University of Virginia Library


199

TIRESIAS AND OTHER POEMS


200

TO MY GOOD FRIEND ROBERT BROWNING, WHOSE GENIUS AND GENIALITY WILL BEST APPRECIATE WHAT MAY BE BEST, AND MAKE MOST ALLOWANCE FOR WHAT MAY BE WORST, THIS VOLUME IS AFFECTIONATELY DEDICATED.

201

TO E. FITZGERALD.

Old Fitz, who from your suburb grange,
Where once I tarried for a while,
Glance at the wheeling Orb of change,
And greet it with a kindly smile;
Whom yet I see as there you sit
Beneath your sheltering garden-tree,
And while your doves about you flit,
And plant on shoulder, hand and knee,
Or on your head their rosy feet,
As if they knew your diet spares
Whatever moved in that full sheet
Let down to Peter at his prayers;
Who live on milk and meal and grass;
And once for ten long weeks I tried
Your table of Pythagoras,
And seem'd at first ‘a thing enskied’
(As Shakespeare has it) airy-light
To float above the ways of men,

202

Then fell from that half-spiritual height
Chill'd, till I tasted flesh again
One night when earth was winter-black,
And all the heavens flash'd in frost;
And on me, half-asleep, came back
That wholesome heat the blood had lost,
And set me climbing icy capes
And glaciers, over which there roll'd
To meet me long-arm'd vines with grapes
Of Eshcol hugeness; for the cold
Without, and warmth within me, wrought
To mould the dream; but none can say
That Lenten fare makes Lenten thought,
Who reads your golden Eastern lay,
Than which I know no version done
In English more divinely well;
A planet equal to the sun
Which cast it, that large infidel
Your Omar; and your Omar drew
Full-handed plaudits from our best
In modern letters, and from two,
Old friends outvaluing all the rest,
Two voices heard on earth no more;
But we old friends are still alive,
And I am nearing seventy-four,
While you have touch'd at seventy-five,
And so I send a birthday line

203

Of greeting; and my son, who dipt
In some forgotten book of mine
With sallow scraps of manuscript,
And dating many a year ago,
Has hit on this, which you will take
My Fitz, and welcome, as I know
Less for its own than for the sake
Of one recalling gracious times,
When, in our younger London days,
You found some merit in my rhymes,
And I more pleasure in your praise.

204

TIRESIAS.

I wish I were as in the years of old,
While yet the blessed daylight made itself
Ruddy thro' both the roofs of sight, and woke
These eyes, now dull, but then so keen to seek
The meanings ambush'd under all they saw,
The flight of birds, the flame of sacrifice,
What omens may foreshadow fate to man
And woman, and the secret of the Gods.
My son, the Gods, despite of human prayer,
Are slower to forgive than human kings.
The great God, Arês, burns in anger still
Against the guiltless heirs of him from Tyre,
Our Cadmus, out of whom thou art, who found
Beside the springs of Dircê, smote, and still'd
Thro' all its folds the multitudinous beast,
The dragon, which our trembling fathers call'd
The God's own son.
A tale, that told to me,
When but thine age, by age as winter-white

205

As mine is now, amazed, but made me yearn
For larger glimpses of that more than man
Which rolls the heavens, and lifts, and lays the deep,
Yet loves and hates with mortal hates and loves,
And moves unseen among the ways of men.
Then, in my wanderings all the lands that lie
Subjected to the Heliconian ridge
Have heard this footstep fall, altho' my wont
Was more to scale the highest of the heights
With some strange hope to see the nearer God.
One naked peak—the sister of the sun
Would climb from out the dark, and linger there
To silver all the valleys with her shafts—
There once, but long ago, five-fold thy term
Of years, I lay; the winds were dead for heat;
The noonday crag made the hand burn; and sick
For shadow—not one bush was near—I rose
Following a torrent till its myriad falls
Found silence in the hollows underneath.
There in a secret olive-glade I saw
Pallas Athene climbing from the bath
In anger; yet one glittering foot disturb'd
The lucid well; one snowy knee was prest
Against the margin flowers; a dreadful light
Came from her golden hair, her golden helm
And all her golden armour on the grass,
And from her virgin breast, and virgin eyes

206

Remaining fixt on mine, till mine grew dark
For ever, and I heard a voice that said
‘Henceforth be blind, for thou hast seen too much,
And speak the truth that no man may believe.’
Son, in the hidden world of sight, that lives
Behind this darkness, I behold her still,
Beyond all work of those who carve the stone,
Beyond all dreams of Godlike womanhood,
Ineffable beauty, out of whom, at a glance,
And as it were, perforce, upon me flash'd
The power of prophesying—but to me
No power—so chain'd and coupled with the curse
Of blindness and their unbelief, who heard
And heard not, when I spake of famine, plague,
Shrine-shattering earthquake, fire, flood, thunderbolt,
And angers of the Gods for evil done
And expiation lack'd—no power on Fate,
Theirs, or mine own! for when the crowd would roar
For blood, for war, whose issue was their doom,
To cast wise words among the multitude
Was flinging fruit to lions; nor, in hours
Of civil outbreak, when I knew the twain
Would each waste each, and bring on both the yoke
Of stronger states, was mine the voice to curb
The madness of our cities and their kings.
Who ever turn'd upon his heel to hear
My warning that the tyranny of one

207

Was prelude to the tyranny of all?
My counsel that the tyranny of all
Led backward to the tyranny of one?
This power hath work'd no good to aught that lives,
And these blind hands were useless in their wars.
O therefore that the unfulfill'd desire,
The grief for ever born from griefs to be,
The boundless yearning of the Prophet's heart—
Could that stand forth, and like a statue, rear'd
To some great citizen, win all praise from all
Who past it, saying, ‘That was he!’
In vain!
Virtue must shape itself in deed, and those
Whom weakness or necessity have cramp'd
Within themselves, immerging, each, his urn
In his own well, draw solace as he may.
Menœceus, thou hast eyes, and I can hear
Too plainly what full tides of onset sap
Our seven high gates, and what a weight of war
Rides on those ringing axles! jingle of bits,
Shouts, arrows, tramp of the hornfooted horse
That grind the glebe to powder! Stony showers
Of that ear-stunning hail of Arês crash
Along the sounding walls. Above, below,
Shock after shock, the song-built towers and gates
Reel, bruised and butted with the shuddering

208

War-thunder of iron rams; and from within
The city comes a murmur void of joy,
Lest she be taken captive—maidens, wives,
And mothers with their babblers of the dawn,
And oldest age in shadow from the night,
Falling about their shrines before their Gods,
And wailing ‘Save us.’
And they wail to thee!
These eyeless eyes, that cannot see thine own,
See this, that only in thy virtue lies
The saving of our Thebes; for, yesternight,
To me, the great God Arês, whose one bliss
Is war, and human sacrifice—himself
Blood-red from battle, spear and helmet tipt
With stormy light as on a mast at sea,
Stood out before a darkness, crying ‘Thebes,
Thy Thebes shall fall and perish, for I loathe
The seed of Cadmus—yet if one of these
By his own hand—if one of these—’
My son,
No sound is breathed so potent to coerce,
And to conciliate, as their names who dare
For that sweet mother land which gave them birth
Nobly to do, nobly to die. Their names,
Graven on memorial columns, are a song
Heard in the future; few, but more than wall
And rampart, their examples reach a hand

209

Far thro' all years, and everywhere they meet
And kindle generous purpose, and the strength
To mould it into action pure as theirs.
Fairer thy fate than mine, if life's best end
Be to end well! and thou refusing this,
Unvenerable will thy memory be
While men shall move the lips: but if thou dare—
Thou, one of these, the race of Cadmus—then
No stone is fitted in yon marble girth
Whose echo shall not tongue thy glorious doom,
Nor in this pavement but shall ring thy name
To every hoof that clangs it, and the springs
Of Dircê laving yonder battle-plain,
Heard from the roofs by night, will murmur thee
To thine own Thebes, while Thebes thro' thee shall stand
Firm-based with all her Gods.
The Dragon's cave
Half hid, they tell me, now in flowing vines—
Where once he dwelt and whence he roll'd himself
At dead of night—thou knowest, and that smooth rock
Before it, altar-fashion'd, where of late
The woman-breasted Sphinx, with wings drawn back,
Folded her lion paws, and look'd to Thebes.
There blanch the bones of whom she slew, and these
Mixt with her own, because the fierce beast found

210

A wiser than herself, and dash'd herself
Dead in her rage: but thou art wise enough,
Tho' young, to love thy wiser, blunt the curse
Of Pallas, hear, and tho' I speak the truth
Believe I speak it, let thine own hand strike
Thy youthful pulses into rest and quench
The red God's anger, fearing not to plunge
Thy torch of life in darkness, rather—thou
Rejoicing that the sun, the moon, the stars
Send no such light upon the ways of men
As one great deed.
Thither, my son, and there
Thou, that hast never known the embrace of love,
Offer thy maiden life.
This useless hand!
I felt one warm tear fall upon it. Gone!
He will achieve his greatness.

For the close of the poem cf. Pindar, Frag. x. No. i. of the Θρηνοι:

Τοισι λαμπει μεν μενος αελιου ταν ενθαδε νυκτα κατω
φοινικοροδοις τ' ενι λειμωνεσσι προαστιον αυτων
και λιβανω σκιαρα και χρυσεδις καρποις βεβριθεν.
και τοι μεν ιπποις γυμνασιοις τε, τοι δε πεσσοις,
τοι δε φορμιλλεσσι τερπονται, παρα δε σφισιν ευανθης απας τεθαλεν ολβος:
οδμα δ' ερατον κατα χωρον κιδναται
αιει θυα μιγνυντων πυρι τηλεφανει παντοια θεων επι βωμοις.


But for me,
I would that I were gather'd to my rest,
And mingled with the famous kings of old,
On whom about their ocean-islets flash
The faces of the Gods—the wise man's word,
Here trampled by the populace underfoot,
There crown'd with worship—and these eyes will find
The men I knew, and watch the chariot whirl
About the goal again, and hunters race
The shadowy lion, and the warrior-kings,

211

In height and prowess more than human, strive
Again for glory, while the golden lyre
Is ever sounding in heroic ears
Heroic hymns, and every way the vales
Wind, clouded with the grateful incense-fume
Of those who mix all odour to the Gods
On one far height in one far-shining fire.
One height and one far-shining fire’
And while I fancied that my friend
For this brief idyll would require
A less diffuse and opulent end,
And would defend his judgment well,
If I should deem it over nice—
The tolling of his funeral bell
Broke on my Pagan Paradise,
And mixt the dream of classic times,
And all the phantoms of the dream,
With present grief, and made the rhymes,
That miss'd his living welcome, seem
Like would-be guests an hour too late,
Who down the highway moving on
With easy laughter find the gate
Is bolted, and the master gone.
Gone into darkness, that full light
Of friendship! past, in sleep, away

212

By night, into the deeper night!
The deeper night? A clearer day
Than our poor twilight dawn on earth—
If night, what barren toil to be!
What life, so maim'd by night, were worth
Our living out? Not mine to me
Remembering all the golden hours
Now silent, and so many dead,
And him the last; and laying flowers,
This wreath, above his honour'd head,
And praying that, when I from hence
Shall fade with him into the unknown,
My close of earth's experience
May prove as peaceful as his own.

213

THE WRECK.

I.

Hide me, Mother! my Fathers belong'd to the church of old,
I am driven by storm and sin and death to the ancient fold,
I cling to the Catholic Cross once more, to the Faith that saves,
My brain is full of the crash of wrecks, and the roar of waves,
My life itself is a wreck, I have sullied a noble name,
I am flung from the rushing tide of the world as a waif of shame,
I am roused by the wail of a child, and awake to a livid light,
And a ghastlier face than ever has haunted a grave by night,
I would hide from the storm without, I would flee from the storm within,

214

I would make my life one prayer for a soul that died in his sin,
I was the tempter, Mother, and mine was the deeper fall;
I will sit at your feet, I will hide my face, I will tell you all.

II.

He that they gave me to, Mother, a heedless and innocent bride—
I never have wrong'd his heart, I have only wounded his pride—
Spain in his blood and the Jew—dark-visaged, stately and tall—
A princelier-looking man never stept thro' a Prince's hall.
And who, when his anger was kindled, would venture to give him the nay?
And a man men fear is a man to be loved by the women they say.
And I could have loved him too, if the blossom can doat on the blight,
Or the young green leaf rejoice in the frost that sears it at night;
He would open the books that I prized, and toss them away with a yawn,

215

Repell'd by the magnet of Art to the which my nature was drawn,
The word of the Poet by whom the deeps of the world are stirr'd,
The music that robes it in language beneath and beyond the word!
My Shelley would fall from my hands when he cast a contemptuous glance
From where he was poring over his Tables of Trade and Finance;
My hands, when I heard him coming would drop from the chords or the keys,
But ever I fail'd to please him, however I strove to please—
All day long far-off in the cloud of the city, and there
Lost, head and heart, in the chances of dividend, consol, and share—
And at home if I sought for a kindly caress, being woman and weak,
His formal kiss fell chill as a flake of snow on the cheek:
And so, when I bore him a girl, when I held it aloft in my joy,
He look'd at it coldly, and said to me ‘Pity it isn't a boy.’
The one thing given me, to love and to live for, glanced at in scorn!

216

The child that I felt I could die for—as if she were basely born!
I had lived a wild-flower life, I was planted now in a tomb;
The daisy will shut to the shadow, I closed my heart to the gloom;
I threw myself all abroad—I would play my part with the young
By the low foot-lights of the world—and I caught the wreath that was flung.

III.

Mother, I have not—however their tongues may have babbled of me—
Sinn'd thro' an animal vileness, for all but a dwarf was he,
And all but a hunchback too; and I look'd at him, first, askance
With pity—not he the knight for an amorous girl's romance!
Tho' wealthy enough to have bask'd in the light of a dowerless smile,
Having lands at home and abroad in a rich West-Indian isle;
But I came on him once at a ball, the heart of a listening crowd—

217

Why, what a brow was there! he was seated—speaking aloud
To women, the flower of the time, and men at the helm of state—
Flowing with easy greatness and touching on all things great,
Science, philosophy, song—till I felt myself ready to weep
For I knew not what, when I heard that voice,—as mellow and deep
As a psalm by a mighty master and peal'd from an organ,—roll
Rising and falling—for, Mother, the voice was the voice of the soul;
And the sun of the soul made day in the dark of his wonderful eyes.
Here was the hand that would help me, would heal me—the heart that was wise!
And he, poor man, when he learnt that I hated the ring I wore,
He helpt me with death, and he heal'd me with sorrow for evermore.

IV.

For I broke the bond. That day my nurse had brought me the child.

218

The small sweet face was flush'd, but it coo'd to the Mother and smiled.
‘Anything ailing,’ I ask'd her, ‘with baby?’ She shook her head,
And the Motherless Mother kiss'd it, and turn'd in her haste and fled.

V.

Low warm winds had gently breathed us away from the land—
Ten long sweet summer days upon deck, sitting hand in hand—
When he clothed a naked mind with the wisdom and wealth of his own,
And I bow'd myself down as a slave to his intellectual throne,
When he coin'd into English gold some treasure of classical song,
When he flouted a statesman's error, or flamed at a public wrong,
When he rose as it were on the wings of an eagle beyond me, and past
Over the range and the change of the world from the first to the last,
When he spoke of his tropical home in the canes by the purple tide,

219

And the high star-crowns of his palms on the deep-wooded mountain-side,
And cliffs all robed in lianas that dropt to the brink of his bay,
And trees like the towers of a minster, the sons of a winterless day.
‘Paradise there!’ so he said, but I seem'd in Paradise then
With the first great love I had felt for the first and greatest of men;
Ten long days of summer and sin—if it must be so—
But days of a larger light than I ever again shall know—
Days that will glimmer, I fear, thro' life to my latest breath;
‘No frost there,’ so he said, ‘as in truest Love no Death.’

VI.

Mother, one morning a bird with a warble plaintively sweet
Perch'd on the shrouds, and then fell fluttering down at my feet;

This happened in the Pembroke Castle on our voyage to Copenhagen in 1883 with the Gladstones.


I took it, he made it a cage, we fondled it, Stephen and I,
But it died, and I thought of the child for a moment, I scarce know why.

220

VII.

But if sin be sin, not inherited fate, as many will say,
My sin to my desolate little one found me at sea on a day,
When her orphan wail came borne in the shriek of a growing wind,
And a voice rang out in the thunders of Ocean and Heaven ‘Thou hast sinn'd.’
And down in the cabin were we, for the towering crest of the tides
Plunged on the vessel and swept in a cataract off from her sides,
And ever the great storm grew with a howl and a hoot of the blast
In the rigging, voices of hell—then came the crash of the mast.
‘The wages of sin is death,’ and there I began to weep,
‘I am the Jonah, the crew should cast me into the deep,
For ah God, what a heart was mine to forsake her even for you.’
‘Never the heart among women,’ he said, ‘more tender and true.’
‘The heart! not a mother's heart, when I left my darling alone.’

221

‘Comfort yourself, for the heart of the father will care for his own.’
‘The heart of the father will spurn her,’ I cried, ‘for the sin of the wife,
The cloud of the mother's shame will enfold her and darken her life.’
Then his pale face twitch'd; ‘O Stephen, I love you, I love you, and yet’—
As I lean'd away from his arms—‘would God, we had never met!’
And he spoke not—only the storm; till after a little, I yearn'd
For his voice again, and he call'd to me ‘Kiss me!’ and there—as I turn'd—
‘The heart, the heart!’ I kiss'd him, I clung to the sinking form,
And the storm went roaring above us, and he—was out of the storm.

VIII.

And then, then, Mother, the ship stagger'd under a thunderous shock,
That shook us asunder, as if she had struck and crash'd on a rock;
For a hunge sea smote every soul from the decks of The Falcon but one;

222

All of them, all but the man that was lash'd to the helm had gone;
And I fell—and the storm and the days went by, but I knew no more—
Lost myself—lay like the dead by the dead on the cabin floor,
Dead to the death beside me, and lost to the loss that was mine,
With a dim dream, now and then, of a hand giving bread and wine,
Till I woke from the trance, and the ship stood still, and the skies were blue,
But the face I had known, O Mother, was not the face that I knew.

IX.

The strange misfeaturing mask that I saw so amazed me, that I
Stumbled on deck, half mad. I would fling myself over and die!
But one—he was waving a flag—the one man left on the wreck—
‘Woman’—he graspt at my arm—‘stay there’—I crouch'd upon deck—
‘We are sinking, and yet there's hope: look yonder,’ he cried, ‘a sail’

223

In a tone so rough that I broke into passionate tears, and the wail
Of a beaten babe, till I saw that a boat was nearing us—then
All on a sudden I thought, I shall look on the child again.

X.

They lower'd me down the side, and there in the boat I lay
With sad eyes fixt on the lost sea-home, as we glided away,
And I sigh'd, as the low dark hull dipt under the smiling main,
‘Had I stay'd with him, I had now—with him—been out of my pain.’

XI.

They took us aboard: the crew were gentle, the captain kind;
But I was the lonely slave of an often-wandering mind;
For whenever a rougher gust might tumble a stormier wave,
‘O Stephen,’ I moan'd, ‘I am coming to thee in thine Ocean-grave.’

224

And again, when a balmier breeze curl'd over a peacefuller sea,
I found myself moaning again ‘O child, I am coming to thee.’

XII.

The broad white brow of the Isle—that bay with the colour'd sand—

Alum Bay in the Isle of Wight.


Rich was the rose of sunset there, as we drew to the land;
All so quiet the ripple would hardly blanch into spray
At the feet of the cliff; and I pray'd—‘my child’— for I still could pray—
‘May her life be as blissfully calm, be never gloom'd by the curse
Of a sin, not hers!’
Was it well with the child?
I wrote to the nurse
Who had borne my flower on her hireling heart; and an answer came
Not from the nurse—nor yet to the wife—to her maiden name!
I shook as I open'd the letter—I knew that hand too well—
And from it a scrap, clipt out of the ‘deaths’ in a paper, fell.

225

‘Ten long sweet summer days’ of fever, and want of care!
And gone—that day of the storm—O Mother, she came to me there.

226

DESPAIR.

A man and his wife having lost faith in a God, and hope of a life to come, and being utterly miserable in this, resolve to end themselves by drowning. The woman is drowned, but the man rescued by a minister of the sect he had abandoned.

I.

Is it you, that preach'd in the chapel there looking over the sand?
Follow'd us too that night, and dogg'd us, and drew me to land?

II.

What did I feel that night? You are curious. How should I tell?
Does it matter so much what I felt? You rescued me—yet—was it well
That you came unwish'd for, uncall'd, between me and the deep and my doom,
Three days since, three more dark days of the Godless gloom

227

Of a life without sun, without health, without hope, without any delight
In anything here upon earth? but ah God, that night, that night
When the rolling eyes of the lighthouse there on the fatal neck
Of land running out into rock—they had saved many hundreds from wreck—
Glared on our way toward death, I remember I thought, as we past,
Does it matter how many they saved? we are all of us wreck'd at last—
‘Do you fear,’ and there came thro' the roar of the breaker a whisper, a breath,
‘Fear? am I not with you? I am frighted at life not death.’

III.

And the suns of the limitless Universe sparkled and shone in the sky,
Flashing with fires as of God, but we knew that their light was a lie—
Bright as with deathless hope—but, however they sparkled and shone,
The dark little worlds running round them were worlds of woe like our own—

228

No soul in the heaven above, no soul on the earth below,
A fiery scroll written over with lamentation and woe.

IV.

See, we were nursed in the drear night-fold of your fatalist creed,

In my boyhood I came across this Calvinist creed—and assuredly, however unfathomable the mystery, if one cannot believe in the freedom of the human will as of the divine, life is hardly worth the living.


And we turn'd to the growing dawn, we had hoped for a dawn indeed,
When the light of a Sun that was coming would scatter the ghosts of the Past,
And the cramping creeds that had madden'd the peoples would vanish at last,
And we broke away from the Christ, our human brother and friend,
For He spoke, or it seem'd that He spoke, of a Hell without help, without end.

V.

Hoped for a dawn and it came, but the promise had faded away;
We had past from a cheerless night to the glare of a drearier day;
He is only a cloud and a smoke who was once a pillar of fire,

229

The guess of a worm in the dust and the shadow of its desire—
Of a worm as it writhes in a world of the weak trodden down by the strong,
Of a dying worm in a world, all massacre, murder, and wrong.

VI.

O we poor orphans of nothing—alone on that lonely shore—
Born of the brainless Nature who knew not that which she bore!
Trusting no longer that earthly flower would be heavenly fruit—
Come from the brute, poor souls—no souls—and to die with the brute—

VII.

Nay, but I am not claiming your pity: I know you of old—
Small pity for those that have ranged from the narrow warmth of your fold,
Where you bawl'd the dark side of your faith and a God of eternal rage,
Till you flung us back on ourselves, and the human heart, and the Age.

230

VIII.

But pity—the Pagan held it a vice—was in her and in me,
Helpless, taking the place of the pitying God that should be!
Pity for all that aches in the grasp of an idiot power,
And pity for our own selves on an earth that bore not a flower;
Pity for all that suffers on land or in air or the deep,
And pity for our own selves till we long'd for eternal sleep.

IX.

‘Lightly step over the sands! the waters—you hear them call!
Life with its anguish, and horrors, and errors—away with it all!’
And she laid her hand in my own—she was always loyal and sweet—
Till the points of the foam in the dusk came playing about our feet.
There was a strong sea-current would sweep us out to the main.
‘Ah God’ tho’ I felt as I spoke I was taking the name in vain—

231

‘Ah God’ and we turn'd to each other, we kiss'd, we embraced, she and I,
Knowing the Love we were used to believe everlasting would die:
We had read their know-nothing books and we lean'd to the darker side—
Ah God, should we find Him, perhaps, perhaps, if we died, if we died;
We never had found Him on earth, this earth is a fatherless Hell—
‘Dear Love, for ever and ever, for ever and ever farewell,’
Never a cry so desolate, not since the world began,
Never a kiss so sad, no, not since the coming of man!

X.

But the blind wave cast me ashore, and you saved me, a valueless life.
Not a grain of gratitude mine! You have parted the man from the wife.
I am left alone on the land, she is all alone in the sea;
If a curse meant ought, I would curse you for not having let me be.

232

XI.

Visions of youth—for my brain was drunk with the water, it seems;
I had past into perfect quiet at length out of pleasant dreams,
And the transient trouble of drowning—what was it when match'd with the pains
Of the hellish heat of a wretched life rushing back thro' the veins?

XII.

Why should I live? one son had forged on his father and fled,
And if I believed in a God, I would thank him, the other is dead,
And there was a baby-girl, that had never look'd on the light:
Happiest she of us all, for she past from the night to the night.

XIII.

But the crime, if a crime, of her eldest-born, her glory, her boast,
Struck hard at the tender heart of the mother, and broke it almost;

233

Tho', glory and shame dying out for ever in endless time,
Does it matter so much whether crown'd for a virtue, or hang'd for a crime?

XIV.

And ruin'd by him, by him, I stood there, naked, amazed
In a world of arrogant opulence, fear'd myself turning crazed,
And I would not be mock'd in a madhouse! and she, the delicate wife,
With a grief that could only be cured, if cured, by the surgeon's knife,—

XV.

Why should we bear with an hour of torture, a moment of pain,
If every man die for ever, if all his griefs are in vain,
And the homeless planet at length will be wheel'd thro' the silence of space,
Motherless evermore of an ever-vanishing race,
When the worm shall have writhed its last, and its last brother-worm will have fled
From the dead fossil skull that is left in the rocks of an earth that is dead?

234

XVI.

Have I crazed myself over their horrible infidel writings? O yes,
For these are the new dark ages, you see, of the popular press,
When the bat comes out of his cave, and the owls are whooping at noon,
And Doubt is the lord of this dunghill and crows to the sun and the moon,
Till the Sun and the Moon of our science are both of them turn'd into blood,
And Hope will have broken her heart, running after a shadow of good;
For their knowing and know-nothing books are scatter'd from hand to hand—
We have knelt in your know-all chapel too looking over the sand.

XVII.

What! I should call on that Infinite Love that has served us so well?
Infinite cruelty rather that made everlasting Hell,
Made us, foreknew us, foredoom'd us, and does what he will with his own;
Better our dead brute mother who never has heard us groan!

235

XVIII.

Hell? if the souls of men were immortal, as men have been told,
The lecher would cleave to his lusts, and the miser would yearn for his gold,
And so there were Hell for ever! but were there a God as you say,
His Love would have power over Hell till it utterly vanish'd away.

XIX.

Ah yet—I have had some glimmer, at times, in my gloomiest woe,
Of a God behind all—after all—the great God for aught that I know;
But the God of Love and of Hell together—they cannot be thought,
If there be such a God, may the Great God curse him and bring him to nought!

XX.

Blasphemy! whose is the fault? is it mine? for why would you save
A madman to vex you with wretched words, who is best in his grave?

236

Blasphemy! ay, why not, being damn'd beyond hope of grace?
O would I were yonder with her, and away from your faith and your face!
Blasphemy! true! I have scared you pale with my scandalous talk,
But the blasphemy to my mind lies all in the way that you walk.

XXI.

Hence! she is gone! can I stay? can I breathe divorced from the Past?
You needs must have good lynx-eyes if I do not escape you at last.
Our orthodox coroner doubtless will find it a felode-se,
And the stake and the cross-road, fool, if you will, does it matter to me?

237

THE ANCIENT SAGE.

What the Ancient Sage says is not the philosophy of the Chinese philosopher Laot-ze, but it was written after reading his life and maxims.

A thousand summers ere the time of Christ
From out his ancient city came a Seer
Whom one that loved, and honour'd him, and yet
Was no disciple, richly garb'd, but worn
From wasteful living, follow'd—in his hand
A scroll of verse—till that old man before
A cavern whence an affluent fountain pour'd
From darkness into daylight, turn'd and spoke.
This wealth of waters might but seem to draw
From yon dark cave, but, son, the source is higher,
Yon summit half-a-league in air—and higher,
The cloud that hides it—higher still, the heavens
Whereby the cloud was moulded, and whereout
The cloud descended. Force is from the heights.
I am wearied of our city, son, and go
To spend my one last year among the hills.
What hast thou there? Some deathsong for the Ghouls
To make their banquet relish? let me read.

238

“How far thro' all the bloom and brake
That nightingale is heard!
What power but the bird's could make
This music in the bird?
How summer-bright are yonder skies,
And earth as fair in hue!
And yet what sign of aught that lies
Behind the green and blue?
But man to-day is fancy's fool
As man hath ever been.
The nameless Power, or Powers, that rule
Were never heard or seen.”
If thou would'st hear the Nameless, and wilt dive
Into the Temple-cave of thine own self,
There, brooding by the central altar, thou
May'st haply learn the Nameless hath a voice,
By which thou wilt abide, if thou be wise,
As if thou knewest, tho' thou canst not know;
For Knowledge is the swallow on the lake
That sees and stirs the surface-shadow there
But never yet hath dipt into the abysm,
The Abysm of all Abysms, beneath, within
The blue of sky and sea, the green of earth,
And in the million-millionth of a grain
Which cleft and cleft again for evermore,
And ever vanishing, never vanishes,

239

To me, my son, more mystic than myself,
Or even than the Nameless is to me.
And when thou sendest thy free soul thro' heaven,
Nor understandest bound nor boundlessness,
Thou seest the Nameless of the hundred names.
And if the Nameless should withdraw from all
Thy frailty counts most real, all thy world
Might vanish like thy shadow in the dark.
“And since—from when this earth began—
The Nameless never came
Among us, never spake with man,
And never named the Name”—
Thou canst not prove the Nameless, O my son,
Nor canst thou prove the world thou movest in,
Thou canst not prove that thou art body alone,
Nor canst thou prove that thou art spirit alone,
Nor canst thou prove that thou art both in one:
Thou canst not prove thou art immortal, no
Nor yet that thou art mortal—nay my son,
Thou canst not prove that I, who speak with thee,
Am not thyself in converse with thyself,
For nothing worthy proving can be proven,
Nor yet disproven: wherefore thou be wise,
Cleave ever to the sunnier side of doubt,
And cling to Faith beyond the forms of Faith!

240

She reels not in the storm of warring words,
She brightens at the clash of ‘Yes’ and ‘No,’
She sees the Best that glimmers thro' the Worst,
She feels the Sun is hid but for a night,
She spies the summer thro' the winter bud,
She tastes the fruit before the blossom falls,
She hears the lark within the songless egg,
She finds the fountain where they wail'd ‘Mirage’!
“What Power? aught akin to Mind,
The mind in me and you?
Or power as of the Gods gone blind
Who see not what they do?”
But some in yonder city hold, my son,
That none but Gods could build this house of ours,
So beautiful, vast, various, so beyond
All work of man, yet, like all work of man,
A beauty with defect—till That which knows,
And is not known, but felt thro' what we feel
Within ourselves is highest, shall descend
On this half-deed, and shape it at the last
According to the Highest in the Highest.
“What Power but the Years that make
And break the vase of clay,

241

And stir the sleeping earth, and wake
The bloom that fades away?
What rulers but the Days and Hours
That cancel weal with woe,
And wind the front of youth with flowers,
And cap our age with snow?”
The days and hours are ever glancing by,
And seem to flicker past thro' sun and shade,
Or short, or long, as Pleasure leads, or Pain;
But with the Nameless is nor Day nor Hour;
Tho' we, thin minds, who creep from thought to thought
Break into ‘Thens’ and ‘Whens’ the Eternal Now:
This double seeming of the single world!—
My words are like the babblings in a dream
Of nightmare, when the babblings break the dream.
But thou be wise in this dream-world of ours,
Nor take thy dial for thy deity,
But make the passing shadow serve thy will.
“The years that made the stripling wise
Undo their work again,
And leave him, blind of heart and eyes,
The last and least of men;
Who clings to earth, and once would dare
Hell-heat or Arctic cold,

242

And now one breath of cooler air
Would loose him from his hold;
His winter chills him to the root,
He withers marrow and mind;
The kernel of the shrivell'd fruit
Is jutting thro' the rind;
The tiger spasms tear his chest,
The palsy wags his head;
The wife, the sons, who love him best
Would fain that he were dead;
The griefs by which he once was wrung
Were never worth the while”—
Who knows? or whether this earth-narrow life
Be yet but yolk, and forming in the shell?
“The shaft of scorn that once had stung
But wakes a dotard smile.”
The placid gleam of sunset after storm!
“The statesman's brain that sway'd the past
Is feebler than his knees;
The passive sailor wrecks at last
In ever-silent seas;
The warrior hath forgot his arms,
The Learned all his lore;

243

The changing market frets or charms
The merchant's hope no more;
The prophet's beacon burn'd in vain,
And now is lost in cloud;
The plowman passes, bent with pain,
To mix with what he plow'd;
The poet whom his Age would quote
As heir of endless fame—
He knows not ev'n the book he wrote,
Not even his own name.
For man has overlived his day,
And, darkening in the light,
Scarce feels the senses break away
To mix with ancient Night.”
The shell must break before the bird can fly.
“The years that when my Youth began
Had set the lily and rose
By all my ways where'er they ran,
Have ended mortal foes;
My rose of love for ever gone,
My lily of truth and trust—
They made her lily and rose in one,
And changed her into dust.
O rosetree planted in my grief,
And growing, on her tomb,

244

Her dust is greening in your leaf,
Her blood is in your bloom.
O slender lily waving there,
And laughing back the light,
In vain you tell me ‘Earth is fair’
When all is dark as night.”
My son, the world is dark with griefs and graves,
So dark that men cry out against the Heavens.
Who knows but that the darkness is in man?
The doors of Night may be the gates of Light;
For wert thou born or blind or deaf, and then
Suddenly heal'd, how would'st thou glory in all
The splendours and the voices of the world!
And we, the poor earth's dying race, and yet
No phantoms, watching from a phantom shore
Await the last and largest sense to make
The phantom walls of this illusion fade,

Or may I make use of a parable? Man's Free-will is but a bird in a cage; he can stop at the lower perch, or he can mount to a higher. Then that which is and knows—for it has always seemed to me there must be that which knows—will enlarge his cage, give him a higher and a higher perch, and at last break off the top of his cage, and let him out to be one with the only Free-will of the Universe.


And show us that the world is wholly fair.
“But vain the tears for darken'd years
As laughter over wine,
And vain the laughter as the tears,
O brother, mine or thine,
For all that laugh, and all that weep,
And all that breathe are one

245

Slight ripple on the boundless deep
That moves, and all is gone.”
But that one ripple on the boundless deep
Feels that the deep is boundless, and itself
For ever changing form, but evermore
One with the boundless motion of the deep.
“Yet wine and laughter friends! and set
The lamps alight, and call
For golden music, and forget
The darkness of the pall.”
If utter darkness closed the day, my son—
But earth's dark forehead flings athwart the heavens
Her shadow crown'd with stars—and yonder—out
To northward—some that never set, but pass
From sight and night to lose themselves in day.
I hate the black negation of the bier,
And wish the dead, as happier than ourselves
And higher, having climb'd one step beyond
Our village miseries, might be borne in white
To burial or to burning, hymn'd from hence
With songs in praise of death, and crown'd with flowers!
“O worms and maggots of to-day
Without their hope of wings!”

246

But louder than thy rhyme the silent Word
Of that world-prophet in the heart of man.
“Tho' some have gleams or so they say
Of more than mortal things.”
To-day? but what of yesterday? for oft
On me, when boy, there came what then I call'd,
Who knew no books and no philosophies,
In my boy-phrase ‘The Passion of the Past.’

The whole poem is very personal. This Passion of the Past I used to feel when a boy.


The first gray streak of earliest summer-dawn,
The last long stripe of waning crimson gloom,
As if the late and early were but one—
A height, a broken grange, a grove, a flower
Had murmurs ‘Lost and gone and lost and gone!’
A breath, a whisper—some divine farewell—
Desolate sweetness—far and far away—
What had he loved, what had he lost, the boy?
I know not and I speak of what has been.
And more, my son! for more than once when I
Sat all alone, revolving in myself
The word that is the symbol of myself,
The mortal limit of the Self was loosed,
And past into the Nameless, as a cloud
Melts into Heaven. I touch'd my limbs, the limbs
Were strange not mine—and yet no shade of doubt,
But utter clearness, and thro' loss of Self

This is also a personal experience which I have had more than once.



247

The gain of such large life as match'd with ours
Were Sun to spark—unshadowable in words,
Themselves but shadows of a shadow-world.
“And idle gleams will come and go,
But still the clouds remain;”
The clouds themselves are children of the Sun.
“And Night and Shadow rule below
When only Day should reign.”
And Day and Night are children of the Sun,
And idle gleams to thee are light to me.
Some say, the Light was father of the Night,
And some, the Night was father of the Light.
No night no day!—I touch thy world again—
No ill no good! such counter-terms, my son,
Are border-races, holding, each its own
By endless war: but night enough is there
In yon dark city: get thee back: and since
The key to that weird casket, which for thee
But holds a skull, is neither thine nor mine,
But in the hand of what is more than man,
Or in man's hand when man is more than man,
Let be thy wail and help thy fellow men,
And make thy gold thy vassal not thy king,
And fling free alms into the beggar's bowl,

248

And send the day into the darken'd heart;
Nor list for guerdon in the voice of men,
A dying echo from a falling wall;
Nor care—for Hunger hath the Evil eye—
To vex the noon with fiery gems, or fold
Thy presence in the silk of sumptuous looms;
Nor roll thy viands on a luscious tongue,
Nor drown thyself with flies in honied wine;
Nor thou be rageful, like a handled bee,
And lose thy life by usage of thy sting;
Nor harm an adder thro' the lust for harm,
Nor make a snail's horn shrink for wantonness;
And more—think well! Do-well will follow thought,
And in the fatal sequence of this world
An evil thought may soil thy children's blood;
But curb the beast would cast thee in the mire,
And leave the hot swamp of voluptuousness
A cloud between the Nameless and thyself,
And lay thine uphill shoulder to the wheel,
And climb the Mount of Blessing, whence, if thou
Look higher, then—perchance—thou mayest—beyond
A hundred ever-rising mountain lines,
And past the range of Night and Shadow—see
The high-heaven dawn of more than mortal day
Strike on the Mount of Vision!
So, farewell.

249

THE FLIGHT.

This is a very early poem.

I

Are you sleeping? have you forgotten? do not sleep, my sister dear!
How can you sleep? the morning brings the day I hate and fear;
The cock has crow'd already once, he crows before his time;
Awake! the creeping glimmer steals, the hills are white with rime.

II

Ah, clasp me in your arms, sister, ah, fold me to your breast!
Ah, let me weep my fill once more, and cry myself to rest!
To rest? to rest and wake no more were better rest for me,
Than to waken every morning to that face I loathe to see:

250

III

I envied your sweet slumber, all night so calm you lay,
The night was calm, the morn is calm, and like another day;
But I could wish yon moaning sea would rise and burst the shore,
And such a whirlwind blow these woods, as never blew before.

IV

For, one by one, the stars went down across the gleaming pane,
And project after project rose, and all of them were vain;
The blackthorn-blossom fades and falls and leaves the bitter sloe,
The hope I catch at vanishes and youth is turn'd to woe.

V

Come, speak a little comfort! all night I pray'd with tears,
And yet no comfort came to me, and now the morn appears,

251

When he will tear me from your side, who bought me for his slave:
This father pays his debt with me, and weds me to my grave.

VI

What father, this or mine, was he, who, on that summer day
When I had fall'n from off the crag we clamber'd up in play,
Found, fear'd me dead, and groan'd, and took and kiss'd me, and again
He kiss'd me; and I loved him then; he was my father then.

VII

No father now, the tyrant vassal of a tyrant vice!
The Godless Jephtha vows his child . . . to one cast of the dice.
These ancient woods, this Hall at last will go—perhaps have gone,
Except his own meek daughter yield her life, heart, soul to one—

VIII

To one who knows I scorn him. O the formal mocking bow,

252

The cruel smile, the courtly phrase that masks his malice now—
But often in the sidelong eyes a gleam of all things ill—
It is not Love but Hate that weds a bride against her will;

IX

Hate, that would pluck from this true breast the locket that I wear,
The precious crystal into which I braided Edwin's hair!
The love that keeps this heart alive beats on it night and day—
One golden curl, his golden gift, before he past away.

X

He left us weeping in the woods; his boat was on the sand;
How slowly down the rocks he went, how loth to quit the land!
And all my life was darken'd, as I saw the white sail run,
And darken, up that lane of light into the setting sun.

253

XI

How often have we watch'd the sun fade from us thro' the West,
And follow Edwin to those isles, those islands of the Blest!
Is he not there? would I were there, the friend, the bride, the wife,
With him, where summer never dies, with Love, the Sun of life!

XII

O would I were in Edwin's arms—once more—to feel his breath
Upon my cheek—on Edwin's ship, with Edwin, ev'n in death,
Tho' all about the shuddering wreck the death-white sea should rave,
Or if lip were laid to lip on the pillows of the wave.

XIII

Shall I take him? I kneel with him? I swear and swear forsworn
To love him most, whom most I loathe, to honour whom I scorn?

254

The Fiend would yell, the grave would yawn, my mother's ghost would rise—
To lie, to lie—in God's own house—the blackest of all lies!

XIV

Why—rather than that hand in mine, tho' every pulse would freeze,
I'd sooner fold an icy corpse dead of some foul disease:
Wed him? I will not wed him, let them spurn me from the doors,
And I will wander till I die about the barren moors.

XV

The dear, mad bride who stabb'd her bridegroom on her bridal night—
If mad, then I am mad, but sane, if she were in the right.
My father's madness makes me mad—but words are only words!
I am not mad, not yet, not quite—There! listen how the birds

XVI

Begin to warble yonder in the budding orchard trees!

255

The lark has past from earth to Heaven upon the morning breeze!
How gladly, were I one of those, how early would I wake!
And yet the sorrow that I bear is sorrow for his sake.

XVII

They love their mates, to whom they sing; or else their songs, that meet
The morning with such music, would never be so sweet!
And tho' these fathers will not hear, the blessed Heavens are just,
And Love is fire, and burns the feet would trample it to dust.

XVIII

A door was open'd in the house—who? who? my father sleeps!
A stealthy foot upon the stair! he—some one—this way creeps!
If he? yes, he . . . lurks, listens, fears his victim may have fled—
He! where is some sharp-pointed thing? he comes, and finds me dead.

256

XIX

Not he, not yet! and time to act—but how my temples burn!
And idle fancies flutter me, I know not where to turn;
Speak to me, sister; counsel me; this marriage must not be.
You only know the love that makes the world a world to me!

XX

Our gentle mother, had she lived—but we were left alone:
That other left us to ourselves; he cared not for his own;
So all the summer long we roam'd in these wild woods of ours,
My Edwin loved to call us then ‘His two wild woodland flowers.’

XXI

Wild flowers blowing side by side in God's free light and air,
Wild flowers of the secret woods, when Edwin found us there,
Wild woods in which we roved with him, and heard his passionate vow,

257

Wild woods in which we rove no more, if we be parted now!

XXII

You will not leave me thus in grief to wander forth forlorn;
We never changed a bitter word, not once since we were born;
Our dying mother join'd our hands; she knew this father well;
She bad us love, like souls in Heaven, and now I fly from Hell,

XXIII

And you with me; and we shall light upon some lonely shore,
Some lodge within the waste sea-dunes, and hear the waters roar,
And see the ships from out the West go dipping thro' the foam,
And sunshine on that sail at last which brings our Edwin home.

XXIV

But look, the morning grows apace, and lights the old church-tower,
And lights the clock! the hand points five—O me— it strikes the hour—

258

I bide no more, I meet my fate, whatever ills betide!
Arise, my own true sister, come forth! the world is wide.

XXV

And yet my heart is ill at ease, my eyes are dim with dew,
I seem to see a new-dug grave up yonder by the yew!
If we should never more return, but wander hand in hand
With breaking hearts, without a friend, and in a distant land.

XXVI

O sweet, they tell me that the world is hard, and harsh of mind,
But can it be so hard, so harsh, as those that should be kind?
That matters not: let come what will; at last the end is sure,
And every heart that loves with truth is equal to endure.

259

TOMORROW.

This story was told me by Aubrey de Vere.

I.

Her, that yer Honour was spakin' to? Whin, yer Honour? last year—
Standin' here be the bridge, when last yer Honour was here?
An' yer Honour ye gev her the top of the mornin', ‘Tomorra’ says she.
What did they call her, yer Honour? They call'd her Molly Magee.
An' yer Honour's the thrue ould blood that always manes to be kind,
But there's rason in all things, yer Honour, for Molly was out of her mind.

II.

Shure, an' meself remimbers wan night comin' down be the sthrame,

260

An' it seems to me now like a bit of yisther-day in a dhrame—
Here where yer Honour seen her—there was but a slip of a moon,
But I hard thim—Molly Magee wid her batchelor, Danny O'Roon—
‘You've been takin' a dhrop o' the crathur' an' Danny says ‘Troth, an' I been
Dhrinkin' yer health wid Shamus O'Shea at Katty's shebeen;
But I must be lavin' ye soon.’ ‘Ochone are ye goin' away?’
‘Goin' to cut the Sassenach whate’ he says ‘over the say’—
‘An' whin will ye meet me agin?’ an' I hard him ‘Molly asthore,
I'll meet you agin tomorra,’ says he, ‘be the chapeldoor.’
‘An' whin are ye goin' to lave me?’ ‘O’ Monday mornin” says he;
‘An' shure thin ye'll meet me to-morra?’ ‘Tomorra, tomorra, Machree!’
Thin Molly's ould mother, yer Honour, that had no likin' for Dan,
Call'd from her cabin an' tould her to come away from the man,

261

An' Molly Magee kem flyin' acrass me, as light as a lark,
An' Dan stood there for a minute, an' thin wint into the dark.
But wirrah! the storm that night—the tundher, an' rain that fell,
An the sthrames runnin' down at the back o' the glin 'ud 'a dhrownded Hell.

III.

But airth was at pace nixt mornin', an' Hiven in its glory smiled,
As the Holy Mother o' Glory that smiles at her sleepin' child—
Ethen—she stept an the chapel-green, an' she turn'd herself roun'
Wid a diamond dhrop in her eye, for Danny was not to be foun',
An' many's the time that I watch'd her at mass lettin' down the tear,
For the Divil a Danny was there, yer Honour, for forty year.

IV.

Och, Molly Magee, wid the red o' the rose an' the white o' the May,

262

An' yer hair as black as the night, an' yer eyes as bright as the day!
Achora, yer laste little whishper was sweet as the lilt of a bird!
Acushla, ye set me heart batin' to music wid ivery word!
An' sorra the Queen wid her sceptre insich an illigant han',
An' the fall of yer foot in the dance was as light as snow an the lan',
An' the sun kem out of a cloud whiniver ye walkt in the shtreet,
An' Shamus O'Shea was yer shadda, an' laid himself undher yer feet,
An' I loved ye meself wid a heart and a half, me darlin', and he
'Ud 'a shot his own sowl dead for a kiss of ye, Molly Magee.

V.

But shure we wor betther frinds whin I crack'd his skull for her sake,
An' he ped me back wid the best he could give at ould Donovan's wake—
For the boys wor about her agin whin Dan didn't come to the fore,

263

An' Shamus along wid the rest, but she put thim all to the door.
An', afther, I thried her meself av the bird 'ud come to me call,
But Molly, begorrah, 'ud listhen to naither at all, at all.

VI.

An' her nabours an' frinds 'ud consowl an' condowl wid her, airly and late,
‘Your Danny,’ they says, ‘niver crasst over say to the Sassenach whate;
He's gone to the States, aroon, an' he's married another wife,
An' ye'll niver set eyes an the face of the thraithur agin in life!
An' to dhrame of a married man, death alive, is a mortial sin.'
But Molly says ‘I'd his hand-promise, an' shure he'll meet me agin.’

VII.

An' afther her paärints had inter'd glory, an' both in wan day,
She began to spake to herself, the crathur, an whishper, an' say

264

‘Tomorra, Tomorra!’ an' Father Molowny he tuk her in han',
‘Molly, you're manin',’ he says, ‘me dear, av I undherstan’,
That ye'll meet your paärints agin an' yer Danny O'Roon afore God
Wid his blessed Marthyrs an' Saints;' an' she gev him a frindly nod,
‘Tomorra, Tomorra,’ she says, an' she didn't intind to desave,
But her wits wor dead, an' her hair was as white as the snow an a grave.

VIII.

Arrah now, here last month they wor diggin' the bog, an' they foun'
Dhrownded in black bog-wather a corp lyin' undher groun'.

IX.

Yer Honour's own agint, he says to me wanst, at Katty's shebeen,
‘The Divil take all the black lan', for a blessin' 'ud come wid the green!’
An' where 'ud the poor man, thin, cut his bit o' turf for the fire?

265

But och! bad scran to the bogs whin they swallies the man intire!
An' sorra the bog that's in Hiven wid all the light an' the glow,
An' there's hate enough, shure, widout thim in the Divil's kitchen below.

X.

Thim ould blind nagers in Agypt, I hard his Riverence say,
Could keep their haithen kings in the flesh for the Jidgemint day,
An', faix, be the piper o' Moses, they kep the cat an' the dog,
But it 'ud 'a been aisier work av they lived be an Irish bog.

XI.

How-an-iver they laid this body they foun' an the grass
Be the chapel-door, an' the people 'ud see it that wint in to mass—
But a frish gineration had riz, an' most of the ould was few,
An' I didn't know him meself, an' nōne of the parish knew.

266

XII.

But Molly kem limpin' up wid her stick, she was lamed iv a knee,
Thin a slip of a gossoon call'd, ‘Div ye know him, Molly Magee?’
An' she stood up strait as the Queen of the world— she lifted her head—
‘He said he would meet me tomorra!’ an' dhropt down dead an the dead.

XIII.

Och, Molly, we thought, machree, ye would start back agin into life,
Whin we laid yez, aich be aich, at yer wake like husban' an' wife.
Sorra the dhry eye thin but was wet for the frinds that was gone!
Sorra the silent throat but we hard it cryin' ‘Ochone!’
An' Shamus O'Shea that has now ten childer, hansome an' tall,
Him an' his childer wor keenin' as if he had lost thim all.

XIV.

Thin his Riverence buried thim both in wan grave be the dead boor-tree,

267

The young man Danny O'Roon wid his ould woman, Molly Magee.

XV.

May all the flowers o' Jeroosilim blossom an' spring from the grass,
Imbrashin' an' kissin' aich other—as ye did—over yer Crass!
An' the lark fly out o' the flowers wid his song to the Sun an' the Moon,
An' tell thim in Hiven about Molly Magee an' her Danny O'Roon,
Till Holy St. Pether gets up wid his kays an' opens the gate!
An' shure, be the Crass, that's betther nor cuttin' the Sassenach whate
To be there wid the Blessed Mother, an' Saints an' Marthyrs galore,
An' singin' yer ‘Aves’ an' ‘Pathers’ for iver an' ivermore.

XVI.

An' now that I tould yer Honour whativer I hard an' seen,
Yer Honour 'ill give me a thrifle to dhrink yer health in potheen.
 

Grog-shop.

Elder-tree.


268

THE SPINSTER'S SWEET-ARTS.

I.

Milk for my sweet-arts, Bess! fur it mun be the time about now
When Molly cooms in fro' the far-end close wi' her paäils fro' the cow.
Eh! tha be new to the plaäce—thou'rt gaäpin'— doesn't tha see
I calls 'em arter the fellers es once was sweet upo' me?

II.

Naäy to be sewer it be past 'er time. What maäkes 'er sa laäte?
Goä to the laäne at the back, an' looök thruf Maddison's gaäte!

III.

Sweet-arts! Molly belike may 'a lighted to-night upo' one.

269

Sweet-arts! thanks to the Lord that I niver not listen'd to noän!
So I sits i' my oän armchair wi' my oän kettle theere o' the hob,
An' Tommy the fust, an' Tommy the second, an' Steevie an' Rob.

IV.

Rob, coom oop 'ere o' my knee. Thou sees that i' spite o' the men
I 'a kep' thruf thick an' thin my two 'oonderd a-year to mysen;
Yis! thaw tha call'd me es pretty es ony lass i' the Shere;
An' thou be es pretty a Tabby, but Robby I seed thruf ya theere.

V.

Feyther 'ud saäy I wur ugly es sin, an' I beänt not vaäin,
But I niver wur downright hugly, thaw soom 'ud 'a thowt ma plaäin,
An' I wasn't sa plaäin i' pink ribbons, ye said I wur pretty i' pinks,
An' I liked to 'ear it I did, but I beänt sich a fool as ye thinks;

270

Ye was stroäkin ma down wi' the 'air, as I be a-stroäkin o' you,
But whiniver I looök'd i' the glass I wur sewer that it couldn't be true;
Niver wur pretty, not I, but ye knaw'd it wur pleasant to 'ear,
Thaw it warn't not me es wur pretty, but my two 'oonderd a-year.

VI.

D'ya mind the murnin' when we was a-walkin' togither, an' stood
By the claäy'd-oop pond, that the foälk be sa scared at, i' Gigglesby wood,
Wheer the poor wench drowndid hersen, black Sal, es 'ed been disgraäced?
An' I feel'd thy arm es I stood wur a-creeäpin about my waäist;
An' me es wur allus afear'd of a man's gittin' ower fond,
I sidled awaäy an' awaäy till I plumpt foot fust i' the pond;
And, Robby, I niver 'a liked tha sa well, as I did that daäy,
Fur tha joompt in thysen, an' tha hoickt my feet wi' a flop fro' the claäy.

271

Ay, stick oop thy back, an' set oop thy taäil, tha may gie ma a kiss,
Fur I walk'd wi' tha all the way hoam an' wur niver sa nigh saäyin' Yis.
But wa boäth was i' sich a clat we was shaämed to cross Gigglesby Greeän,
Fur a cat may looök at a king thou knaws but the cat mun be cleän.
Sa we boäth on us kep out o' sight o' the winders o' Gigglesby Hinn—
Naäy, but the claws o' tha! quiet! they pricks cleän thruf to the skin—
An' wa boäth slinkt 'oäm by the brokken shed i' the laäne at the back,
Wheer the poodle runn'd at tha once, an' thou runn'd oop o' the thack;
An' tha squeedg'd my 'and i' the shed, fur theere we was forced to 'ide,
Fur I seed that Steevie wur coomin', and one o' the Tommies beside.

VII.

Theere now, what art'a mewin at, Steevie? for owt I can tell—
Robby wur fust to be sewer, or I mowt 'a liked tha as well.

272

VIII.

But, Robby, I thowt o' tha all the while I wur chaängin' my gown,
An' I thowt shall I chaänge my staäte? but, O Lord, upo' coomin' down—
My bran-new carpet es fresh es a midder o' flowers i' Maäy—
Why 'edn't tha wiped thy shoes? it wur clatted all ower wi' claäy.
An' I could 'a cried ammost, fur I seed that it couldn't be,
An' Robby I gied tha a raätin that sattled thy coortin o' me.
An' Molly an' me was agreed, as we was a-cleänin' the floor,
That a man be a durty thing an' a trouble an' plague wi' indoor.
But I rued it arter a bit, fur I stuck to tha moor na the rest,
But I couldn't 'a lived wi' a man an' I knaws it be all fur the best.

IX.

Naäy—let ma stroäk tha down till I maäkes tha es smooth es silk,
But if I 'ed married tha, Robby, thou'd not 'a been worth thy milk,

273

Thou'd niver 'a cotch'd ony mice but 'a left me the work to do,
And 'a taäen to the bottle beside, so es all that I 'ears be true;
But I loovs tha to maäke thysen 'appy, an' soa purr awaäy, my dear,
Thou 'ed wellnigh purr'd ma awaäy fro' my oän two 'oonderd a-year.

X.

Sweärin agean, you Toms, as ye used to do twelve year sin'!
Ye niver 'eärd Steevie sweär 'cep' it wur at a dog coomin' in,
An' boath o' ye mun be fools to be hallus a-shawin' your claws,
Fur I niver cared nothink for neither—an' one o' ye deäd ye knaws!
Coom give hoäver then, weant ye? I warrant ye soom fine daäy—
Theere, lig down—I shall hev to gie one or tother awaäy.
Can't ye taäke pattern by Steevie? ye shant hev a drop fro' the paäil.
Steevie be right good manners bang thruf to the tip o' the taäil.

274

XI.

Robby, git down wi'tha, wilt tha? let Steevie coom oop o' my knee.
Steevie, my lad, thou 'ed very nigh been the Steevie fur me!
Robby wur fust to be sewer, 'e wur burn an' bred i' the 'ouse,
But thou be es 'ansom a tabby es iver patted a mouse.

XII.

An' I beänt not vaäin, but I knaws I 'ed led tha a quieter life
Nor her wi' the hepitaph yonder! “A faäithful an' loovin' wife!”
An' 'cos o' thy farm by the beck, an' thy windmill oop o' the croft,
Tha thowt tha would marry ma, did tha? but that wur a bit ower soft,
Thaw thou was es soäber es daäy, wi' a niced red faäce, an' es cleän
Es a shillin' fresh fro' the mint wi' a bran-new 'eäd o' the Queeän,
An' thy farmin' es cleän es thysen, fur, Steevie, tha kep' it sa neät
That I niver not spied sa much es a poppy along wi' the wheät,

275

An' the wool of a thistle a-flyin' an' seeädin' tha haäted to see;
'Twur es bad es a battle-twig 'ere i' my oän blue chaumber to me.
Ay, roob thy whiskers ageän ma, fur I could 'a taäen to tha well,
But fur thy bairns, poor Steevie, a bouncin' boy an' a gell.
 

Earwig.

XIII.

An' thou was es fond o' thy bairns es I be mysen o' my cats,
But I niver not wish'd fur childer, I hevn't naw likin' fur brats;
Pretty anew when ya dresses 'em oop, an' they goäs fur a walk,
Or sits wi' their 'ands afoor 'em, an' doesn't not 'inder the talk!
But their bottles o' pap, an' their mucky bibs, an' the clats an' the clouts,
An' their mashin' their toys to pieäces an' maäkin' ma deäf wi' their shouts,
An' hallus a-joompin' about ma as if they was set upo' springs,
An' a haxin' ma hawkard questions, an' saäyin' ondecent things,

276

An' a-callin' ma ‘hugly’ mayhap to my faäce, or a teärin' my gown—
Dear! dear! dear! I mun part them Tommies— Steevie git down.

XIV.

Ye be wuss nor the men-tommies, you. I tell'd ya, na moor o' that!
Tom, lig theere o' the cushion, an' tother Tom 'ere o' the mat.

XV.

Theere! I ha' master'd them! Hed I married the Tommies—O Lord,
To loove an' obaäy the Tommies! I couldn't 'a stuck by my word.
To be horder'd about, an' waäked, when Molly 'd put out the light,
By a man coomin' in wi' a hiccup at ony hour o' the night!
An' the taäble staäin'd wi' 'is aäle, an' the mud o' 'is boots o' the stairs,
An' the stink o' 'is pipe i' the 'ouse, an' the mark o' 'is 'eäd o' the chairs!
An' noän o' my four sweet-arts 'ud 'a let me 'a hed my oän waäy,

277

Sa I likes 'em best wi' taäils when they 'evn't a word to saäy.

XVI.

An' I sits i' my oän little parlour, an' sarved by my oän little lass,
Wi' my oän little garden outside, an' my oän bed o' sparrow-grass,
An' my oän door-poorch wi' the woodbine an' jessmine a-dressin' it greeän,
An' my oän fine Jackman i' purple a roäbin' the 'ouse like a Queeän.

XVII.

An' the little gells bobs to ma hoffens es I be abroad i' the laänes,
When I goäs fur to coomfut the poor es be down wi' their haäches an' their paäins:
An' a haäf-pot o' jam, or a mossel o' meät when it beänt too dear,
They maäkes ma a graäter Laädy nor 'er i' the mansion theer,
Hes 'es hallus to hax of a man how much to spare or to spend;
An' a spinster I be an' I will be, if soä pleäse God, to the hend.

278

XVIII.

Mew! mew!—Bess wi' the milk! what ha maäde our Molly sa laäte?
It should 'a been 'ere by seven, an' theere—it be strikin' height—
‘Cushie wur craäzed fur 'er cauf' well—I 'eärd 'er a maäkin' 'er moän,
An' I thowt to mysen ‘thank God that I hevn't naw cauf o' my oän.’
Theere!
Set it down!
Now Robby!
You Tommies shall waäit to-night
Till Robby an' Steevie 'es 'ed their lap—an' it sarves ye right.

279

LOCKSLEY HALL SIXTY YEARS AFTER.

A dramatic poem, and the Dramatis Personæ are imaginary. Since it is so much the fashion in these days to regard each poem and story as a story of the poet's life, or part of it, may I not be allowed to remind my readers of the possibility, that some event which comes to the poet's knowledge, some hint flashed from another mind, some thought or feeling arising in his own, or some mood coming— he knows not whence or how—may strike a chord from which a poem evolves its life, and that this to other eyes may bear small relation to the thought or fact or feeling to which the poem owes its birth, whether the tenor be dramatic or given as a parable?

Gladstone says: “The method in the old Locksley Hall and the new is the same. In each the maker is outside his work, and in each we have to deal with it as strictly ‘impersonal’” (Nineteenth Century, Jan. 1887).

Late, my grandson! half the morning have I paced these sandy tracts,
Watch'd again the hollow ridges roaring into cataracts,
Wander'd back to living boyhood while I heard the curlews call,
I myself so close on death, and death itself in Locksley Hall.
So—your happy suit was blasted—she the faultless, the divine;
And you liken—boyish babble—this boy-love of yours with mine.
I myself have often babbled doubtless of a foolish past;
Babble, babble; our old England may go down in babble at last.

280

‘Curse him!’ curse your fellow-victim? call him dotard in your rage?
Eyes that lured a doting boyhood well might fool a dotard's age.
Jilted for a wealthier! wealthier? yet perhaps she was not wise;
I remember how you kiss'd the miniature with those sweet eyes.
In the hall there hangs a painting

These four lines were the nucleus of the poem, and were written fifty years ago.

—Amy's arms about my neck—

Happy children in a sunbeam sitting on the ribs of wreck.
In my life there was a picture, she that clasp'd my neck had flown;
I was left within the shadow sitting on the wreck alone.
Yours has been a slighter ailment, will you sicken for her sake?
You, not you! your modern amourist is of easier, earthlier make.
Amy loved me, Amy fail'd me, Amy was a timid child;
But your Judith—but your worldling—she had never driven me wild.

281

She that holds the diamond necklace dearer than the golden ring,
She that finds a winter sunset fairer than a morn of Spring.
She that in her heart is brooding on his briefer lease of life,
While she vows ‘till death shall part us,’ she the would-be-widow wife.
She the worldling born of worldlings—father, mother—be content,
Ev'n the homely farm can teach us there is something in descent.
Yonder in that chapel, slowly sinking now into the ground,
Lies the warrior, my forefather, with his feet upon the hound.
Cross'd! for once he sail'd the sea to crush the Moslem in his pride;
Dead the warrior, dead his glory, dead the cause in which he died.
Yet how often I and Amy in the mouldering aisle have stood,

282

Gazing for one pensive moment on that founder of our blood.
There again I stood to-day, and where of old we knelt in prayer,
Close beneath the casement crimson with the shield of Locksley—there,
All in white Italian marble, looking still as if she smiled,
Lies my Amy dead in child-birth, dead the mother, dead the child.
Dead—and sixty years ago, and dead her aged husband now—
I this old white-headed dreamer stoopt and kiss'd her marble brow.
Gone the fires of youth, the follies, furies, curses, passionate tears,
Gone like fires and floods and earthquakes of the planet's dawning years.
Fires that shook me once, but now to silent ashes fall'n away.
Cold upon the dead volcano sleeps the gleam of dying day.

283

Gone the tyrant of my youth, and mute below the chancel stones,
All his virtues—I forgive them—black in white above his bones.
Gone the comrades of my bivouac, some in fight against the foe,
Some thro' age and slow diseases, gone as all on earth will go.
Gone with whom for forty years my life in golden sequence ran,
She with all the charm of woman, she with all the breadth of man,
Strong in will and rich in wisdom, Edith, yet so lowlysweet,
Woman to her inmost heart, and woman to her tender feet,
Very woman of very woman, nurse of ailing body and mind,
She that link'd again the broken chain that bound me to my kind.
Here to-day was Amy with me, while I wander'd down the coast,

284

Near us Edith's holy shadow, smiling at the slighter ghost.
Gone our sailor son thy father, Leonard early lost at sea;
Thou alone, my boy, of Amy's kin and mine art left to me.
Gone thy tender-natured mother, wearying to be left alone,
Pining for the stronger heart that once had beat beside her own.
Truth, for Truth is Truth, he worshipt, being true as he was brave;
Good, for Good is Good, he follow'd, yet he look'd beyond the grave,
Wiser there than you, that crowning barren Death as lord of all,
Deem this over-tragic drama's closing curtain is the pall!
Beautiful was death in him, who saw the death, but kept the deck,
Saving women and their babes, and sinking with the sinking wreck,

285

Gone for ever! Ever? no—for since our dying race began,
Ever, ever, and for ever was the leading light of man.
Those that in barbarian burials kill'd the slave, and slew the wife,
Felt within themselves the sacred passion of the second life.
Indian warriors dream of ampler hunting grounds beyond the night;
Ev'n the black Australian dying hopes he shall return, a white.
Truth for truth, and good for good! The Good, the True, the Pure, the Just—
Take the charm ‘For ever’ from them, and they crumble into dust.
Gone the cry of ‘Forward, Forward,’ lost within a growing gloom;
Lost, or only heard in silence from the silence of a tomb.
Half the marvels of my morning, triumphs over time and space,
Staled by frequence, shrunk by usage into commonest commonplace!

286

‘Forward’ rang the voices then, and of the many mine was one.
Let us hush this cry of ‘Forward’ till ten thousand years have gone.
Far among the vanish'd races, old Assyrian kings would flay
Captives whom they caught in battle—iron-hearted victors they.
Ages after, while in Asia, he that led the wild Moguls,
Timur built his ghastly tower of eighty thousand human skulls,
Then, and here in Edward's time, an age of noblest English names,
Christian conquerors took and flung the conquer'd Christian into flames.
Love your enemy, bless your haters, said the Greatest of the great;
Christian love among the Churches look'd the twin of heathen hate.
From the golden alms of Blessing man had coin'd himself a curse:
Rome of Cæsar, Rome of Peter, which was crueller? which was worse?

287

France had shown a light to all men, preach'd a Gospel, all men's good;
Celtic Demos rose a Demon, shriek'd and slaked the light with blood.
Hope was ever on her mountain, watching till the day begun—
Crown'd with sunlight—over darkness—from the still unrisen sun.
Have we grown at last beyond the passions of the primal clan?
‘Kill your enemy, for you hate him,’ still, ‘your enemy’ was a man.
Have we sunk below them? peasants maim

The modern Irish cruelties.

the helpless horse, and drive

Innocent cattle under thatch, and burn the kindlier brutes alive.
Brutes, the brutes are not your wrongers—burnt at midnight, found at morn,
Twisted hard in mortal agony with their offspring, born-unborn,
Clinging to the silent mother! Are we devils? are we men?

288

Sweet St. Francis of Assisi, would that he were here again,
He that in his Catholic wholeness used to call the very flowers
Sisters, brothers—and the beasts—whose pains are hardly less than ours!
Chaos, Cosmos! Cosmos, Chaos! who can tell how all will end?
Read the wide world's annals, you, and take their wisdom for your friend.
Hope the best, but hold the Present fatal daughter of the Past,
Shape your heart to front the hour, but dream not that the hour will last.
Ay, if dynamite and revolver leave you courage to be wise:
When was age so cramm'd with menace? madness? written, spoken lies?
Envy wears the mask of Love, and, laughing sober fact to scorn,
Cries to Weakest as to Strongest, ‘Ye are equals, equal-born.’

289

Equal-born? O yes, if yonder hill be level with the flat.
Charm us, Orator, till the Lion look no larger than the Cat,
Till the Cat thro' that mirage of overheated language loom
Larger than the Lion,—Demos end in working its own doom.
Russia bursts our Indian barrier, shall we fight her? shall we yield?
Pause! before you sound the trumpet, hear the voices from the field.
Those three hundred millions under one Imperial sceptre now,
Shall we hold them? shall we loose them? take the suffrage of the plow.
Nay, but these would feel and follow Truth if only you and you,
Rivals of realm-ruining party, when you speak were wholly true.

Plowmen, Shepherds, etc. and the three following verses show that the hero does not (as has been said) by any means dislike the democracy.

Plowmen, Shepherds, have I found, and more than once, and still could find,


290

Sons of God, and kings of men in utter nobleness of mind,
Truthful, trustful, looking upward to the practised hustings-liar;
So the Higher wields the Lower, while the Lower is the Higher.
Here and there a cotter's babe is royal-born by right divine;
Here and there my lord is lower than his oxen or his swine.
Chaos, Cosmos! Cosmos, Chaos! once again the sickening game;
Freedom, free to slay herself, and dying while they shout her name.
Step by step we gain'd a freedom known to Europe, known to all;
Step by step we rose to greatness,—thro' the tonguesters we may fall.
You that woo the Voices—tell them ‘old experience is a fool,’
Teach your flatter'd kings that only those who cannot read can rule.

291

Pluck the mighty from their seat, but set no meek ones in their place;
Pillory Wisdom in your markets, pelt your offal at her face.
Tumble Nature heel o'er head, and, yelling with the yelling street,
Set the feet above the brain and swear the brain is in the feet.
Bring the old dark ages back without the faith, without the hope,
Break the State, the Church, the Throne, and roll their ruins down the slope.
Authors—essayist, atheist, novelist, realist, rhymester, play your part,
Paint the mortal shame of nature with the living hues of Art.
Rip your brothers' vices open, strip your own foul passions bare;
Down with Reticence, down with Reverence—forward—naked—let them stare.
Feed the budding rose of boyhood with the drainage of your sewer;

292

Send the drain into the fountain, lest the stream should issue pure.
Set the maiden fancies wallowing in the troughs of Zolaism,—
Forward, forward, ay and backward, downward too into the abysm.
Do your best to charm the worst, to lower the rising race of men;
Have we risen from out the beast, then back into the beast again?
Only ‘dust to dust’ for me that sicken at your lawless din,
Dust in wholesome old-world dust before the newer world begin.
Heated am I? you—you wonder—well, it scarce becomes mine age—
Patience! let the dying actor mouth his last upon the stage.
Cries of unprogressive dotage ere the dotard fall asleep?
Noises of a current narrowing, not the music of a deep?

293

Ay, for doubtless I am old, and think gray thoughts, for I am gray:
After all the stormy changes shall we find a changeless May?
After madness, after massacre, Jacobinism and Jacquerie,

Originally a revolt in 1358 against the Picardy nobles; and afterwards applied to insurrections of the mob. This and the eight following verses show that he is not a pessimist, I think.


Some diviner force to guide us thro' the days I shall not see?
When the schemes and all the systems, Kingdoms and Republics fall,
Something kindlier, higher, holier—all for each and each for all?
All the full-brain, half-brain races, led by Justice, Love, and Truth;
All the millions one at length with all the visions of my youth?
All diseases quench'd by Science, no man halt, or deaf or blind;
Stronger ever born of weaker, lustier body, larger mind?
Earth at last a warless world, a single race, a single tongue—
I have seen her far away—for is not Earth as yet so young?—

294

Every tiger madness muzzled, every serpent passion kill'd,
Every grim ravine a garden, every blazing desert till'd,
Robed in universal harvest up to either pole she smiles,
Universal ocean softly washing all her warless Isles.
Warless? when her tens are thousands, and her thousands millions, then—
All her harvest all too narrow—who can fancy warless men?
Warless? war will die out late then. Will it ever? late or soon?
Can it, till this outworn earth be dead as yon dead world the moon?
Dead the new astronomy calls her. . . . On this day and at this hour,
In this gap between the sandhills, whence you see the Locksley tower,
Here we met, our latest meeting—Amy—sixty years ago—
She and I—the moon was falling greenish thro' a rosy glow,

295

Just above the gateway tower, and even where you see her now—
Here we stood and claspt each other, swore the seeming-deathless vow. . . .
Dead, but how her living glory lights the hall, the dune, the grass!
Yet the moonlight is the sunlight, and the sun himself will pass.
Venus near her! smiling downward at this earthlier earth of ours,
Closer on the Sun, perhaps a world of never fading flowers.
Hesper, whom the poet call'd the Bringer home
(/εσπερε, παντα φερεις:
φερεις οι:ν, φερεις αιγα,
φερεις ματερι παιδα.

Sappho.

of all good things.

All good things may move in Hesper, perfect peoples, perfect kings.
Hesper—Venus—were we native to that splendour or in Mars,
We should see the Globe we groan in, fairest of their evening stars.
Could we dream of wars and carnage, craft and madness, lust and spite,

296

Roaring London, raving Paris, in that point of peaceful light?
Might we not in glancing heavenward on a star so silver-fair,
Yearn, and clasp the hands and murmur, ‘Would to God that we were there’?
Forward, backward, backward, forward, in the immeasurable sea,
Sway'd by vaster ebbs and flows than can be known to you or me.
All the suns—are these but symbols of innumerable man,
Man or Mind that sees a shadow of the planner or the plan?
Is there evil but on earth? or pain in every peopled sphere?
Well be grateful for the sounding watchword, ‘Evolution’ here,
Evolution ever climbing after some ideal good,
And Reversion ever dragging Evolution in the mud.

297

What are men that He should heed us? cried the king of sacred song;
Insects of an hour, that hourly work their brother insect wrong,
While the silent Heavens roll, and Suns along their fiery way,
All their planets whirling round them, flash a million miles a day.
Many an Æon moulded earth before her highest, man, was born,
Many an Æon too may pass when earth is manless and forlorn,
Earth so huge, and yet so bounded—pools of salt, and plots of land—
Shallow skin of green and azure—chains of mountain, grains of sand!
Only That which made us, meant us to be mightier by and by,
Set the sphere of all the boundless Heavens within the human eye,
Sent the shadow of Himself, the boundless, thro' the human soul;

298

Boundless inward, in the atom, boundless outward, in the Whole.
Here is Locksley Hall, my grandson, here the lion-guarded gate.
Not to-night in Locksley Hall—to-morrow—you, you come so late.
Wreck'd—your train—or all but wreck'd? a shatter'd wheel? a vicious boy!
Good, this forward, you that preach it, is it well to wish you joy?
Is it well that while we range with Science, glorying in the Time,
City children soak and blacken soul and sense in city slime?
There among the glooming alleys Progress halts on palsied feet,
Crime and hunger cast our maidens by the thousand on the street.
There the Master scrimps his haggard sempstress of her daily bread,

299

There a single sordid attic holds the living and the dead.
There the smouldering fire of fever creeps across the rotted floor,
And the crowded couch of incest in the warrens of the poor.
Nay, your pardon, cry your ‘forward,’ yours are hope and youth, but I—
Eighty winters leave the dog too lame to follow with the cry,
Lame and old, and past his time, and passing now into the night;
Yet I would the rising race were half as eager for the light.
Light the fading gleam of Even? light the glimmer of the dawn?
Aged eyes may take the growing glimmer for the gleam withdrawn.
Far away beyond her myriad coming changes earth will be
Something other than the wildest modern guess of you and me.

300

Earth may reach her earthly-worst, or if she gain her earthly-best,
Would she find her human offspring this ideal man at rest?
Forward then, but still remember how the course of Time will swerve,
Crook and turn upon itself in many a backward streaming curve.
Not the Hall to-night, my grandson! Death and Silence hold their own.
Leave the Master in the first dark hour of his last sleep alone.
Worthier soul was he than I am, sound and honest, rustic Squire,
Kindly landlord, boon companion—youthful jealousy is a liar.
Cast the poison from your bosom, oust the madness from your brain.
Let the trampled serpent show you that you have not lived in vain.
Youthful! youth and age are scholars yet but in the lower school,

301

Nor is he the wisest man who never proved himself a fool.
Yonder lies our young sea-village—Art and Grace are less and less:
Science grows and Beauty dwindles—roofs of slated hideousness!
There is one old Hostel left us where they swing the Locksley shield,
Till the peasant cow shall butt the ‘Lion passant’ from his field.
Poor old Heraldry, poor old History, poor old Poetry, passing hence,
In the common deluge drowning old political commonsense!
Poor old voice of eighty crying after voices that have fled!
All I loved are vanish'd voices, all my steps are on the dead.
All the world is ghost to me, and as the phantom disappears,
Forward far and far from here is all the hope of eighty years.

302

In this Hostel—I remember—I repent it o'er his grave—
Like a clown—by chance he met me—I refused the hand he gave.
From that casement where the trailer mantles all the mouldering bricks—
I was then in early boyhood, Edith but a child of six—
While I shelter'd in this archway from a day of driving showers—
Peept the winsome face of Edith like a flower among the flowers.
Here to-night! the Hall to-morrow, when they toll the Chapel bell!
Shall I hear in one dark room a wailing, ‘I have loved thee well.’
Then a peal that shakes the portal—one has come to claim his bride,
Her that shrank, and put me from her, shriek'd, and started from my side—

303

Silent echoes! You, my Leonard, use and not abuse your day,
Move among your people, know them, follow him who led the way,
Strove for sixty widow'd years to help his homelier brother men,
Served the poor, and built the cottage, raised the school, and drain'd the fen.
Hears he now the Voice that wrong'd him? who shall swear it cannot be?
Earth would never touch her worst, were one in fifty such as he.
Ere she gain her Heavenly-best, a God must mingle with the game:
Nay, there may be those about us whom we neither see nor name,
Felt within us as ourselves, the Powers of Good, the Powers of Ill,
Strowing balm, or shedding poison in the fountains of the Will.
Follow you the Star that lights a desert pathway, yours or mine.

304

Forward, till you see the highest Human Nature is divine.
Follow Light, and do the Right—for man can halfcontrol his doom—
Till you find the deathless Angel seated in the vacant tomb.
Forward, let the stormy moment fly and mingle with the Past.
I that loathed, have come to love him. Love will conquer at the last.
Gone at eighty, mine own age, and I and you will bear the pall;
Then I leave thee Lord and Master, latest Lord of Locksley Hall.

305

PROLOGUE TO GENERAL HAMLEY.

Written from Aldworth, Blackdown.

Our birches yellowing and from each
The light leaf falling fast,
While squirrels from our fiery beech
Were bearing off the mast,
You came, and look'd and loved the view
Long-known and loved by me,
Green Sussex fading into blue
With one gray glimpse of sea;
And, gazing from this height alone,
We spoke of what had been
Most marvellous in the wars your own
Crimean eyes had seen;
And now—like old-world inns that take
Some warrior for a sign
That therewithin a guest may make
True cheer with honest wine—

306

Because you heard the lines I read
Nor utter'd word of blame,
I dare without your leave to head
These rhymings with your name,
Who know you but as one of those
I fain would meet again,
Yet know you, as your England knows
That you and all your men
Were soldiers to her heart's desire,
When, in the vanish'd year,
You saw the league-long rampart-fire
Flare from Tel-el-Kebir
Thro' darkness, and the foe was driven.
And Wolseley overthrew
Arâbi, and the stars in heaven
Paled, and the glory grew.

307

THE CHARGE OF THE HEAVY BRIGADE AT BALACLAVA.

Written at the request of Mr. Kinglake. (See note at end of poem.) An officer, who was in this charge, said that it was “the finest excitement” he had ever known, and that “gambling and horse-racing were nothing to it.”

I.

The charge of the gallant three hundred, the Heavy Brigade!
Down the hill, down the hill, thousands of Russians,
Thousands of horsemen, drew to the valley—and stay'd;
For Scarlett and Scarlett's three hundred were riding by
When the points of the Russian lances arose in the sky;
And he call'd ‘Left wheel into line!’ and they wheel'd and obey'd.
Then he look'd at the host that had halted he knew not why,
And he turn'd half round, and he bad his trumpeter sound

308

To the charge, and he rode on ahead, as he waved his blade
To the gallant three hundred whose glory will never die—
‘Follow,’ and up the hill, up the hill, up the hill,
Follow'd the Heavy Brigade.

II.

The trumpet, the gallop, the charge, and the might of the fight!
Thousands of horsemen had gather'd there on the height,
With a wing push'd out to the left, and a wing to the right,
And who shall escape if they close? but he dash'd up alone
Thro' the great gray slope of men,
Sway'd his sabre, and held his own
Like an Englishman there and then;
All in a moment follow'd with force
Three that were next in their fiery course,
Wedged themselves in between horse and horse,
Fought for their lives in the narrow gap they had made—
Four amid thousands! and up the hill, up the hill,
Gallopt the gallant three hundred, the Heavy Brigade.

309

III.

Fell like a cannonshot,
Burst like a thunderbolt,
Crash'd like a hurricane,
Broke thro' the mass from below,
Drove thro' the midst of the foe,
Plunged up and down, to and fro,
Rode flashing blow upon blow,
Brave Inniskillens and Greys
Whirling their sabres in circles of light!
And some of us, all in amaze,
Who were held for a while from the fight,
And were only standing at gaze,
When the dark-muffled Russian crowd
Folded its wings from the left and the right.
And roll'd them around like a cloud,—
O mad for the charge and the battle were we,
When our own good redcoats sank from sight,
Like drops of blood in a dark-gray sea,
And we turn'd to each other, whispering, all dismay'd,
Lost are the gallant three hundred of Scarlett's Brigade!’

IV.

‘Lost one and all’ were the words
Mutter'd in our dismay;
But they rode like Victors and Lords

310

Thro' the forest of lances and swords
In the heart of the Russian hordes,
They rode, or they stood at bay—
Struck with the sword-hand and slew,
Down with the bridle-hand drew
The foe from the saddle and threw
Underfoot there in the fray—
Ranged like a storm or stood like a rock
In the wave of a stormy day;
Till suddenly shock upon shock
Stagger'd the mass from without,
Drove it in wild disarray,
For our men gallopt up with a cheer and a shout,
And the foeman surged, and waver'd, and reel'd
Up the hill, up the hill, up the hill, out of the field,
And over the brow and away.

V.

Glory to each and to all, and the charge that they made!
Glory to all the three hundred, and all the Brigade!

Note.—The ‘three hundred’ of the ‘Heavy Brigade’ who made this famous charge were the Scots Greys and the 2nd squadron of Inniskillings; the remainder of the ‘Heavy Brigade’ subsequently dashing up to their support.

The ‘three’ were Scarlett's aide-de-camp, Elliot, and the trumpeter and Shegog the orderly, who had been close behind him.


311

EPILOGUE.

Irene.
Not this way will you set your name
A star among the stars.

Poet.
What way?

Irene.
You praise when you should blame
The barbarism of wars.
A juster epoch has begun.

Poet.
Yet tho' this cheek be gray,
And that bright hair the modern sun,
Those eyes the blue to-day,
You wrong me, passionate little friend.
I would that wars should cease,

312

I would the globe from end to end
Might sow and reap in peace,
And some new Spirit o'erbear the old,
Or Trade re-frain the Powers
From war with kindly links of gold,
Or Love with wreaths of flowers.
Slav, Teuton, Kelt, I count them all
My friends and brother souls,
With all the peoples, great and small,
That wheel between the poles.
But since, our mortal shadow, Ill
To waste this earth began—
Perchance from some abuse of Will
In worlds before the man
Involving ours—he needs must fight
To make true peace his own,
He needs must combat might with might,
Or Might would rule alone;
And who loves War for War's own sake
Is fool, or crazed, or worse;
But let the patriot-soldier take
His meed of fame in verse;
Nay—tho' that realm were in the wrong
For which her warriors bleed,
It still were right to crown with song
The warrior's noble deed—
A crown the Singer hopes may last,

313

For so the deed endures;
But Song will vanish in the Vast;
And that large phrase of yours
‘A Star among the stars,’ my dear,
Is girlish talk at best;
For dare we dally with the sphere
As he did half in jest,
Old Horace? ‘I will strike’ said he
‘The stars with head sublime,’

See Hor. Od. I. i. 35, 36:

Quodsi me lyricis vatibus inseres,
Sublimi feriam sidera vertice.


But scarce could see, as now we see,
The man in Space and Time,
So drew perchance a happier lot
Than ours, who rhyme to-day.
The fires that arch this dusky dot—
Yon myriad-worlded way—
The vast sun-clusters' gather'd blaze,
World-isles in lonely skies,
Whole heavens within themselves, amaze
Our brief humanities;
And so does Earth; for Homer's fame,
Tho' carved in harder stone—
The falling drop will make his name
As mortal as my own.

Irene.
No!


314

Poet.
Let it live then—ay, till when?
Earth passes, all is lost
In what they prophesy, our wise men,
Sun-flame or sunless frost,
And deed and song alike are swept
Away, and all in vain
As far as man can see, except
The man himself remain;
And tho', in this lean age forlorn,
Too many a voice may cry
That man can have no after-morn,
Not yet of these am I.
The man remains, and whatsoe'er
He wrought of good or brave
Will mould him thro' the cycle-year.
That dawns behind the grave.

And here the Singer for his Art
Not all in vain may plead
‘The song that nerves a nation's heart,
Is in itself a deed.’

315

TO VIRGIL.

[_]

WRITTEN AT THE REQUEST OF THE MANTUANS FOR THE NINETEENTH CENTENARY OF VIRGIL'S DEATH.

I

Roman Virgil, thou that singest
Ilion's lofty temples robed in fire,
Ilion falling, Rome arising,
wars, and filial faith, and Dido's pyre;

II

Landscape-lover, lord of language
more than he that sang the Works and Days,
All the chosen coin of fancy
flashing out from many a golden phrase;

III

Thou that singest wheat and woodland,
tilth and vineyard, hive and horse and herd;

316

All the charm of all the Muses
often flowering in a lonely word;

IV

Poet of the happy Tityrus
piping underneath his beechen bowers;
Poet of the poet-satyr
whom the laughing shepherd bound with flowers;

V

Chanter of the Pollio, glorying
in the blissful years again to be,
Summers of the snakeless meadow,
unlaborious earth and oarless sea;

VI

Thou that seëst Universal
Nature moved by Universal Mind;
Thou majestic in thy sadness
at the doubtful doom of human kind;

VII

Light among the vanish'd ages;
star that gildest yet this phantom shore;

317

Golden branch amid the shadows,
kings and realms that pass to rise no more;

VIII

Now thy Forum roars no longer,
fallen every purple Cæsar's dome—
Tho' thine ocean-roll of rhythm
sound for ever of Imperial Rome—

IX

Now the Rome of slaves hath perish'd,
and the Rome of freemen holds her place,
I, from out the Northern Island
sunder'd once from all the human race,

X

I salute thee, Mantovano,
I that loved thee since my day began,
Wielder of the stateliest measure
ever moulded by the lips of man.

318

THE DEAD PROPHET

About no particular prophet.

I

Dead!
And the Muses cried with a stormy cry
‘Send them no more, for evermore.
Let the people die.’

II

Dead!
‘Is it he then brought so low?’
And a careless people flock'd from the fields
With a purse to pay for the show.

III

Dead, who had served his time,
Was one of the people's kings,
Had labour'd in lifting them out of slime,
And showing them, souls have wings!

319

IV

Dumb on the winter heath he lay.
His friends had stript him bare,
And roll'd his nakedness everyway
That all the crowd might stare.

V

A storm-worn signpost not to be read,
And a tree with a moulder'd nest
On its barkless bones, stood stark by the dead;
And behind him, low in the West,

VI

With shifting ladders of shadow and light,
And blurr'd in colour and form,
The sun hung over the gates of Night,
And glared at a coming storm.

VII

Then glided a vulturous Beldam forth,
That on dumb death had thriven;
They call'd her ‘Reverence’ here upon earth,
And ‘The Curse of the Prophet’ in Heaven.

320

VIII

She knelt—‘We worship him’—all but wept—
‘So great so noble was he!’
She clear'd her sight, she arose, she swept
The dust of earth from her knee.

IX

‘Great! for he spoke and the people heard,
And his eloquence caught like a flame
From zone to zone of the world, till his Word
Had won him a noble name.

X

Noble! he sung, and the sweet sound ran
Thro' palace and cottage door,
For he touch'd on the whole sad planet of man,
The kings and the rich and the poor;

XI

And he sung not alone of an old sun set,
But a sun coming up in his youth!
Great and noble—O yes—but yet—
For man is a lover of Truth,

321

XII

And bound to follow, wherever she go
Stark-naked, and up or down,
Thro' her high hill-passes of stainless snow,
Or the foulest sewer of the town—

XIII

Noble and great—O ay—but then,
Tho' a prophet should have his due,
Was he noblier-fashion'd than other men?
Shall we see to it, I and you?

XIV

For since he would sit on a Prophet's seat,
As a lord of the Human soul,
We needs must scan him from head to feet
Were it but for a wart or a mole?’

XV

His wife and his child stood by him in tears,
But she—she push'd them aside.
Tho' a name may last for a thousand years,
Yet a truth is a truth,’ she cried.

322

XVI

And she that had haunted his pathway still,
Had often truckled and cower'd
When he rose in his wrath, and had yielded her will
To the master, as overpower'd.

XVII

She tumbled his helpless corpse about.
‘Small blemish upon the skin!
But I think we know what is fair without
Is often as foul within.’

XVIII

She crouch'd, she tore him part from part,
And out of his body she drew
The red ‘Blood-eagle’ of liver and heart;
She held them up to the view;

XIX

She gabbled, as she groped in the dead,
And all the people were pleased;
‘See, what a little heart,’ she said,
‘And the liver is half-diseased!’

323

XX

She tore the Prophet after death,
And the people paid her well.
Lightnings flicker'd along the heath;
One shriek'd ‘The fires of Hell!’
 

Old Viking term for lungs, liver, etc., when torn by the conqueror out of the body of the conquered.


324

EARLY SPRING.

I

Once more the Heavenly Power
Makes all things new,
And domes the red-plow'd hills
With loving blue;
The blackbirds have their wills,
The throstles too.

II

Opens a door in Heaven;
From skies of glass
A Jacob's ladder falls
On greening grass,
And o'er the mountain-walls
Young angels pass.

III

Before them fleets the shower,
And burst the buds,

325

And shine the level lands,
And flash the floods;
The stars are from their hands
Flung thro' the woods,

IV

The woods with living airs
How softly fann'd,
Light airs from where the deep,
All down the sand,
Is breathing in his sleep,
Heard by the land.

V

O follow, leaping blood,
The season's lure!
O heart, look down and up
Serene, secure,
Warm as the crocus cup,
Like snowdrops, pure!

VI

Past, Future glimpse and fade
Thro' some slight spell,

326

A gleam from yonder vale,
Some far blue fell,
And sympathies, how frail,
In sound and smell!

VII

Till at thy chuckled note,
Thou twinkling bird,
The fairy fancies range,
And, lightly stirr'd,
Ring little bells of change
From word to word.

VIII

For now the Heavenly Power
Makes all things new,
And thaws the cold, and fills
The flower with dew;
The blackbirds have their wills,
The poets too.

327

PREFATORY POEM TO MY BROTHER'S SONNETS.

Addressed to my brother, Charles Tennyson Turner, who died at Cheltenham on April 25th, 1879, after a life spent with his wife among his parishioners in Grasby, Lincolnshire.

I.

Midnight—in no midsummer tune
The breakers lash the shores:
The cuckoo of a joyless June
Is calling out of doors:
And thou hast vanish'd from thine own
To that which looks like rest,
True brother, only to be known
By those who love thee best.

II.

Midnight—and joyless June gone by,
And from the deluged park

328

The cuckoo of a worse July
Is calling thro' the dark:
But thou art silent underground,
And o'er thee streams the rain,
True poet, surely to be found
When Truth is found again.

III.

And, now to these unsummer'd skies
The summer bird is still,
Far off a phantom cuckoo cries
From out a phantom hill;
And thro' this midnight breaks the sun
Of sixty years away,
The light of days when life begun,
The days that seem to-day,
When all my griefs were shared with thee,
As all my hopes were thine—
As all thou wert was one with me,
May all thou art be mine!

329

‘FRATER AVE ATQUE VALE.’

Row us out from Desenzano, to your Sirmione row!
So they row'd, and there we landed—‘O venusta Sirmio!’
There to me thro' all the groves of olive in the summer glow,
There beneath the Roman ruin where the purple flowers grow,
Came that ‘Ave atque Vale’ of the Poet's hopeless woe,
Tenderest of Roman poets nineteen-hundred years ago,
‘Frater Ave atque Vale’—as we wander'd to and fro
Gazing at the Lydian laughter of the Garda Lake below
Sweet Catullus's all-but-island, olive-silvery Sirmio!

330

HELEN'S TOWER.

Helen's Tower, here I stand,
Dominant over sea and land.
Son's love built me, and I hold
Mother's love in letter'd gold.
Love is in and out of time,
I am mortal stone and lime.
Would my granite girth were strong
As either love, to last as long!
I should wear my crown entire
To and thro' the Doomsday fire,
And be found of angel eyes
In earth's recurring Paradise.

The fancy of some poets and theologians that Paradise is to be the renovated earth.


 

Written at the request of my friend, Lord Dufferin.


331

EPITAPH ON LORD STRATFORD DE REDCLIFFE.

In Westminster Abbey.

Thou third great Canning, stand among our best
And noblest, now thy long day's work hath ceased,
Here silent in our Minster of the West
Who wert the voice of England in the East.

332

EPITAPH ON GENERAL GORDON.

[_]

In the Gordon Boys' National Memorial Home near Working.

Warrior of God, man's friend, and tyrant's foe,
Now somewhere dead far in the waste Soudan,
Thou livest in all hearts, for all men know
This earth has never borne a nobler man.

333

EPITAPH ON CAXTON.

In St. Margaret's, Westminster.

Fiat Lux (his motto).

Thy prayer was ‘Light—more Light—while Time shall last!’
Thou sawest a glory growing on the night,
But not the shadows which that light would cast,
Till shadows vanish in the Light of Light.

334

TO THE DUKE OF ARGYLL.

O Patriot Statesman, be thou wise to know
The limits of resistance, and the bounds
Determining concession; still be bold
Not only to slight praise but suffer scorn;
And be thy heart a fortress to maintain
The day against the moment, and the year
Against the day; thy voice, a music heard
Thro' all the yells and counter-yells of feud
And faction, and thy will, a power to make
This ever-changing world of circumstance,
In changing, chime with never-changing Law.

335

HANDS ALL ROUND.

When this poem was recast and published in 1882 it was sung all over the Empire on the Queen's birthday.

First pledge our Queen this solemn night,
Then drink to England, every guest;
That man's the best Cosmopolite
Who loves his native country best.
May freedom's oak for ever live
With stronger life from day to day;
That man's the true Conservative
Who lops the moulder'd branch away.
Hands all round!
God the traitor's hope confound!
To this great cause of Freedom drink, my friends,
And the great name of England, round and round.
To all the loyal hearts who long
To keep our English Empire whole!
To all our noble sons, the strong
New England of the Southern Pole!
To England under Indian skies,
To those dark millions of her realm!

336

To Canada whom we love and prize,
Whatever statesman hold the helm.
Hands all round!
God the traitor's hope confound!
To this great name of England drink, my friends,
And all her glorious empire, round and round.
To all our statesmen so they be
True leaders of the land's desire!
To both our Houses, may they see
Beyond the borough and the shire!
We sail'd wherever ship could sail,
We founded many a mighty state;
Pray God our greatness may not fail
Thro' craven fears of being great.
Hands all round!
God the traitor's hope confound!
To this great cause of Freedom drink, my friends,
And the great name of England, round and round.

337

FREEDOM.

“It were good that men in their innovations should follow the example of Time itself, which indeed innovateth greatly but quietly, and by degrees, scarce to be perceived. . . . It is good also not to try experiments in States except the necessity be urgent, or the utility evident: and well to beware that it be the reformation that draweth on the change, and not the desire of change that pretendeth the change” (Bacon).

I

O thou so fair in summers gone,
While yet thy fresh and virgin soul
Inform'd the pillar'd Parthenon,

Misprinted “column'd Parthenon.”


The glittering Capitol;

II

So fair in southern sunshine bathed,
But scarce of such majestic mien
As here with forehead vapour-swathed
In meadows ever green;

III

For thou—when Athens reignd and Rome,
Thy glorious eyes were dimm'd with pain
To mark in many a freeman's home
The slave, the scourge, the chain;

338

IV

O follower of the Vision, still
In motion to the distant gleam,
Howe'er blind force and brainless will
May jar thy golden dream

V

Of Knowledge fusing class with class,
Of civic Hate no more to be,
Of Love to leaven all the mass,
Till every Soul be free;

VI

Who yet, like Nature, wouldst not mar
By changes all too fierce and fast
This order of Her Human Star,
This heritage of the past;

VII

O scorner of the party cry
That wanders from the public good,
Thou—when the nations rear on high
Their idol smear'd with blood,

339

VIII

And when they roll their idol down—
Of saner worship sanely proud;
Thou loather of the lawless crown
As of the lawless crowd;

IX

How long thine ever-growing mind
Hath still'd the blast and strown the wave,
Tho' some of late would raise a wind
To sing thee to thy grave,

X

Men loud against all forms of power—
Unfurnish'd brows, tempestuous tongues—
Expecting all things in an hour—
Brass mouths and iron lungs!

340

TO H.R.H. PRINCESS BEATRICE.

On her marriage with Prince Henry of Battenberg, July 23rd, 1885

Two Suns of Love make day of human life,
Which else with all its pains, and griefs, and deaths,
Were utter darkness—one, the Sun of dawn
That brightens thro' the Mother's tender eyes,
And warms the child's awakening world—and one
The later-rising Sun of spousal Love,
Which from her household orbit draws the child
To move in other spheres. The Mother weeps
At that white funeral of the single life,
Her maiden daughter's marriage; and her tears
Are half of pleasure, half of pain—the child
Is happy—ev'n in leaving her! but Thou,
True daughter, whose all-faithful, filial eyes
Have seen the loneliness of earthly thrones,
Wilt neither quit the widow'd Crown, nor let
This later light of Love have risen in vain,
But moving thro' the Mother's home, between
The two that love thee, lead a summer life,

341

Sway'd by each Love, and swaying to each Love,
Like some conjectured planet in mid heaven
Between two Suns, and drawing down from both
The light and genial warmth of double day.

342

THE FLEET.

I

You, you, if you shall fail to understand
What England is, and what her all-in-all,
On you will come the curse of all the land,
Should this old England fall
Which Nelson left so great.

343

II

His isle, the mightiest Ocean-power on earth,
Our own fair isle, the lord of every sea—
Her fuller franchise—what would that be worth—
Her ancient fame of Free—
Were she . . . a fallen state?

III

Her dauntless army scatter'd, and so small,
Her island-myriads fed from alien lands—
The fleet of England is her all-in-all;
Her fleet is in your hands,
And in her fleet her Fate.

344

IV

You, you, that have the ordering of her fleet,
If you should only compass her disgrace,
When all men starve, the wild mob's million feet
Will kick you from your place,
But then too late, too late.
 

The speaker said that ‘he should like to be assured that other outlying portions of the Empire, the Crown colonies, and important coaling stations were being as promptly and as thoroughly fortified as the various capitals of the self-governing colonies. He was credibly informed this was not so. It was impossible, also, not to feel some degree of anxiety about the efficacy of present provision to defend and protect, by means of swift well-armed cruisers, the immense mercantile fleet of the Empire. A third source of anxiety, so far as the colonies were concerned, was the apparently insufficient provision for the rapid manufacture of armaments and their prompt despatch when ordered to their colonial destination. Hence the necessity for manufacturing appliances equal to the requirements, not of Great Britain alone, but of the whole Empire. But the keystone of the whole was the necessity for an overwhelmingly powerful fleet and efficient defence for all necessary coaling stations. This was as essential for the colonies as for Great Britain. It was the one condition for the continuance of the Empire. All that Continental Powers did with respect to armies England should effect with her navy. It was essentially a defensive force, and could be moved rapidly from point to point, but it should be equal to all that was expected from it. It was to strengthen the fleet that colonists would first readily tax themselves, because they realised how essential a powerful fleet was to the safety, not only of that extensive commerce sailing in every sea, but ultimately to the security of the distant portions of the Empire. Who could estimate the loss involved in even a brief period of disaster to the Imperial Navy? Any amount of money timely expended in preparation would be quite insignificant when compared with the possible calamity he had referred to.’—Extract from Sir Graham Berry's Speech at the Colonial Institute, 9th November 1886.


345

OPENING OF THE INDIAN AND COLONIAL EXHIBITION BY THE QUEEN.

[_]

Written at the Request of the Prince of Wales.

I

Welcome, welcome with one voice!
In your welfare we rejoice,
Sons and brothers that have sent,
From isle and cape and continent,
Produce of your field and flood,
Mount and mine, and primal wood;
Works of subtle brain and hand,
And splendours of the morning land,
Gifts from every British zone;
Britons, hold your own!

II

May we find, as ages run,
The mother featured in the son;

346

And may yours for ever be
That old strength and constancy
Which has made your fathers great
In our ancient island State,
And wherever her flag fly,
Glorying between sea and sky,
Makes the might of Britain known;
Britons, hold your own!

III

Britain fought her sons of yore—
Britain fail'd; and never more,
Careless of our growing kin,
Shall we sin our fathers' sin,
Men that in a narrower day—
Unprophetic rulers they—
Drove from out the mother's nest
That young eagle of the West
To forage for herself alone;
Britons, hold your own!

IV

Sharers of our glorious past,
Brothers, must we part at last?
Shall we not thro' good and ill
Cleave to one another still?

347

Britain's myriad voices call,
‘Sons, be welded each and all,
Into one imperial whole,
One with Britain, heart and soul!
One life, one flag, one fleet, one Throne!’
Britons, hold your own!

348

POETS AND THEIR BIBLIOGRAPHIES.

Old poets foster'd under friendlier skies,
Old Virgil who would write ten lines, they say,
At dawn, and lavish all the golden day
To make them wealthier in his readers' eyes;
And you, old popular Horace, you the wise
Adviser of the nine-years-ponder'd lay,
And you, that wear a wreath of sweeter bay,
Catullus, whose dead songster never dies;
If, glancing downward on the kindly sphere
That once had roll'd you round and round the Sun,
You see your Art still shrined in human shelves,
You should be jubilant that you flourish'd here
Before the Love of Letters, overdone,
Had swampt the sacred poets with themselves.