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Touches on The Harp of Nature

in the Same Key as Burns' Grand Anthem. By Henry Ellison

Ellison, Henry

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ON HEARING A MUSIC-CLOCK PLAY OUT THE HOUR.

LONDON, AFTER MIDNIGHT.

GOD'S TEMPLE, AT EVENING-SERVICE-TIME.

WRITTEN ON THE SEA-SHORE, ON A STORMY DAY, 1832.

ON DOING NO INJURY.

THOUGHTS ON ROADSIDE SEATS, AND THEIR MORAL.

ON SELF-DENIAL.

ALWAYS IN GOD'S SIGHT; OR, THE EVENING STAR.

THE MORALITY OF CHARITY.

WHO ARE ASLEEP REALLY?

ODE, ON ANNIBAL CARRACCI'S PICTURE OF THE NYMPH PLAYING TO THE FAUN.

OVERLOOK NOT TRIFLES.

ON SELF-LOWLINESS.

THOUGHT'S POWER.

UNCHARITABLENESS.

THOUGHTS ON DIFFUSING A TASTE FOR ART AND THE DIGNITY OF DAILY EXISTENCE.

TO A FRIEND, AFTER ABSENCE.

NATURE, A REVELATION OF GOD'S RELIGION AND MORAL SCHEME.

ON A SUNSET LANDSCAPE, SEEN OVER WATER.

HOW TO PROFIT BY DETRACTION.

TO THE FULL MOON, JULY, 1832.

WRITTEN BEFORE THE DUKE OF YORK'S COLUMN, 1832.

TO MY FRIEND, W. C. TREVELYAN.

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Touches on The Harp of Nature

in the Same Key as Burns' Grand Anthem. By Henry Ellison

Henry Ellison

William Edward Painter

London

1839