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Gaston de Blondeville, or The court of Henry III

Keeping festival in Ardenne, a romance. St. Alban's Abbey, a metrical tale; With some poetical pieces. By Anne Radcliffe ... To which is prefixed: A memoir of the author, with extracts from her journals. In four volumes
Radcliffe, Ann Ward (1764-1823)

collapse sectionI. 
VOL. I.
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GASTON DE BLONDEVILLE.
  
THE BRIDAL.
  
[O'er the high western wolds afar]
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VOL III, IV.
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ST. ALBAN'S ABBEY:
  
[prologue]
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CANTO I. THE ABBEY.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
 V. 
V.
 VI. 
VI.
 VII. 
VII.
 VIII. 
VIII.
 IX. 
IX.
 X. 
X.
 XI. 
XI.
 XII. 
XII.
 XIII. 
XIII.
 XIV. 
XIV.
 XV. 
XV.
 XVI. 
XVI.
 XVII. 
XVII.
 XVIII. 
XVIII.
 XIX. 
XIX.
 XX. 
XX.
 XXI. 
XXI.
  
XXII.
 XXIII. 
XXIII.
 XXIV. 
XXIV.
 XXV. 
XXV.
 XXVI. 
XXVI.
 XXVII. 
XXVII.
 XXVIII. 
XXVIII.
 XXIX. 
XXIX.
 XXX. 
XXX.
 XXXI. 
XXXI.
 XXXII. 
XXXII.
 XXXIII. 
XXXIII.
 XXXIV. 
XXXIV.
 XXXV. 
XXXV.
 XXVI. 
XXVI.
 XXXVII. 
XXXVII.
 XXXVIII. 
XXXVIII.
 XXXIX. 
XXXIX.
 XL. 
XL.
 XLI. 
XLI.
 XLII. 
XLII.
 XLIII. 
XLIII.
 II. 
CANTO II. THE NIGHT BEFORE THE FIRST BATTLE.
 III. 
CANTO III. THE DAY OF THE FIRST BATTLE.
 IV. 
CANTO IV. THE HOUR AFTER THE BATTLE.
 V. 
CANTO V. THE EVENING AFTER THE BATTLE.
 VI. 
CANTO VI. THE EVENING AFTER THE BATTLE.
 VII. 
CANTO VII. SCENE IN THE MONASTERY.
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CANTO VIII. SOLEMN WATCH WITHIN THE ABBEY.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
 V. 
V.
 VI. 
VI.
 VII. 
VII.
 VIII. 
VIII.
 IX. 
IX.
 X. 
X.
 XI. 
XI.
 XII. 
XII.
 XIII. 
XIII.
 XIV. 
XIV.
 XV. 
XV.
 XVI. 
XVI.
 XVII. 
XVII.
 XVIII. 
XVIII.
 XIX. 
XIX.
 XX. 
XX.
 XXI. 
XXI.
 XXII. 
XXII.
 XXIII. 
XXIII.
 XXIV. 
XXIV.
 XXV. 
XXV.
 XXVI. 
XXVI.
 XXVII. 
XXVII.
 XXVIII. 
XXVIII.
 XXIX. 
XXIX.
 XXX. 
XXX.
 XXXI. 
XXXI.
 XXXII. 
XXXII.
 XXXIII. 
XXXIII.
 XXXIV. 
XXXIV.
 XXXV. 
XXXV.
 XXXVI. 
XXXVI.
 XXXVII. 
XXXVII.
 XXXVIII. 
XXXVIII.
 XXXIX. 
XXXIX.
 XL. 
XL.
 XLI. 
XLI.
 XLII. 
XLII.
 IX. 
CANTO IX. AMONG THE DEAD.
 X. 
CANTO X. AMONG THE DEAD.
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MISCELLANEOUS POEMS.
  
SALISBURY PLAINS.
  
SHAKSPEARE'S CLIFF.
  
THE FISHERS.
  
IN THE NEW FOREST.
  
ON A FIRST VIEW OF THE GROUP CALLED THE SEVEN MOUNTAINS;
  
A SECOND VIEW OF THE SEVEN MOUNTAINS.
  
ON ASCENDING A HILL CROWNED WITH A CONVENT.
  
THE SNOW-FIEND.
  
AN ANCIENT BEECH-TREE. IN THE PARK, AT KNOLE.
  
SEA-VIEWS.
  
TO THE SWALLOW.
  
FOREST LAWNS.
  
ON THE RONDEAU, “JUST LIKE LOVE IS YONDER ROSE.”
  
DECEMBER'S EVE, ABROAD.
  
DECEMBER'S EVE, AT HOME.
  
A SEA-VIEW.
  
ON HAYLEY'S LIFE OF COWPER.
  
WRITTEN IN THE ISLE OF WIGHT.
  
SONNET TO THE LARK.
  
ON READING THE FOLLOWING BEAUTIFUL LINES, WRITTEN BY THE LATE LADY ELIZABETH LEE, SISTER OF EARL HARCOURT,
  
TO THE RIVER DOVE.
  
THE SEA-MEW.
  
TO THE WINDS.
  
MOONLIGHT.
  
SMILES.
  
THE REED OF POESY.
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EDWY.
 I. 
PART I. THE HAZEL TREE.
 II. 
PART II. THE FAIRIE COURT.
 III. 
PART III. THE MAGIC MIRRORS.
  
SCENE ON THE NORTHERN SHORE OF SICILY.

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XXXVIII.

But who the changing scenes may tell
This Abbey's ancient walls have known!
When London tolled the Plague's death-bell,
Justice here held her courts alone;
Here, in this nave, was placed her throne.
An earlier age showed scenes more dread,
For shrines and tombs around were spread
With bleeding knights and nobles dead.
Next age, the latter Henry's bands
Each consecrated altar spoiled,
Seized on the Abbey's ample lands,
And recklessly for plunder toiled.
Then, nearer to the living day,
Here other spoilers bore the sway,
Who, feigning Reason for their guide,
Indulged an impious, bigot pride.
127

All arrogant in their chicane,
They dared these reverend walls profane.
Then Cromwell's bands on grave-stones lay,
And storied brasses tore away;
The sculptured marble tombs defaced
Of those, who, nameless, sleep below;
That the tall arch, with web-work traced
That shadowed form of Prophet graced,
Was shattered by their impious blow.
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