed,—
The fairies heard the mortal
Entering the magic glade.
VII
And so they fled for ever;In the enchanted ground
I hear no more by day nor night
The fairy music sound.
The Alderman's Funeral.
(MEPHISTOPHILUS LOQUITUR.)
Bring out the plumes that honour the dead,Mocking the mourner's bended head,
From the top of the hearse that holds the dead
And tell the mutes and all the grooms
To mind and take care how they tread,
And be sure the coachman's eyes are red.
Don't splash the ends of the velvet pall,
Nor let the dropping black fringe fall,
Nor the mud-drops spatter you one and all.
I know 't is hard to strain a grief
On a cold and biting Autumn day,
When the road is heavy with mud and clay,
And the churchyard distant a terrible way,
With an Alderman heavy some seventeen stone,
A heap of fat,—a swollen tun.
I find these supporters of Church and State
Require support to the churchyard gate.
As the soil was never so fit to weed,
Nettles and other poisonous seed,
Will be the mound over Alderman Vaughan,
Who laughed both God man and to scorn,
And yet, having plenty of money to lend
At cent. per cent., made a holy end,
Surrounded by many a weeping friend,
And leaving an inconsolable wife,
And four inconsolable orphans too,
Who already are leading a cat and dog life,
And squabbling over the legacies due.
That every virtue is sold for pay!
Men hire mourners—for half that die
Would get no tears unless they bought
The drops that fall from a hireling's eye.
And these bought tears are just as salt
As those of friends; and they look as real,
Till we shut the door of No. II. vault,
And pull off the cloaks and all the ideal,
And pass the pot to moisten our clay,
Quite run dry with the grief of the day.
And the brittle pipe teaches us all how frail
Man's tenure is—though the moral's stale.
How the plumes of the pompous hearse
Bend and mock, as we slowly pace
Through the crowd to the cheapest burial-place,
Where the sexton is itching to finger his fees
All the while he is on his knees;
And the parson thinks, while he looks at the mould,
That his Christmas dinner is getting cold;
And the parish boys think it jolly fun,
And wish that every day “there was one;”
And the urchin that runs for the key of the vault
Throws a comical somersault,
And thinks it a lark to see the graves
Heaving up like the Dead Sea's waves.
There's always a crowd for men's delight
To see a corpse put out of sight,
Snugly feeling themselves all right.
It's quite a show: the old hag crows,
And puts her spectacles on her nose.
“We pay at the fairs for the puppet-shows,
But this fine sight comes right to our doors,
For no admittance fee is ours.”
“Come on,” the crowd of the street folk roars:
The funeral pomp quite rivals Punch,
And the juggler in his tinsel tights;
And the cripple, giving his crust a crunch,
Hobble to see such solemn sights.
I wonder that the mutes don't laugh
As they stand at the dark silent door,
When they hear within how the live men quaff,
And fretfully over the torn will pore,
And curse the dead, and spit on the floor.
Make pride and sorrow count the cost,
Calculate the coming bill,
And look in the dead man's brimming till
To see what tears they may dare to spill.
Without this cost we should be in extremes,—
Our gutters would run with tears in streams;
Our very carpets would be of crape,
The poodle himself would be dyed black,
And we should discard the red toast-rack.
Now the plumes waver and toss about
Like the proud beauty at last night's rout—
I think they are trying the dead to flout,
Who, pale and calm, not heeding expense,
Not caring how many piles of pence
The heir who waited so patiently,
Came so many a time to tea,
Spends to show his grief and woe,
Trying to keep the charges low;
How he kissed the dog that bit his calf—
At all bad jokes he strained a laugh;
And, in fact, for three and twenty years
Was a slave to the mingled hopes and fears.
The dead man cares not now for waste,—
But then the world is rather tight-laced,
And expects a pious heir to spend
A good round sum on a dying friend.
He spends it, grudging it all the time,
And quarrelling at the said long bill,
And swearing his income is really nil!
And “weren't the plumes a trifle dear?
And couldn't they dock the sum for beer?”
Then, knowing the whole wide world will see
The one result of his piety,—
By the world I don't mean the round world fair,
But about one-half of Berkeley Square,—
Pays “the bill” with a whispered oath,
And tries to look as if nothing loth.
Combined with gilded scrolls and show
Is the epitaph of the broad tombstone;
Showing “earth has one angel less,
And heaven one more.” His loneliness
He represents with sigh and moan:—
“A tender husband, a father fond,
That is to say, he was ready to lend
At cent. per cent., and never wronged
Those whom he found it better paid
To treat with justice in his trade.
A tender husband (you well may start—
His first wife died of a broken heart!)
Oh! half the lies of this lying race
Are written on stone in the burying-place;
And the house of God is paved and lined
With monuments of human shame;
Proof of the baseness of men's mind,
For tears are water—sighs are wind.
The Jester's Moral.
The jester is jingling his bells,
The page he is vowing no Goddess
On earth but that maiden there dwells;
But the jester comes laughing behind him,
And tinkles and tinkles his bells,
Unmeaning but musical bells.
Keen-eyed and sharp-clawed is the bird;
The baron is dreaming of hawking,
For of herns by the river he's heard;
And the reaper of partridges tells.
The jester comes creeping behind him,
And o'er his grey head shakes the bells,
Unmeaning but musical bells.
On his missal-clasps ringing the gold,
Laughs sly at the page's fond toying,
And sneers at the sports of the bold.
The jester comes slowly behind him,
And shakes o'er the miser the bells,
Unmeaning but musical bells.
Two flagons together is clinking,
He is eyeing the venison and fishes,
And of noon and the banquet is thinking;
While he buries his head in a jug,
And smiles at the spices he smells,
The jester comes jingling behind him
Unmeaning but musical bells.
Catches suddenly hold of his bells,
Leaping up on the steward's old coffer,
Kicks down all the coin he tells,
And over the head of the jester
Shakes, laughing in triumph, the bells,
Those meaning and musical bells.
Trust in God.
Nature hath trust in God: from sheltering sheathNo bud hath broken; scarce the tufted larch
Its livelier green assumes; nor yet beneath
Blossoms the flower that woke at shout of March:
Yet every bird its varied nest is rearing,
Amid dark sprays, scarce hidden, and appearing
Bare to the searching wind and piercing rain.
Unreasoning things that, trustful, ne'er refrain
To build, nor yet to greet the reddening morn;
They see each bud hath got its guardian thorn,
And almond flowers deck the leafless bough;
Bright kingcups strew with lavish gold the earth,
Knowing that soon we must, with joyful brow,
Hear the first cuckoo's monotone of mirth.
Summer Idleness.
To hear the ringdove brood,
With the sorrow of love long past,
Thrilling the listening wood;
Deep 'mid the clustering firs,
Where the nightingale sings all day,
To hide in the darkness sweet,
Where the sunbeam finds no way.
Where the poppy is all on flame,
All but the little black coal
At its core, that's still the same;
And where the “speedwell” blue
Cheers with its two kind words,
And the wild rose burns with a blush
At the flattery of the birds.
Lazily watching the sail,
The blue plains of the deeper sea,
And the shallows emerald pale;
The breezes' rippling track,
And the sea-birds flickering white
Athwart the rosy cloud,
And under the golden light.
To lazily nestle down,
When half the field is grey and shorn,
And half the field waves brown;
'Mid the clumps of purple thyme,
When the evening sky is red,
To lie and rest on the flowers,
One's Epicurean head.
To turn on one's lazy back,
And see the lark upborne
Over the drifting wrack;
To hear the field-mouse run
To its nest in the swinging stalk,
And see the timorous hare
Leap over the hedge-side walk.
That Epicureans love;
Men with no morrow to heed,
Heeding no cloud above:
Grasshopper-men, that sing
Their little Summer through,
And when the Winter comes,
Hide from the frost and dew.
Is granite against Time's frost,
Whose Summer of calm content
In Autumn's never lost;
Who, when care comes with clouds
That gather from east and west,
Has still a changeless heart,
And sunshine in his breast.
The Epicurean's Garden.
Of blood-drops on the wall;
The swelling apples greenly grow
Where they will golden fall.
The fledgling lark has got its crest,
And proudly strains to sing;
The finch has left its mossy nest,
With gold upon its wing.
Begins to vain display;
Its bullion-weights upon the bough
Hang temptingly all day.
The blossom's on the Summer corn,
Tall grows the spindling rye;
A deeper-jewelled sunny blue
Has blossomed in the sky.
The red-veined currants shine;
The coral berries, sunny pearl,
Are hanging line by line.
The grape its tiny scented flower
Spreads on the greenhouse glass;
The flocks of daisies blanch with white
The russet, tawny grass.
Begin to ripen sweet;
The strawberry its scented fruit
Spreads crimson at our feet;
The barley wears a silken beard,
The rose begins to fall;
No longer now with double note
The Indian cuckoos call.
It spreads a hill of song,
Draining from countless village hives
Their black and murmuring throng;
Geraniums' scarlet velvet bloom
Make all the windows gay,
And silently the thorn-tree waits
For next year's snowy May.
The sun has burned the bell
Of yonder lily, where the bee
Loved most to brood and dwell;
The pansy's velvet withers up,
Its gloss by rain washed out;
The honeysuckle spreads its flowers
The chimney-wall about.
The laurel's glossy leaves;
A silver dew is on the web
The felon spider weaves;
The jessamine its Persian bloom
Sheds round the window-sill;
The evening red is burning down
Below the village hill.
Is treasuring for me;
The beurré hoards its syrup gold
Far up the spiral tree;
The oats their silky, feathery heads
Toss wantonly about;
The weaving shadows scud and skim
The breezes put to rout.
Green, marbled, round, and smooth;
The filbert, with the flapping leaf,
Dear to the squirrel's tooth.
The currants, blood-veined, in the sun,
The raspberries on the cane,
The leaves that silver spangles hoard
After the last night's rain.
Rough-scaled with mossy tiles,
That fend us from the bitter rain,
And from the sun's wroth smiles;
The scented rose its flower-cascades
From every chimney flings;
And round the birds' nests in the eaves
The honeysuckle clings.
Their offerings present:
We live in roses—overhead
They're spreading like a tent.
The white stars of the jessamine
Are snowing round the wall;
At every gust those scented snows
Upon my paper fall.
With daisies sprinkled white;
The purple thyme, so crisp and dry,
The robber-bees' delight.
To guard us stands the cedar-tree,
A dark and stately king,
Whose eastern branches, sad and slow,
A dirge are murmuring.
Unto a dusty red;
A walk of matted apple-trees,
And many a violet bed;
A wilderness of emerald shade
Lit by the coloured flowers—
A dial, where the shadow draws
A black line through the hours.
Love's anguish only grieves:
I read the simple moral writ
On all your fading leaves.
The flower that closes with the sun,
The flower that tells the rain,
Are both my subjects, growing tall
And fair in my domain.
A square of Paradise:
I care not for the burning sand
That grows the Indian's rice.
To others give the realm whose dust
Bright sparkles with the gold,
So I but have to pasture thought
This little wattled fold.
Eve made it heaven on earth;
No blossom drooped, till Autumn came
With sin, and pain, and dearth.
Our Jesus in a garden tomb
Embalmed with flowers was laid;
Upon the massy red-sealed stone
Three days flower-shadows played.
Are trooping here in bands;
To me the scented-blossom vines
Stretch out their little hands.
Deep in the laurel-bush the thrush
Of love in music prates;
And there, in juries, round the fruit,
The blackbirds hold debates.
A mountain-top of snow,
A hill of music till sweet May
Has ceased to bud and blow.
Now a green net to catch the sun,
And trap its wayward beams,
With figured leaf so quaintly cut,—
This was my home of dreams.
Will some day leap my wall,
And I must leave my melon-frame,
Obedient to his call.
His hard, unfeeling, hollow voice,
I hear in every wind;
And dread to see the garden gate
Shut with a jar behind.
The Gamekeeper.
Dog-wood berries bunching red;
Large-leafed hazels' lissom switches;
Golden moss, the violets' bed—
Came the keeper, twisting snares;
Gay were the trout-flies in his hat,
And at his back there swung two hares.
Singing a ditty of Dorsetshire;
Then rested his gun on a fir-tree spoke,
And sat down twisting the treacherous wire.—
As he thought of the cottage hid in the wood,—
A grim face watched him from under the fern;
That soft low whistle ne'er boded good,
But it did not make him listen nor turn.
Round the greenest centre of the copse;
Where the bindweed trails, and creeps, and hangs,
And where grow thickest the wild hops—
There lies, face downwards, a murdered man,
With a rusty gun close to his hand.—
He's torn with shot, and his fingers red
Still clutch the leaves and the trampled sand.
The Poor Man's Heritage.
The broad world's underneath,
God's flowers bloom all around us,
The wild fruit's for our teeth.
These clouds are angel pageants,
This snow's our wonder-sight;
For us the combinations
Of Morn, and Eve, and Night.
For us Night buds with stars,
The Moon, that great Archangel,
The dark with glory bars.
The sunbeams leap to gladden
Us poor men at the plough;
For us the dewdrop's scented
On every blossom-bough.
(The rich can buy perfume);
Each forest has a chamber,
And every cave a room.
The rich hire wanton singers;
But every covert here
Is full of small musicians,
Our heart and sense to cheer.
For us the wild deer bound,
Their every hoof strikes music
From out the hollow ground.
The breeze blows soft to cool us,
And fans our heated brow,
As tired we rest between the tilts
Of our keen-flashing plough.
It needs no golden dish,—
Suffice the wooden platter,
The loaf, the fresh-caught fish;
It needs no wine of Xeres,
But gaily quaffs the brook;
It loves no hall or daïs,
But the simple fireside nook.
The sea's our restless slave,
Earth, all day long our mother,
At night prepares our grave.
The wild beasts are our vassals;
Air, fire, and light are ours
The poorest man among us
Is tended by the Hours.
The Parting of the Swallow.
Now the wheaten sheaves are piling,
And the red October sunlight
Still though through a mist is smiling.
Why forsake our common shelter,
Bird with wing so soft and sable,
Why desert these clustering chimneys,
Or this overhanging gable?
The broad sky is blue and sunny;
Still from flowers, although they're fading,
Hasty wild bees gather honey.
Why, then, cease thy restless flashing
Through the leaves hung few and golden,
While the gnats still lead their dances,
And the sheep are not yet folden?
In the cobwebs dew-drops quiver,
Bright as velvet shot with silver,
And the broad leaves of the chestnut
Fall off with a chilly shiver.
The slow death-damp's dripping, dripping,
Like big tears upon a coffin;
All the while the ruthless tempest
Like a brutal sexton's scoffing.
The cold dews freeze bright and glitter,
Starving sparrows crowd and twitter.
New-dug graves the wind is filling
With the leaves so newly fallen,
And they blow into the cradle
Where the child the mother's calling.
'Mid the bare boughs of the orchard
Hangs the apple ripe and mellow;
By it sings the robin watching,
As it sways so red and yellow.
And the bird the treasure's guarding
From the prying boy below;
But his song points out the plunder
To the keen eye of the foe.
Now the worn plough's red and rusting
Underneath the dripping thatches;
In the barn the flail is pounding,
Louder as men lift the latches;
And the beech is red and mouldering,
While the oak-leaf's brown and searing,
Through the elm spread golden veinings,
'Mid the emerald appearing.
Fly away to ancient Egypt,
Where the sun is ever burning;
Where the sand the hunted ostrich
In the Arab's eyes is spurning.
Thou it was who led the exiles,
Guiding them from Palestine,
When Child Jesus smiled, as Mary
Bade Him stroke those wings of thine.
That same God that bade thee lead them
Will be now a guide to thee,—
As thou led them 'cross the desert,
Will lead you across the sea.
Till the palms that know no Autumn
Shall burst green upon thy sight,
And thy wing shall flash through sunbeams,
And the river's waves of light.
The Bird's Promise.
Sings (as I lie in bed) to me.
“'T will not be long—'t will not be long,”
Is still the burden of his song.
These promises break my repose.
“It is so near—it is so near,”
In cheerful cadence, greet my ear.
So sweetly promises to me.
“'T will not be long—'t will not be long,”
Is still the burden of his song.
I peep, and try to hope again.
“'T is true, I sing,—'t is true, I sing.”—
“Bird, I have pined too long for Spring.”
The Miller.
Hey! for the whirling sail;
When the old mill shakes in every plank
Like a vessel in the gale.
Hey! for the blast that driveth
The ponderous mill-wheel round,
When of the snow-storm showering
We hear the mellow sound.
When it never bloweth ill;
For in idle breeze of Summer
The miller sitteth still.
In the dull, grey night,—the long, long night,
When the frost is on the earth,
A weary man's the miller
As he sitteth by his hearth.
That tears the forest tree:
Ah! the savage din of tempest
Is the miller's melody.
All night in wild December,
The whole cold night along,
O'er the buzz within and the roar without
Is heard the miller's song.
All white beneath the moon,
The north wind roars a thunder bass
To the lonely miller's tune.
When the mill-sails wild are tossing,
Like a spirit's arms on high,
Like the arms of one beseeching
Help from the murky sky—
Of the wind that flies above—
The wind that the blanched miller
Can never choose but love.
Hey! for the stout nor'-wester
That shatters the cottage pane:
The wind is the miller's vassal
That grinds his golden grain.
It may roar across the hill;
It may hurry along the blasted moor,
But first it drives the mill.
Summer's a weary season,
And dull the sunny earth;
The grey cold eve of Winter
Is the time for the miller's mirth.
Though he's pale as a frightened maid;
His cheek's as red as the crimson rose
In a snowy robe arrayed.
Oh! all night long when the piping wind
Is whistling loud without,
'Tween the bars of the old mill window
At the stars he looketh out.
The Harvest Dance.
Call all the reapers hither;
The corn-flower blue, so bright with dew,
Shall soon grow pale and wither.
'Mid the golden corn I hear the horn
Answer the distant song,
And the sickle keen by its flash is seen,
In the hands of the reaper strong.
Merry among the sheaves,
And the blossom dead 'neath the reapers' tread
Fades fast, as do the leaves.
Our merry train, the ponderous wain
Pile up with bronzed gold,
For the teeming earth to the reapers' mirth
Yieldeth a thousandfold.
The crimson poppy fades,
And yellow grain is level lain
Beneath the sickle-blades.
The timid hare beholds the glare,
And flees at the boding sound,
White the barn's wide doors, by the toiling boors,
Are opened with a bound.
Is garnered sure and fast,
Of the grain we've store till the Winter's o'er,
And the snow and rain have passed.
O bright-eyed Joy each shouting boy
Doth ne'er so much entrance,
As when reapers all in order fall,
And 'gin the harvest dance.
The Cuckoo.
Rises from the flowering earth;
When the green leaves are all still,
And the song-birds cease their mirth;
In the silence before rain
Comes the cuckoo back again.
Tearful April, laughing May—
When a hush comes on the woods,
And the sunbeams cease to play;
In the silence before rain
Sounds the cuckoo's voice again.
The Hidden Roses.
June's roses lie concealed,
Till throstles sing, and larks soar up,
And Summer be revealed.
E'en now, in their enchanted sleep
Beneath the frozen clod,
The little baby-blossoms wait
The summons of their God.
Will vanish like a cloud;
Soon Spring will cast her swallows forth,
And May-trees blossom proud.
Rainbows will arch the sunny air,
Lambs leap in every fold,
And through the dark warm earth pierce through
The crocus flushed with gold.
The white mask from his face;
As Spring, his rosy child, with smiles
Beholds the swallows chase.
The striving day comes forth;
The Winter storm sows seeds of joy
East, west, and south and north.
And songs of waking birds:
The joy of May-time is too great
To shape itself in words.
Soon buds will widen into flowers,
And Summer be revealed;
E'en now, within the frozen stems,
June's roses lie concealed.
“Consule Planco.”
Struggling hard with the Latin tongue,
And conjugating “Amo”—
Loving the cane (of sugar), true!
Also dreading the lithe bamboo,
But neither deaf nor lame—“oh!”
Then May's green leaves were really green,
June suns were vastly brighter;
Ay! and the peaches were juicier far,
And large as the modern moon each star,
And Summer days were lighter.
Never ignoring their I O U
When dawned the gloomy pay-day.
Then hand and heart went still together,
Came sunshine or came stormy weather;
But now 't is different,—heyday!
Broad-brimmed, Brummelly, bell-shaped hats,
Huge watch-seals, hung in tassels—
And great respect for Regent George,
At Lord Mayor's feast or civic gorge,
As fitted loyal vassals.
Ten per cent. less at least of fires,
Those railways all unknown.
Coaches kept all your friends aloof,
When England, free from Bony's hoof,
Had propped the Bourbon's throne.
Since first I stood among my peers,
All armed with wig and gown,
And shuddered at the cat-like eyes
Of Baron Garrow, whose surprise
Soon darkened to a frown.
My beardless cheeks were all aglow,
Asking a simple question.
Many questions I have asked since then,
And many answers from proud men
Have caused me indigestion.
But here I am, still lingering on,
Though Garrow's called away;
And she who said that nectared “Yes”
Is lost to me beyond redress,
Till Resurrection Day.
Shooting for the Silver Cup.
Rises above the green turf bank;
High up, the fir-trees watchful stand,
Ranged in their silent, level rank;
And now, like anvils at each blow,
Ting! tang! the iron targets go.
We tap the stone jars, large and cool;
Then sling our rifles, and run fast,
Like boys just broken out from school;
For now, in yonder sunshine-glow,
Ting! tang! the merry bullets go.
Quick slides the powder, coarse of grain;
Down drives the little cone of lead;
On goes a shining cap again—
And now, though ruffling winds may blow,
Rap! rap! the flying bullets go.
An “Ace of Clubs,” stands out the mark;
Rings out the ramrod's rapid steel;
Streams out each fiery gushing spark—
Like beaten anvils, at each blow,
Ting! tang! the echoing targets go.
Where wild doves brood upon their nests;
They know the bullet's not for them,
But only for our foemen's breasts.
Look! down the valley in the glow,
The thistle-seeds in clusters blow.
And drive my bullet through the black;
Oh, what will Lucy say, if he
She loves without the cup go back?
“A miss!” “Hurrah! a bull's-eye? “No;”
So echoes answer from below.
Come stealing over miles of down;
Through jets of fire, the bullets skim
Over the grass so scorched and brown,
And glimmering through the after-glow,
The whitened targets ghastly show.
To the full centre of the black;
Thou, wind, breathe softly from the west,
And scatter every rising rack;
And, targets, at my last good blow,
With clear full cadence echoing go.
I glance an eager, watchful eye;
I pull with slow and patient care;
Hurrah! I hear the marker's cry.
Now let the brown beer frothing flow;
The silver cup is mine, you know!
Display it at the turnpike-gate,
And wave it to my passing friends;
And when I reach home, tired and late,
And see my Lucy's candle shine,
I'll shout: “The silver cup is mine!”
The Miller's Meadow.
Sailing so lordly, so wanton and lordly,
Where the green dragon-fly, jewelled so gaily,
Flits round the mill in the Ten-acre Meadow.
Their shadows pursuing, in circles renewing,
Flying as swift as though hawks were pursuing,
Round the broad reach of the Ten-acre Meadow.
Chasing with keen eye, like Herod of Jewry,
The innocent dace who are flying his fury,
Troubling the dam in the Ten-acre Meadow.
So golden with Spring-flowers, with Spring-flowers so golden,
For there I meet Katy, the miller's own darling,
And there in her fond arms I often am folden.
Two Country Houses.
I. LADYWELL.
Proud it stands, and yet sedately,—
With its turrets glowing red
In the sunshine overhead;
With its windows golden bright
In the great sun's gentle light;
With its meadows, and a stream
Flowing with a silvery gleam:
Oh, merry as a marriage-bell
Passed my days at Ladywell.
There the rich-plumed Indian pheasant
Breaks in flashes from the covert,
Startling the moody lover;
There the rabbits play and feed
In the mushroom-dotted mead;
Children, bound with flowery chains,
Course along the shady lanes:
Oh, merry as a marriage-bell
Went my days at Ladywell.
By the warren's mossy wall,
Builds the mother-dove her nest
(Bird I love by far the best),
With a brooding lullaby
Greeting me as I pass by,—
Bringing once more to my eyes
Dreams and pleasant memories:
Oh, merry as a marriage-bell
Passed my days at Ladywell.
Sees his thick wheat turning yellow;
There the black bees restless graze
On the daisies' snowy rays,
On the wild rose hung with dew,
On the cornflower's radiant blue,
On the harebells thin and frail,
On the black-eyed poppies' veil:
Oh, merry as a marriage-bell
Went my days at Ladywell.
Echo with the young birds' jangle:
And the wild thrush, singing, vies,
While the cuckoo silent flies;
And the lark, in wingéd song,
Tracks the fleece-cloud, glad and strong;
And the young birds, in a row,
Greet him from the wood below:
Oh, merry as a marriage-bell
Passed my days at Ladywell.
II. MERRY MOUNT.
Merry Mount is fair and stable,
With its weathercocks ashine
Twinkling in a golden line,
With its terrace and its fount,
With its oriel and its gable:
Proud am I of Merry Mount!
See the red deer leap and trample,
Hear the pheasants how they call,
Round the old park's girdling wall!
Ought I not to be a Count,
With this broad domain so ample,
Or the Duke of Merry Mount?
Do the trout leap up in flashes,
Or such blackbirds' carols meet
In one silver pulse and beat;
In no blue air such a fount
Bursts up through the sapling ashes:
Proud am I of Merry Mount!
The Passing Cloud.
Passing where fierce suns burn and beat,
O'er heights untrod by human feet!
—As changeful as a drop of dew,
How many shapes in moments few!—
How many forms thou dost assume!
A mountain, pyramid, or tomb.
So many dyes that fusing run,
And beauty still in every one.
On snow-peaks, where their image fast
Fades down before the scowling blast.
Upon the still drops of the dew,
What time the night-wind fresher blew.
Upon the brook that lies below,
Lipping their blossoms with its flow.
To win a hue to match with thine,
To make his martyr's mantle shine.
The hermit on the granite peak,
So pale, so humble, and so meek.
Had sought the mountain-top to pray,
A halo round Him seemed to play.
Under the Cliffs.
Turned in a moment golden,
The red-brown canvas fluttering out,
Was presently all folden.
With spreading frills of snow,
As on the sand so brown and soft
We sat, amid the glow.
Charging in stormy anger;
But one soft voice close to my ear
O'erpowered their raging clangour.
The boats might pass, the boats might tack,
Coquetting with the land;
I heeded but that one soft voice,
And the clasp of that wee hand.
Had spilt, lay there around us
Yet still forgetful of day's flight
The mystic twilight found us.
As the large moon a smouldering globe
Of orange fire rose slow,
And home we wandered to the town,
Love's ebb had turned to flow.
The Usurper and his Fate.
In a golden cave, like an angry king,
Shaking his head and trying his sting,
With a fretful feverish hum.
He ruffled his thin, dark, narrow-veined wing
With a restless petulant hum.
Like an Indian sultan, in pomp and leisure,
He swung in his hammock, taking his pleasure,
In his gay sedan with the purple cloth.
Proud he was, and a scornful wrath
Made him restless, fretfully hum.
By the coping-brick, green-padded with moss,
He swung like a monarch, and feared no fall;
For the sky was blue, and a bloom of dew
Was over his throne, the plum.
O Lord! if any one dared to call
At his hermit's cell for a bit or a sup
(A pampered anchorite, proud of the cup,
And the flesh, and the fruit, was he),
He drove the beggar out scornfully.
If a long red ant came prying in,
Or an earwig horned, with the red-black skin,
He fumed and fretted, and out with his sting
As a bully whips his sword.
So, neither by courtesy, guile, nor fraud,
Could a stranger venture in.
And a mealy crystalline film of dew
Bloomed on the gold-fleshed plum:
Inside, the tyrant's warning hum
Keep the hornet and ant away.
Up went my ladder, and through the leaves
My searching hand passed up and down;
Plump the gold drop from the spray
Fell down. And the king has lost his crown;
Realm and subjects are gone to-day.
And thus I learned, on the top of a wall,
That sooner or later Pride will fall.
Sea-View.
I. DAY.
Through the haze and through the mist,
And the sea and the horizon
Are cloudy amethyst,
Till the keen rays pierce and sever
The veil before the sun,
Then the ripples dance, and sparkles
Break forth from every one.
Long looming through the grey,
Appear piled up in brightness
Of the expanding day;
And the pier, with arms extended,
Seems welcoming the ships,
And the red buoy to the southward,
On the foam-crest shines and dips,
Umber, and yellow, and black,
Come skimming round the foreland
Upon the lugger's track,
Scattered like sheep a-feeding,
Over the glistening tide,
And the galley's oars like pinions
Of an albatross spread wide.
II. NIGHT.
Along the white cliff fleet,
Till the red light's fading westward
And the clover's dewy sweet;
Till the surf's white fire rolls beating
Against the jetty wall,
And you hear the ship-bells sharply
To the absent sailors call.
The harbour's emerald flame
Shines to the ships returning
To the port from whence they came;
And the church clock mourns so gravely
The passing of the hour,
And the moon in the blue sky ruling,
Shines with a fuller power.
Napoleon Ballads.
I. THE NIGHT REVIEW BEFORE AUSTERLITZ.
The sun strove hard to shine,
A rolling of the muster drums
Was heard along the line;
In simple grey the Corporal
Rode with his head bent down,
More like a savan than the man
Who won an Emperor's crown.
And stood godlike upright,
Then all at once a silence fell
As deep and hushed as night.
Ten thousand faces turned at once—
Like flowers unto the sun—
Each gunner, with his lighted match,
Stood silent by his gun.
The crown upon my head.”
(We saw his coal-black eye was fired,
His yellow cheek grew red.)
“The Tartars yonder want to steal
That iron crown you gave,
And will you let them?” Tête de Dieu!
The shout the soldiers gave!
The eagles waved—and then
There came the earthquake clamouring
Of a hundred thousand men.
In waves of sound the grenadiers
Cried “Vive l'Empereur!” at once,
And fires broke out along the line,
Like Lapland's midnight suns.
Upon the Tartar's head,
Your Emperor will be this day
Victorious or dead.
My children, where the eagle flies
Is (who dare doubt it?) France;
To-day we'll light the bivouac fire
With Russia's broken lance.”
Looked round him with a frown—
He wore upon his broad bull chest
The order of the “Crown.”
“To-morrow, sire, those Russian flags
In sheaves we hope to bring,
And lay them at our Emperor's feet,
A bouquet for a king.”
II. THE BELLS OF FONTAINEBLEAU.
That kings had learned to dread,
With close-clenched hands behind his back
And heavy bended head,
Climbed slowly (lost in battle plans)
A hill near Fontainebleau,
One, three, two, four, the village chimes
Came to him from below.
Paced laughingly along,
Nor hushed the scandal and the jest,
Or scrap of opera song;
The Emperor stood silent there,
A monarch turned to stone,
Nor smiled, nor moved—where great men stand
The spot becomes a throne.
With sickles (not with swords),
Or down in clusters round the sheaves
Lay revelling like lords;
The soldiers pointed to the slopes
That bound the golden plain,
And almost wished that France were lost,
To win it o'er again.
As if upon a foe,
He cared not for the happy sight,
The plenty spread below,
Although the bells shook music down
From yonder village tower—
And hark! the royal voice of Time
Exulting in his power.
(A moisture in his eyes),—
Massena gave a shrug that showed
A cynical surprise:
“Long years ago, at Malmaison,
When all unknown of men,
I heard just such a laughing peal,
And I was happy then.”
Sat down upon the hill,
Tracing upon the level sand
With sword-sheath (oh, that will!)
The star redoubt, the diamond fort,
The battle lines again:—
A month from that he won the day
Upon Marengo's plain.
III. THE PARTING WITH THE EAGLES, 1814.
(1824—THE SOLDIER'S WIFE TO HER BOY, THE DRUMMER.)
Stands up and braves the sun;
The dew still glitters on the turf
Where rabbits race and run;
No hunting clamour breaks the hush,
No hound, or echoing hoof,
But sprinkling gold falls on the moat
And slants athwart the roof.
Broods o'er its memories—
So old, and yet the April bloom
Is white upon the trees.
Ten Easters since! a different scene
Was lit by yonder sun,
When through those rosy almond boughs
Roared the meridian gun!
Indeed might look aghast,
As the last scene that closed the play
Before its windows passed.
“What do they call that marble horse,
Just like ours in Sedan—
A horse for Cæsar—lion-maned?”—
“That is the Cheval Blanc.”
The Emperor came down,
No bloody sceptre in his hand,
Nor lightning-woven crown,
But like a simple soldier clad,
In his plain grey surtout,
And underneath the epaulettes
The red that faced the blue.
With its extended branch,
Was smit by steel and split by fire—
Revanche, mon Dieu, revanche!
The cruel frosts of Winter came
And stripped the dying trunk;
The leaves were crowns, the boughs were kings—
Brave blood the tree had drunk.
Fell off like Autumn leaves,
As stripped as when the April time
Laughs as old Winter grieves.
Like blossoms from that wind-scourged thorn
The traitors dropped from him—
No wonder that his head was bent
And that his eye was dim.
The carriages in line,
Like funeral hearses slowly came
Through slanting sunbeams' shine.
Who did they wait for—Balliard,
Bussy, or Montesquiou,
La Place, Jouanne, or Athalin,
Vansowich or Flahaut?
Regret, or fierce rebuke,—
Even the valet lured away
Last night the Mameluke.
When Ney was false, who could expect
A scullion to be true?
Yet still around the close-shut gate
I saw a faithful few.
Were under arms in line—
Old friends of Austerlitz—the same
In snow, or rain, or shine.
Immovable, a wall of steel,
You might have thought them dead,
But for the sullen smouldering fire
That in their eyes shone red.
Napoleon appears:
The ruffle of the drum was heard,
Like thunder came the cheers;
The crimson flags blew in and out,
The tremble of the steel
Was visible, most visible!—
What! Frenchmen and not feel?
As when a conqueror comes
To greet his soldiers—faster spread
The rolling of the drums.
And then a death-like hush so deep—
You heard the thoughtless bird
Upon the rosy almond bloom
A sprinkling snow had furred.
He came down yonder stairs,
His hand extended for those hands
Held out to him in pairs.—
He was amongst them, ringed with steel,
Erect and stern as when
The foes he sought to crush at last
Were gathered in his ken.
For me to kiss and bless;
The dying father thinks of thee
In joy or in distress.
For twenty years this eagle led
Our tramplers on kings,
We who lit fires with sceptre-staffs,
And counted crowns base things,
I could have fought for years;
But then our country had been drenched
With blood and mothers' tears.—
I leave you, but ye still will serve
France, that we so much love:
God guard her from the ravening hawk,
As angels guard the dove.
'T is very hard to part;
Would I could press my children all
Unto their father's heart.”
They brought the flag that Bertrand bore,
He clasped it to his arms;
Not one but wept, the fiercest there—
The drum beat the alarms.
Burst like a thunder-clap,
How lightning-quick the fiery beat
Of the fierce drummer's tap!—
A dash of hoofs—the carriage broke
Impetuous through the crowd,
And after it the rolling dust
Rose in a blinding cloud.
IV. THE SCHOOLBOY KING.
A SCENE AT BRIENNE.
Just as the clock struck ten:
“This little Bonaparte,” he said,
“Is one of Plutarch's men.
To see him with his massive head,
Gripped mouth, and swelling brow,
Wrestle with Euclid—there he sat
Not half an hour from now.”
Put slowly in its place:
“That Corsican,” he said, “has eyes
Like burning-glasses; race
Italian, as his mother said;
Barred up from friend and foe,
He toils all night, inflexible,
Forging it blow by blow.
He covers up his mouth:
One hand like this, the other clenched—
Those eyes of the hot South.
The little Cæsar, how he strides,
Sleep-walking in the sun,
Only awaking at the roar
Of the meridian gun.
That day he sprung the mine,
For when the earth-wall rocked and reeled,
His eyes were all a-shine;
And when it slowly toppled down,
He leaped up on the heap
With fiery haste—just as a wolf
Would spring upon a sheep.
Tells me he's dull and calm,
Tenacious, firm, submissive—yes,
Our chain is on his arm.
Volcanic natures, such as his,
I dread;—may God direct
This boy to good—the evil quell—
His better will direct.
Still wet upon the rings;
These are the talismans some day
He'll use to fetter kings.
To train a genius like this lad
I've prayed for years—for years;
But now I know not whether hopes
Are not half choked by fears.
With bastions of snow,
The ditch, and spur, and ravelin,
And terraced row on row,
'T was Bonaparte who cut the trench,
Who shaped the line of sap,—
A year or two, and he will be
First in war's bloody gap.
His hands behind his back,
Waving the tricolor that led
The vanguard of attack;
And there, upon the trampled earth,
The ruins of the fort,
This Bonaparte, the schoolboy king,
Held his victorious court.
His little hand to kiss,
You'd think him never meant by God
For any lot but this.
And then with loud exulting cheers,
Upon their shoulders borne,
He rode with buried Cæsar's pride,
And Alexander's scorn.
The fire-balloon went up;
It burnt away into a star
Ere I went off to sup;
But he stood weeping there alone
Until the dark night came,
To think he had not wings to fly
And catch the passing flame.
This leader of my class;—
But there's the bell that rings for me,
So let the matter pass.
You see that third-floor window lit,
The blind drawn half-way down;
That's Bonaparte's—he's at it now—
It makes the dunces frown.”
V. MADAME MÈRE.
As round rich Dives' gate
The lepers came; the Emperor,
Like Charlemagne in state,
Sat high o'er all. The uniforms
Were many-coloured there,
But humble as a Quakeress
Was simple Madame Mère.
Hoof-legged—a devil lame;
Old Fouché, bulldog-faced and rough,
Bowed worshipping the flame
Of this great fiery central sun.
From ugly and from fair
He turned his head to watch the face
Of simple Madame Mère.
Taming his lion heart,
And Soult, his manly, eager eyes
Fixed on this Bonaparte.
The old noblesse, half shy, afraid,
Were crawling humbly there,
In whispering crowds around the chair
Of simple Madame Mère.
All cherry cloth and lace,
And Augereau, the Jacobin,
A butcher's son by race,
With half a dozen subject-kings,
The meanest vassals there:
He turned from all to kiss the hand
Of smiling Madame Mère.
VI. THE RETREAT FROM MOSCOW.
AS IT APPEARED TO A POLISH ABBÉ, AT WARSAW, DECEMBER 16th, 1812.
Dark, brooding, dull, and brown,
About the ramparts, hiding all
The steeples of the town;
The icicles, as thick as beams,
Hung down from every roof,
When all at once we heard a sound
As of a muffled hoof.
All riderless and torn
With bullets: scarce his bleeding legs
Could reach the gate. A morn
Of horror broke upon us then;
We listened, but no drum—
Only a sullen, distant roar,
Telling us that they come.
A grenadier reeled past,
A bloody turban round his head,
His pallid face aghast.
Behind him, with an arm bound up
With half a Russian flag,
Came one—then three—the last one sopped
His breast with crimson rag.
Upon the gateway tower
Broke out, to warn our citizens
Napoleon's savage power
Had gone to wreck, and these the waifs
Were making fast to land.
It bade us look to see the hulk
Sucked hellward by the sand.
Came pouring through the place;
Drums broken, colours torn to shreds,
Foul wounds on every face.
Black powder-waggons, scorched and split,
Broad wheels caked thick with snow,
Red bayonets bent, and swords that still
Were reeking from the blow.
With cursing faces turned
To where, still threatening in the rear,
The port-fires lurid burned.
The ground was strewn with epaulettes,
Letters, and cards, and songs;
The barrels, leaking drops of gold,
Were trampled by the throngs.
Yet here and there a trace
Of the divine shone out, and lit
A gashed and suffering face.
Here came a youth, who on his back
His dying father bore;
With bandaged feet the brave youth limped,
Slow, shuddering, dripping gore.
Maimed, crippled by the frost,
I found that every spark of good
Was not extinct and lost.
Deep in the ranks of savage men
I saw two grenadiers
Leading their corporal, his breast
Stabbed by the Cossack spears.
Were fixed upon the three—
Although too weak to beat his drum
Still for his company.
Half-stripped, or wrapped in furs and gowns,
The broken ranks went on:
They ran if any one called out
“The Cossacks of the Don!”
Spreads fast from street to street;
With boding look and shaking head
The staring gossips meet:
“Ten thousand horses every night
Were smitten by the frost;
Full thirty thousand rank and file
In Beresina lost.
The Frenchmen fling away.
Napoleon was shot the first,
And only lived a day—
They say that Caulaincourt is lost—
The guns are left behind:
God's curse has fallen on these thieves—
He sent the snow and wind.”
I sought an inner room,
Where twenty wax lights, starry clear,
Drove off the fog and gloom.
I took my wanton Ovid down,
And soon forgot the scene,
As through my dreams I saw arise
The rosy-bosomed queen.
(The goblet of Voltaire),
I sipped and dozed, and dozed and sipped,
Slow rocking in my chair,
When open flew the bursting door,
And Caulaincourt stalked in—
Tall, gaunt, and wrapped in frozen furs,
Hard frozen to his skin.
Puffed at the sullen fire
Of spitting wood, that hissed and smoked:
There stood the Jove whose ire
But lately set the world aflame,
Wrapped in a green pelisse,
Fur-lined, and stiff with half-burnt lace,
Trying to seem at ease.
Il n'y a qu'un pas,”
He said. “The rascals think they've made
A comet of my star.
The army broken—dangers?—pish!—
I did not bring the frost.
Levy ten thousand Poles, Duroc—
Who tells me we have lost?
It is a costly game;
But nothing venture, nothing win—
I'm sorry now we came.
That burning Moscow was a deed
Worthy of ancient Rome—
Mind that I gild the Invalides
To match the Kremlin dome.
He leaped into the sleigh
Sent for to bear this Cæsar off
Upon his ruthless way.
A flash of fire!—the courtyard stones
Snapped out—the landlord cheered—
In a hell-gulf of pitchy dark
The carriage disappeared.
VII. THE VISIT TO THE MILITARY HOSPITAL,
AFTER BAUTZEN, 1813.
Napoleon said to me;
“High at the morn, but low at night.
Take down that map and see
How many leagues we won to-day.
Ten losses. I retire.
One victory. Berlin, Breslau,
Shall crumble at my fire.”
He spoke as hushed and low
As if each word on some sick man
Would fall a smiting blow;
He turned the handle very soft
As to one sleeping, then
We stood beside the line of beds,
Among the wounded men.
Upon a soldier's brow;
The dying face turned slowly up.
“Do you not know me now?
Your Emperor?” The dying lips
Struggled for life, the heart
Beat once, the sick man faltered out,
“Comrades, 't is Bonaparte!”
To pray for him and die.
The tears sprang up into my eyes
When, faint and weak, the cry
Ran through the ward of Austerlitz,
“The Emperor is come!”
And one poor boy with bandaged hand
Caught at his broken drum.
To swell the hoarse, low cheer
That rolled along—'t was pitiful,
Yet saddening to hear.
“My children,” cried the Emperor,
“My old Imperial Guards,
My ‘Salamanders,’ ‘Never-turns,’
My ‘Lions,’ my ‘Die-hards,’
We are the self-same stock.
France cares for you—'t was you who bled
To build her on the rock;
Your wives and orphans she will take
To her capacious heart.
Dare she forget them while he reigns,
Your little Bonaparte?
Rose up and filled his throat,
As every bugler took his horn
And blew the battle note;
And then the wounded drummer-boy,
Two dead men's beds betwixt,
Crawled to the floor and slung his drum,
And plied the little sticks.
He'd bound around his waist,
To sop and stanch the brave heart's blood
That from his gashes raced.
He waved it round his feeble head,
His large eyes all a-fire,
Then let it drop, and laid him down,
The brave man—to expire.
Christmas in the Workhouse.
Bristled at every pane,
There were waggons shaking with holly
Brushing down many a lane;
Laughing children raced and ran,
Red as the Winter berry;
I listened outside the workhouse gate,
And even “the paupers” were merry.
On every window-pane;
Pleasant to hear the red-faced lads
Run shouting down the lane;
Over my dry old sherry,
Was hearing there, at the workhouse gate,
That even “the paupers” were merry.
Gay at the village inn,
Cheery and loud by the farmer's fire,
Happy the manse within;
And that all the world was happy—very,
Were the sounds that proved at the workhouse door
That even “the paupers” were merry.
Land in Sight! Home at Last!
I
The laughing sea rolls blue and free,And on every face there is joy and glee;
For the west wind harps, in the rigging, soft,
And the broad white canvas, that's spread aloft,
Strains fuller now to the homeward wind;
And even the sea-bird's left behind,
As the ship cleaves faster the crimson wave,
In the sunset red as a warrior's grave.
II
“Land in sight!” and “Home at last!”That is the cry that spreads so fast;
And they fancy already they hear the bells
Ringing from distant Cornish dells.
Soon, soon the granite cliffs will rise
To cheer the longing and straining eyes;
Once past yon burning sunset line,
They'll see the English headlands shine.
III
The sea grows greener every hour,The deep keel ploughs with a keener power;
The dusk is spreading its shroud of gloom,
And night, like the lid of a pond'rous tomb,
Falls slow; but the laugh and the song rise up
As the bubbles spring in a champagne-cup;
For there in the east the magnet star
Of a lighthouse is welcoming them from far.
IV
Sleep, brave men, sleep, for home is near;Sleep, mothers, sleep, without dream of fear;
Sleep, children, sleep, for the sea's at rest,
Rocking you all to its fost'ring breast:
The ship so staunch and true and strong,
With the tyrant sea has battled long.
In an hour the loud cry, “Shell and sand!”
Will tell the advent of the land.
V
Night spreads its canopy of starsHigh o'er the good ship's swaying spars—
Halcyon night, with its balm to all;
Soft, sweet night with its drowsy pall.
Already the scent of the new-mown hay
Breathes from the meadow-land far away;
And Hope brings dreams of happier time,
Of changeless joy, and a sunnier clime.
VI
The land's in sight—that glimpse of the moonDisclosed the nearest headland; soon
The church-tower on the cliff will show—
When yon dark cloud away shall blow.
Plough faster, ship; they pine for rest;
Hast thou a heart within thy breast?
Swifter, then, swifter thy homeward flight,
To that long low line of glimmering white.
VII
What scream was that?—that anguish startsFrom bleeding and from breaking hearts.
A blue smoke oozes from the hold,
Brave cheeks grow pale, and hearts grow cold;
See, broad flames from the port-holes leap,
Keen flames along the cordage creep—
Soon the tall masts are lapped in fire,
Fanned by the winds the flames mount higher.
VIII
Red flows the sea as the fierce flame blows,The inky cloud all crimson grows.
Loud ring their shrieks, as the only boat
With half-crazed women is set afloat;
And now swift jets of smoke and fire
From the blazing vessel the winds waft higher;
And the wreck floats on o'er the glowing wave,
Of all within her the burning grave.
IX
Men on the cliffs, looking out to sea—A pale and shuddering company—
See, as the wind shifts to the west,
A floating light on the ocean-crest;
And then a frame with thick ribs charred—
A floating furnace, with timbers barred;
And within this red-hot basket-cage
A fierce fire white with a quenchless rage.
X
To leeward a cloud of crimson spread,Fair over the dying and the dead,
A cloud all starred with sparks that fast
From the wreck in burning showers are cast.
Slowly again night's pitying pall
Spreads o'er the sea and the high cliff wall;
And those who are saved from the fire and waves
Kneel and pray to the God who saves.
Death of Oberon.
Oberon, the king, is dead!
In her grief the crimson rose
All her velvet leaves has shed.
Oberon is dead and gone!
He who looked an emperor
When his glowworm crown was on
Slay the dragonfly, his steed;
Dig his grave within the ring
Of the mushrooms in the mead.
The Black Coach.
AN OLD NORTHAMPTONSHIRE LEGEND.
Stands mournful in the sun;
The porch is there, the door is gone,
The roses trail and run
Around the mossy window shaft—
Once fashioned with such art and craft.
The avenue grows wild;
The walks are dank with last year's leaves:
Only the keeper's child
Plays in the mournful banquet-room,
Laughing amid the echoing gloom.
Till avarice crept in,
Then drunkenness and leering lust,
And homicide and sin.
At last foul Murder came, and set
His red foot on their coronet.
Its rich west window gone—
The saints, the martyrs, and the kings,
That once the sun shone on;
And but one lonely knight to pray
For all his old race passed away.
Are green with velvet moss;
The shield above the green park gate
Was long since rent across;
The scutcheon's choked with gathered dust,
Upon the blazon there is rust.
Where rabbits trot and amble,
The blackbird flits his jetty wings,
And fawns love there to gambol.
Only the yew-tree seems to thrive:
The stunted thorns are scarce alive.
The orange lichens blurr;
The dial, see, is half defaced
By many a mossy slur;
The motto ivy tendrils shroud—
“Man's life is but a morning cloud.”
And through their stony bars
You see at night the glittering
Of the cold Autumn stars.
Upon the roof the long weeds grow,
And Death's decay and ruin show.
And blossoms every sod;
When birds, in gratitude and joy,
Rise, singing hymns to God;
You would not think that Sin had been,
And poisoned all that house within.
And swans are sailing ermine white,
In beauty proud and self content,
And woods are filled with emerald light,—
You would not think that spotted Sin
Had feasted there her kith and kin.
Glow by the water-side,
When kingly Autumn dons his crown,
In all his royal pride,—
You would not think, at such a time,
That there had once dwelt sin and crime.
Fill the October skies,
And echoes give replies,—
You then might feel some ghostly trace
Of the sad influence of the place.
When winds are sobbing loud,
When dogs moan from the outer court,
And black grows every cloud—
Ghost-lights gleam up the avenue,
Lights answer from the windows too.
Come slowly down the scaur,
Chanting a low deep funeral hymn—
Answered by echoes far;
And all the while the turret bell
Tolls with a long and doleful knell.
A jet black funeral coach
Comes rolling up the long black drive,
And up the grand approach;
Stops at the doorless porch, they say,
Then slowly vanishes away!
Who, seventy summers gone,
On such a night brought home his bride—
Her bridal splendour on;
And, wrathful at her wild regret,
E'en in the bridal bed,
At daybreak snatched his sword, and smote
The sleeping maiden dead!
Puts out the funeral lamps,
Leaving the corpse alone and still,
Amid the charnel damps;
So, one by one, Time does erase
The glories of man's pomp and place.
Sir John Chandos at Charente.
[On one occasion, during the wars of the Black Prince, Sir John Chandos, the Seneschal of Poitou, separated himself from the young Earl of Pembroke, who, in a moment of pride, had refused to accompany him in a foray into Anjou. The earl soon after, while halting at Charente, was surprised by a band of Frenchmen, who broke into the town, crying, “Our Lady of Sancerre for the Marshal of France!” and blockaded him in a preceptory of the Templars. The conclusion of the story, and the rescue of the earl, is given in our ballad.]
It lies on the broad roads three foot deep, and muffles every hoof:
The spider's glued unto his web, the bird to roosting bough;
The shepherd, frozen by the fold, prays for the morning now.
Wavering o'er buried hedge and fence, past cabin and past grange:
'T is Pembroke and stout Chandos, with twice three hundred lances,
And the red light that before them goes upon their spear-heads dances.
The archers marched. Their carol rings clear through the frozen air;
But the earl rides silent and alone, wrathful and discontent,
More like their prisoner than their chief—to Puirenon he went.
Their beasts bear cloth from Brussels, and furs from proud Bergeres,
And golden silks from Alesandre and Damas cross the sea,
Bright pearls from Ormuz, Eastern gems, and bales of spicerie.
And woke the burghers, as the light shone ruddy in the hall:
The torches flashed down winding streets, and lit the market-place,
And there was joy in every eye, and welcome on each face.
Put down the cup unemptied, and ceased the half-told tale;
For when the horns were three times wound, the drawbridge rattled down,
And all the mailéd horsemen rode trampling through the town.
Like will-o'-the-wisps the clustering lights ran gathering around;
And every voice united then in the universal glee,
“All hail to Chandos and the flower of England's chivalry!”
He bit his lip in anger hot at Chandos and the rout.
By all the saints of France he vowed he'd not disgrace his peers,
But, with his sixty lances, would gallop to Poictiers.
He turned again his charger's head—“Now follow, men of mine!”
And the fire-sparks from their clattering heels lit all the path they went,
As they spurred down the rocky path that leadeth to Charente.
“There'll come a day he'll need our help: let's rest us now the while.
And I swear, by Our Lady of Sancerre, he shall bend twice his knee,
Ere I put a lance in rest for him, whate'er his jeopardy.”
And holds a cup of Cyprus wine in his uplifted hands:
“God save ye, gallant gentlemen, ye noble hearts and true!
I pray you drink to every dame that dwells in fair Anjou.”
The forkéd banners o'er their heads shook each its rustling fold;
The gleeful minstrels hushed their harps, and ceased their song and tale,
As every knight waved high his hand, with “Noble Chandos, hail!”
Round went the flagon ceaselessly, for with it went the jest;
The feathers waved, steel armour shone, the tabards glittered fair,
And Pleasure laughed as he barred out the frozen beggar Care.
But still the harp was vibrating, and still rang loud the horn;
The very warder at the gate was merry as his lord,—
When there broke in a weary squire, holding a broken sword.
And my best blood the rocky path—I'm worn and travel-spent.
The earl hath need of instant help, for he is sore bested.”
He spoke, and at the daïs reeled: they raised him—he was dead!
Struck the oak board till the sparkling wine leaped from the golden cup;
Then bit his lips till the blood sprang out, and cried, with a look of pain,
“The fool that sows the whirlwind must reap the hurricane.”
“What news, boy, from the earl—speak—speak! Do they the castle win?
Art dumb?—be quick—dost bear to us a letter or a sign?”
The fainting varlet could not speak, but beckoned for the wine.
“This, this, with danger and with toil, from the brave earl I bring.
In Mary's name, brave gentlemen, as you do hope for grace,
As you do hope to look upon, once more, your lady's face—”
He muttered low unto himself, and stirred the smouldering brand,
Then struck the log that flashed up sparks with his war-axe a blow,
And crushed it with his mailéd heel, as one would do a foe.
And if he were struck down and ta'en, it would but cool his pride.”
But gloom broke sudden from his brow: all knew the chief's intent,
As he rose up, and shouted out, “We'll gallop to Charente!”
“We must not leave this gallant soul to perish in his need.”
He drew his vizor slowly close, as they rose up to cheer,
And knelt him down to breathe a prayer—some say to hide a tear.
The helms were laced, the spurs put on, and saddle-girths pulled tight;
The seats were left in fiery haste, and sword-belts girded fast,
The maces tied to saddle-bows, and cups to pages cast.
Then shields braced on, and tightened bands, to hurry to the earl.
“Advance the banners, in God's name!” the standard-bearer cries.
“Set on,” shouts Chandos, spurring fast, “lest the stout Pembroke dies!”
'T was brave to see the streamers all, bright glistening 'gainst the sun;
But braver far it was to see stout Chandos, and his spears,
Break through the ford by Auberoche with cries and lusty cheers.
Plumed heads were to the saddle bent, stout shields before each breast;
With the sound of drum and bugle horn, with shout and battle din,
They swept into the leaguered town, and through the press broke in.
The Sextons' Supper.
Was floating down the Rhine,
His bark a soft-lined coffin
(On each side grew the vine);
He struck the miller at his wheel,
The woodman by his tree;
Before him rose the prayer and hymn,
Behind, the Dirige.
He left them digging graves;
High over faces pale and wrung
The earth heaped up its waves.
He struck the baron at his gate,
The peasant at the plough,
And from his sable banner shook
Darkness on every brow.
Five sextons drained the wine,
Red from the toil that brought the fee
And made their old eyes shine.
Their seats were cedar coffin-planks,
All velvet-trimmed and soft;
The chalice-cups, by them defiled,
Were filled and emptied oft.
“A wet year and a foul!”
As screaming through the open loops
Flew in and out the owl.
Their shirts were made of dead men's vests
(Dead men are meek and dumb),
And each one wore a dead knight's ring
Upon his thievish thumb.
The heavy bell-rope swings,
It coils among the bowls and flasks,
The cups and drinking things.
The cresset throws a gloom of black
Upon the red-tiled floor—
Three faces dark—on two the lights
Their golden lustres pour.
That lead into a vault—
A treasure-house no thieves but five
Dared ever yet assault.
And through the darkness to the left
Winds up the belfry stair—
Up to the old bell-chamber—
Up to the cooler air.
The dates rubbed duly out
(Dead men are very dull and slow
In finding these things out).
They toast “The Doctors of Cologne,
Who keep the church-spades bright!”
Such toasts as these, such feast as that,
Were fit for such a night.
The wind blew devil fierce,
The sleet upon the beggar fell,
And stabbed him carte and tierce.
There was a pother in the roofs,
And such a clash of tiles,
That dying creatures' sobs and groans
Were heard around for miles.
And “All men underground!”
Then with a laugh, and a wink, and nudge,
The passing-bell they sound.
They drink to the tree that gives the plank,
And the tree that guards the dead—
The coal-black tree with the blood-drop fruit,
So poisonous, soft, and red.
How one tears at his throat,
And baring neck and shoulder,
Bids all his fellows note.
A plague-spot, blue and swollen,
Shows ghastly on the skin,
And on his knees he prays to Christ
To yet forgive his sin.
The rope that o'er them hung,
Called, with a curse, “Lads, fill your cups,
Let another song be sung!”
Then reels—his white face sickens,
And as he staggers down,
Another drags at the heavy bell
Stamped with the cross and crown.
Another rose to toll,
And all the rest screamed out a dirge
For the sinner's passing soul.
And round they stirred the gallon jug,
And high they flung the cup,
With half a song and half a prayer
They tossed it, filling up.
Staggers towards the rope,
And tolls—first draining cup and bowl,
Half dead, without a hope—
Tolls, till the old tower rocks again—
Tolls, with a hand of lead—
Then falls upon the wine-drenched floor
Upon his fellows—dead!
Chivalry.
Unto a lonely ford;
Two children prayed to him for alms,
“For Jesus' sake our Lord!”
Carry us o'er the flood!”
He lifted them on his saddle-bow,
And rode with them through the wood.
And he was strong of arm;
Upon his face, though seamed and scarred,
There was a Sabbath calm.
All dappled with the gray,
And splashed into the shallowing ford,
At the closing of the day.
Wrapped in his pliant mail;
His banner, of the crimson sheen,
Blew flapping like a sail.
And o'er his saddle-bow;
He rode until his charger's mane
Was washing to and fro.
Down in the violet flowers
And in the fern those children laid,
Safe from the chilling showers.
Until the break of day;
And at the dawn he gave them alms,
And sped them on their way.
He freed the ravaged town;
He helped the poor man at the plough,
And struck his tyrant down.
He flung the welcome gold;
He sacked the cruel baron's tower,
And burned the robber's hold.
To good men he was meek;
But to the bad, his voice it seemed
As when the thunders speak.
His death-wound in his breast,
With shivered sword still raised to strike,
And broken lance in rest.
Rapt in eternal prayer;
And round him windows jewel-dyed
Shine with a radiance fair.
The Tramp's Song.
From man he keeps aloof,
And when he can sleep beneath a tree,
Doth shun the prisoning roof.
How many a noon in warm sweet June
He lies on a bed of flowers,
And lulled to sleep by the blackbird's tune,
He dreams away the hours.
Are linked by a flowery chain,
And the honeysuckle lures the bees
To hide from the passing rain,—
Couched on the aromatic thyme,
With its blossom's purple flush,
There many an hour in the April-tide
He lies to hear the thrush.
Blooms on the prickly furze,
And where the purple thistles bold
Shed oft their downy burrs,
And the well-cropped grass is velvet soft,
And the broom grows tall and fair,
He lies on his back and gazes up
Into the wandering air.
And the thorn its scarlet hip,
And the brook that washes the oak's snake root
Brings nectar to his lip.
And in the chilly Autumn-time,
When the leaves drop thick and fast,
He lights his fire in some warm deep nook,
And laughs at the threats of the blast.
The Inundation.
FOUNDED ON AN OLD SCOTCH RHYME.
“What makes you run so still?”
Till says to Tweed,
“Though you run with speed,
And I run slow,
Yet, where you drown one man,
I can drown two!”
“Where shall we meet?—
By the Cross of Swinton,
Or in Berwick Street?”
Says the Tweed to the Till,
“I am deadly though slow;
For three men that cross my fords,
Two sink below.”
Her banks are all brimming;
And down her red waters
The Kelpies are swimming;
Deep, dark, and rushing,
The Whiteadder's pouring.
When we four meet again,
There'll be a roaring!—
Women's loud wailing,
And peasants imploring!”
The Twelve Brothers.
Ever grumbling, hoarse, and rough!
Always howling at the door
Of the rich man or the poor;
Screaming words that do not reach—
Words unlike our human speech.
Down the hollow chimney-bore,
Hark the raging tyrant's roar!
Beat not with thy sleety flail,
Or the keen lash of thy hail,
Infant Spring, that tender child,
Frightened when thou even smiled,
Cruel March, sir!
From the tall tree near the skies;
“April! April!” croaks the frog
From his dank hole in the bog;
“April!” sings the thrush again
From his clay nest in the lane.
April, 't is thy merry weather
Makes the wild colt burst his tether;
April in his royal dower
Has soft sunbeam and sharp shower;
April is the very soul of youth,
Eye of love, and heart of truth.—
That is April.
Teased by rains and kissed by suns;
Now the meadow's white and gold;
Now the lambs leap in the fold.
May is wreathed with virgin white;
Glad May dances all the night;
May laughs, rolling 'mong the flowers,
Careless of the wintry hours.
May's storms turn to sunny rain,
And when Iris springs again
All the angels clap their hands,
Singing in their seraph bands.—
Such is May, boy.
Of our woods and everything;
June's the Emperor of Love;
Green leaves wave, his throne above,
Leagues of roses at his feet
Spread so soft, and crimson sweet.
Like man's soul from out the grave,
Springs the lark above the wave
Of the green corn on the slope,
Teaching us to soar and hope.
Yes, June's king and lord of all,
Till the Summer roses fall.—
Kingly June, sir!
All the birds to him are loyal:
Still, as in the golden June,
All the air is song and tune.
Sluggard, heedless night or morn,
Muse not by the ripening corn,
Dreaming hours and hours away,
Beside the long and dusty way,
That leads unto the distant town,
Miles and miles across the down,
Smiling to hear the sheep-bell's chime
Toll for all thy lavished time.—
Lazy July!
He is red-faced and most busy:
See him there, with sickle keen,
Strut the bristling sheaves between,
Shouting to the reapers; then
Drawing from its shady den,
In his wallet, by the brook,
Big brown jar, and, gracious, look!
How he froths the mighty cup!
And how quick he drains it up!
Of the brothers twelve, this one
Bears the best the burning sun.—
Bravo, August!
Could I fail me to remember
That brave woodman, and his stroke
At the gnarled and iron oak?
Or his swift steel's circling flash,
Smiting at the stubborn ash,
While the pheasant's jewelled wing,
Like a firework you up-fling,
Flashes from the dying fern,
Where the brambles crimson burn?
That's September. Though he's old,
Little recks he of the cold.—
Brave September!
Where is that strong man October?”
Bend those forest boughs aside,
And you'll see the fellow ride
Over brook and double rail,
Over turnpike-gate and pale;
Watch him breast the thorny brake
So his fiery way to make;
Hear his clear defiant horn
Set all coward churls at scorn.
That's October. How the deer
Tremble at his lusty cheer!—
Hail, October!
November is a churl alway;
Miserly, beside the fire,
Just outside the echoing choir,
Sits he peevishly, and ponders
On this life and all its wonders,
Hearing through the grudging screen
Organ notes, that slip between
Prayers for dead men and dead hopes,
While the priests, in 'broidered copes,
Sing to heaven; yet not for him
Goes up the incense or the hymn.—
Fie, November!
Laughs beside the burning ember,
With his children round his knees,
And a look of jovial ease.
He is crowned Lord of Misrule—
Here's his Queen, and there's his fool.
He is wreathed with frosty green,
And ever the gay song between
“Wassail!” shouts he, “health to all!”
And re-echoes the old hall.—
Kind December!
Grudging every coal they burn;
He's a screw, and right ill stored
Is his larder and his board;
Hard of face and hard of heart—
See him hurry with a start
To bar angrily the door
In the mild face of the poor.
When he's cold upon his bier,
What lone watcher will be near
January?
Never cozy but at night:
Whining for the Winter gone,
Though the Spring is coming on.
Weeping underneath the tree,
Like a mute who earns his fee,
For the pleasure nights of Yule,
And the increased price of fuel.
Those may like him, they, who may—
I will never go thy way,
February!
Bacchus and the Water Thieves.
Leaving behind him now the Cyclades,
Those island gems that necklace the blue sea
With strings of pearl, and emerald sporades,
Bacchus, as the swift bark skimmed, dipped, and leapt,
Beneath the fluttering canvas softly slept.
His thyrsus-bearers and his corybantes,
His frolic satyrs and his Indian pomp,
In vineyard caverns and in forest haunts;
And, now alone, his beauteous limbs at rest,
The cypress-planks of a poor galley prest.
The sea-nymphs drew it through the deep unseen;
Great dolphins gambolled round the frothing keel,
White sea-birds flew above the ripples green.
While Iris from a bright cloud smiled to see
That youthful God disdain the wrathful sea.
Down sea-side crags the eager robbers came,
Leaping to man their boats and seize the prize,
Seeing the heedless craft. No fear or shame
Restrained that rude fierce horde; a hundred oars
At the same moment pushed off from those shores.
Yelling out war-cries with a drunken glee;
Flashing their axes, and their crooked swords,
In ravenous rage and murderous ecstacy!
But still the youth upon the sunny prow
Slept with one hand crossing his fair white brow.
With blows they woke him, and with laughter grim,
Bound him unto the mast with biting cords,
That made the blood spring from each radiant limb.
To Vulcan this fair youth, their trembling prize.
In Naxos, where my father, old and blind,
Begs for his bread. O Fate! thou mystery,
That brought me to this woe. Oh, seamen kind,
Spare a poor youth, so free from sin and blame,
And do not give me to that cruel flame!”
And threw him bleeding to the wistful sharks;
And then 'mid cymbal-clash and barbarous drum,
Blew from the smouldering logs the crimson sparks;
Unbound the lad and threw him on his knees,
Singing their savage hymns to the hushed seas.
And prayed in agony to Father Jove.
And lo! a strength divine came to his heart,
And thunder answered him from far above.
Now he stood luminous, a starry crown
Glittering upon his brow and tresses brown.
Were changed to creeping tendrils of the vine;
And from the mast the purple clusters hung—
Every rich berry swollen with red wine.
The very bulwarks began next to grow,
And long green shoots rose from the hold below.
Round all the canvas, and continually
Rose through each plank. Then those base coward men,
With one consent, leaped headlong in the sea,
And, changed to dolphins, hiding from the day,
Pursued by sharks, in terror broke away!
To longing Crete, and Iris graciously
Arched him with rainbows, and a glory shone
To welcome him o'er all the neighbouring sea;
While in the distance angry lightnings played
Wrathful on Lemnos, and that isle dismayed!
The Unpaid Musician.
The robin sits humble and still,
Hearing the lisp of the pretty wee brook,
And the silvery chirp of the rill.
See the black bulrush; it bobs and bobs
As proud as ever you will;
And whether the wind is low or high,
The rushes will never be still.
Tunes, and carols, and sings,
As over the water the dragon-flies skim
On their golden and emerald wings.
And the gnats are waltzing as fast, as fast,
As if they were all mad things:
You'd think there'd been fifty fiddlers there,
Sawing and scraping their strings.
Caper, and twist, and twine:
The water-rat sees them under the weeds
Glimmer, and glitter, and shine.
The king of them all stands there on his head,
And watches the dance combine;
The eft looks out from his wet bank-hole,
And envies the dancers from his soul.
Though he sings by the long, long hour;
Yet he carols his best, and all for love,
For love is the poet's dower.
And he thinks as he dozes by night at roost,
“Well, I never earned scrap or groat;
Yet I did my best, it must be confessed,
And was true to every note.
I'll hie me again to the brook,
And I'll sing those little merry-go-rounds
No song set down in a book;
But one from my own heart, all my own:
My thanks to the God above;
For Love has its own reward, you see,
And its best reward is Love.”
And this was one of the lot:
He sang all day to the dancing fish,
Yet never a stiver he got.
Well! poets are born to sing and to starve:
It has been always so;
Yet 't is a gift, the gift to sing—
That, Robin, you should know.
The Birth of Gunpowder.
Drew poisons from the flowers;
Like liquid moonshine, he distilled
The quicksilver in showers.
An evil man and dire,
Or why lean stooping night and day
With eyes upon the fire?
And branch out glittering veins;
He smiled to view, 'mid-scarlet coals,
The salamander's pains.
When he stirred round the flask:
Full fifty Summers' yellow moons
Had found him at his task.
Pant with convulsive throes;
Homunculus's flaccid cheek
To blossom like a rose;
Around him in a ring;
He called, and lo! the clouds would poise,
And fold each snowy wing.
Broke out in wafts of fire;
Yet he was poor, for Popes and kings
Know not that word—aspire.
The scoff of jester fools;
The dogs flew at him when he came
To doors of pimps and tools.
And very wan and pale;
His frock was patched and clouted like
The fisher's oldest sail.
And laughed to scorn his age;
The very clowns would leave their ploughs
To pelt the wandering sage.
Soft crimson on his hand,
They say he broke his rod, and freed
The spirits of his band.
And struck a vein that bled;
He scraped the Bible's parchment clean,
And signed the bond with red.
He was a king of earth;
And yet in forty devils' names
He cursed his day of birth.
And, like a burning flame,
Fierce ruling in his brain and heart,
The lust of power came.
Yield it, for it is mine;
I give my soul, O Lucifer,
And every part is thine.”
For one more mighty spell
He'd yield all hope of heaven's bliss,
And fling his soul in hell.
Together in the flame,
An earthquake shook the riven vault,
And, lo! the wonder came.
Then, swooning, reeled and sunk:
This was hot nitre's devil's birth—
God's curses on this monk!
And shook the sleeping town,
Then, with a crash of coming doom,
Blew all the abbey down.
Scorched, shapeless, torn, and shrunk,
One hand upon a crucible,
They found the curséd monk.
Hope.
And I locked it in a chest,
Safe as a lover's secret
Within a lover's breast.
Rotting my piled-up sheaves,
I opened the treasure casket,
And there were only leaves.
The Mine Spirit.
The rosy country people clustered,
The flags flew forth, the herald's train
Around the great pavilion mustered;
When, from what region no one knew,
Rode in a stately stranger knight,
And, without word of courtesy,
Addressed him to the coming fight.
He rode, careering round the lists,
As the rude warders checked the crowd
With truncheon-strokes and blows of fists.
When the fierce trumpet had blown thrice
All people's eyes were eager turned
To where the radiance of the sun
A glory on his helmet burned.
Gold spangled shone his ostrich feather,
Like a winged creature of the stars,
He blazed, that radiant July weather.
Upon his breast a golden sun,
Upon his helm two silver stars,
With vizor down the stranger rode,
The very prototype of Mars.
Without due homage to the king,
Fierce, hot, and swift as running flame,
Around the dark red trampled ring,
With poising lance and shaking sword,
He spurred and churned the tilt-yard dust;
His sword was of the spotless steel,
His battle-axe was one of trust.
The knights met, rough as northern seas,
With angry shouts, war-cries, and clamour,
As of the blast that fells great trees.
Swift through them, like a thunderbolt
From storm-clouds riven, broke the knight,
Unharmed he rode, the victor proved
Of that wild, jostling, clashing fight.
Yet he was heart-whole. Cold he laughed
When axes snapped upon his helm,
And maces shivered at the haft.
He bore him on and waved his spear,
Then made his charger leap and prance,
Or caracole, with spring and bound,
As he dashed onward with his lance.
But never spoke nor kissed his hand,
Nor deigned a look to where there lay
Four knights loud groaning on the sand,
And when the people gave a cheer,
He flung them glittering showers of gold.
Then, without homage, word, or smile,
Rode sternly forth across the wold.
But he rode on, and never turned
Until they touched his silver robe:
Then his fierce eyes upon them turned.
He drew his falchion whistling forth,
And slew the first: “On him the blood!”
He cried, and stately rode away,
Down a dark vista of the wood.
And leapt upon his snowy barb.
“Who am I, slaves, and who is this
That dares to spit upon my garb?”
Crowned as he was, he led the chase,
And all his train rode humble then;
They overtook the stranger knight
Beside a brook deep in the glen.
And from his temples tore the crown;
Then rode amongst the trembling train,
Smiting the bravest of them down.
Yet, when they struck, they struck the air:
The knight was gone, nor left a sign;
But from the rocks this echo came,
“I am the Spirit of the Mine!”
The Departure of Crassus.
The wrathful Tribune stands,
Up-pointing to the heavens,
With a goblet in his hands.
“What means this mad fool's juggling?”
The angry Crassus cried,
And darkly frowned the warrior,
In a hundred battles tried.
As on the altar fire
He poured a red libation,
To hell's almighty sire.
Then Crassus reined his chafing steed,
But did not dare look up,
As the Tribune splashed the lavish wine
From a great golden cup.
Grew dark at the Augur's frown,
And from a sullen thunder-cloud
Lightning came streaming down.
“Speak, Tribune, by the Gods, I pray,
Why are thy looks downcast?
When Rome sent forth her armies
Thou never wert the last.”
Perfumes the Augur threw,
Then raised a terror-stricken face
As he hell's secrets knew.
“O Crassus! turn thy banners back!
Eagles should guard their nest.
How can I tell the fearful words
That burst my swelling breast?”
The worst thy tongue can tell?
Ay! though 't was Pluto brought it
From the very jaws of hell.”
“Then hear,” cried mournful Atticus,
“The dream I had last night.—
I swear by great Olympus,
By Mars and by Jove's might.
Floats down thy long grey hair,
Upon thy broad shield brazen
It waves in the stormy air.
The eagle standard near thee
Seems like Jove's guardian bird.
Alas! for the evil tidings
That from the Fates I heard.
An ocean of brown sand;
I see great clouds of horsemen
Gird round a weary band;
And on a knoll of palm-trees,
Cowered down beneath a shield,
A Roman, reft of armour,
Who scarce his sword can wield.
Held up with cruel shouts,—
Yes, father, 't is thy son's dark locks,
The sport of the cruel rout.
Lost on the sand plain trackless,
Faint, struggle on the flying,
And to the knees of weary men
Clings many a soldier dying.”
Crassus in anger cried.
“Am I a Sabine stripling,
In but one battle tried?
Far o'er the Indian mountains
This eagle now shall soar,
Far o'er the Parthian frontier,
To the broad Oxus shore.
Push on the banners, then!
Leave prophecies and auguries
For priests and doting men.”
As Crassus spoke he lashed with rage
The charger he bestrode,
And struck him with his dagger-point
As with an ox's goad.
The Battle Painter.
I
Wild horsemen billowing round a planted flag,Pistols red flashing, sabres reaping fast,
Whirlpools of pikes, maimed men trod underfoot,
The sulphur-smoke of cannon rolling past;
And in the midst a proud white tossing plume,—
The chief's, who, wrestling with a stalwart Croat,
Or Pole, or Turk, yells out his battle-cry,
While hewing madly at the other's throat.
II
You know such pictures; Wouvermanns has doneSome not unlike, with ever a white horse
Focussing out a light amid the gloom,
Giving the masses unity and force.
Always a standard, while sore wounded men
Grapple upon the ground with armour strewn,
And shattered drum and banners wet with gore,
And helmets beaten in and bucklers hewn.
III
Don Rinaldo de Montalba, battle painter—He who left us many score such things,—
Was wont to rouse his genius, we are told,
Not by deep draughts from the Castalian springs,
By beating charges on a Turkish drum,
Nor clashing cymbals; no, by no device
So tame as these, but by a daring stroke,
A vigorous and chivalrous artifice.
IV
He clothed a figure in a coat of mail,Helmet and cuirass, breastplate, target too,
Tassets and pauldrons, buckled sure and firm,
Each plate of armour fitting close and true;
Then with a giant's huge two-handed sword,
In a feigned fury he drove at the steel,
Slashing it into shreds, with sturdy blows
That might have made the proudest Paynim reel.
V
Having well smitten, hewn, and stabbed, and struck,He calmly placed his sword upon its rack,
And seized his brushes, his strained canvas set,
His easel planted, and with bended back,
And steadfast head bent down, portrayed the scenes
His fancy now was teeming with, and fierce
With furious pencil pictured storms of horse,
And clouds of Pandours, hot at carte and tierce.
VI
Don Rinaldo de Montalba, battle painter,Rudely to us, poets and painters all,
Did teach this simple lesson: still to work
With fiery ardour, turning this earth-ball,
And all in sea and sky, unto our use,
To help us onward up the arduous mount,
Where Phœbus sits enthroned, and sweet below
Ripples with music Aganippe's fount.
The Falconer's Rant.
Swoop on the pheasant!
None has a bolder bird,
Gentle or peasant;
Talk of your merlin,
For the deer-stalking,
See how he bears his hood,
Proud to the hawking!
When he is screaming,
Beating his wings to fly,
Eyeballs all gleaming,
Fretting upon the fist,
Eager for mounting
Over the manor house,
Over the fountain!
Over the snow,
Where the tern in the reeds
Watches them. “Oh!
Hey ho, bird! Ho! ho!
Hey! gar, gar, gar, gar!”
Swift as a lightning-flash,
Quick as a star.
The Antwerp Image-Breakers.
DURING THE REVOLT OF THE LOW COUNTRIES FROM THE SPANIARDS, 1566.
Monday clove a shaven crown—
That beat all; but—gelden loo!—
I quite forgot the other two.
It will flare all through the night—
Altars, crucifix, and shrine:
Curse the Mass and drink this wine.
Why, here's clothes for fifty Popes!
How the incense stinks! but whesh!—
That's the greasy abbot's flesh.
Here's a Breviary—but hold!
Scorch the Fathers, twenty score:
They will build the fire up more.
Here's a work for Lutheran.
Hoog and Hendrick, mind the fire—
Hear it bellow in the choir!
Toppler, 'ware the beams, and Hoof!
Let the saints go—what a roar!
Hell has got five Papists more!
Would the rascal had more hair!
Then we'd hang him to the vane,
There to bleach in sun and rain.
Take this scarf and gag him dumb.
When I fire my pistol off,
Drag the Papist to the trough.
Holy Virgin jewels? Fie!
See that saint in cloth of gold;—
Paul made tents, so we are told.
Only Popes should sit alone;
Smash that blood-red window-pane:
Black Rome's loss is Fleming's gain.
And the quick fire-tongues leap out.
Ha! the nave has got it—loo!
And the roof is catching too!
Heaven helps their many sins.
Down the beams crash through the dark!
What a splash of smoke and spark!
Nearly red hot; faster swell,
Stifling smoke-cloud, so it smother
One by one each praying brother.
One had thought it would stand fast.
Hurrah! for the Pope's nest burnt!
Isn't our day's pay well earnt?
“Time brings Roses.”
“Well, you sowed them!” Blabo proses.
Proverb, like a sword flash out—
“Time brings roses.”
“Well, you brewed it!” Bufo glozes.
Proverb, be my targe and dart—
“Time brings roses.”
Care Hope's mortgage soon forecloses.
Blessed proverb! cheer my heart—
“Time brings roses.”
The Father of the Regiment.
(AN OLD GRENADIER'S STORY OF AN EPISODE IN THE RETREAT OF NAPOLEON'S “GRANDE ARMÉE” FROM MOSCOW.)
Snow shrouded all the plain,
Snow brooded in the dusky clouds,
Snow matted the chill rain,
Snow filled the valleys to the brim,
Snow whitened all the air;
The snow-drifts on the Dnieper road
Blinded us with their glare.
It capped each crimson plume;
Knee-deep it now began to rise,
Striking us all with gloom.
It clotted on our waggon wheels,
And on our knapsacks weighed,
It clung to every soldier's breast,
And every bayonet-blade.
That round us faster fell,
As all our bayonets glancing moved
Down the long Russian dell
That to the Dnieper river bore.
Ney battled in our rear;
Griloff was nearly on us then,
The Cossacks gathered near.
Our grenadiers, and horse;
The Russian serfs, with axe and knife,
Were gathering in force,
As floods of us with carts and guns
Bore down upon the ridge
That led, by snowy swathes and slopes,
Unto the Dnieper bridge.
Smouldered through icy clouds;
The snow, in blinding heavy flakes,
Was weaving soldiers' shrouds.
Here lay a powder-waggon split,
Its wheels all black and torn,
And there a gun half buried in
The ruts its weight had worn.
Were scattered everywhere;
Our shattered muskets, shakos pierced,
Lay partly buried there.
Guns foundered, chests of cartridge burst,
Lay by the dead defaced;
By hasty graves of hillocked snow
You could our path have traced.
(Made up of Davoust's men),
“The Vieille Roche” we called the band,
In admiration then.
The “Father of the Regiment,”
De Maubourg, led us on,
With the old Roman's iron will,
Though hope had almost gone.
From every Cossack spear;
One was a grenadier, whose heart
Had never known a fear;
The other boy a lusty drum
Beat by his father's side;
I often saw the father smile
To see the stripling's pride.
Grinding the red churned snow,
Making their way o'er dying men
Unto the bridge below.
Ney gathered close his prickly squares
To keep the Russians back,
For fast those yelling Cossacks came
Upon our bleeding track.
I saw him through the fire;
He stooped to kiss a dying friend,
Then seemed to rise the higher.
Great gaps the Russian cannon tore
Through our retreating ranks,
As slowly, grimly, Ney drew back
Unto the river banks.
Borne by his sons—slow—slow;
They staggered o'er the muddy ruts,
And through the clogging snow.
“Fly, leave me, children! Dear to France
Young lives are,” then he said.
They both refused: a round shot came,
And struck the eldest—dead.
Trying in vain to lift
The old man's body, which but sank
The deeper in the drift.
“Leave me, my child!” he cried again.
“Think of your mother—go.
We meet in heaven. I will stay,
Death is no more my foe.”
And there had gladly died,
But I released his clutching hands,
And tore him from his side.
One kiss—no more—and then he went,
Beating his drum for us;
I did not dare to turn and see
The old man perish thus.
But we drove on the guns,
We—bronze and iron with the heat
Of the Egyptian suns.
The eagles led—our bayonets pressed
Over the Dnieper bridge;
Ney was the last to turn and pass
Down the long gory ridge.
I saw him yesterday
Talking to Soult, who loves right well
To chat of siege and fray.
He often finds our barracks out
And comes to see us all,
We who escaped from Moscow's fire,
From Russian sword and ball.
The Fountain Spirit.
Splashing on the marble basin, in a shower of pearly grain,
Music rising, music falling, ebbing, flowing o'er again.—
Oh! the music ever mounting of that ever singing fountain
Seemed a merry mingled measure, joyful, yet still racked with pain.
Did it bid the sallow roe-deer from the forest to its brink?
Had it consciousness, that water? Had it life, and could it think?
Was it rising type of hope? If not sorrow, why then sink?—
Sure the music ever mounting of that ever-singing fountain
Was the voice of water siren, who had heart and brain to think.
Like a fresh-born water angel, seeking heaven and still singing,
Chained to earth, yet leaping skyward in a vain desire of winging.—
Sure the music ever mounting of that ever-singing fountain
Was the voice of new-born angel, all its bounty round it flinging.
Feeding lilies with the manna of its cool and pearly pleasure,
Flinging right and left its coin, like a spendthrift sick of leisure.—
Sure the music ever mounting of that ever singing fountain,
Was a Mine God's cleaving earth to bear up his silver treasure.
Twilight in a Tudor Ruin.
There were ladies dancing in the lower hall,
Where the wax lights—silvery, long, and taper—
Made the gold threads of the scented silken hangings
Gleam and glisten, shine and sparkle, as they waved upon the wall.
With red feathers half a yard or so, or more,
Silver badges on their breasts they stately bore;
And behind them stared the Cæsars from the hangings,
And Abraham, and Moses, and the Jewish kings of yore.
The Eve of the Laird's Funeral.
The bell may toll
For the dead man's soul—
Still they sit gossiping over the bowl—
Stirring the bowl! stirring the bowl!—
Crones all gossiping over the bowl.
Fingers that point to shadowy places—
“Lord, what a night for a ship at sea!”
“Hark to the wind on the fallow lea!”—
So they are chattering over the bowl, &c., &c.
And none but us to watch by his side.
Hark how the wind roars over the roof,
Spurning the tiles like a devil's hoof!”—
The gossips are chattering over the bowl, &c., &c.
How hard he tried at last to speak,
As he looked, with a wild and wondering stare,
At his first wife's picture over the chair.”—
The gossips are chattering over the bowl, &c., &c.
Come, gossips, come, just one glass more;
And then we'll make the corpse so trim,
For the great oak coffin is waiting for him!”—
The gossips are chattering over the bowl, &c., &c.
An old square parchment, that's worth the see
Of the richest lawyer in all Scotland.—
I don't say more, but you understand.”—
The gossips are chattering over the bowl, &c., &c.
But I've said more than I should have said.
It may astonish the folk from Perth,
When the laird is snug under the churchyard earth.”—
The gossips are chattering over the bowl, &c., &c.
She may think she was never seen;
But through that mirror that's over the fire,
I saw as much as I could desire.”—
The gossips are chattering over the bowl, &c., &c.
With her head tossed back and her scornful air!—
But not a word of what I've said
Of her, or the lassie, or of the dead!”—
The gossips are chattering over the bowl, &c., &c.
Clytè.
A little sheltered rustic altar
Where those whom Venus loved could come
And pious prayers and praises falter.
Ere tyrants were, had kept it guarded,
And centuries long that little fane
A sheltering plane had greenly warded.
Came creeping, courtier-like, in whispers;
The zephyrs spoke among the boughs,
Like lovers, or like infant lispers;
Dark violets purpled all the turf
Beneath that plane-tree's soft green shadow,
Nowhere the amaranth grew so fair
As just within that sea-side meadow.
Had toiled for years to deck that altar
With his best art; no lust for gold
Or bad men's scorn could make him falter;
So he had carved his dead love's face
As Clytè—praying still in anguish
That for one hour she might return
From those dark shades where sad souls languish.
And knelt in prayer to Aphroditè.
His dream stood petrified at last,
That marble nymph—his gentle Clytè.
The Goddess heard him as he knelt,
And smiled from rosy clouds, consenting.
The maid was ferried back to earth,
Pluto for one short hour relenting.
Was now of Parian crystal whiteness;
Those Juno arms, that Jove might fold,
Were of a smooth and radiant lightness;
Her hair in rippling wave on wave
Crowned a fair head so sweetly mournful;
The eyes were full of tender grief,
The full-lipped mouth was witching scornful.
But as he prayed the moonbeams entered,
And, like a crown of glory pure,
Upon the brow of Clytè centred;
Then down her face they gently stole,
With silver all her raiment sheathing.
His prayer was answered; Phædon cried,
“She lives! she lives! I hear her breathing!”
Reluctant wakes, and half in sorrow,
Clytè stepped from that pedestal—
Death had been vanquished till the morrow.
She kissed her lover's burning brow,
Her soft white arms around him lacing;
Venus had sent her from the dead
To soothe him with her sweet embracing.
That rainbow-dream had passed for ever:
The nymph had turned to stone again,
To wake to life and beauty—never.
With a deep sigh he kissed the lips
Of that sweet nymph, once more reposing;
Then seized his shaping steel and clay,
To toil till life's long day was closing.
Thought of the blissful re-uniting,
As soldiers do of rest and sleep
After a long day's toilsome fighting;
And in his art content he toiled
To deck that fane of Aphroditè,
And by him, as he laboured, stood
His statue of the gentle Clytè.
The Country Church.
Is blossoming in the sky,
The gentian-flower's most inner heart
Hath not so deep a dye;
'T is purest sapphire liquefied,
That glows in glory and in pride.
Shine with a thin soft gold;
The cock, the farmyard Sultan,
Struts in the sunshine bold,
Transparent crimson all his crest,
Red brazen plumes upon his breast.
The very larks aloft,
Scaling the white rose-puffs of cloud,
Are singing hushed and soft;
With pious meditation, feed
The tranquil cows in the green mead.
The village church doth stand,
The hearse-plume yew its only kith
In all this English land,
The warder for long centuries
Of these poor country crofts and leas.
The dial's lightning-rent,
The weathercock upon the roof
Is crazed and tempest-bent;
The weatherbeaten tower stands there,
Rapt in its long unceasing prayer.
Under the windows falls,
A flickering of the yew-tree's gloom
Wavering on mouldy walls.
You hear the blackbirds in the calm,
Between the pauses of the psalm.
Sheds benedictions—smiles,
That passing, bless the children there
Sitting along the aisles;
While swallows underneath the eaves
Chatter about the coming leaves.
The thrushes in the laurels
Break in upon the half-read hymn
With snatches of their carols;
The sparrow on the window-sill
Chirps with much love, but little skill.
As the old bell tolls in!
Glossy their hair, happy their eyes,
Rich crimson-brown their skin—
Pulling their forelocks down, they go,
What time the organ 'gins to blow.
The Pilgrim's Departure.
Was sinking o'er the hill,
Shedding its rays on mountain-top.
On river, and on rill;
When down before a holy shrine,
Knelt one, bound straight for Palestine.
Which dyed the sunlight red;
Like a saint's bright crown of glory,
It glowed around his head.
And many a peasant gathered there,
Joined in the solemn parting prayer.
In chasuble arrayed,
The sun burnt red and fiery
All down the forest glade;
And youth and maid beside the road,
With sire and mother, praying stood.
The priest repeats the charm
That, whether in Ind or Araby,
Will keep his soul from harm.
'T was a touching sight the priest to see
Sign on the robe the crosses three.
The moon shone faint on high
Ere scarce day's mighty monarch
Had left the summer sky.
That sin-soiled pilgrim of the west
Crossed his hands on his guilty breast.
From the altar step he leapt:
No sound, save one deep heart-sob—
Deep as from one that wept.
He filled his bottle at the rill,
Then hied him o'er the eastern hill.
O'er many a league of sand!
God guard the cowl that fends thy head
In many a savage land!
Thy cockle hat, remember thee,
Proclaims one bound for Galilee.
Christ's Mother shield thee well
From spear and shaft and catapult
Of Moor and Infidel!
Wherever, pilgrim, thou shalt be,
Christ's holy benison on thee!”
An Adventure of Rob Roy's.
(1745)
Out yon by Bennochie,
Six Hanoverian soldiers sat
And played at “Rig-ma-Ree.”
Deep lay the torn and scattered cards;
The dice were rattling loud,
When in there strode a Hielandman
Like one dropped from a cloud.
But aye the suit went wrong;
He paid his gold and threw again,
But Fate was still too strong.
Then with a crafty, angry smile
The cards he slowly felt,
And tossed the dice into the punch,
And laughed to see them melt.
He crushed it with his heel—
Against the wall he set his back,
Defied their flashing steel;
Flung in their eyes the painted knaves
And the vermilion kings;
Spurned them and braved that nest of snakes
With all their threatening stings.
“And all the woe and ruin
You're working in this mountain land,
And all the sins you're brewing.
You come from many a smoking strath
And many a blood-stained village;
You slay the children in their beds—
The father at the tillage.”
And threw it to “Present”;
The bandsman drew his bayonet out
With little good intent.
Butt-end, all ready for the blow,
The third man's firelock swung;
The fifer would have drawn his sword,
But to the sheath it clung.
Then kicked the benches over,
Danced three steps of a Highland reel,
And cried, “I'm Rob the Rover!”
The brawny sergeant flung at him
A stool that cleared the table;
It hit the bandsman on the shins—
And then began the Babel.
With a smile frank and jolly,
Cried out, “Good folks, one moment, please,
I've lost my favourite collie.
One whistle ere the fun begins,
And then we'll do it hearty;
I would not for a thousand crowns
Break up a pleasant party.”
The others, with more pity,
Said, “Let the clod bring in his hoond—
We'll sell it in next city.”
As Rob he whistled shrill and clear,
Loud laughed the sneering bandsman;
Till through the shattered door there rushed
At least two dozen clansmen.
Cried out, “God save King Charles!”
You should have seen the sour grimace
Distort those coward carles.
“God save the Stuarts and the right,
And down with the Pretender,
And that's your little German laird;
From Scotland God defend her!”
In every blow a life;
The rogues at bay turned pale to see
The opening of the strife.
But Rob he cried, “Sheathe all your swords,
And let these Dutch rats scamper;
I trow,” he said, “you gibbet-birds,
This day has been a damper.”
Brave, frank, and lion-hearted,
And only smiled as up the glen
They skulkingly departed.
Then passing round the whisky-horn
To every brave Macgregor,
He said, “They'll not forget the cards
They dealt the Hieland beggar.”
They left with all their spoil,
I should not be a truthful man
(A labourer's worth his toil).
They left their money and their arms,
Their coats and all about 'em,
And, bare as Adam, took the road,
With curses—Devil doubt 'em!
Friend or Foe?
(EVE OF SAINT BARTHOLOMEW.)
Down the corridor,
Like the roused sea moaning,
On a storm-beat shore.
How the torch is flaring
In the court below!
Hark! I hear a footstep;
Is it friend or foe?
Down the avenue;
Trees in fear are struggling,
As if they, too, knew
All that's wrought in Paris
On this ghastly night.
Saviour, God in heaven,
Send the morning light!
From the distant wood,
Screaming out her warnings
To her wistful brood.
Yes, again that glimmer,
Far across the down.
That way there is danger—
There lies Paris town!
Guard the postern door;
Robert, with your rapier,
Watch the upper floor;
We are few—to guard us
From the murderer's blow,
Henri, let our word be—
“Are you friend or foe?”
Near the petronel;
See the wadding ready,
And the ball fit well.
Guise's men are cruel
As the Medici.
How the moaning night wind
Moves the tapestry!
In the mirror look,
Cabinet and prie-dieu,
Pictured wall and book.
Nothing more, my Marie?
Yet there seem to rise
Bleeding, writhing faces,
With beseeching eyes.
Huguenots, be brave!
There is One above us
Who has power to save.
Marie, clasp me closer;
You are faint with fear,
Marie, dear, remember
God is ever near.
Blaze at every door;
Though the murderers' foot-tramp
Shake this very floor—
Calmly trusting Heaven,
I will bide the blow.
Marie, courage! ah! that hand—
“Are you friend or foe?”
A Day-Dream on the Rhine.
Above the brimming Rhine!
With vassals who should pay their toll
In many sorts of wine;
Above me nought but the blue air,
And all below the vine.
In nights of harvest-time,
King Charlemagne, in golden robe
(So runs the rustic rhyme),
Doth come to bless the mellowing crops,
While the bells of heaven chime;
Of gold leaps o'er the stream
For the king to cross. A maiden once
Saw its bright arches gleam;
The priests they burnt her for that sight,
Calling it “Satan's Dream.”
Old towers rise on each hill;
The forge, the farm-house, and the inn,
Should cluster round the mill,
And past them all the river broad
Would flow at its own sweet will.
Should crimson turn ere night,
Then by the magic of the moon
Change to quicksilver bright.
At dawn each little wave should be
Mantled with purple light.
And, turning to his peers,
Exclaimed, “Behold, for this fair land
I've prayed and fought for years.”
Then all the Rhine towers shook to hear
The earthquake of their cheers.
(But not with Rhenish wine);
Not with those vintage streams that through
The green leaves gush and shine:
'T was blood that from the Lombard ranks
Rushed down into the Rhine.
Burning with love and pride,
And threw their muskets down to kiss
The soil with French blood dyed.
“The Rhine—dear Rhine,” ten thousand men,
Kneeling together, cried.
Wedded to Father Sea,
That from thy cold home in the snow
Trippest so merrily,
As if in eager haste of love
To plight thy fealty;
That to thee flock and throng,
Each with her own small dower of vines,
Each with her special song;
Each like a vein of blood, the more
To make thee stark and strong.
In aspiration bold,
No frost can bind thy fervent flood,
That never doth grow old,
Unchecked by Summer's golden fire,
Or by fierce Winter's cold.
Eternal beauty cling
Around thy banks; let all thy vines
Together praise and sing,
And o'er thee angels bend and pause
With sheathed and reverent wing.
Thy majesty do greet,
And echoes call from rock to rock,
All through the noonday heat.
In earliest dusk the gathering stars
Above thee love to meet.
Forget the passing tide,
And, closer drawn, cling lip to lip,
What though the river's wide,
And silver clouds no secrets tell
To the towers on either side;
Of God unto the hill,
Where ruined castles on the cliff
Speak of God's anger still,
How strong His arm, how swift His shaft,—
Who may resist His will?
My kingdom I will found,
No spectre knight, or goblins blue,
My purpose shall confound;
I'll bring the Golden Age again
To this old feudal ground.
Wolsey's Last Interview with the King.
You know that thick hot air before a storm,Heavy and lurid, when the very kine,
Languid and restless, switch their tails, and moan,
And paw the ground, impatient for the rain?
Such was the air that day around the Court.
The King was strangely silent: rang no bell,
Nor called his hounds, nor chid a lazy page,
Nor sent for hawks, nor touched his favourite lute;
But sat close at his books, walled in with rolls,
And abbey deeds, and old cathedral charts,
Nor wine nor pasty tasted all that morn.
'T was ominous of ill—of war with France,
Of news from Florence, message from the Doge,
Of Lanzknechts gathering in the German towns.
“Grind sword and spear,” I said; “roll cannon out!”
If Harry bide like this, 't is but the lull
Before the lion's leap—woe to his prey!
Ye abbots, tremble in your padded cells!
Warders of Calais, look to bar and bolt!
Or a shrill archer's horn, that bids you turn,
Foretell a bitter rain of stinging steel,
And “Ho for Merry England!” stir French air.
What! Wolsey not at Court for three long days?
It bodeth ill for some: that heavy axe
Had best be ground, and crimson block be fit,
For death and doom. But hark! a distant shout
And trumpets scarce so confident as once.—
He comes, the trusty one—the Cardinal.
“Room for my lord!” the boastful heralds cry.
Cross-bearers, see, and lusty halberdmen,
To every scarlet man a gilded axe.—
Yes, there his great red hat and the broad seal,
The red-trapped mules, the stately men-at-arms,
Close steel from top to toe, the laughing boys,
The solemn priests, with cope and chasuble,
And, all but last, that very humble soul,
The true apostle of these later days,
With eyes malign, and close-clenched, fleshless lips,
And body swollen out with greed and pride.
Disdaining earth and air, no glance for heaven;
Not e'en one gracious look for those who wait,
Though knight and noble every single one.
“Angels are proud?”—Yes, firstly Lucifer,
Who by that fell. Upon his wicked thumb
See that great ruby; 't was a Percy's once.
That sapphire at his neck adorned a pyx
At Durham ere they stripped the sacred shrine.
The nuns of Ely made that gold cloth pouch
That shines with diamonds. Bartimæus sure
Might beg some hours ere he could buy those gems.
And mark! all down the staircase as he comes
The plumes sink low as corn before the wind;
Old, young, and rich, and poor, and fool, and wise,
Bend like a forest when the sou'-west blows,
All to'ards the Red Hat—every face one way.
For where this Wolsey smiles is fortune, wealth,
And where he frowns despair and penury.—
But mark as rise the pliant servile herds,
And match each face behind with that before:
Here joy and worship, there but fear and hate;
The coming murder in the eye of some,
And hands on dagger-hilts, and fists that clench:
These are the slaves that bend their brainless heads
To this base butcher's son, this Cardinal,
This robber of the Church, this murderer.—
Why, who stoop lower when Christ's self descends
In very flesh, and the bell duly rings
For the world's homage? Prush!—the lazar crone
Could not cringe deeper; but behind Red Hat
Some whisper gibes and grind out muttered threats;
Hands press to secret knife and pistolet,
Half drawn in mute despair of a revenge.—
And lo! the placid priest with upraised hand
Blessed all the kneeling crowd of spurious friends,
Lifted the great black curtain, and passed in.
The Dying Seneschal.
[Supposed to be the lamentation of Sir Walter Fitzosbert, one of the five Norman knights who conquered Gwent, and who, if we can believe the Chronicle of Ernulphus, was taken prisoner by Sir Geoffry Mauleverer, Lord of Goodrich, and died of famine in the Yellow Tower of that castle, A.D. 1182.
The knight is dust,And his good sword is rust,
And his soul is with the saints we trust.]
So long this dull weight at my heart
The weary night; the lingering day
As loath to dawn as to depart.
I never thought this aching brain
Would now have burst, or borne so long
The torture of this scorn and wrong.
All nature's full of liberty:
Look at yon clouds, how glad they be,
They seem fresh loosed from slavery;
The wind is free each leaf to kiss
On every forest tree that is;
I feel it at my prison bars
Drive swifter than the falling stars.
The stream flows on with ceaseless motion
To do glad homage to the ocean.
The wild birds wind their unchecked way
Through all the bright clouds' fair array.
Yet I, the freest of the free,
Rot here in thraldom's infamy.
Was never knight so free as I—
Free as the falcon in the sky,
So blithe, and glad, and debonair,
Free as the restless wandering air,
Free as the white trout of the lake,
Free as the shy and wily snake.
I cared not for the scorching heat,
When hot suns on my armour beat;
When lambs were frozen in the fold;
When it chilled through his dark fur robe the mole,
And the dormouse nestling deeper stole.
Then would I rest my helmèd head
Upon a root, the snow my bed.
I the wild mountain deer could tire,
Could tame the unbroke charger's fire,
Could swim the lake, stem the red ford,
Though cumbered with my spear and sword,
Could bend the bow of a man of mould,
Could track the eagle to his hold.
Fool that I am to waste regret,
While with my blood the stones are wet.
Oh! for some human thing to see,
Though it came but to mock at my misery—
Though it came my grief and shame to share;
And, instead of pious word and prayer,
Beheld me with a cruel stare;
'T were pleasant as the glimpse of day
To forest traveller astray.
I watched me by the livelong hour
My only friend—a simple flower,
That grew from a chink in a massive stone
On the parapet 'neath my prison grate,
Spring up untended and alone.
I viewed it early, viewed it late—
Was never flower so fresh and fair;
And through the balmy Summer air
It shed a calm repose on me,
Like the sight of happy infancy.
God's benison, dear thing, on thee!
I watched the gentle friendly weed,
Each sweet flower ope and shed its seed;
But the rough wind plucked it leaf by leaf,
Till nothing was left for me but grief;
Just at the closing of the day
I saw the last one whirled away.
Unhappy wretch! I seem to blight
Even things lovely in my sight.
'T was the only thing I loved, and now,
Beshrew the tear! has this pale brow
No greater grief, that it should weep?
Proud heart, take cheer! I saw it creep
O'er the rude stone that shelter gave,
Where its seed had found a dark small grave,
And strew it with its flowerets fair,
As if it loved its gifts to share;
For everything but the human brood
Hath got some touch of gratitude.
It rose in Spring, and all through May
The flower had made its silent way;
And every shower that passèd o'er
Added but loveliness the more;
And every cloud that by us past
Some bright reflection on it cast;
The wind that tears the forest tree
Lent gentle influence to thee.
But, hush thee, tongue! I feel each vein
Throb slower, and a keener pain
Gnaw at my heart: the guarding slave
Shall never hear a true knight crave
A look of pity; the wolf dies silent in his den,
And so do all true Norman men.
The Last of the Sirens.
And it whispered to me
Tales of sorrow and mystery;
It kissed my feet, for my voice was sweet,
By the silvery sand where the rough tides meet,
And the waves leapt up to my knee.
They gambol, and laugh, and race so free,
And bow at my crown of sovereignty;
And the wild winds shriek when I 'gin to speak,
And the fiercest blast at my voice grows weak,
For I am one of the Sirens three.
Each wild wave falls
Down at my feet, and crouching crawls.
The whale, my hound, leaps on with a bound,
And the seals bark loud when they hear the sound,
And rush through the breakers' foaming walls.
To hear the note
Of the harp tunes I have learned by rote,
Lashed to the spars that the erring stars,
Venus the pale, and red-gashed Mars,
Led where the ships the sharp reef smote.
When the air is clear,
Faint cries of rage, and pain, and fear;
Their pangs grow sharp when they hear my harp,
Whose strings no wintry winds can warp,
On the grassy shore that seems so near.
White shadows fly,
As I sing a melodious lullaby;
Then laugh and scream as my beacon's gleam
Leaps up with a brazen hell-fire gleam,
To light the wretch to his misery.
The gull of the sea,
And the cormorant, black as black may be.
I give them food in my loving mood,
And smooth their wings, and ruffle their hood:
The dead are their meat, and still shall be.
Are rent in the gales,
And the gilded oar the black slave fails
To poise and lift, I make them drift
On the sharp white horn of the leeward rift,
As their bark I greet and hail.
My harp I beat,
And I foot the sands with my snowy feet.
And their shrieks and cries to the stormy skies
Are to me the dearest of melodies,
And I laugh as the strong tides howling meet.
To those merchants three,
Steering to Greece from Sicily,
With a deep, deep hold, that brimmed with gold,
And pearls and jewels a thousandfold,
And bales that were bursting with spicery.
To those who blow
The walrus horns as the calm seas flow;
Grim men in mail, with a crimson sail,
Who have struck the shark and wounded the whale,
And on to the western islands go.
For the maidens three,
Who come the fishermen youth to see;
That golden hair, that they deem so fair,
Shall bleach and crisp in the salt sea air,
In the caves below where the krakens be.
When it comes to pass,
That a mother and child are going to mass,
A tender bit is that babe, I wit,
For the dog-fish fighting in crowds for it,
A fathom below these waves of glass.
Historical & Legendary Ballads & Songs | ||