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PART THE SECOND.
  
  
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2. PART THE SECOND.

CONTENTS.

The Willow-tree.—The Swing.—The Old Parrot.—The Toad.—The Mechanic.—My Spaniel.—Juba.—Birds and Beasts.—Humanity.— Sensibility.—Sportsmen.—My Hare.—Old Ephraim.—Travelled Puppies.—Sympathy.—Conoscenti.

Hard by that flourishing domain, that strip
Of border ground, my garden, late described,
On a grass plot by the house door there stood
An aged willow, whose long flexile boughs
With their light shadows checkered the green turf;
Beneath the sheltering arms of that old tree
Pastime, to me delightful, oft I found
On balanced seat, upborne by a strong limb
Selected for the trust with cautious care,
Anxious as his, who for an arctic voyage
Of unknown peril, far discovery,
Selects the timbers for some strong-ribbed bark:
Even with like caution did my father choose
The transverse bough to which his hands made fast
With firmness doubly sure the swinging cords;
Committing to their strength a freight to him
More precious, than to Solomon of old
The yearly lading of his treasure-ships

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From Tarshish and from Ophir—ay, than those
To the great Hebrew—than the wealth of worlds—
Far, far more precious to my father's heart
That bending bough's light weight—his only child.
Right pleasant pastime! the clear cutting air
To cleave with rapid motion, self-impelled—
For I was dexterous at the sport—to sway
With pendulous slow motion, dying off
To scarce perceptible, until at last
Settling to perfect stillness; which, howe'er,
A breath, a finger's motion would disturb.
So 'twas my luxury to sit and dream,
Building in cloud-land many a castle fair,
Albeit no genii of the ring or lamp
Came at my bidding; in those dreamy moods
I conjured up as gorgeous palaces—
Gardens as dazzling bright with jewelled fruit
As e'er Aladdin's wondering eyes beheld,
And peopled them with living forms, to me,
Deep read in magic lore, familiar all.
Then the Commander of the Faithful strayed,
And dark Mesrour, and that devoted slave
Giafar, the pearl of ministers, whose head
So lightly on his patient shoulders sat,
Ready to leave them headless, at a nod
From his most gracious master. Stately walked
Beside her mighty lord his jealous spouse,
Scornful Zobeide, their attendant slaves
Close following; the fair Noushatoul; and he
The Caliph's favourite, jester of the court,
Facetious Abon Hassan. Hunchback, too,
And that loquacious Barber, and his train
Of luckless brethren, came at my command.

30

Then, with King Saladin and Queen Gulnare,
A car of pearl and coral bore me off
Through submarine dominions—overarched
With liquid chrysolite the billowy vault;
Or with the exiled brethren far I strayed,
Amgrad and Assad, or that happier prince
Who found the hall of statues, found and won
That ninth, so far surpassing all the rest.
Anon I ventured on a darker realm,
Peopled with awful shapes—magicians dire,
Happak and Ulin, and their hideous crew,
The Sultan Misnar's leagued inveterate foes.
How my heart beat, as in the dead of night
With him and his suspected slave I trod
Those rocky passages, hewn roughly out
In the earth's entrails! How I held my breath,
Expecting the result, when through the ring
The severed rope slid rapidly away!
How my young feelings sympathised with hers,
The duteous Una's, when on Tigris' banks,
A weeping orphan, she was left forlorn;
And when in urgent peril—hapless maid!
In that dark forest from her side she missed
The guardian peppercorns! But oh! the joy
When in the shaggy monarch of the woods,
A brave protector—brave and kind—she found.
I saw her by his side—in his thick mane
I saw her small white fingers fondly twined;
Majestically gentle, at her feet
I saw the royal brute lie fawning dowr;
I saw all this—and murmured half aloud,
“Oh how I wish I had a lion too!”

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Fantastic shadows! fearful, gay, grotesque!
Still with a child's delight I reperuse
The pages where ye live; recall ye still—
Ay, all your marvellous annals—with as keen
And undiminished interest as of yore
When I convened ye at my sovereign will
In that green bower beneath the willow-tree,
Where moments flew uncounted as I sat
With eyes half-closed, excluding outward things;
And as the spell within worked languidly,
Or kindled into action, truth, and life,
Slower or faster swung my airy car—
Not quite at rest, for that had broke the charm—
Unconscious I so tranced in waking dreams,
That mine own impulse checked or urged it on.
But I was not sole tenant of the tree,
Not then companionless: above my head
Among the thicker branches, there secure
From the swing's reach, our old grey parrot hung—
Poor Poll! we were in truth well-sorted mates.
Wert thou my prototype? or I in sooth
The shadow of thy graces and thy wit?
As Jacko in the fable proveth plain
That man, the servile copyist! apes his.
Associates though we were in that green bower,
Yet little kindness, Poll! betwixt us grew;
For many an ancient grudge in either heart
Kept us asunder, and the hag Mistrust
Widened the unhealed wounds of former feuds.
Thou wert, in truth, the aggressor in those feuds,
For, Poll! it ill became thy reverend years,
With spiteful vengeance of that hard sharp beak
The unsuspecting freedom to repulse

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Of baby fondness, first encouraged, too,
By coaxing treachery—“Scratch poor Polly's head.”
And when thy victim, smarting with the pain
Of that unkind reception, wept aloud,
'Twas most ungenerous, Poll! to flout and jeer,
And mock with imitative whine, and cry,
And peevish whimper, and convulsive sob,
Concluding all with boisterous ha! ha! ha!
Then comments indiscreet of mutual friends—
Such oftenest the result—but served to increase
And whet the growing animosity.
The frowning hearer, when I gabbled o'er
Some tedious lesson, not a word whereof
Informed my far-off senses, bade me note
How Poll as glibly ran her lesson o'er
Of words by her as little understood.
The mincing nursemaid, sedulous to improve
The graces of her charge, reproached me oft
With turned-in toes—“for all the world like Poll.”
And when my heart with rage rebellious swelled—
Alas! 'twas a rebellious little heart—
And angrily I stamped the tiny foot,
And screamed aloud, the bird screamed louder still;
And I was told to mark how even Poll
Despised and laughed to shame the naughty girl.
As babyhood's first lisping years wore on,
Monitions such as these their influence lost,
And to the noisy mimic's flout and jeer
A careless callous listener I became;
But distance due was still between us kept
With strict punctilio—an armed, neutral peace,
Never infringed by familiarity.

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So there together in the willow-tree
Our several pastimes Poll and I pursued;
Some much resembling still, for to and fro,
Exalted in her wiry globe, she swung,
As if to mimic there my sport below.
Thou wert the only creature, bird or beast,
Excluded from my lavish fondness, Poll!
Fowls of the air, and beasts, and creeping things,
Ay, reptiles—slimy creatures—all that breathed
The breath of life, found favour in my sight;
And strange disgust I've seen (I thought it strange)
Wrinkle their features who beheld me touch,
Handle, caress the creatures they abhorred;
Enchase my finger with the palmer-worm
Or caterpillar's green, cold, clammy ring,
Or touch the rough back of the spotted toad.
One of that species, for long after years,
Even till of late, became my pensioner—
A monstrous creature!—It was wont to sit
Among the roots of an old scraggy shrub,
A huge Gum-Cystus: All the summer long
“Princess Hemjunah”—titled so by me
In honour of that royal spell-bound fair
So long compelled in reptile state to crawl—
“Princess Hemjunah” there, from morn to eve,
Made her pavilion of the spicy shrub;
And they who looked beneath it scarce discerned
That living clod from the surrounding mould,
But by the lustre of two living gems
That from the reptile's forehead upward beamed
Intelligent, with ever-wakeful gaze.
There daily on some fresh green leaf I spread
A luscious banquet for that uncouth guest—

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Milk, cream, and sugar,—to the creature's taste
Right welcome offering, unrejected still.
When autumn winds 'gan strew the crisped leaves
Round that old Cystus, to some lonelier haunt,
Some dark retreat, the hermit Reptile crawled:
Belike some grotto, 'neath the hollow roots
Of ancient laurel or thick juniper,
Whose everlasting foliage darkly gleamed
Through the bare branches of deciduous trees.
There, self-immured the livelong winter through,
Brooded unseen the solitary thing:
E'en when young Spring with violet-printed steps
Brushed the white hoar-frost from her morning path,
The creature stirred not from its secret cell:
But on some balmy morn of ripening June,
Some morn of perfect summer, wakened up
With choirs of music poured from every bush,
Dews dropping incense from the unfolding leaves
Of half-blown roses, and the gentle South
Exhaling, blending, and diffusing sweets—
Then was I sure on some such morn to find
My Princess crouched in her accustomed form
Beneath the Cystus.
So for many years—
Ay, as I said, till late, she came and went,
And came again when summer suns returned—
All knew and spared the creature for my sake,
Not without comment on the strange caprice
Protecting such deformed, detested thing.
But in a luckless hour—an autumn morn,
About the time when my poor Toad withdrew,
Annually punctual, to her winter house—
The axe and pruning-knife were set at work;—

35

Ah, uncle Philip! with unsparing zeal
You urged them on, to lop the straggling boughs
Whose rank luxuriance from the parent stem
Drained for their useless growth too large supply;
Branch after branch condemned fell thickly round,
Till, moderate reform intended first—
Nice task to fix the boundary!—edged on,
Encroaching still to radical; and soon
Unchecked the devastating fury raged,
And shoots, and boughs, and limbs bestrewed the ground,
And all denuded and exposed—sad sight!
The mangled trees held out their ghastly stumps.
Spring reappeared, and trees and shrubs put forth
Their budding leaves, and e'en those mangled trunks,
Though later, felt the vegetable life
Mount in their swelling sap, and all around
The recently dismembered parts, peeped out
Pink tender shoots disparting into green,
And bursting forth at last, with rapid growth,
In full redundance, healthful, vigorous, thick;
And June returned with all her breathing sweets,
Her opening roses and soft southern gales;
And music poured from every bending spray;
E'en the old mangled Cystus bloomed once more,
But my poor Princess never came again.
More beauteous graceful pensioners were those—
But not more harmless—on the gravel walk
Before our parlour-window, from my hand
That pecked their daily dole of scattered crumbs.
Welcome and safe was each confiding guest,
Though favour with a partial hand strewed thick

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The crumbled shower in Robin Redbreast's way;
But all were welcome,—Blackbirds, Thrushes, Wrens,
Finches, and chirping Sparrows.
How I hate
Those London Sparrows! Vile, pert, noisy things!
Whose ceaseless clamour at the window-sill—
The back-room window opening on some mews—
Reminds one of the country just so far
As to bemock its wild and blithesome sounds,
And press upon the heart our pent-up state
In the great Babylon;—oppressed, engulfed
By crowds, and smoke, and vapour: where one sees,
For laughing vales fair winding in the sun,
And hill-tops gleaming in his golden light,
The dingy red of roofs and chimneys tall
On which a leaden orb looks dimly down!
For limpid rills, the kennel's stream impure;
For primrose banks, the rifled, scentless things
Tied up for sale, held out by venal hands;
For lowing herds and bleating flocks, the cries
Of noisy venders threading every key
From bass to treble, of discordant sound;
For trees, unnatural stinted mockeries
At windows, and on balconies stuck up
Fir-trees in vases!—picturesque conceit!—
Whereon, to represent the woodland choir,
Perch those sweet songsters of the sooty wing.
Yet, as I write, the light and flippant mood
Changes to one of serious saddened thought,
And my heart smites me for the sorry jest,
Calling to mind a sight that filled me once
With tenderest sympathy.

37

In a great city,
Blackened and deafening with the smoke and din
Of forge and engine, Traffic's thriving mart,
Chartered by Mammon, underneath a range
Of gorgeous show-rooms, where all precious metals,
In forms innumerous, exquisitely wrought,
Dazzled the gazer's eye, I visited
The secret places of the “Prison House.”
From den to den of a long file I passed
Of dingy workshops, each affording space
But for the sallow inmate and his tools:
His table, the broad, timeworn, blackened slab
Of a deep sunken window, whose dim panes
Tinged with a sickly hue the blessed beams
Of the bright noonday sun. I tarried long
In one of those sad cells, conversing free
With its pale occupant, a dark-browed man,
Of hard, repellant aspect, hard and stern.
But having watched awhile the curious sleight
Of his fine handicraft, when I expressed
Pleased admiration, in few words, but frank,
And toned by kindly feeling—for my heart
Yearned with deep sympathy—the moody man
Looked up into my face, and in that look
Flashed out an intellectual soul-fraught gleam
Of pleased surprise, that changed to mild and good
The harsh expression of that care-marred face.
There lay beside him on the window slab
A dirty ragged book turned downwards open
Where he had last been reading, from his toil
Snatching a hurried moment. Anxiously
I glanced towards it, but forbore to question,
Restrained by scrupulous feeling, shunning most
Shadow of disrespect to low estate;

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But from the book my wandering gaze passed on
To where, beyond it, close to the dim panes,
A broken flower-pot, with a string secured,
Contained a living treasure—a green clump,
Just bursting into bloom, of the field orchis.
“You care for flowers,” I said; “and that fair thing,
The beautiful orchis, seems to flourish well
With little light and air.”
“It won't for long,”
The man made answer, with a mournful smile
Eyeing the plant—“I took it up, poor thing!
But Sunday evening last from the rich meadow
Where thousands bloom so gay, and brought it here
To smell of the green fields for a few days
Till Sunday comes again, and rest mine eyes on
When I look up fatigued from these dead gems
And yellow glittering gold.”
With patient courtesy,
Well spoken, clear (no ignorant churl was he),
That poor artificer explained the process
Of his ingenious art. I looked and listened,
But with an aching heart, that loathed the sight
Of those bright pebbles and that glittering ore;
And when I turned to go—not unexpressed
My feelings of goodwill and thankfulness—
He put into my hand a small square packet
Containing powder, that would quite restore,
He told me, to dull gems and clouded pearls
Their pristine lustre. I received, well pleased,
Proffering payment; but he shook his head,
Motioning back my hand, and stooping down
Resumed his task, in a low, deep-toned voice
Saying, “You're kindly welcome.”

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Gems and pearls
Abound not in my treasury, but there
I hoard with precious things the poor man's gift.
But what have I to do—distasteful theme!—
With towns and cities? Thither unawares
Wild fancy wandered, but, recalled as soon,
Wings back her way, and lights at home once more—
Lights down amid the furred and feathered court
That owned my sovereign sway—a motley train!
Rabbits and birds, and dormice, cats and kittens,
And dogs of many a race, from ancient Di,
My father's faithful setter, to black Mungo
And mine own favourite spaniel—most mine own.
My poor old Chloe! gentle playfellow!
Most patient, most enduring was thy love;
To restless childhood's teasing fondness proof,
And its tormenting ingenuity.
Methinks I see thee in some corner stuck,
In most unnatural posture, bolt upright,
With rueful looks and drooping ears forlorn,
Thy two fore-paws, to hold my father's cane—
Converted to a musket—cramped across.
Then wert thou posted like a sentinel
Till numbers ten were slowly counted o'er—
That welcome tenth! the signal sound to thee
Of penance done and liberty regained!
Down went the cane, and from thy corner forth,
With uproar wild and madly frolic joy,
Bounding aloft, and wheeling round and round
With mirth-inviting antics, didst thou spring.
And the grave teacher—grave no longer—shared
The boisterous pupil's loud unbridled glee.

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Then were there dismal outcries, shrill complaints,
From angry Jane, of frocks and petticoats
All grim with muddy stains and ghastly rents.
“'Twas all in vain,” the indignant damsel vowed—
“'Twas all in vain to toil for such a child—
For such a Tom-boy! Climbing up great trees—
Scrambling through brake and bush, and hedge and ditch,
For paltry wild-flowers. Always without gloves,
Grubbing the earth up like a little pig
With her own nails, and, just as bad as he,
Racing and romping with that dirty beast.”
Then followed serious—“But the time will come
You'll be ashamed, Miss, of such vulgar ways:
You a young lady!—Not much like one now.”
Too oft unmoved by the pathetic zeal
Of such remonstrance, pertly I replied,
“No, Mistress Jane! that time will never come.
When I'm grown up I'll romp with Chloe still,
As I do now; and climb and scramble too
After sweet wild-flowers just as much as now;
And ‘grub the earth,’ and ‘never put on gloves.’
Then if I dirt my hands and tear my frock,
You'll not dare scold when I'm a woman grown;
For who would mind your scolding, Mistress Jane?”
Alas, poor maid! an arduous task was thine—
A hopeless, labour, recommencing still,
Like theirs, the unhappy sisters, doomed to pour
Eternal streams in jars that never fill.
Next in degree to the old faithful dog,
Next in my favouring fondness, Juba ranked.
Sprung of a race renowned, in Juba's veins

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The mettled blood of noble coursers ran.
Foaled on my father's land, his sprightly youth
Sported, like mine, those pleasant meads among,
And when I saw him first, a new-born thing,
Tottering and trembling by the old mare's side
On his long slender limbs, I called him then,
And thenceforth he was called, “My little horse.”
And soon those slender, flexile limbs were braced
With sinewy strength, and soon that feeble frame
Expanded into vigorous, noble bulk;
From his broad swelling chest arched proudly up,
With graceful curve, the yet unbridled neck;
Free to the winds, the flowing mane and tail
In their wild beauty streamed exuberant out,
Or lashed the glossy chestnut of his sides
With dark dishevelled flakes; and his small ears,
With flexile beauty oft inverting quick
Their black-fringed edges; and those large bright eyes,
Flashing with all the fire of youth and joy,
And freedom uncontrolled! I see him now,
My gallant Juba! racing round the field,
Fleet as the whirlwind, with down-arching neck,
Yet stately in its bend, and clattering hoofs,
And long back-streaming tail. In mid career,
Self-checked and suddenly, he stops abrupt,
Back on his haunches gathering proudly up
His bulk majestic, and with head flung back
Disdainfully aside, and eyes of flame,
And nostrils wide distended, firmly forth
He straightens one black, sinewy, slender limb,
The other, gathered inward, touches scarce
The ground with its bent hoof. Then loud and clear
Echoes o'er hill and dale his long shrill neigh,

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And e'er the sound expires, with snort and stamp
Away he starts, and scours the field again.
But oft at sight of me—full well he knew
His fairy mistress—oft at sight of me,
With whinnying welcome, and familiar eye,
Yet shyly curious, he came trotting up
Expectant, the accustomed feast to claim,
Apple or crust, that I was wont to bring.
I have not specified the creatures half,
My sometime favourites. Should I notice each,
Paper would fail, and patience be worn out
Of most indulgent reader. Such a throng!
Jackdaws and magpies, turtle-doves and owls,
And squirrels, playful in captivity,
But still untamed. Most barbarous to immure
The pretty sylvan in a small close cage;
Painful to watch the everlasting round
The restless prisoner circles all day long
Monotonous—sad mockery of mirth!—
Within his narrow limits. Wretched change
From the wild haunts, where erst, from tree to tree
He leaped and gambolled all the summer long,
The very life of liberty and joy.
Mine was an old maimed creature, maimed for life
By the vile treacherous snare, and happier since—
So I concluded—in its captive state
Of plenteous ease, than helplessly at large
Among its hardier fellows of the woods.
A very hospital, in truth, I kept
For such dumb patients, maimed, diseased, and old.
The squirrel just described, a veteran then,
Had just precedence; next in age and rank
Hopped an old bulfinch, of one leg bereft,

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By what untoward accident the bird
Brought no certificate. A sportsman once—
None of the keenest—brought me bleeding home
A wounded leveret, not quite hurt to death,
But sorely mangled. From its mother's side
Scarce could the little creature yet have strayed,
When all to well that fatal shot was aimed.
Perhaps that luckless morning was the first
Among the dewy herbs and tender grass
That the poor mother led her young one forth
To taste the sweets of life—that sacred gift
Of its Almighty Maker. Was the boon
Bestowed to be abused in cruel sport
By Man, into whose nostrils the same power
Breathed with creating will the breath of life?
I know for Man's convenience and support,
Nay, for his luxuries, the inferior kinds
Must toil and bleed. But God, who gave so far
Dominion over them, extended not
The royal grant to torture or abuse:
And he who overtasks them, or inflicts
Protracted or unnecessary pain,
By far outstrips His warrant, and heaps up
On his own head for the great reckoning day
Such measure as he metes withal to them,
Of tender mercy.
I would not devote
My person, as the pious Hindoo doth,
To banquet noxious vermin; nor engage
The patient carcass of some needy wretch
To make them pasture; nor abstain, like him,
From food of every kind that has contained
The living essence. I despise and loathe
The affected whine of canting sentiment,

44

That loves to expatiate on its own fine frame
Of exquisite perception—nerve all o'er—
Too tremblingly alive for the mind's peace
To every shade of delicate distress.
Such sensitives there are, whose melting souls
Dissolve in tender pity, or flame out
With generous indignation, if they see
A dog chastised, or noxious reptile crushed:—
Does a fly tease you, and with impulse quick
Your dexterous hand destroys the buzzing pest—
Prepare ye for an eloquent appeal
On the sweet duties of humanity,
And all the tender charities we owe
To the poor, pretty, little, helpless things
“That float in ether.” Then some hackneyed verse—
Your sensitive must doat on poetry—
She quotes to illustrate the touching theme,
How “the poor beetle that we tread upon
In corporal sufferance feels a pang as great
As when a giant dies.” 'Tis odious thus
To hear the thing one venerates profaned
By sickly affectation: to my ear
Doubly distasteful, for I heard the words
First from her lips whose heart was pity's throne.
That voice maternal taught my infant tongue
To speak the sentence, and my youthful heart
To feel and cherish, while its pulses beat,
Mercy and kindness for all living things.
Go where you will, the sensitive finds out
Whereon to expatiate largely—to pour forth
The flood of her pathetic eloquence.
A plodding clown to market drives along
His swine obstreperous: right and left they run

45

In sheer perversity: so right and left
Resounds the whip, but scarcely reaches them,
Whate'er their horrid dissonance implies.
No matter—feeling's champion cannot hear
Unmoved the cry of innocence oppressed;
So forth she steps, and speaks, with hand on heart,
Tender remonstrance to the boor, who stands
Scratching his bushy pate, with hat pushed up,
And eyes and mouth distended with surprise,
Vented at last, when the oration ends,
In one expressive expletive—“Anan!”
A cart comes by—ah! painful sight indeed,
For it conveys, bound fast with cruel cords,
To the red slaughter-house a bleating load
Of fleecy victims. Now the impassioned soul
Of sensibility finds ample scope
To excruciate its own feelings, and their hearts
Condemned to hear, while she minutely dwells
On things revolting—“How the murderous knife
Shall stop those bleating throats, and dye with gore
Those milk-white fleeces.”
Thus expatiates she,
While feeling turns aside, and hurries on.
But vulgar sufferings, 'mongst the vulgar part
Of our own species, often fail to excite
Those tender feelings that evaporate half
O'er flies and earwigs, and expend themselves
In picturesque affliction.
“Ah!” cries one,
“How happy is the simple peasant's lot,
Exempt from polished life's heart-riving woes,
And elegant distresses!”

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Bid them turn—
Those sentimental chymics, who extract
The essence of imaginary griefs
From overwrought refinement,—bid them turn
To some poor cottage—not a bower of sweets
Where woodbines cluster o'er the neat warm thatch,
And mad Marias sing fantastic ditties,
But to some wretched hut, whose crazy walls,
Crumbling with age and dripping damps, scarce prop
The rotten roof, all verdant with decay;
Unlatch the door, those starting planks that ill
Keep out the wind and rain, and bid them look
At the home-comforts of the scene within.
There on the hearth a few fresh-gathered sticks,
Or smouldering sods, diffuse a feeble warmth,
Fanned by that kneeling woman's labouring breath
Into a transient flame, o'erhanging which
Cowers close, with outspread palms, a haggard form,
But yesterday raised up from the sick-bed
Of wasting fever, yet to-night returned
From the resumption of his daily toil.
“Too hastily resumed—imprudent man!”
Ay, but his famished infants cried for bread;
So he went forth and strove, till nature failed,
And the faint dews of weakness gathered thick
In the dark hollows of his sallow cheek,
And round his white-parched lips. Then home he crawled
To the cold comforts of that cheerless hearth,
And of a meal whose dainties are set out
Invitingly—a cup of coarse black tea,
With milk unmingled, and a crust of bread.
No infant voices welcome his return
With joyous clamour, but the piteous wail,

47

“Father! I'm hungry—father! give me bread!”
Salutes him from the little huddled group
Beside that smoky flame, where one poor babe,
Shaking with ague-chills, creeps shuddering in
Between its mother's knees—that most forlorn,
Most wretched mother, with sad lullaby
Hushing the sickly infant at her breast,
Whose scanty nourishment yet drains her life.
Martyrs of sensibility! look there!
Relieve in acts of charity to those
The exuberance of your feelings.
“Ay, but those
Are horrid objects—squalid, filthy, low
Disgusting creatures—sentiment turns sick
In such an atmosphere at such a sight.
True cottage children are delightful things,
With rosy dimpled cheeks, and clustering curls;
It were an interesting task to dress
Such pretty creatures in straw cottage-bonnets,
And green stuff gowns, with little bibs and aprons
So neat and nice! and every now and then,
When visitors attend the Sunday school,
To hear them say their catechism and creed.
But those!—oh heaven! what feelings could endure
Approach or contact with those dirty things?
True—they seem starving; but 'tis also true
The parish sees to all those vulgar wants;
And when it does not, doubtless there must be—
Alas! too common in this wicked world—
Some artful imposition in the case.”
Martyrs of sensibility! farewell!
I leave ye to your earwigs and your flies.

48

But, gentle sportsman! yet a word with you
Ere to the starting-point I come again
From this long ramble unpremeditate.
Your sylvan sports you call most innocent,
Manly, and healthful. Are they always such?
Healthful I grant—for while the sons of sloth
Doze half their sleepy lives in morning dreams,
Ye are awake and stirring with the lark;
And like the lark ye meet on breezy hill,
In dewy forest glade, on perfumed heath
The breath of morning and her roseate smile.
Most healthful practice—and so far most pure.
But is it innocent, for murderous sport,
To scare sweet peace from her beloved haunts?
To sadden and deface with death the scene
Where all breathes life, and love, and harmony?
And is it manly, with assembled rout
Of horses, dogs, and men, to hunt to death
A poor defenceless, harmless, fearful wretch,
The panting hare? For life—for life she flies,
And turns, and winds, and doubles in her course
With art instinctive—unavailing all.
Now the wild heath, the open plain she tries;
Now scuds for refuge to the pleasant brake,
Where many a morning she was wont to sit
In her old form, all spangled round with dew;
No rest—no respite—danger presses near—
'Tis at her heels. They burst the thicket now,
Yet still she moves not—for she cannot move;
Stiffened with terror, motionless she sits
With eyes wide staring, whence, I've heard some say,
Large tears roll down, and on her panting sides
The soft fur wet with dews of agony.
Finish the picture ye who list—I turn

49

Disgusted from the task. But can I pass
Regardless the more lingering, torturing death
Too oft inflicted? We behold, indeed,
The furred and feathered trophies of his skill,
Disgorged from that fell gulf, the sportsman's bag;
Not pleasing to all hearts, I trow, the sight
Of even that lifeless spoil. But could we see—
Ah! could we follow to their sad retreats
Those more unhappy that escape with life,
But maimed and bleeding! To the forest depths
They crawl or flutter; there with dabbled plumes—
All stiff with clotted gore their burnished gold—
The graceful pheasant cowers beneath some tree,
Whose pleasant branches he shall mount no more.
Down droops the shattered wing, and crimson drops
Mark where the shot has entered in his breast.
There are no surgeons 'mongst the woodland tribes
To set such fractures—no purveyors there
To cater for the wounded, helpless bird;
Nay, his own species, with unnatural hate—
As if, like some of humankind, they feared
Contagion from approach to misery—
Drive the poor sufferer from their gay resorts;
So to some lonely nook he creeps away
To starve and die, abandoned and unseen.
Such wretched fate my little hare's had been,
But he, whose erring shot performed but half
Its deadly mission, brought it gently home
To be my guest and plaything, if it lived;
And to my loving care its life was given.
I nursed it fondly, every want and wish
Promptly contenting. So I won at last
Its grateful confidence; but not like those,

50

Beloved of Cowper, did my hare abide
Long after years in pleased captivity.
Nature prevailed; and when the prickly furze
Girdled our meadow with its golden belt
Of odorous blossoms, to that tempting brake,
Where harboured some of his own kind, my hare
Cast many a wistful look, as by my side
He leapt and frolicked in the garden near;
Yet long the powerful instinct he withstood
Prompting to liberty. Compunctious thought
Perhaps it was of gratitude to me
That kept him still a prisoner on parole.
How oft in human hearts such strife springs up
'Twixt inclination and the scrupulous doubts
Of rigid conscience! Bold at first, we cry,
“Satan, avaunt!” to the seducing fiend,
And he retires; but seldom in despair.
Wise by experience, close at hand lurks he,
Watching the time through some unguarded chink
To slip into the “swept and garnished” hold
Of his old citadel. Perchance disguised
Like whispering Prudence, or in Feeling's mask,
Or Reason's pompous robe, he enters in.
Then Hesitation, with her shaking hand
And ever-shifting balance, weighs the cause;
And if a mote, a hair, a dust prepond—,
No matter how it came there, or why left—
On Inclination's side, down drops the scale.
A cause less trivial fixed at last the fate
Of my poor Puss. One morning by my side
In that same garden well content she sat
Nibbling some fresh-picked dainty, when, behold!

51

With horrid bark, in bursts a stranger dog—
One who had never learnt respect for hares—
And scents the victim; but in vain, for they
Who follow close restrain his savage speed,
And Puss escapes, o'erleaps the shallow fence,
And scuds across the mead, and safely gains
That prickly covert, which, beheld from far,
Had filled her heart with wandering wishes long.
From that day forth the hare, no longer mine,
Made her abode in that same hollow bank
Thick set with bushes, whence I saw her oft
Come forth at morn and even to sport and feed;
And oft the truant slave, the wild maroon,
With bold assurance leapt the garden fence
For purposes of plunder. Base return
For kind protection to her helpless state
So long accorded! nay, extended still
To shield her from the penalty of guilt;
For direful wrath in Ephraim's bosom rose—
The dragon he, whose guardianship had rule
Within the garden—when he found at morn
Traces yet recent of the plunderer's work.
His early lettuces all nibbled round,
And ranks of tender pease—his fondest pride!—
Laid down in patches, where the audacious thief,
Squatting composedly, had munched her fill.
Dire was the wrath of Ephraim!—much raved he
Of traps, and guns, and vengeance—whence restrained
By interdiction of the higher powers,
He muttered 'twixt his teeth reflections keen
About the blind indulgence of some folk
For children's whimsies—“Who could keep, forsooth,
A garden as it should be kept—not he—

52

If noxious varmint was encouraged there?
What was the use of hares but for the spit?
He wished with all his heart that the whole race
Was killed and spitted. Everything he did
Was crossed and thwarted—mischief was at work
In every corner. If he could but ketch
Them folk that meddled when his back was turned
Among his mousetraps! 'Twas a thing unknown
That mousetraps should be set from day to day
With toasted cheese, and never catch a mouse.”
Ah, friend! “there are more things in heaven and earth”
Than were dreamt of in thy philosophy.
Yet Ephraim had his shrewd suspicions too,
Though darkly hinted. There was meaning couched,
Though little terror in his threatenings vague;
For he too loved me well—the kind old man!
And would have torn from his own reverend head
The few white locks ere hurt a hair of mine.
Who but old Ephraim treasured up for me
The earliest strawberry, cunningly matured
On the red plane of sun-reflecting tile?
Who laid aside for me the longest string
Of clear white currants? With inviting smile,
Who dangled temptingly above my head
Twin cherries?—luscious prize! soon caught and won—
Who but old Ephraim, for his “little Queen,”
Picked out—his favourite emblem of herself—
The smallest pippin with the pinkest cheek?
It pleased him that I took delight to watch
His rural labours—that I asked the names
Of seeds and plants, and when to sow and set,
And their fixed season to bear flower and fruit.

53

With patient seriousness he made reply
To questions multiplying faster still
Than he could answer. But it puzzled oft
His honest head—no learned Pundit he—
To solve the curious questions I proposed,
Why such and such things were; to which most part
One answer served—incontrovertible,
Oracular—“they were, because they were.”
Oh! what a deal of mischief were unmade
If Ignorance always on perplexing points
Replied as prudently—if folks at least
Pretended to teach only what they know.
Young ladies! how especially for you
'Twould simplify the training! No she-Crichtons,
No petticoat professors would engage
To teach all 'OLOGIES and 'OGRAPHIES,
And everything in all the world—of course
Accomplishments included—all complete
In all their branches. What a load of rubbish,
Now crammed, poor dears! into your hapless brains,
Would leave the much abused organ room
To expand, and take in healthful nutriment.
Wise, honest Ephraim! Shall I leave unsung
Thy skill in fashioning small wooden toys,
Small tools, adapted to my pigmy grasp?
His hand is eagerly stretched out on whom
Fortune bestows a sceptre; his no less
To whom she gives the baton of command,
The marshal's truncheon; and she smiles herself
At his more solemn transport, from beneath
The penthouse of enormous wig, who eyes
The seals of office dangling in his reach.
And bearded infants—babies six feet high,

54

Scramble for glittering baubles; ribbons, stars,
And garters, that she jingles on a pole
For prizes to the foremost in the race,
Or who leaps highest, or with supplest joints
Who twists, and turns, and creeps, and wriggles best.
But none with greater eagerness than I
From Ephraim's hand received the finished spade
Whose small dimension might have served at need
Some kitchen damsel for a tasting spoon,
Albeit proportioned aptly for my use;
And other tools he fashioned, rakes and hoes,
And oh! sublime perfection of his craft,
Most precious specimen! his genius last
Shaped out a wheelbarrow, and I attained,
Possessed of that long-coveted machine,
The climax of my wishes. What delight
To cram it with such offsets, plants, and bulbs
As Ephraim from his own neat borders cast;
Then to wheel off the load, no matter what,
To my own garden. Nought came then amiss
Or out of season. Scions of tall trees,
And bushy shrubs, that, had they taken root
And flourished, would have filled the small domain;
And ragged pinks, with huge old scraggy roots,
Past hope of e'er producing flower or bud,
And plants full blown, that nothing lacked—but roots.
But not unfrequently the wheelbarrow
Was freighted with a living, yelping load—
Old Chloe's puppies: she the while, poor fool!
Trotting beside with anxious look and whine
Much eloquent of wonder and dismay
And half displeased remonstrance, at the enforced
And early travels of her progeny.

55

Many there are among Creation's Lords
Whom Fashion wheels abroad—a listless load!—
As blind and senseless as those noisy whelps,—
As blind to all the wonders in their way
Of Art and Nature: with as senseless noise
Chattering among themselves their mother-tongue
In foreign lands, disdaining to acquire
The useless knowledge—spiritless pursuit!—
Of a strange people's customs, arts, and speech;
And who return with minds as unenlarged,
And skulls as empty, to their native land,
As to their kennel Chloe's brood returned.
But they, poor innocents! were safe restored,
With simple unsophisticated minds;
While two-legged puppies bring a cargo home
Of affectation, pedantry, and vice.
It is not all who having eyes can see,
Or having ears can hear: that truth we learn
From everyday experience. How it frets
One's soul to be associated with those
Deaf hearers, blind beholders! Frets one more,
That all the outward organs they possess,
As it appears, unblemished. So we're led
To utter freely what we warmly feel;
And then it proves that all the wires and pipes
That should communicate 'twixt eyes and ears
And the indwelling Soul, to empty cells
Lead only, sending back response nor sound.
Say with a friend we contemplate some scene
Of natural loveliness, from which the heart
Drinks in its fill of deep admiring joy;
Some landscape scene, all glorious with the glow

56

Of summer evening, when the recent shower,
Transient and sudden, all the dry white road
Has moistened to red firmness; every leaf,
Washed from the dust, restored to glossy green;—
In such an evening oft the setting Sun,
Flaming in gold and purple clouds, comes forth
To take his farewell of our hemisphere;
Sudden the face of Nature brightens o'er
With such effulgence, as no painter's art
May imitate with faint similitude.
The rain-drops dripping fast from every spray
Are liquid topazes; bright emeralds those
Set on the green foil of the glistening leaves,
And every little hollow, concave stone,
And pebbly wheel-track, holds its sparkling pool
Brimming with molten amber. Of those drops
The Blackbird lights to drink; then scattering thick
A diamond shower among his dusty plumes,
Flies up rejoicing to some neighbouring elm,
And pours forth such a strain as wakens up
The music of unnumbered choristers.
Thus Nature to her great Creator hymns
An hallelujah of ecstatic praise.
And are our voices mute? Oh, no! we turn,
Perhaps with glistening eyes, and our full heart
Pours out in rapturous accents, broken words,
Such as require no answer, but by speech
As little measured, or that best reply,
Feeling's true eloquence, a speaking look.
But other answer waits us; for the friend
Oh, heaven! that there are such—with a calm smile
Of sweet no-meaning, gently answers—“Yes,
Indeed it's very pretty—Don't you think
It's getting late, though—time to go to tea?”

57

Some folks will tell you, of all things on earth
They most like reading; poetry with them
Is quite a passion; but somehow it is,
They never find a moment's leisure time
For things they dote on. What a life is theirs!
There's the new poem—they would give the world
To skim it over, but it cannot be;
That trimming must be finished for the ball.
If you indeed, who read aloud so well,
With so much feeling, would but take the book—
'Twould be so nice to listen! such a treat!
And all the while the trimming might go on.
You cannot have the heart to disappoint
Wishes expressed so sweetly. Down you sit
But unreluctant to the task, which soon
Absorbs your every feeling. 'Tis perhaps
Of Roderick, that immortal Goth, you read—
Immortalised in verse that cannot die
Till Poesy is dead, and every heart
Warmed with her sacred fire a senseless clod.
The first few pages smoothly on you go,
Yourself delighted, and delighting much—
So simply you believe—your hearers too.
At length a whisper, audibly aside,
Or 'cross the table, grates upon your ear,
And brings you from the region of romance—
“Dear! how provoking! have you seen my thread?—
No—here it is—Oh! pray don't stop—go on
With that delightful story.”
On you go;
But scarce recover from that first rude shock,
When lo! a second. Deep debate ensues,
Grave, solemn, nice, elaborate, profound,

58

About the shade of some embroidered leaf,
Whether too dark—or not quite dark enough—
Or whether pea green were not after all
Fitter than apple green. And there you sit
Devoutly banning in your secret soul
Balls, trimmings, and your own too easy faith
In sympathy from hearers so engrossed.
“Better leave off,” you say, and close the book,
“Till some more leisure morning.”—But at once
All voices clamour at the barbarous thought
Of such adjournment:—And you recommence,
Loath and disheartened; but a lull succeeds
Of seeming deep attention, and once more
The noble song absorbs you, heart and soul.
That part you reach, where the old Dog who lies
Beside Rusilla, and, unnoticed, long
Has eyed the dark-cowled Stranger; all at once,
Confirmed by Love's strong instinct, crawls along
And crouches at his royal Master's feet,
And licks his hand, and gazes in his face
“With eyes of human meaning.”
Then—just then—
When trembling like a harp-string to the touch
Of some impassioned harmonist, your voice
Falters with strong emotion—
“Oh!” cries she,
The passion of whose soul is poesy,
“That dear sweet dog!—It just reminds me, though,
That poor Tonton was washed two hours ago,
And I must go and comb him, pretty love!
So for this morning, though it breaks my heart,
From that dear book I tear myself away.”
Ah, luckless reader! wilt thou e'er again
On such as these expend thy precious breath?

59

Some travelled exquisites profess a taste—
“Gusto,” they call it—for the sister art—
For painting. Heaven preserve us from such taste!
These learnedly harangue on breadth and depth,
Gradation, concentration, keeping, tone,
Tint, glazing, chiaroscuro, and what not.
At some old picture—moderns cannot paint—
Some smoke-dyed canvass, where experienced eyes
In the brown-chaos may distinguish form,
Lo! where they gaze with reverential awe,
Peer through the focus of their rounded hand,
With features screwed up to the exactest pitch
Of connoisseurship—fall enraptured back,
With head aside, and eyes all puckered up
Obliquely glancing—then with folded arms
They stand entranced, and gaze, and sigh, and gaze,
And mutter ecstasies between their teeth—
“Divine! incomparable! grand! unique!”
Less learned critics condescend to admire
Some amateur production—yours perhaps;
These, little skilled in jargon technical
Of conoscenti, murmur gentle praise.
Holding your drawing to their eyes quite close,
As 'twere a newspaper, and they perplexed
To make out the small print, “Dear me!” they cry,
“How nice! how natural! how very soft!”
These phrases serve, or some as richly fraught
With meaning, for all subjects and all styles;
Or, if with more discriminating taste,
They own a preference, it falls, be sure,
On the most worthless, whose tame character
Is in this gentle phrase—“So very soft!”

60

Inflict not on me, Stars! the killing blight
Of such companionship. Oh! rather far
Assign me for my intimate and friend
One who says plainly, “I confess to me
Painting's but coloured canvass, music noise,
And poetry prose spoilt, those rural scenes
Whereon you gaze enraptured, nothing more
Than hill and dale and water, wooded well
With stout oak timber groaning for the axe.”
'Twixt such a heart and mine there must be still
A bar, oft painfully perceived indeed,
And never overstepped: But I could feel
Respect—affection—confidence for such,
If dignified with sound clear-judging sense
And piety, that gem beyond all price,
Wherewith compared all gifts are valueless.
It is not once an age two hearts are set
So well in unison that not a note
Jars in their music; but a skilful hand
Slurs lightly over the discordant tones,
And wakens only the full power of those
That sound in concord.
Happy, happy those
Who thus perform the grand concerto—Life!