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Gaston de Blondeville, or The court of Henry III

Keeping festival in Ardenne, a romance. St. Alban's Abbey, a metrical tale; With some poetical pieces. By Anne Radcliffe ... To which is prefixed: A memoir of the author, with extracts from her journals. In four volumes
Radcliffe, Ann Ward (1764-1823)

collapse sectionI. 
VOL. I.
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GASTON DE BLONDEVILLE.
  
THE BRIDAL.
  
[O'er the high western wolds afar]
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VOL III, IV.
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ST. ALBAN'S ABBEY:
  
[prologue]
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CANTO I. THE ABBEY.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
 V. 
V.
 VI. 
VI.
 VII. 
VII.
 VIII. 
VIII.
 IX. 
IX.
 X. 
X.
 XI. 
XI.
 XII. 
XII.
 XIII. 
XIII.
 XIV. 
XIV.
 XV. 
XV.
 XVI. 
XVI.
 XVII. 
XVII.
 XVIII. 
XVIII.
 XIX. 
XIX.
 XX. 
XX.
 XXI. 
XXI.
  
XXII.
 XXIII. 
XXIII.
 XXIV. 
XXIV.
 XXV. 
XXV.
 XXVI. 
XXVI.
 XXVII. 
XXVII.
 XXVIII. 
XXVIII.
 XXIX. 
XXIX.
 XXX. 
XXX.
 XXXI. 
XXXI.
 XXXII. 
XXXII.
 XXXIII. 
XXXIII.
 XXXIV. 
XXXIV.
 XXXV. 
XXXV.
 XXVI. 
XXVI.
 XXXVII. 
XXXVII.
 XXXVIII. 
XXXVIII.
 XXXIX. 
XXXIX.
 XL. 
XL.
 XLI. 
XLI.
 XLII. 
XLII.
 XLIII. 
XLIII.
 II. 
CANTO II. THE NIGHT BEFORE THE FIRST BATTLE.
 III. 
CANTO III. THE DAY OF THE FIRST BATTLE.
 IV. 
CANTO IV. THE HOUR AFTER THE BATTLE.
 V. 
CANTO V. THE EVENING AFTER THE BATTLE.
 VI. 
CANTO VI. THE EVENING AFTER THE BATTLE.
 VII. 
CANTO VII. SCENE IN THE MONASTERY.
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CANTO VIII. SOLEMN WATCH WITHIN THE ABBEY.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
 V. 
V.
 VI. 
VI.
 VII. 
VII.
 VIII. 
VIII.
 IX. 
IX.
 X. 
X.
 XI. 
XI.
 XII. 
XII.
 XIII. 
XIII.
 XIV. 
XIV.
 XV. 
XV.
 XVI. 
XVI.
 XVII. 
XVII.
 XVIII. 
XVIII.
 XIX. 
XIX.
 XX. 
XX.
 XXI. 
XXI.
 XXII. 
XXII.
 XXIII. 
XXIII.
 XXIV. 
XXIV.
 XXV. 
XXV.
 XXVI. 
XXVI.
 XXVII. 
XXVII.
 XXVIII. 
XXVIII.
 XXIX. 
XXIX.
 XXX. 
XXX.
 XXXI. 
XXXI.
 XXXII. 
XXXII.
 XXXIII. 
XXXIII.
 XXXIV. 
XXXIV.
 XXXV. 
XXXV.
 XXXVI. 
XXXVI.
 XXXVII. 
XXXVII.
 XXXVIII. 
XXXVIII.
 XXXIX. 
XXXIX.
 XL. 
XL.
 XLI. 
XLI.
 XLII. 
XLII.
 IX. 
CANTO IX. AMONG THE DEAD.
 X. 
CANTO X. AMONG THE DEAD.
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MISCELLANEOUS POEMS.
  
SALISBURY PLAINS.
  
SHAKSPEARE'S CLIFF.
  
THE FISHERS.
  
IN THE NEW FOREST.
  
ON A FIRST VIEW OF THE GROUP CALLED THE SEVEN MOUNTAINS;
  
A SECOND VIEW OF THE SEVEN MOUNTAINS.
  
ON ASCENDING A HILL CROWNED WITH A CONVENT.
  
THE SNOW-FIEND.
  
AN ANCIENT BEECH-TREE. IN THE PARK, AT KNOLE.
  
SEA-VIEWS.
  
TO THE SWALLOW.
  
FOREST LAWNS.
  
ON THE RONDEAU, “JUST LIKE LOVE IS YONDER ROSE.”
  
DECEMBER'S EVE, ABROAD.
  
DECEMBER'S EVE, AT HOME.
  
A SEA-VIEW.
  
ON HAYLEY'S LIFE OF COWPER.
  
WRITTEN IN THE ISLE OF WIGHT.
  
SONNET TO THE LARK.
  
ON READING THE FOLLOWING BEAUTIFUL LINES, WRITTEN BY THE LATE LADY ELIZABETH LEE, SISTER OF EARL HARCOURT,
  
TO THE RIVER DOVE.
  
THE SEA-MEW.
  
TO THE WINDS.
  
MOONLIGHT.
  
SMILES.
  
THE REED OF POESY.
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EDWY.
 I. 
PART I. THE HAZEL TREE.
 II. 
PART II. THE FAIRIE COURT.
 III. 
PART III. THE MAGIC MIRRORS.
  
SCENE ON THE NORTHERN SHORE OF SICILY.

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XXXII.

That oriel shed bright influence
And charm, by its magnificence,
On all there told by eye, or tongue,
Morality, or Mystery,
Or Founder's boon, or History.
In front, the velvet curtain, flung
In folds aside, not then for shade,
Or shelter, as when winds invade,
Made graceful ornament between
The roof and the fictitious scene.
How different from this festal grace,
How fit it's blandishments to chase,
Were the long vistas, ranging here
Of the Great Cloister's pillared square.
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