Lucile :: :: University of Virginia Library

Lucile

By Owen Meredith [i.e. E. R. B. Lytton]

Lytton, Edward Robert Bulwer Lytton (1831-1891)

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[section]

LUCILE.

PART I.

CANTO I.

II.

III.

IV.

VI.

VII.

II.

CANTO II.

LETTER FROM LORD ALFRED VARGRAVE TO THE COMTESSE DE NEVERS.

II.

III.

IV.

VI.

VII.

VIII.

IX.

XI.

XII.

XIII.

XIV.

XV.

XVI.

XVII.

XVIII.

XIX.

XX.

XXI.

XXII.

XXIII.

XXIV.

XXV.

XXVI.

XXVII.

XXVIII.

XXIX.

XXX.

XXXI.

XXXII.

XXXIII.

XXIV.

XXXIV.

XXXV.

XXXVI.

XXXVII.

III.

CANTO III.

II.

III.

IV.

VI.

VII.

VIII.

IX.

XI.

XII.

XIII.

XIV.

XV.

XVI.

XVII.

XVIII.

XIX.

XX.

XXI.

XXII.

XXIII.

XXIV.

XXV.

XXVI.

XXVII.

XXVIII.

IV.

CANTO IV. LETTER FROM COUSIN JOHN TO COUSIN ALFRED.

II.

III.

IV.

VI.

VII.

VIII.

IX.

XI.

XII.

XIII.

XIV.

XV.

XVI.

XVII.

XVIII.

XIX.

XX.

XXI.

XXII.

XXIII.

XXIV.

CANTO V.

II.

III.

IV.

VI.

VII.

VIII.

IX.

IX. THE COMTESSE DE NEVERS TO LORD ALFRED VARGRAVE.

XI.

XII.

XIII.

XIV.

XV.

XVI.

XVII.

XVIII.

XIX.

XX.

XXI.

XXII.

XXIII.

XXIV.

XXV.

XXVI.

XXVII.

XXVIII.

VI.

CANTO VI.

II.

III.

IV.

VI.

VII.

VIII.

IX.

XI.

XII.

XIII.

XIV.

XV.

XVI.

XVII.

XVIII.

XIX.

XX.

XXI.

XXII.

XXIII.

XXIV.

XXV.

XXVI.

II.

PART II.

CANTO I.

II.

III.

IV.

VI.

VII.

VIII.

IX.

XI.

XII.

XIII.

XIV.

XV.

XVI.

XVII.

XVIII.

XIX.

XX.

XXI.

XXII.

XXIII.

XXIV.

XXV.

XXVI.

XXVII.

XXVIII.

XXIX.

XXX.

XXXI.

XXXII.

XXXIII.

XXXIV.

XXXV.

II.

CANTO II.

I. COUSIN JOHN TO COUSIN ALFRED.

II.

III.

IV.

VI.

VII.

VIII.

IX.

III.

CANTO III.

II.

III.

IV.

VI.

VII.

VIII.

IX.

XI.

XII.

XIII.

XIV.

XV.

IV.

CANTO IV.

II.

III.

IV.

VI.

VII.

VIII.

IX.

XI.

XII.

XIII.

XIV.

XV.

CANTO V.

II.

III.

IV.

VI.

VII.

VIII.

IX.

XI.

XII.

XIII.

XIV.

XV.

XVI.

VI.

CANTO VI.

II.

III.

IV.

VI.

VII.

VIII.

IX.

XI.

XII.

XIII.

XIV.

XV.

XVI.

XVII.

XVIII.

XIX.

XX.

XXI.

XXII.

XXIII.

XXIV.

XXV.

XXVI.

XXVII.

XXVIII.

XXIX.

XXX.

XXXI.

XXXII.

XXXIII.

XXXIV.

XXXV.

XXXVI.

XXXVII.

XXXVIII.

XXXIX.

XL.

XLI.

Collapse All | Expand All expand section

I. PART I.

CANTO I.

LETTER FROM THE COMTESSE DE NEVERS TO LORD ALFRED VARGRAVE.

I.

‘I hear from Bigorre you are there. I am told
‘You are going to marry Miss Darcy. Of old
‘So long since you may have forgotten it now,
‘(When we parted as friends, soon mere strangers to grow)
‘Your last words recorded a pledge—what you will—
‘A promise—the time is now come to fulfil.
‘The letters I ask you, my lord, to return,
‘I desire to receive from your hand. You discern
‘My reasons, which, therefore, I need not explain.
‘The distance to Serchon is short. I remain
‘A month in these mountains. Miss Darcy, perchance,
‘Will forego one brief page from the summer romance
‘Of her courtship, and spare you one day from your place
‘At her feet, in the light of her fair English face.
‘I desire nothing more, and I trust you will feel
‘I desire nothing much.

‘Your friend always,

‘Lucile.’

II.

Now in May Fair, of course,—in the fair month of May—
When all things in abundance make London so gay;
When street-strawberries are sold, piled in pottles like sheaves,
And young ladies are sold for the strawberry-leaves;
When cards, invitations, and three-corner'd notes
Fly about like white butterflies—gay little motes
In the sunbeam of Fashion; and even Blue Books
Take a heavy-wing'd flight, and grow busy as rooks;
And the postman (that Genius, indifferent and stern,
Who shakes out even-handed to all, from his urn,
Those lots which so often decide if our day
Shall be fretful and anxious, or joyous and gay)
Brings, each morning, more letters of one sort or other
Than Cadmus himself put together, to bother
The heads of Hellenes,—I say, in the season,
Of fair May in May Fair, there can be no reason
Why, when calmly absorbing your dry-toast and butter,
Your nerves should be suddenly thrown in a flutter
At the sight of a neat little letter, address'd
In a woman's hand-writing, containing, half-guess'd,
An odour of violets faint as the spring,
And coquettishly sealed with a small signet-ring.

But in autumn, the season of sombre reflection,
When a damp day, at breakfast, begins with dejection;
Far from London and Paris, and ill at one's ease,
Away in the heart of the blue Pyrenees,

Where a call from the doctor, a stroll to the bath,
A ride through the hills on a hack like a lath,
A cigar, a French novel, a tedious flirtation,
Are all a man finds for his day's occupation,
The whole case, believe me, is totally changed,
And a letter may alter the plans we arranged
Over-night, for the slaughter of Time—a wild beast,
Which, though classified yet by no naturalist,
Abounds in these mountains, more hard to ensnare,
And more mischievous too, than the Lynx or the Bear.

III.

I marvel less, therefore, that, having already
Torn open this note, with a hand most unsteady,
Lord Alfred now dash'd it away with a cry
Of angry surprise. If a shell from the sky
On the board, where he then sat at breakfast, had bounded
And burst, he could scarcely have look'd more astounded,
Or more speedily spurn'd it.

The month is September;
Time, morning; the scene at Bigorre; (pray remember
These facts, gentle reader, because I intend
To fling all the unities by at the end.)
He walk'd to the window. The morning was chill:
The brown woods were crisp'd in the cold on the hill:
The sole thing abroad in the streets was the wind:
And the straws on the gust, like the thoughts in his mind,
Rose, and eddied around and around, as tho' teasing
Each other. The prospect, in truth, was unpleasing:

And Lord Alfred, whilst moodily gazing around it,
To himself more than once (vex'd in soul) sigh'd......
‘Confound it!’

IV.

What the thoughts may have been which this bad interjection
Disclosed, I must leave to the reader's detection;
For whatever they were, they were burst in upon,
As the door was burst through, by my lord's Cousin John.

Cousin John.
A fool, Alfred, a fool, a most motley fool!

Lord Alfred.
Who?

Cousin John.
The man who has anything better to do;
And yet so far forgets himself, so far degrades
His position as Man, to this worst of all trades,
Which even a well-brought-up ape were above,
To travel about with a woman in love,—
Unless she's in love with himself.

Lord Alfred.
Indeed! why
Are you here then, dear Jack?

Cousin John.
Can't you guess it?

Lord Alfred.
Not. I.

Cousin John.
Because I have nothing that's better to do.
I had rather be bored, my dear Alfred, by you,
On the whole (I must own), than be bored by myself.
That perverse, imperturbable, golden-hair'd elf—
Your Will-o'-the-wisp—that has led you and me
Such a dance through these hills—

Lord Alfred.
Who, Matilda?

Cousin John.
Yes! she,
Of course! who but she could contrive so to keep
One's eyes, and one's feet too, from falling asleep
For even one half-hour of the long twenty-four?

Lord Alfred.
What's the matter?

Cousin John.
Why, she is—a matter, the more
I consider about it, the more it demands
An attention it does not deserve; and expands
Beyond the dimensions which ev'n crinoline,
When possess'd by a fair face and saucy Eighteen,
Is entitled to take in this very small star,
Already too crowded, as I think, by far.
You read Malthus and Sadler?

Lord Alfred.
Of course.

Cousin John.
To what use,
When you countenance, calmly, such monstrous abuse
Of one mere human creature's legitimate space
In this world? Mars, Apollo, Virorum! the case
Wholly passes my patience.

Lord Alfred.
My own is worse tried.

Cousin John.
Yours, Alfred?

Lord Alfred.
Read this, if you doubt, and decide.

Cousin John
(reading the letter).
‘I hear from Bigorre you are there. I am told
‘You are going to marry Miss Darcy. Of old—’
What is this?

Lord Alfred.
Read it on to the end, and you'll know.

Cousin John
(continues reading).

‘When we parted, your last words recorded a vow—
‘What you will’...

Hang it! this smells all over, I swear,
Of adventures and violets. Was it your hair
You promised a lock of?

Lord Alfred.
Read on. You'll discern.

Cousin John
(continues).
‘Those letters I ask you, my lord, to return.’...
Humph!...Letters!... the matter is worse than I guess'd.
I have my misgivings—

Lord Alfred.
Well, read out the rest,
And advise.

Cousin John.

Eh?... Where was I?...

(continues)

‘Miss Darcy perchance
‘Will forego one brief page from the summer romance
‘Of her courtship.’...

Egad! a romance, for my part,
I'd forego every page of, and not break my heart!

Lord Alfred.
Continue!

Cousin John
(reading).

‘And spare you one day from your place
‘At her feet’ ...

Pray forgive me the passing grimace.
I wish you had My place!

(reads)

‘I trust you will feel
‘I desire nothing much. Your friend’ ...

Bless me! ‘Lucile?’
The Comtesse de Nevers?

Lord Alfred.
Yes.

Cousin John.
What will you do?

Lord Alfred.
You ask me, just what I would rather ask you.

Cousin John.
You can't go.

Lord Alfred.
I must.

Cousin John.
And Matilda?

Lord Alfred.
Oh, that
You must manage!

Cousin John.
Must I? I decline it, though, flat.
In an hour the horses will be at the door,
And Matilda is now in her habit. Before
I have finish'd my breakfast, of course I receive
A message for ‘dear Cousin John!’ ... I must leave

At the jeweller's the bracelet which you broke last night;
I must call for the music. `Dear Alfred is right:
‘The black shawl looks best: will I change it? of course
‘I can just stop, in passing, to order the horse.
‘Then Beau has the mumps, or St. Hubert knows what;
‘Will I see the dog-doctor?’ Hang Beau! I will not.

Lord Alfred.
Tush, tush! this is serious.

Cousin John.
It is.

Lord Alfred.
Very well,
You must think—

Cousin John.
What excuse will you make tho'?

Lord Alfred.
Oh, tell
Mrs. Darcy that...lend me your wits, Jack!...the deuce!
Can you not stretch your genius to fit a friend's use?
Excuses are clothes which, when ask'd unawares,
Good Breeding to naked Necessity spares.
You must have a whole wardrobe, no doubt.

Cousin John.
My dear fellow,
Matilda is jealous, you know, as Othello.

Lord Alfred.
You joke.

Cousin John.
I am serious. Why go to Serchon?

Lord Alfred.
Don't ask me. I have not a choice, my dear John.
Besides, shall I own a strange sort of desire,
Before I extinguish for ever the fire
Of youth and romance, in whose shadowy light
Hope whisper'd her first fairy tales, to excite
The last spark, till it rise, and fade far in that dawn
Of my days where the twilights of life were first drawn
By the rosy, reluctant auroras of Love:
In short, from the dead Past the grave-stone to move;
Of the years long departed for ever to take
One last look, one final farewell; to awake
The Heroic of youth from the Hades of joy,
And once more be, though but for an hour, Jack—a boy!

Cousin John.
You had better go hang yourself.

Lord Alfred.
No! were it but
To make sure that the Past from the Future is shut,
It were worth the step back. Do you think we should live
With the living so lightly, and learn to survive
That wild moment in which to the grave and its gloom
We consign'd our heart's best, if the doors of the tomb
Were not lock'd with a key which Fate keeps for our sake?
If the dead could return, or the corpses awake?

Cousin John.
Nonsense! nonsense!

Lord Alfred.
Not wholly. The man who gets up
A fill'd guest from the banquet, and drains off his cup,
Sees the last lamp extinguish'd with cheerfulness, goes
Well contented to bed, and enjoys its repose.
But he who hath supp'd at the tables of kings,
And yet starved in the sight of luxurious things;
Who hath watch'd the wine flow, by himself but half tasted,
Heard the music, and yet miss'd the tune; who hath wasted
One part of life's grand possibilities;—friend,
That man will bear with him, be sure, to the end,
A blighted experience, a rancour within:
You may call it a virtue, I call it a sin.

Cousin John.
I see you remember that cynical story
Of the wicked old profligate fellow—a hoary
Lothario, whom dying, the priest by his bed
(Knowing well the unprincipled life he had led,
And observing, with no small amount of surprise,
Resignation and calm in the old sinner's eyes)
Ask'd if he had nothing that weigh'd on his mind:
‘Well,...no,’ ... says Lothario, `I think not. I find,
‘On reviewing my life, which in most things was pleasant,
‘I never neglected, when once it was present,

‘An occasion of pleasing myself. On the whole,
‘I have nought to regret;’ ... and so, smiling, his soul
Took its flight from this world.

Lord Alfred.
Well, Regret or Remorse,
Which is best?

Cousin John.
Why, Regret.

Lord Alfred.
No; Remorse, Jack, of course;
For the one is related, be sure, to the other.
Regret is a spiteful old maid: but her brother,
Remorse, though a widower certainly, yet
Has been wed to young Pleasure. Dear Jack, hang Regret!

Cousin John.
Bref! you mean, then, to go?

Lord Alfred.
Bref! I do.

Cousin John.
One word ... stay!
Are you really in love with Matilda?

Lord Alfred.
Love, eh?
What a question! Of course.

Cousin John.
Were you really in love
With Madame de Nevers?

Lord Alfred.
What; Lucile? No, by Jove,
Never really.

Cousin John.
She's pretty?

Lord Alfred.
Decidedly so.
At least, so she was, some ten summers ago.
As pale as an evening in autumn—with hair
Neither black, nor yet brown, but that tinge which the air
Takes at eve in September, when night lingers lone
Through a vineyard, from beams of a slow-setting sun.
Eyes—the wistful gazelle's; the fine foot of a fairy;
And a hand fit a fay's wand to wave,—white and airy;
A voice soft and sweet as a tune that one knows.
Something in her there was, set you thinking of those
Strange backgrounds of Raphael ... that hectic and deep
Brief twilight in which southern suns fall asleep.

Cousin John.
Coquette?

Lord Alfred.
Not at all. 'Twas her one fault. Not she!
I had loved her the better, had she less loved me.

The heart of a man's like that delicate weed
Which requires to be trampled on, boldly indeed,
Ere it give forth the fragrance you wish to extract.
'Tis a simile, trust me, if not new, exact.

Cousin John.
Women change so.

Lord Alfred.
Of course.

Cousin John.
And, unless rumour errs,
I believe that, last year, the Comtesse de Nevers
Was at Baden the rage—held an absolute court
Of devoted adorers, and really made sport
Of her subjects.

Lord Alfred.
Indeed!

Cousin John.
When she broke off with you Her engagement, her heart did not break with it?

Lord Alfred.
Pooh!
Pray would you have had her dress always in black,
And shut herself up in a convent, dear Jack?
Besides, 'twas my fault the engagement was broken.

Cousin John.
I dare say. How was that?

Lord Alfred.
Oh, the tale is soon spoken.
She bored me. I show'd it. She saw it. What next?
She reproach'd. I retorted. Of course she was vex'd.
I was vex'd that she was so. She sulk'd. So did I.
If I ask'd her to sing, she look'd ready to cry.
I was contrite, submissive. She soften'd. I harden'd.
At noon I was banish'd. At eve I was pardon'd.
She said I had no heart. I said she had no reason.
I swore she talk'd nonsense. She sobb'd I talk'd treason.
In short, my dear fellow, 'twas time, as you see,
Things should come to a crisis, and finish. 'Twas she
By whom to that crisis the matter was brought.
She released me. I linger'd. I linger'd, she thought,
With too sullen an aspect. This gave me, of course,
The occasion to fly in a rage, mount my horse,
And declare myself uncomprehended. And so
We parted. The rest of the story you know.

Cousin John.
No, indeed.

Lord Alfred.
Well, we parted. Of course we could not
Continue to meet, as before, in one spot.
You conceive it was awkward? Even Don Ferdinando
Can do, you remember, no more than he can do.
I think that I acted exceedingly well,
Considering the time when this rupture befel,
For Paris was charming just then. It deranged
All my plans for the winter. I ask'd to be changed—
Wrote for Naples, then vacant—obtain'd it—and so
Join'd my new post at once; but scarce reach'd it, when lo!
My first news from Paris informs me Lucile
Is ill, and in danger. Conceive what I feel.
I fly back. I find her recover'd, but yet
Looking pale. I am seized with a contrite regret.
I ask to renew the engagement.

Cousin John.
And she?

Lord Alfred.
Reflects, but declines. We part, swearing to be
Friends ever, friends only. All that sort of thing!
We each keep our letters.... a portrait ... a ring ...
With a pledge to return them whenever the one
Or the other shall call for them back.

Cousin John.
Pray go on.

Lord Alfred.
My story is finish'd. Of course I enjoin
On Lucile all those thousand good maxims we coin
To supply the grim deficit found in our days,
When Love leaves them bankrupt. I preach. She obeys.
She goes out in the world; takes to dancing once more—
A pleasure she rarely indulged in before.
I go back to my post, and collect (I must own
'Tis a taste I had never before, my dear John)
Antiques and small Elzevirs. Heigho! now, Jack,
You know all.

Cousin John
(after a pause).
You are really resolved to go back?

Lord Alfred.
Eh, where?

Cousin John.
To that worst of all places—the past.
You remember Lot's wife?

Lord Alfred.
'Twas a promise when last
We parted. My honour is pledged to it.

Cousin John.
Well,
What is it you wish me to do?

Lord Alfred.
You must tell

Matilda, I meant to have call'd—to leave word—
To explain—but the time was so pressing—

Cousin John.
My lord,
Your lordship's obedient! I really can't do ...

Lord Alfred.
You wish then to break off my marriage?

Cousin John.
No, no!
But indeed I can't see why yourself you need take
These letters.

Lord Alfred.
Not see? would you have me, then, break
A promise my honour is pledged to?

Cousin John
(humming).
‘Off, off,
‘And away! said the stranger’...

Lord Alfred.
Oh, good! oh, you scoff!

Cousin John.
At what, my dear Alfred?

Lord Alfred.
At all things!

Cousin John.
Indeed?

Lord Alfred.
Yes! I see that your heart is as dry as a reed.
You're a blasé unprincipled roué. I see
You have no feeling left in you, even for me!
At honour you jest; you are cold as a stone
To the warm voice of friendship. Belief you have none;
You have lost faith in all things. You carry a blight
About with you everywhere. Yes, at the sight
Of such callous indifference, who could be calm?
I must leave you at once, Jack, or else the last balm
That is left me in Gilead you'll turn into gall.
Heartless, cold, unconcern'd ...

Cousin John.
Have you done? Is that all?
Well, then, listen to me! I presume when you made
Up your mind to propose to Miss Darcy, you weigh'd
All the drawbacks against the equivalent gains,
Ere you finally settled the point. What remains
But to stick to your choice? You want money: 'tis here.
A settled position: 'tis yours. A career:
You secure it. A wife, young, and pretty as rich,
Whom all men will envy you. Why must you itch
To be running away on the eve of all this
To a woman whom never for once did you miss
All these years since you left her? Who knows what may hap?
This letter—to me—is a palpable trap.

The woman has changed since you knew her. Perchance
She yet seeks to renew her youth's broken romance.
When women begin to feel youth and their beauty
Slip from them, they count it a sort of a duty
To let nothing else slip away unsecured
Which these, while they lasted, might once have procured.
Lucile's a coquette to the end of her fingers,
I will stake my last farthing. Perhaps the wish lingers
To recall the once reckless, indifferent lover
To the feet he has left: let intrigue now recover
What truth could not keep. 'Twere a vengeance, no doubt—
A triumph;—but why must you bring it about?
You are risking the substance of all that you schemed
To obtain; and for what? some mad dream you have dream'd!

Lord Alfred.
But there's nothing to risk. You exaggerate, Jack.
You mistake. In three days, at the most, I am back.

Cousin John.
Ay, but how? ... discontented, unsettled, upset,
Bearing with you a comfortless twinge of regret;
Pre-occupied, sulky, and likely enough
To make your Fiancée break off in a huff.
Three days do you say? But in three days who knows
What may happen? I don't, nor do you, I suppose.

O, Shakespeare! how couldst thou ask ‘What's in a name?’
'Tis the devil's in it, when a bard has to frame
English rhymes for alliance with names that are French:
And in these rhymes of mine, well I know that I trench
All too far on that licence which critics refuse,
With just right, to accord to a well-brought-up Muse.
Yet, tho' faulty the union, in many a line,
'Twixt my British-born verse and my French heroine,
Since, however auspiciously wedded they be,
There is many a pair that yet cannot agree,
Your forgiveness for this pair, the author invites,
Whom necessity, not inclination, unites.

V.

Of all the good things in this good world around us,
The one most abundantly furnish'd and found us,
And which, for that reason, we least care about,
And can best spare our friends, is good counsel, no doubt.
But advice, when 'tis sought from a friend (tho' civility
May forbid to avow it), means mere liability
In the bill we already have drawn on Remorse,
Which we deem that a true friend is bound to endorse.
A mere lecture on debt from that friend is a bore.
Thus, the better his cousin's advice was, the more
Alfred Vargrave with angry resentment opposed it.
And, having the worst of the contest, he closed it
With so firm a resolve his bad ground to maintain,
That, sadly perceiving resistance was vain,
And argument fruitless, the amiable Jack
Came to terms, and assisted his cousin to pack
A slender valise (the one small condescension
Which his final remonstrance obtain'd) whose dimension
Excluded large outfits; and, cursing his stars, he
Shook hands with his friend and return'd to Miss Darcy.

VI.

Lord Alfred, when last to the window he turn'd,
Ere he lock'd up and quitted his chamber, discern'd
Matilda ride by, with her cheek beaming bright
In what Virgil has call'd ‘Youth's purpureal light’
(I like the expression, and can't find a better).
He sigh'd as he look'd at her. Did he regret her?

In her habit and hat, with her glad golden hair,
As airy and blithe as a blithe bird in air,
And her arch rosy lips, and her eager blue eyes,
With their little impertinent look of surprise,
And her round youthful figure, and fair neck, below
The dark drooping feather, as radiant as snow,—
I can only declare, that if I had the chance
Of passing three days in the exquisite glance
Of those eyes, or caressing the hand that now petted
That fine English mare, I should much have regretted
Whatever might lose me one little half-hour
Of a pastime so pleasant, when once in my power.
For, if one drop of milk from the bright Milky Way
Could turn into a woman, 'twould look, I dare say,
Not more fresh than Matilda was looking that day.

VII.

But whatever the feeling that prompted the sigh
With which Alfred Vargrave now watch'd her ride by,
I can only affirm that, in watching her ride,
As he turn'd from the window, he certainly sigh'd.

CANTO II.

I. LETTER FROM LORD ALFRED VARGRAVE TO THE COMTESSE DE NEVERS.

‘Bigorre, Tuesday.

‘Your note, Madam, reach'd me to-day, at Bigorre,
‘And commands (need I add) my obedience. Before
‘The night I shall be at Serchon—where a line,
‘If sent to Duval's, the hotel where I dine,
‘Will find me, awaiting your orders. Receive
‘My respects.
‘Yours sincerely,
‘A. Vargrave.
‘I leave
‘In an hour.’

II.

In an hour from the time he wrote this,
Alfred Vargrave, in tracking a mountain abyss,
Gave the rein to his steed and his thoughts, and pursued,
In pursuing his course through the blue solitude,
The reflections that journey gave rise to.

And here,
Dear Reader, (for when was a reader not dear?)
Let me pause to describe you my hero.

III.

We all
Have seen in the world, at an opera or ball,
Or read of in books, or heard sung of in songs,
Or encounter'd, perchance, 'mid the gay idle throngs
Whom at Baden or Homburg, at evening, one sees,
Lounging over green tables, or under green trees,
In the sound of the music, the light of the flambeaux,
Two kinds of Don Juan.

They are Arcades ambo.
The one is Italian or French: a point, rather
Disputed: I think tho', Molière was his father.
For the rest, of his family nothing is known.
Of his sponsors, 'tis said that a croupier was one,
The other an actress at Paris: perchance
His life's a libretto, his birth a romance.
But his name is Don Juan. Of that there's no question.
He boasts a bold beauty. He owns a digestion
Æs triplex et robur, for lobsters and oysters;
The darling of grisettes, the terror of cloisters.
He is insolent, noisy, extravagant, vain.
On the whole, he is vulgar. But one thing is plain,
The women don't think him so. Would you know why?
His name is Don Juan.

We'll let him pass by
Because he's a quarrelsome fellow.

IV.

The other
Some persons have taken, I hear, for his brother.

But this, I believe, is an error.

Indeed,
If, though but for a moment, you'll look with due heed
In the face of this so-call'd relation, you'll see
That he springs from a different family tree.
In fact he is English. One cannot but know it;
His features, his manners, his conduct, all show it.
He belongs to a northern nobility, and
His sire was a Lovelace.

I think that Georges Sand
Must have met him and known him when, after the Peace,
He made the grand tour of the Continent. Greece,
Spain, Italy, Egypt, he ran them all through
While the down on his lip and his chin was yet new.
His classical reading is great: he can quote
Horace, Juvenal, Ovid, and Martial by rote.
He has read Metaphysics ... Spinoza and Kant;
And Theology too: I have heard him descant
Upon Basil and Jerome. Antiquities, art,
He is fond of. He knows the old masters by heart,
And his taste is refined. I must own in this place
He is scarcely good-looking; and yet in his face
There is something that makes you gaze at it again.
You single him out from a room full of men,
And feel curious to know him. There's that in his look
Which draws you to read in it, as in a book,
Of some cabalist, character'd curiously o'er
With an incomprehensible legended lore.
Relentless, and patient, and resolute, cold,
Unimpassion'd, and callous, and silently bold,

Whatever affords him pursuit is pursued
As a wild beast pursues, and devours his food
In the forest, impell'd by the instinct of prey.
You can scarcely despise, tho' abhor him you may;
For you feel, with a thrill, as you track through the world
The course of his destiny, snakily curl'd
In the roses, or branding with thunder the heath,
Some bad angel hath pass'd there. The Angel of Death,
Or Destruction, it may be.

So, leave him.

V.

There are,
Here and there, in Life's great lazaretto, though rare,
Certain men whose disease of the heart is more deep,
Though less deadly. Yet something there is, makes me weep
When I strive to describe them. I search, but in vain,
For the words that should render the portraiture plain.
Nine cycles with Dante my muse hath descended;
In the hollows of hell I have gather'd and blended
All hues of the pale, pulsing flamelight; and yet
The picture is vague as a virgin's regret,
And designs but a shadow, that wavers, and goes,
And returns, on the twilight of thought.

Such are those
Whom my verse would in vain comprehend. Alas! they
Comprehend not themselves.

They are drawn off one way

By their passions, and drawn back again by their heart;
A vague but immortal regret, with its dart,
Pursues them for ever; and drives them with pain
From themselves to the world, from the world back again
To themselves.

Having fail'd at the springs they seek first
To satiate wholly the undying thirst
Of a deathless desire, they would quench it for ever
In the dregs of a sensual opiate;—endeavour
To trample out that which is brightest in them,
The star that is set on their soul's diadem,
Because it has fail'd to enkindle in others
One spark from the glory which nothing quite smothers:
For they cannot all stifle the spirit. At night
They reel home from the orgy beneath the wan light
Of the star that reproachfully leads them. The world
In darkness and dream and oblivion is furl'd;
Their destiny stirs and awakes in them then.
While their cheek with the wine is yet flushing, these men
Arise, and the serpent and ape at their feet
Crouch and huddle. Their hair creeps. Their brow gathers heat
From some seraph that sadly regards them. They start,
Like a god from the clay, into beauty and art.
What breaks from the lip with such passionate strain?
Some wild song of the revel, re-echoed again?
Nay, hark! 'tis the psalm of the soul, as her wings
Are unfurl'd:—'tis the Bard, 'tis no drunkard, that sings!
Heaven opens. Earth yawns. Hell delivers its prey.
The beast and false prophet slink, baffled, away.

The world stands afar off to wonder or scoff—
The chariots of Israel, the horsemen thereof!
The spirit ascends through the heavenly portal,
And the mantle, descending, hath cover'd the mortal!

The man is a profligate sensualist,
The man's life a reckless debauch, you insist:
Let the man's life be all that you will, I appeal
The man's work is immortal—behold it and kneel!
But the life of the man? Can you tell where it lies?
In the effort to sink, or the power to rise?
Can you guess what the thirst is, the man quenches thus?
In vain! shall we tell what he fails to tell us?

VI.

To this class my hero remotely belongs—
A class, doubtless, more common in life than in songs.
If genius he had not, at least he had much
That to genius is kindred: one feverish touch
Of that hunger which urges for ever the soul
To some infinite, distant, impossible goal:
The horseleech's daughter that cries in the heart
With her ceaseless ‘give, give!’ and sits pining apart
From the purpose of all things.

VII.

The age is gone o'er
When a man may in all things be all. We have more
Painters, poets, musicians, and artists, no doubt,
Than the great Cinquecento gave birth to; but out

Of a million of mere dilettanti, when, when
Will a new Leonardo arise on our ken?
He is gone with the age which begat him. Our own
Is too vast and too complex for one man alone
To embody its purpose, and hold it shut close
In the palm of his hand. There were giants in those
Irreclaimable days; but in these days of ours
In dividing the work we distribute the powers.
Yet a dwarf on a dead giant's shoulders sees more
Than the 'live giant's eyesight avail'd to explore;
And in life's lengthen'd alphabet what used to be
To our sires X Y Z is to us A B C.
A Varini is roasted alive for his pains,
But a Bacon comes after and picks up his brains.
A Bruno is angrily seized by the throttle
And hunted about by thy ghost, Aristotle,
Till a More or Lavater step into his place,
Then the world turns and makes an admiring grimace.
Once the men were so great and so few, they appear,
Through a distant Olympian atmosphere,
Like vast Caryatids upholding the age.
Now the men are so many and small, disengage
One man from the million to mark him, next moment
The crowd sweeps him hurriedly out of your comment;
And since we seek vainly (to praise in our songs)
'Mid our fellows the size which to heroes belongs,
We take the whole age for a hero, in want
Of a better; and still, in its favour, descant
On the strength and the beauty which, failing to find
In any one man, we ascribe to mankind.

VIII.

Alfred Vargrave was one of those men who achieve
So little, because of the much they conceive.
A redundantly sensuous nature, each pore
Ever patent to beauty, had yet left him sore
With a sense of impossible power. He saw
Too keenly the void 'twixt the absolute law
And the partial attainment. He knock'd at each one
Of the doorways of life, and abided in none.
His course, by each star that would cross it, was set,
And whatever he did he was sure to regret.
That target, discuss'd by the travellers of old,
Which to one appear'd argent, to one appear'd gold,
To him, ever lingering on Doubt's dizzy margent,
Appear'd in one moment both golden and argent.
The man who seeks one thing in life, and but one,
May hope to achieve it before life be done;
But he who seeks all things, wherever he goes,
Only reaps from the hopes which around him he sows
A harvest of barren regrets. And the worm
That crawls on in the dust to the definite term
Of its creeping existence, and sees nothing more
Than the path it pursues till its creeping be o'er,
In its limited vision, is happier far
Than the Half-Sage, whose course, fix'd by no friendly star,
Is by each star distracted in turn, and who knows
Each will still be as distant wherever he goes

IX.

Both brilliant and brittle, both bold and unstable,
Indecisive yet keen, Alfred Vargrave seem'd able
To dazzle, but not to illumine, mankind.
A vigorous, various, versatile mind;
A character wavering, fitful, uncertain,
As the shadow that shakes o'er a luminous curtain,
Vague and flitting, but on it for ever impressing
The shape of some substance at which you stand guessing:
When you said, ‘All is worthless and weak here,’ behold!
Into sight on a sudden there seem'd to unfold
Great outlines of strenuous truth in the man:
When you said, ‘This is genius,’ the outlines grew wan.
And his life, tho' in all things so gifted and skill'd,
Was, at best, but a promise which nothing fulfill'd.

X.

In the budding of youth, ere wild winds can deflower
The shut leaves of man's life, round the germ of man's power
Yet folded, his life had been earnest. Alas!
In that life one occasion, one moment, there was
When all that was earnest in him might have been
Unclosed into manhood's imperial, serene
Dominion of permanent power. But it found him
Too soon; ere the weight of the light life around him
Had been weigh'd at its worth; when his nature was still
The delicate toy of too pliant a will

The boisterous play of the world to resist,
Or the frost of the world's wintry wisdom.

He miss'd
That occasion, too rathe in its advent.

Since then,
He had made it a law, in his commerce with men,
That intensity in him which only left sore
The heart it disturb'd, to repel and ignore.

And thus, as some Prince by his subjects deposed,
Whose strength he, by seeking to crush it, disclosed,
In resigning the power he lack'd power to support,
Turns his back upon courts, with a sneer at the court,
In his converse this man for self-comfort appeal'd
To a cynic denial of all he conceal'd
In the instincts and feelings belied by his words.
Words, however, are things: and the man who accords
To his language the licence to outrage his soul,
Is controll'd by the words he disdains to control.
And, therefore, he seem'd in the deeds of each day,
The light code proclaim'd on his lips to obey;
And, the slave of each whim, follow'd wilfully aught
That perchance fool'd the fancy, or flatter'd the thought
Yet, indeed, deep within him, the spirits of truth,
Vast, vague aspirations, the powers of his youth,
Lived and breathed, and made moan—stirr'd themselves—strove to start
Into deeds—tho' deposed, in that Hades, his heart.
Like those antique Theogonies ruin'd and hurl'd
Under clefts of the hills, which, convulsing the world,

Heav'd, in earthquake, their heads the rent caverns above,
To trouble at times in the light court of Jove
All its frivolous gods, with an undefined awe,
Of wrong'd rebel powers that own'd not their law.
Yes! still in his nature was more than enough
(Altho' self-disputed) of strong English stuff,
Which, had he been forced to some claim disallow'd
By the world, to push firmly his path thro' that crowd
Amidst which he now lounged, would have welded in one
Earnest purpose the powers now conscious of none,
Because squander'd on many. And therefore, if born
To lome lowlier rank (from the world's languid scorn
Secured by the world's stern resistance), where strife,
Strife and toil, and not pleasure, gave purpose to life,
He, no doubt before this, would have lived to attain
Not eminence only, but worth. So, again,
Had he been of his own house the first-born, each gift
Of a mind many-gifted had gone to uplift
A great name by a name's greatest uses.

But there
He stood isolated, opposed, as it were,
To life's great realities; part of no plan;
And if ever a nobler and happier man
He might hope to become, that alone could be when
With all that is real in life and in men
What was real in him should have been reconciled;
When each influence now from his being exiled
Should have seized on his being, combined with his nature,
And form'd, as by fusion, a new human creature:

As when those airy elements viewless to sight
(The amalgam of which, if our science be right,
The germ of this populous planet doth fold)
Unite in the glass of the chemist, behold!
Where a void seem'd before, there a substance appears,
From the fusion of forces whence issued the spheres!

XI.

As it was, his chief fault was an unconscious awe
Of the little world, falsely call'd great, and the law
Of its lawless dictators;—an awe not indeed
Of that great world which justly on each human deed
Sits umpire, adjudging man's worth o'er man's grave,
Like those solemn Tribunals of Egypt, which gave
Or denied to her dead kings the tombs of the kings:
That grand court of Public Opinion, whence springs
Man's loyal allegiance to lofty control,
Which confines not his life, but concentrates his soul.
For obedience is nobler than freedom. What's free?
The vex'd straw on the wind, the froth'd spume on the sea:
The great ocean itself, as it rolls and it swells,
In the bonds of a boundless obedience dwells.
‘Ah, what will the world say?’.. the world!—therein lies
The question which, as it is utter'd, implies
All that's fine or that's feeble in thought and intent.
The distinction depends on the world that is meant.
Was it base, our own Nelson's life-cry for ‘A place
In Westminster Abbey, and Victory’? Base,

The Hero's last thought—‘Will men murmur my name
In Athens?’ Base? no!

What is man's faith in fame,
But respect for the world's good opinion?

What then?
Is it noble (since man owes submission to men
As the judges of man) the Fop's query—`Those cavillers
‘And gossips, what say they of me at the Travellers’,
‘Or White's?’ Noble? no!

Whence is faith weak in act,
But from fear of the world's false opinion?

XII.

In fact,
Had Lord Alfred found that rare communion which links
With what woman feels purely, what man nobly thinks,
And by hallowing life's hopes, enlarges life's strength,
His shrewd tact had moulded and master'd at length
The world that now master'd and moulded his will.
An affluent sympathy, dexterous skill,
And prompt apprehension in him, would have saved
His life from the failures of those who have braved
The world, with no clue to its intricate plan,
And made him a great, and a practical man.
But the permanent cause why his life fail'd and miss'd
The full value of life was,—where man should resist
The world, which man's genius is call'd to command,
He gave way, less from lack of the power to withstand
Than from lack of the resolute will to retain
Those strongholds of life which the world strives to gain.

For let a man once show the world that he feels
Afraid of its bark, and 'twill fly at his heels:
Let him fearlessly face it, 'twill leave him alone:
But 'twill fawn at his feet if he flings it a bone.

XIII.

The moon of September, now half at the full,
Was unfolding from darkness and dreamland the lull
Of the quiet blue air, where the many-faced hills
Watch'd, well-pleased, their fair slaves, the light, foamfooted rills,
Dance and sing down the steep marble stairs of their courts,
And gracefully fashion a thousand sweet sports.
Like ogres in council those mountains look'd down,
Impassive, each king in his purple and crown.
Lord Alfred (by this on his journeyings far)
Was pensively puffing his Lopez cigar,
And brokenly humming an old opera strain,
And thinking, perchance, of those castles in Spain
Which that long rocky barrier hid from his sight;
When suddenly, out of the darkness of night,
A horseman emerged from a fold of the hill,
And so startled his steed, that was winding at will
Up the thin dizzy strip of a pathway which led
O'er the mountain—the reins on its neck, and its head
Hanging lazily forward—that, but for a hand
Light and ready, yet firm, in familiar command,
Both rider and horse might have been in a trice
Hurl'd horribly over the grim precipice.

XIV.

As soon as the moment's alarm had subsided,
And the oath, with which nothing can find unprovided
A thoroughbred Englishman, safely exploded,
Lord Alfred unbent (as Apollo his bow did
Now and then) his erectness; and looking, not ruder
Than such inroad would warrant, survey'd the intruder,
Whose arrival so nearly cut short in his glory
My hero, and finish'd abruptly this story.

XV.

The stranger, a man of his own age or less,
Well mounted, and simple though rich in his dress,
Wore his beard and moustache in the fashion of France.
His face, which was pale, gather'd force from the glance
Of a pair of dark, vivid, and eloquent eyes.
With a gest of apology, touch'd with surprise,
He lifted his hat, bow'd, and courteously made
Some excuse in such well-cadenced French as betray'd,
At the first word he spoke, the Parisian.

XVI.

I swear
I have wander'd about in the world everywhere;
From many strange mouths have heard many strange tongues;
Strain'd with many strange idioms my lips and my lungs;
Walk'd in many a far land, regretting my own;
In many a language groan'd many a groan;

And have often had reason to curse those wild fellows
Who built the high house at which Heaven turn'd jealous,
Making human audacity stumble and stammer
When seized by the throat in the hard gripe of Grammar.
But the language of languages dearest to me
Is that in which once, O ma toute chérie,
When, together, we bent o'er your nosegay for hours,
You explain'd what was silently said by the flowers,
And, selecting the sweetest of all, sent a flame
Through my heart, as, in laughing, you murmur'd je t' aime.
O my Rosebud of Paestum, whose bloom never dies!
Now dead on my bosom that dear flow'ret lies;
But the meaning you gave to it then cannot fade;
In my being it blooms, and its fragrance hath made
A garden within me, where memory strays,
Evermore, with faint footfalls, down blossoming ways.

XVII.

The Italians have voices like peacocks; the Spanish
Smell, I fancy, of garlic; the Swedish and Danish
Have something too Runic, too rough and unshod, in
Their accent for mouths not descended from Odin;
German gives me a cold in the head, sets me wheezing
And coughing; and Russian is nothing but sneezing;
But, by Belus and Babel! I never have heard,
And I never shall hear (I well know it), one word
Of that delicate idiom of Paris without
Feeling morally sure, beyond question or doubt,
By the wild way in which my heart inwardly flutter'd,
That my heart's native tongue to my heart had been utter'd.

And whene'er I hear French spoken as I approve,
I feel myself quietly falling in love.

XVIII.

Lord Alfred, on hearing the stranger, appeased
By a something, an accent, a cadence, which pleased
His ear with that pledge of good breeding which tells
At once of the world in whose fellowship dwells
The speaker that owns it, was glad to remark
In the horseman a man one might meet after dark
Without fear.

Not unfavourably thus impress'd,
As it seem'd, with each other, the two men abreast
Rode on slowly a moment.

XIX.

Stranger.
I see, Sir, you are
A smoker. Allow me!

Lord Alfred.
Pray take a cigar.

Stranger.
Many thanks!... Such cigars are a luxury here.
Do you go to Serchon?

Lord Alfred.
Yes; and you?

Stranger.
Yes. I fear,

Since our road is the same, that our journey must be
Somewhat closer than is our acquaintance. You see
How narrow the path is. I'm tempted to ask
Your permission to finish (no difficult task!)
The cigar you have given me (really a prize!)
In your company.

Lord Alfred.

Charm'd, Sir, to find your road lies
In the way of my own inclinations! Indeed
The dream of your nation I find in this weed.
In the distant Savannahs a talisman grows
That makes all men brothers that use it ... who knows?
That blaze which erewhile from the Boulevart outbroke,
It has ended where wisdom begins, Sir,—in smoke.
Messieurs Lopez (whatever your publicists write)
Have done more in their way human kind to unite
Than ten Prudhons perchance.

What a wonderful spot!
This air is delicious; the day was too hot.

Stranger.
Ah, yes! did you chance scarce a half-hour ago
To remark that miraculous sunset?

Lord Alfred.
Why, no.

Stranger.
All the occident, fused in one fierce conflagration,
Stream'd flame: and the hills, as in grim expectation,

Scarr'd and hoary stood round, like severe hierophants
When at some savage rite the red flame breathes and pants
And expands for a victim.

Lord Alfred.
A very old trick!
One would think that the sun by this time must be sick
Of blushing with such a parade of disdain
For this frivolous world he enlightens in vain.
I see you're a poet.

Stranger.
Who is not, alone
In these mountains? For me, though, I own I am none.
Man's life is but short, and the youth of a man
Is yet shorter. I wish to enjoy what I can.
A sunset, if only a sunset be near;
A moon such as this, if the weather be clear;
A good dinner, if hunger come with it; good wine,
If I'm thirsty; a fire, if I'm cold; and, in fine,
If a woman is pretty, to me 'tis no matter,
Be she blonde or brunette, so she lets me look at her.

Lord Alfred.
I suspect that at Serchon, if rumour speak true,
Your choice is not limited.

Stranger.
Yes. One or two
Of our young Paris ladies remain there, but yet
The season is over.

Lord Alfred.
I almost forget
The place; but remember when last I was there,
I thought the best part of it then was the air
And the mountains.

Stranger.
No doubt! all these baths are the same.
One wonders for what upon earth the world came
To seek, under all sorts of difficulties,
The very same things in the far Pyrenees
Which it fled from at Paris. Health, which is, no doubt,
The true object of all, not a soul talks about.
'Tis a sort of religion.

Lord Alfred.
You know the place well?

Stranger.
I have been there two seasons.

Lord Alfred.
Pray who is the Belle
Of the Baths at this moment?

Stranger.
The same who has been
The belle of all places in which she is seen;
The belle of all Paris last winter; last spring
The belle of all Baden.

Lord Alfred.
An uncommon thing!

Stranger.
Sir, an uncommon beauty!... I rather should say,
An uncommon character. Truly, each day
One meets women whose beauty is equal to hers,
But none with the charm of Lucile de Nevers.

Lord Alfred.
Madame de Nevers!

Stranger.
Do you know her?

Lord Alfred.
I know,
Or, rather, I knew her,—a long time ago.
I almost forget....

Stranger.
What a wit! what a grace
In her language! her movements! what play in her face!
And yet what a sadness she seems to conceal!

Lord Alfred.
You speak like a lover.

Stranger.
I speak as I feel,
But not like a lover. What interests me so
In Lucile, at the same time forbids me, I know,
To give to that interest, whate'er the sensation,
The name we men give to an hour's admiration,
A night's passing passion, an actress's eyes,
A dancing girl's ankles, a fine lady's sighs.

Lord Alfred.
Yes, I quite comprehend. But this sadness—this shade
Which you speak of? ... it almost would make me afraid
Your gay countrymen, Sir, less adroit must have grown,
Since when, as a stripling, at Paris, I own
I found in them terrible rivals,—if yet
They have all lack'd the skill to console this regret
(If regret be the word I should use), or fulfil
This desire (if desire be the word), which seems still
To endure unappeased. For I take it for granted,
From all that you say, that the will was not wanted.

XX.

The stranger replied, not without irritation:
‘I have heard that an Englishman—one of your nation
‘I presume—and if so, I must beg you, indeed,
‘To excuse the contempt which I...’

Lord Alfred.
Pray, Sir, proceed
With your tale. My compatriot, what was his crime?

Stranger.
Oh, nothing! His folly was not so sublime
As to merit that term. If I blamed him just now,
It was not for the sin, but the silliness.

Lord Alfred.
How?

Stranger.
I own I hate Botany. Still, ... I admit,
Although I myself have no passion for it,

And do not understand, yet I cannot despise
The cold man of science, who walks with his eyes
All alert through a garden of flowers, and strips
The lilies' gold tongues, and the roses' red lips,
With a ruthless dissection; since he, I suppose,
Has some purpose beyond the mere mischief he does.
But the stupid and mischievous boy, that uproots
The exotics, and tramples the tender young shoots
For a boy's brutal pastime, and only because
He knows no distinction 'twixt heartsease and haws,—
One would wish, for the sake of each nurseling so nipp'd,
To catch the young rascal and have him well whipp'd!

Lord Alfred.
Some compatriot of mine, do I then understand,
With a cold Northern heart, and a rude English hand,
Has injured your Rosebud of France?

Stranger.
Sir, I know
But little, or nothing. Yet some faces show
The last act of a tragedy in their regard:
Though the first scenes be wanting, it yet is not hard
To divine, more or less, what the plot may have been,
And what sort of actors have pass'd o'er the scene.
And whenever I gaze on the face of Lucile,
With its pensive and passionless languor, I feel
That some feeling hath burnt there ... burnt out, and burnt up
Health and hope. So you feel when you gaze down the cup

Of extinguish'd volcanoes: you judge of the fire
Once there, by the ravage you see;—the desire,
By the apathy left in its wake, and that sense
Of a moral, immoveable, mute impotence.

Lord Alfred.
Humph! ... I see you have finish'd, at last, your cigar:
Can I offer another?

Stranger.
No, thank you. We are
Not two miles from Serchon.

Lord Alfred.
You know the road well?

Stranger.
I have often been over it.

XXI.

Here a pause fell
On their converse. Still, musingly on, side by side,
In the moonlight, the two men continued to ride
Down the dim mountain pathway. But each, for the rest
Of their journey, altho' they still rode on abreast,
Continued to follow in silence the train
Of the different feelings that haunted his brain;
And each, as though roused from a deep reverie,
Almost shouted, descending the mountain, to see
Burst at once on the moonlight the silvery Baths,
The long lime-tree alley, the dark gleaming paths,

With the lamps twinkling through them—the quaint wooden roofs—
The little white houses.

The clatter of hoofs,
And the music of wandering bands, up the walls
Of the steep hanging hill, at remote intervals
Reach'd them, cross'd by the sound of the clacking of whips,
And here and there, faintly, through serpentine slips
Of verdant rose-gardens, dew-shelter'd with screens
Of airy acacias and dark evergreens,
They could mark the white dresses, and catch the light songs,
Of the lovely Parisians that wander'd in throngs
Led by Laughter and Love through the cool eventide,
Down the dream-haunted valley, or up the hill-side.

XXII.

At length, at the door of the inn l'Herisson,
(Pray go there, if ever you go to Serchon!)
The two horsemen, well pleased to have reach'd it, alighted
And exchanged their last greetings.

The Frenchman invited
Lord Alfred to dinner. Lord Alfred declined.
He had letters to write, and felt tired. So he dined
In his own rooms that night.

With an unquiet eye
He watch'd his companion depart; nor knew why,
Beyond all accountable reason or measure,
He felt in his breast such a sovran displeasure.

‘The fellow's good-looking,’ he murmur'd at last,
‘And yet not a coxcomb.’ Some ghost of the past
Vex'd him still.

‘If he love her,’ he thought, ‘let him win her.’
Then he turn'd to the future—and order'd his dinner.

XXIII.

O hour of all hours, the most bless'd upon earth,
Blessèd hour of our dinners!

The land of his birth;
The face of his first love; the bills that he owes;
The twaddle of friends, and the venom of foes;
The sermon he heard when to church he last went;
The money he borrow'd, the money he spent;—
All of these things a man, I believe, may forget,
And not be the worse for forgetting; but yet
Never, never, oh never! earth's luckiest sinner
Hath unpunish'd forgotten the hour of his dinner!
Indigestion, that conscience of every bad stomach,
Shall relentlessly gnaw and pursue him with some ache
Or some pain; and trouble, remorseless, his best ease,
As the Furies once troubled the sleep of Orestes.

XXIV.

We may live without poetry, music, and art;
We may live without conscience, and live without heart;
We may live without friends; we may live without books;
But civilized man cannot live without cooks.

He may live without books,—what is knowledge but grieving?
He may live without hope,—what is hope but deceiving?
He may live without love,—what is passion but pining?
But where is the man that can live without dining?

XXV.

Lord Alfred found, waiting his coming, a note
From Lucile.

‘Your last letter has reach'd me,’ she wrote.
‘This evening, alas! I must go to the ball,
‘And shall not be at home till too late for your call,
‘But to-morrow, at any rate, sans faute, at One
‘You will find me at home, and will find me alone.
‘Meanwhile, let me thank you sincerely, milord,
‘For the honour with which you adhere to your word.
‘Yes, I thank you, Lord Alfred! To-morrow, then.
‘L.’

XXVI.

I find myself terribly puzzled to tell
The feelings with which Alfred Vargrave flung down
This note, as he pour'd out his wine. I must own
That I think he, himself, could have hardly explain'd
Those feelings exactly.

‘Yes, yes,’ as he drain'd
The glass down, he mutter'd, ‘Jack's right, after all:
‘The coquette!’

‘Does milord mean to go to the ball?’

Ask'd the waiter, who linger'd.

‘Perhaps. I don't know
‘You may keep me a ticket, in case I should go.’

XXVII.

Oh, better, no doubt, is a dinner of herbs,
When season'd by love, which no rancour disturbs,
And sweeten'd by all that is sweetest in life,
Than turbot, bisque, ortolans, eaten in strife!
But if, out of humour, and hungry, alone
A man should sit down to a dinner, each one
Of the dishes of which the cook chooses to spoil
With a horrible mixture of garlic and oil,
The chances are ten against one, I must own,
He gets up as ill-temper'd as when he sat down.
And if any reader this fact to dispute is
Disposed, I say ... ‘Allium edat cicutis
‘Nocentius!’

Round the fruit and the wine
Undisturb'd the wasp settled. The evening was fine.
Lord Alfred his chair by the window had set,
And languidly lighted his small cigarette.
The window was open. The warm air without
Waved the flame of the candles. The moths were about.
In the gloom he sat gloomy.

XXVIII.

Gay sounds from below
Floated up like faint echoes of joys long ago,

And night deepen'd apace: through the dark avenues
The lamps twinkled bright; and by threes, and by twos,
The idlers of Serchon were strolling at will,
As Lord Alfred could see from the cool window-sill,
Where his gaze, as he languidly turn'd it, fell o'er
His late travelling companion, now passing before
The inn, at the window of which he still sat,
In full toilette,—boots varnish'd, and snowy cravat,
Gaily smoothing and buttoning a yellow kid glove,
As he turn'd down the avenue.

Watching above,
From his window, the stranger, who stopp'd as he walk'd
To mix with those groups, and now nodded, now talk'd,
To the young Paris dandies, Lord Alfred discern'd,
By the way hats were lifted, and glances were turn'd,
That his unknown acquaintance, now bound for the ball,
Was a person of rank and of fashion; for all
Whom he bow'd to in passing, or stopp'd with and chatter'd,
Walk'd on with a look which implied ... ‘I feel flatter'd!’

XXIX.

His form was soon lost in the distance and gloom.

XXX.

Lord Alfred still sat by himself in his room.
He had finish'd, one after the other, a dozen
Or more cigarettes. He had thought of his cousin:

He had thought of Matilda, and thought of Lucile:
He had thought about many things: thought a great deal
Of himself: of his past life, his future, his present:
He had thought of the moon, neither full moon nor crescent:
Of the gay world, so sad! life, so sweet and so sour!
He had thought too, of glory, and fortune, and power:
Thought of love, and the country, and sympathy, and
A poet's asylum in some distant land:
Thought of man in the abstract, and woman, no doubt,
In particular; also he had thought much about
His digestion, his debts, and his dinner: and last,
He thought that the night would be stupidly pass'd
If he thought any more of such matters at all:
So he rose, and resolved to set out for the ball.

XXXI.

I believe, ere he finish'd his tardy toilette,
That Lord Alfred had spoil'd, and flung by in a pet,
Half-a-dozen white neckcloths, and look'd for the nonce
Twenty times in the glass, if he look'd in it once.
I believe that he split up, in drawing them on,
Three pair of pale lavender gloves, one by one.
And this is the reason, no doubt, that at last,
When he reach'd the Casino, although he walk'd fast,
He heard, as he hurriedly enter'd the door,
The church clock strike Twelve.

XXXII.

The last waltz was just o'er.
The chaperons and dancers were all in a flutter.
A crowd block'd the door: and a buzz and a mutter
Went about in the room as a young man, whose face
Lord Alfred had seen ere he enter'd that place,
But a few hours ago, through the perfumed and warm
Flowery porch, with a lady that lean'd on his arm
Like a queen in a fable of old fairy days,
Left the ballroom.

XXXIII.

The hubbub of comment and praise
Reach'd Lord Alfred as just then he enter'd.

‘Ma foi!’
Said a Frenchman beside him,... ‘That lucky Luvois
‘Has obtain'd all the gifts of the gods ... rank and wealth,
‘And good looks, and then such inexhaustible health!
‘He that hath shall have more; and this truth, I surmise,
‘Is the cause why, to-night, by the beautiful eyes
‘Of la charmante Lucile more distinguish'd than all,
‘He so gaily goes off with the belle of the ball.’
‘Is it true,’ ask'd a lady aggressively fat,
Who, fierce as a female Leviathan, sat
By another that look'd like a needle, all steel
And tenuity—‘Luvois will marry Lucile?’
The needle seem'd jerk'd by a virulent twitch,
As tho' it were bent upon driving a stitch
Thro' somebody's character.

‘Madam,’ replied
Interposing a young man who sat by their side,
And was languidly fanning his face with his hat,
‘I am ready to bet my new Tilbury that,
‘If Luvois has proposed, the Comtesse has refused.’
The fat and thin ladies were highly amused.
‘Refused!... what! a young Duke, not thirty, my dear,
‘With at least half a million (what is it?) a year!’
‘That may be,’ said the third; ‘yet I know some time ‘since
‘Castelmar was refused, though as rich, and a Prince.
‘But Luvois, who was never before in his life
‘In love with a woman who was not a wife,
‘Is now certainly serious.’

XXXIV.

The music once more
Recommenced.

XXXV.

Said Lord Alfred, ‘This ball is a bore!’
And return'd to the inn, somewhat worse than before.

XXXVI.

There, whilst musing he lean'd the dark valley above,
Thro' the warm land were wand'ring the spirits of love.
A soft breeze in the white window drapery stirr'd;
In the blossom'd acacia the lone cricket chirr'd;
The scent of the roses fell faint o'er the night,
And the moon on the mountain was dreaming in light.

Repose, and yet rapture! that pensive wild nature
Impregnate with passion in each breathing feature!
Like a maiden withdrawn in her chamber, while yet
Her lip with her first lover's first kiss is wet,
In the bloom of its virginal blossom, who hears
Her full heart beat loud in her small rosy ears,
Through the exquisite silence of passionate trance,
Whilst, reveal'd in the light of youth's tender romance,
Life's first great discovery dreamily moves
Into sweet self-surprise—she is loved, and she loves!

XXXVII.

A stone's throw from thence, through the large lime-trees peep'd,
In a garden of roses, a white châlet, steep'd
In the moonbeams. The windows oped down to the lawn;
The casements were open; the curtains were drawn;
Lights stream'd from the inside; and with them the sound
Of music and song. In the garden, around
A table with fruits, wine, tea, ices, there set,
Half-a-dozen young men and young women were met.
Light, laughter, and voices, and music, all stream'd
Through the quiet-leaved limes. At the window there seem'd
For one moment the outline, familiar and fair,
Of a white dress, a white neck, and soft dusky hair,
Which Lord Alfred remember'd ... a moment or so
It hover'd, then pass'd into shadow; and slow
The soft notes, from a tender piano upflung,
Floated forth, and a voice unforgotten thus sung:—

‘Hear a song that was born in the land of my birth!
‘The anchors are lifted, the fair ship is free,
‘And the shout of the mariners floats in its mirth
‘'Twixt the light in the sky and the light on the sea.

‘And this ship is a world. She is freighted with souls,
‘She is freighted with merchandise: proudly she sails
‘With the Labour that stores, and the Will that controls
‘The gold in the ingots, the silk in the bales.

‘From the gardens of Pleasure, where reddens the rose,
‘And the scent of the cedar is faint on the air,
‘Past the harbours of Traffic, sublimely she goes,
‘Man's hopes o'er the world of the waters to bear!

‘Where the cheer from the harbours of Traffic is heard,
‘Where the gardens of Pleasure fade fast on the sight,
‘O'er the rose, o'er the cedar, there passes a bird;
‘'Tis the Paradise Bird, never known to alight.

‘And that bird, bright and bold as a Poet's desire,
‘Roams her own native heavens, the realms of her birth.
‘There she soars like a seraph, she shines like a fire,
‘And her plumage hath never been sullied by earth.

‘And the mariners greet her; there's song on each lip,
‘For that bird of good omen, and joy in each eye.
‘And the ship and the bird, and the bird and the ship,
‘Together go forth over ocean and sky.

‘Fast, fast fades the land! far the rose-gardens flee,
‘And far fleet the harbours. In regions unknown
‘The ship is alone on a desert of sea,
‘And the bird in a desert of sky is alone.

‘In those regions unknown, o'er that desert of air,
‘Down that desert of waters—tremendous in wrath—
‘The storm-wind Euroclydon leaps from his lair,
‘And cleaves, through the waves of the ocean, his path.

‘And the bird in the cloud, and the ship on the wave,
‘Overtaken, are beaten about by wild gales;
‘And the mariners all rush their cargo to save,
‘Of the gold in the ingots, the silk in the bales.

‘Lo! a wonder, which never before hath been heard,
‘For it never before hath been given to sight;
‘On the ship hath descended the Paradise Bird,
‘The Paradise Bird, never known to alight!

‘The bird which the mariners bless'd, when each lip
‘Had a song for the omen that gladden'd each eye;
‘The bright bird for shelter hath flown to the ship
‘From the wrath on the sea and the wrath in the sky.

‘But the mariners heed not the bird any more.
‘They are felling the masts—they are furling the sails;
‘Some are working, some weeping, and some wrangling o'er
‘Their gold in the ingots, their silk in the bales.

‘Souls of men are on board; wealth of man in the hold;
‘And the storm-wind Euroclydon sweeps to his prey;
‘And who heeds the bird? “Save the silk and the gold!”
‘And the bird from her shelter the gust sweeps away!

‘Poor Paradise Bird! on her lone flight once more
‘Back again in the wake of the wind she is driven—
‘To be whelm'd in the storm, or above it to soar,
‘And, if rescued from ocean, to vanish in heaven!

‘And the ship rides the waters, and weathers the gales:
‘From the haven she nears the rejoicing is heard.
‘All hands are at work on the ingots, the bales,
‘Save a child, sitting lonely, who misses—the Bird!’

The idea which is imperfectly embodied in this song was suggested to me by a friend, to whom I am indebted for so much throughout this poem, that I gladly avail myself of this passing opportunity, in acknowledging the fact, to record my grateful sense of it. I name him not. When he reads these words his heart will comprehend what is in mine while I write them.

CANTO III.

I.

Rise, O Muse, in the wrath of thy rapture divine,
And sweep with a finger of awe every line,
Till it tremble and burn, as thine own glances burn
Through the vision thou kindlest! wherein I discern
All the unconscious cruelty hid in the heart
Of mankind; all the limitless grief we impart,
Unawares, to each other; the limitless wrong
We inflict without heed, as we hurry along
In this boisterous pastime of life. So we toy
With the infinite! so, in our sport we destroy
What we made not, and cannot remake thro' the whole
Of existence, those feelings which are, in the soul,
Future heavens or hells! so we recklessly scorn,
In each other, Life's solemn significance!

Worn
In a too careless breast, lo! the flower, left to bloom
Round the desolate moral inscribed on a tomb—
‘Youth, Hope, Beauty, Innocence, Tenderness, Trust,’
(So it runs,) ‘this was Woman. Behold, it is dust!
‘This was Woman: it lived and it breath'd: and it said
‘“I love, and love dies not.”’ Behold, it is dead.
‘This was Woman: our hearts at her feet we laid down;
‘It is dust: and we trample it under our own.’
Are we doom'd then, O sister, O brother, to war
On each other for ever? half-lives as we are!

Still impell'd to unite, still from union self-thrust,
Like those poor wounded worms we see writhe in the dust,
Blindly groping about, with the instinct of pain,
For each other, their maim'd life to mingle again.
We, that need help and healing, O sister, O brother,
Are we cannibals still of the hearts of each other?
In despite of its much-boasted science and art,
Is this civilized world still a savage at heart?
Mourn, O Muse,—not indeed for the wrongs Life hath felt—
These have mourners enough in the world; mourn, and melt
Into tears else unshed, for the wrongs Life hath wrought,
By the transient desire and the trivial thought;
For the man (be he lover or loved) that doth jest
With the passionate earnest of love in the breast
Of a woman; for the woman (or maiden, or wife)
That doth sport with the passionate earnest of life
In the heart of a man. Mourn, O Muse, for the soul,
When her truest seem truthless, her fairest so foul!
I have seen falsehood veil'd by the virginal cheek
Of a child; I have seen the immaculate, meek
Desdemona false; Imogen wanton; have seen
Juliet faithless; and she, the chaste Ithacan Queen,
Choose a swine from her suitors, and from his embrace
Rise to write to her lord that she pined for his face
In a tender Ovidian strain! I have seen
The young bride shrewdly eyeing the cypress between
Her first year's orange blossoms, and blush not to crave
From the couch of a bridegroom the price of his grave!

Blush, O Muse, blush and burn! I have seen, I have seen,
At the feet of a wanton with false-modest mien,
The giants of Genius and Power enchain'd,
While paler and paler their foreheads have waned.

Yes! this life is the war of the False and the True.
Yet this life is a truth; though so complex to view
That its latent veracity few of us find!
But alas! for that man who, in judging mankind
From a false point of view, should disloyally deal
With the truth the world keeps, though the world may conceal.
Ay, the world but a frivolous phantasm seems,
And mankind in the mass but as motes in sunbeams;
But when Fate, from the midst of this frivolous nature,
Selects for her purpose some frail human creature,
And the Angel of Sorrow, outstretching a wan
Forefinger to mark him, strikes down from the man
The false life that hid him, the man's self appears
A solemn reality: Him the dread spheres
Of heaven and hell with their forces dispute,
And dare we be indifferent? Hence, and be mute,
Light scoffer, vain trifler! Through all thou discernest
A Greater than thou is at work, and in earnest;
And he who dares trifle with man, trifles too
With man's awful Maker.

There's terror that's true
In that tale of a youth who, one night at a revel,
Amidst music and mirth lured and wiled by some devil,

Follow'd ever one mask through the mad masquerade,
Till, pursued to some chamber deserted ('tis said),
He unmask'd, with a kiss, the strange lady, and stood
Face to face with a Thing not of flesh nor of blood.
In this Masque of the Passions call'd life there's no human
Emotion, though mask'd, or in man or in woman,
But, when faced and unmask'd, it will leave us at last
Struck by some supernatural aspect aghast.
For Truth is appalling and eltrich, as seen
By this world's artificial lamplights, and we screen
From our sight the strange vision that troubles our life.
Alas! why is Genius for ever at strife
With the world, which, despite the world's self, it ennobles?
Why is it that Genius perplexes and troubles
And offends the effete life it comes to renew?
'Tis the terror of Truth! 'tis that Genius is true!

II.

Lucile de Nevers (if her riddle I read)
Was a woman of genius: not genius, indeed,
In the abstract, nor yet in the abstract mere woman:
But the woman of genius, essentially human,
Yet for ever at war with her own human nature;
The genius, now fused in the woman, gave stature
And strength to her sex; now the woman, at war
With the genius, impeded its flight to the star.
As it is with all genius, the essence and soul
Of her nature was truth. When she sought to control,
Or to stifle, or palter in aught with that truth,
'Twas when life seem'd to grant it no issues.

Her youth

One occasion had known, when, if fused in another,
That tumult of soul, which she now sought to smother,
Finding scope within man's larger life, and controll'd
By man's clearer judgment, perchance might have roll'd
Into channels enriching the troubled existence
Which it now only vex'd with an inward resistance.
But that chance fell too soon, when the crude sense of power
Which had been to her nature so fatal a dower,
Was too fierce and unfashion'd to fuse itself yet
In the life of another, and served but to fret
And to startle the man it yet haunted and thrall'd;
And that moment, once lost, had been never recall'd,
But it left her heart sore: and to shelter her heart
From approach, she then sought, in that delicate art
Of concealment, those thousand adroit strategies
Of feminine wit, which repel while they please,
A weapon, at once, and a shield, to conceal
And defend all that women can earnestly feel.
Thus, striving her instincts to hide and repress,
She felt frighten'd at times by her very success;
She pined for the hill-tops, the clouds, and the stars:
Golden wires may annoy us as much as steel bars
If they keep us behind prison-windows: impassion'd
Her heart rose and burst the light cage she had fashion'd
Out of glittering trifles around it, unfurl'd
Wings of desolate flight, and soar'd up from the world.
In this dual identity possibly lay
The secret and charm of her singular sway

Over men of the world. 'Twas the genius, all warm
With the woman, that gave to the woman a charm
Indescribably strange; there appear'd in her life
A puzzle, a mystery—something at strife
With such men, which yet thrall'd and enchain'd them in part,
And, perplexing the fancy, still haunted the heart.
That intensity, earnestness, depth, or veracity,
Which starward impell'd her with such pertinacity
As turns to the loadstar the needle, reflected
Itself upon others: she therefore affected,
Unconsciously, those amongst whom she was thrown,
As the magnet the metals it neighbours.

Unknown
To herself, all her instincts, without hesitation,
Embraced the idea of self-immolation.
Unlike man's stern intellect, which, while it stands
Aloof from the minds that it sways and commands
By a power wrench'd from labour, sublimely compels
All around and beneath the high sphere where it dwells
To its fix'd and imperial purpose; in her
The soft spirit of woman that seeks to confer
Its sweet self on the loved, had her life but been blended
With some man's whose heart had her own comprehended,
All its wealth at his feet would have lavishly thrown.
For him she had then been ambitious alone;
For him had aspired; in him had transfused
All the gladness and grace of her nature; and used
For him only the spells of its delicate power:
Like the ministering fairy that brings from her bower

To some mage all the treasures, whose use the fond elf,
More enrich'd by her love, disregards for herself.
But standing apart, as she ever had done,
And her genius, which needed a vent, finding none
In the broad fields of action thrown wide to man's power,
She unconsciously made it her bulwark and tower,
And built in it her refuge, whence lightly she hurl'd
Her contempt at the fashions and forms of the world.

And, indeed, her chief fault was this unconscious scorn
Of the world, to whose usages woman is born.
Not the World, where that word implies all human nature,
The Creator's great gift to the needs of the creature:
That large heart, with its sorrow to solace, its care
To assuage, and its grand aspirations to share:
But the world, with encroachments that chafe and perplex,
With its men against man, and its sex against sex.
‘Ah, what will the world say?’ with her was a query
Never utter'd, or utter'd alone with a dreary
Rejection in thought of the answer before
It was heard: hence the thing which she sought to ignore
And escape from in thought, she encounter'd in act
By the blindness with which she opposed it.

In fact,
Had Lucile found in life that communion which links
All that woman but dreams, feels, conceives of, and thinks,
With what man acts and is,—concentrating the strength
Of her genius within her affections, at length

Finding woman's full use through man's life, by man's skill
Readapted to forms fix'd for life, the strong will
And high heart which the world's creeds now reckless braved,
From the world's crimes the man of the world would have saved;
Reconciled, as it were, the divine with the human,
And, exalting the man, have completed the woman.

But the permanent cause why she now miss'd and fail'd
That firm hold upon life she so keenly assail'd,
Was, in all those diurnal occasions that place
The world and the woman opposed face to face,
Where the woman must yield, she, refusing to stir,
Offended the world, which in turn wounded her.

For the world is a nettle; disturb it, it stings:
Grasp it firmly, it stings not. On one of two things,
If you would not be stung, it behoves you to settle:
Avoid it, or crush it. She crush'd not the nettle;
For she could not; nor would she avoid it: she tried
With the weak hand of woman to thrust it aside,
And it stung her. A woman is too slight a thing
To trample the world without feeling its sting.

III.

One lodges but simply at Serchon; yet, thanks
To the season that changes for ever the banks
Of the blossoming mountains, and shifts the light cloud
O'er the valley, and hushes or rouses the loud

Wind that wails in the pines, or creeps murmuring down
The dark evergreen slopes to the slumbering town,
And the torrent that falls, faintly heard from afar,
And the blue bells that purple the dapple-gray scaur,
One sees with each month of the many-faced year
A thousand sweet changes of beauty appear.
The châlet where dwelt the Comtesse de Nevers
Rested half up the base of a mountain of firs,
In a garden of roses, reveal'd to the road,
Yet withdrawn from its noise: 'twas a peaceful abode.
And the walls, and the roofs, with their gables like hoods
Which the monks wear, were built of sweet resinous woods.
The sunlight of noon, as Lord Alfred ascended
The steep garden paths, every odour had blended
Of the ardent carnations, and faint heliotropes,
With the balms floated down from the dark wooded slopes:
A light breeze at the windows was playing about,
And the white curtains floated, now in, and now out.
The house was all hush'd when he rang at the door,
Which was open'd to him in a moment or more
By an old nodding negress, whose sable head shined
In the sun like a cocoa-nut polish'd in Ind,
'Neath the snowy foularde which about it was wound.

IV.

Lord Alfred sprang forward at once, with a bound.
He remember'd the nurse of Lucile. The old dame,
Whose teeth and whose eyes used to beam when he came,

With a boy's eager step, in the blithe days of yore,
To pass, unannounced, her young mistress's door.
The old woman had fondled Lucile on her knee
When she left, as an infant, far over the sea,
In India, the tomb of a mother, unknown,
To pine, a pale flowret, in great Paris town.
She had sooth'd the child's sobs on her breast when she read
The letter that told her her father was dead.
An astute, shrewd adventurer, who, like Ulysses,
Had studied men, cities, laws, wars, the abysses
Of statecraft, with varying fortunes, was he.
He had wander'd the world through, by land and by sea,
And knew it in most of its phases. Strong will,
Subtle tact, and soft manners, had given him skill
To conciliate Fortune, and courage to brave
Her displeasure. Thrice shipwreck'd, and cast by the wave
On his own quick resources, they rarely had fail'd
His command: often baffled, he ever prevail'd,
In his combat with fate: to-day flatter'd and fed
By monarchs, to-morrow in search of mere bread.
The offspring of times trouble-haunted, he came
Of a family ruin'd, yet noble in name.
He lost sight of his fortune, at twenty, in France;
And, half statesman, half soldier, and wholly Free-lance,
Had wander'd, in search of it, over the world,
Into India.

But scarce had the nomad unfurl'd
His wandering tent at Mysore, in the smile
Of a Rajah (whose court he controll'd for a while,

And whose council he prompted and govern'd by stealth);
Scarce, indeed, had he wedded an Indian of wealth,
Who died giving birth to this daughter, before
He was borne to the tomb of his wife at Mysore.
His fortune, which went to his orphan, perchance
Had secured her a home with his sister in France,
A lone woman, the last of the race left. Lucile
Neither felt, nor affected, the wish to conceal
The half-Eastern blood, which appear'd to bequeath
(Reveal'd now and then, though but rarely, beneath
That outward repose that conceal'd it in her)
A something half wild to her strange character.
The old nurse with the orphan, a while broken-hearted,
At the door of a convent in Paris had parted.
But later, once more, with her mistress she tarried,
When the girl, by that grim maiden aunt, had been married
To a dreary old Count, who had sullenly died,
With no claim on her tears—she had wept as a bride.
In those days the old negress, now shaking her head
So vaguely, had laugh'd with ‘le petit Alfred,’
Now she seem'd to remember him not. With a sigh
Thought Lord Alfred, ‘So changed in a few years am I?’
Then he pass'd on. ‘Your mistress expects me.’

The crone
Oped the drawing-room door, and there left him alone.

V.

O'er the soft atmosphere of this temple of grace
Rested silence and perfume. No sound reach'd the place.

In the white curtains waver'd the delicate shade
Of the heaving acacias, through which the breeze play'd.
O'er the smooth wooden floor, polish'd dark as a glass,
Fragrant white Indian matting allow'd you to pass.
In light olive baskets, by window and door,
Some hung from the ceiling, some crowding the floor,
Rich wild flowers, pluck'd by Lucile from the hill,
Seem'd the room with their passionate presence to fill:
Blue aconite, hid in white roses, reposed;
The deep belladonna its vermeil disclosed;
And the frail saponaire, and the tender blue-bell,
And the purple valerian,—each child of the fell
And the solitude flourish'd, fed fair from the source
Of waters the huntsman scarce heeds in his course,
Where the chamois and izard, with delicate hoof,
Pause or flit through the pinnacled silence aloof.

VI.

This white, little, fragrant apartment, 'tis true,
Seem'd unconsciously fashion'd for some rendezvous;
But you felt, by the sense of its beauty reposed,
'Twas the shrine of a life chaste and calm. Half unclosed
In the light slept the flowers: all was pure and at rest;
All peaceful; all modest; all seem'd self-possess'd,
And aware of the silence. No vestige nor trace
Of a young woman's coquetry troubled the place;
Not a scarf, not a shawl: on the mantelpiece merely
A nosegay of flowers, all wither'd or nearly,
And a little white glove, that was torn at the wrist.
Impell'd by an impulse, too strong to resist,

Lord Alfred caught up, with a feverish grasp,
The torn glove, and flung it aside with a gasp;
It seem'd like the thrill of a final farewell.
He took up the nosegay, without bloom or smell,
And inaudibly, bitterly, mutter'd, or sigh'd
Some rebuke to the flowers ere he laid it aside.
Had Lucile by design left the dead flowers there?
The torn glove? I know nothing. I cannot declare.

VII.

He turn'd to the window. A cloud pass'd the sun.
The breeze lifted itself up the leaves, one by one.
Just then Lucile enter'd the room, undiscern'd
By Lord Alfred, whose face to the window was turn'd,
In a strange reverie.

The time was, when Lucile,
In beholding that man, could not help but reveal
The rapture, the fear, which wrench'd out every nerve
In the heart of the girl from the woman's reserve.
And now—she gazed at him, calm, smiling,—perchance
Indifferent.

VIII.

Indifferently turning his glance,
Alfred Vargrave encounter'd that gaze unaware.
O'er a boddice snow-white stream'd her soft dusky hair;
A rose-bud half-blown in her hand; in her eyes
A half pensive smile.

A sharp cry of surprise

Escap'd from his lips: then, embarrass'd and vex'd,
He saluted the Countess; and sought, much perplex'd,
For some trivial remark—the conventional phrases—
Irreproachable manners, appropriate praises.
But in spite of himself, some unknown agitation,
An invincible trouble, a strange palpitation,
Confused his ingenious and frivolous wit;
Overtook, and entangled, and paralysed it.
That wit so complacent and docile, that ever
Lightly came at the call of the lightest endeavour,
Ready coin'd, and availably current as gold,
Which, secure of its value, so fluently roll'd
In free circulation from hand on to hand
For the usage of all, at a moment's command;
For once it rebell'd, it was mute and unstirr'd,
And he look'd at Lucile without speaking a word.

IX.

Perhaps what so troubled him was, that the face
On whose features he gazed had no more than a trace
Of the face his remembrance had imaged for years.
Yes! the face he remember'd was faded with tears:
Grief had famish'd the figure, and dimm'd the dark eyes,
And starved the pale lips, too acquainted with sighs.
And that tender, and gracious, and fond coquetterie
Of a woman who knows her least ribbon to be
Something dear to the lips that so warmly caress
Every sacred detail of her exquisite dress,
In the careless toilette of Lucile,—then too sad
To care aught to her changeable beauty to add,—

Lord Alfred had never admired before!
Alas! poor Lucile, in those weak days of yore,
Had neglected herself, never heeding, nor thinking
(While the blossom and bloom of her beauty were shrinking)
That sorrow can beautify only the heart—
Not the face—of a woman; and can but impart
Its endearment to one that hath suffer'd. In truth
Grief hath beauty for grief; but gay youth loves gay youth.

X.

The woman that now met, unshrinking, his gaze,
Seem'd to bask in the silent but sumptuous blaze
Of that soft second summer, more ripe than the first,
Which returns when the bud to the blossom hath burst
In despite of the stormiest April. Lucile
Had acquired that matchless unconscious appeal
To the homage which none but a churl would withhold—
That caressing and exquisite grace—never bold,
Ever present—which just a few women possess.
From a healthful repose, undisturb'd by the stress
Of unquiet emotions, her soft cheek had drawn
A freshness as pure as the twilight of dawn.
Her figure, though slight, had revived everywhere
The luxurious proportions of youth; and her hair—
Once shorn as an offering to passionate love—
Now floated or rested redundant above
Her airy pure forehead and throat; gather'd loose
Under which, by one violet knot, the profuse

Milk-white folds of a cool modest garment reposed,
Rippled faint by the breast they half hid, half disclosed.
And her simple attire thus in all things reveal'd
The fine art which so artfully all things conceal'd.

XI.

Lord Alfred, who never conceiv'd that Lucile
Could have look'd so enchanting, felt tempted to kneel
At her feet, and her pardon with passion implore;
But the calm smile that met him sufficed to restore
The pride and the bitterness needed to meet
The occasion with dignity due and discreet.

XII.

‘Madam,’—thus he began with a voice reassur'd—
‘You see that your latest command has secur'd
‘My immediate obedience—presuming I may
‘Consider my freedom restor'd from this day’—

‘I had thought,’ said Lucile, with a smile gay yet sad,
‘That your freedom from me not a fetter has had.
‘Indeed!...in my chains have you rested till now?
‘I had not so flatter'd myself, I avow!’

‘For Heaven's sake, Madam,’ Lord Alfred replied,
‘Do not jest! has this moment no sadness?’ he sigh'd.

‘'Tis an ancient tradition,’ she answer'd, ‘a tale
‘Often told—a position too sure to prevail
‘In the end of all legends of love. If we wrote,
‘When we first love, foreseeing that hour yet remote

‘Wherein of necessity each would recall
‘From the other the poor foolish records of all
‘Those emotions, whose pain, when recorded, seem'd bliss,
‘Should we write as we wrote? But one thinks not of this!
‘At twenty (who does not at twenty?) we write
‘Believing eternal the frail vows we plight;
‘And we smile with a confident pity, above
‘The vulgar results of all poor human love:
‘For we deem, with that vanity common to youth,
‘Because what we feel in our bosoms, in truth,
‘Is novel to us—that 'tis novel to earth,
‘And will prove the exception, in durance and worth,
‘To the great law to which all on earth must incline.
‘The error was noble, the vanity fine!
‘Shall we blame it because we survive it? ah, no;
‘'Twas the youth of our youth, my lord, is it not so?’

XIII.

She look'd at Lord Alfred. No word he replied;
He was startled, and felt stunn'd, scared, stupefied.
This cold, keen philosophy, trenchant as steel,
On the lips of a woman so young as Lucile,
Appall'd him. He seem'd to remember her yet
A child—the weak sport of each moment's regret,
Blindly yielding herself to the errors of life,
The deceptions of youth, and borne down by the strife
And the tumult of passion; the tremulous toy
Of each transient emotion of grief or of joy.

But to watch her pronounce the death warrant of all
The illusions of life—lift, unflinching, the pall
From the bier of the dead Past—that woman so fair,
And so young, yet her own self-survivor; who there
Traced her life's epitaph with a finger so cold!
'Twas a picture that touch'd him with pain to behold.
He himself knew—none better—the things to be said
Upon subjects like this. Yet he bow'd down his head:
He had not the courage, he dared not decide
To aid that frail hand to the heart's suicide.

XIV.

As thus, with a trouble he could not command,
He paused, crumpling the letters he held in his hand,
‘You know me enough,’ she continued, ‘or what
‘I would say is, you yet recollect (do you not,
‘Lord Alfred?) enough of my nature, to know
‘That these pledges of what was perhaps long ago
‘A foolish affection, I do not recall
‘From those motives of prudence which actuate all
‘Or most women, when their love ceases. Indeed
‘If you have such a doubt, to dispel it I need
‘But remind you that ten years these letters have rested
‘Unreclaim'd in your hands, nor should I have suggested
‘Their return, if I had not, from all that I hear,
‘Fear'd those letters might now (might they not?) interfere
‘With the peace of another.’

XV.

Lord Alfred looked up,
(His gaze had been fix'd on a blue Sèvres cup
With a look of profound connoisseurship—a smile
Of singular interest and care, all this while)
He look'd up, and look'd long in the face of Lucile,
To mark if that face by a sign would reveal
At the thought of Miss Darcy the least jealous pain.
He look'd keenly and long, yet he look'd there in vain.
The face was calm, cheerful, reserv'd, and precise;
‘Is this woman,’ he thought, ‘changed to diamond or ice?’
‘You are generous, Madam,’ he murmur'd at last,
And into his voice a light irony pass'd,
‘If these be indeed the sole motives you feel.’

‘What others but these could I have?’ said Lucile.

‘I might,’ answer'd Alfred, ‘presume, if I did
‘Wish to call into question (which Heaven forbid!)
‘The generous feelings that find me—believe—
‘Most grateful—these letters you wish'd to receive
‘From personal motives—’

She laugh'd at the word.
‘Were it not somewhat late to have these? O my lord,
‘Had I waited, indeed, for ... (what is it you say?)
‘Such “personal motives” (your words) till to-day,
‘Would you not, of a truth, have experienced one touch
‘Of dreadful remorse?’

‘You embarrass me much,’

Replied Alfred. He spoke with assurance, for here
He recover'd his ground, and had nothing to fear.
He had look'd for reproaches, and fully arranged
His forces. But straightway the enemy changed
The position.

XVI.

‘Come!’ gaily she here interposed,
With a smile whose divinely deep sweetness disclosed
Some depth in her nature he never had known,
While she tenderly laid her light hand on his own,
‘Do not think I abuse the occasion. We gain
‘Justice, judgment, with years, or else years are in vain.
‘From me not a single reproach can you hear.
‘I have sinn'd to myself—to the world—nay, I fear
‘To you chiefly. The woman who loves should, indeed,
‘Be the guide of the man that she loves. She should heed
‘Not her selfish and often mistaken desires,
‘But his interest whose fate her own interest inspires;
‘And, rather than seek to allure, for her sake,
‘His life down the turbulent, fanciful wake
‘Of impossible destinies, use all her art
‘That his place in the world find its place in her heart.
‘I, alas!—I perceived not this truth till too late;
‘I tormented your youth, I have darken'd your fate.
‘Forgive me the ill I have done for the sake
‘Of its long expiation!’

XVII.

Lord Alfred, awake,
Seem'd to wander from dream on to dream. In that seat
Where he sat as a criminal. ready to meet

His accuser, he found himself turn'd by some change,
As surprising and all unexpected as strange,
To the judge from whose mercy indulgence was sought.
All the world's foolish pride in that moment was nought;
He felt all his plausible theories posed;
And, thrill'd by the beauty of nature disclosed
In the pathos of all he had witness'd, his head
And his knee he bow'd humbly, and faltering said,
‘Ah, Madam! I feel that I never till now
‘Comprehended you—never! I blush to avow
‘That I have not deserved you.’

XVIII.

‘No, no!’ answer'd she;
‘When you knew me, I was not what now I may be.
‘Could the past be transferr'd, were I now to receive
‘The love of a man whom the world loves, believe’—

(Thought Alfred,—‘O hypocrite! loved and adored
‘By a duke, a grand seigneur, the fashion's gay lord!’)

‘Believe,’ she resumed, ‘if I had to dispose
‘Of his life in the world where his fame should repose,
‘I think I should know how to help his career,
‘And to add to its happiness—not, as I fear
‘I once sought, to destroy it.’

‘Is this an advance?’
Thought Lord Alfred, and raised with a passionate glance
The hand of Lucile to his lips.

'Twas a hand
White, delicate, dimpled, warm, languid, and bland.
The hand of a woman is often, in youth,
Somewhat rough, somewhat red, somewhat graceless in truth;
Does its beauty refine, as its pulses grow calm,
Or as Sorrow has cross'd the life-line in the palm?

XIX.

The more that he look'd, that he listen'd, the more
He discover'd perfections unnoticed before.
Whatever of strangeness, and wildness, and pride
She retained in her character, now undescried
In the depths of her being, nought outward betray'd;
Not a look that she look'd, not a word that she said.
Less salient than once, less poetic perchance,
This woman who thus had survived the romance
That had made him its hero, and breathed him its sighs,
Seem'd more charming a thousand times o'er to his eyes.
Alfred Vargrave forgot, ere an hour was thus gone,
All the years which between their existence had flown.
Nay, the whole of his life was forgotten. He seem'd
With some woman unknown till that hour; he half deem'd
That they met in that hour for the first time; and thought
That love at first sight from such eyes might be caught.

XX.

Together they talk'd of the years since when last
They parted, contrasting the present, the past.

Yet no memory marr'd their light converse. Lucile
Question'd much, with the interest a sister might feel,
Of Lord Alfred's new life,—of Miss Darcy—her face,
Her temper, accomplishments—pausing to trace
The advantage derived from a hymen so fit.
Of herself, she recounted with humour and wit
Her journeys, her daily employments, the lands
She had seen, and the books she had read, and the hands
She had shaken.

In all that she said there appear'd
An amiable irony. Laughing, she rear'd
The temple of reason, with ever a touch
Of light scorn at her work, reveal'd only so much
As there gleams, in the thyrsus that Bacchanals bear,
Thro' the blooms of a garland the point of a spear.
But above, and beneath, and beyond all of this,
To that soul, whose experience had paralysed bliss,
A benignant indulgence, to all things resign'd,
A justice, a sweetness, a meekness of mind,
Gave a luminous beauty, as tender and faint
And serene as the halo encircling a saint.

XXI.

Unobserved by Lord Alfred the time fleeted by.
To each novel sensation spontaneously
He abandon'd himself with that ardour so strange
Which belongs to a mind grown accustom'd to change.
He sought, with well-practised and delicate art,
To surprise from Lucile the true state of her heart;

But his efforts were vain, and the woman, as ever,
More adroit than the man, baffled every endeavour.
When he deem'd he had touch'd on some chord in her being,
At the touch, it dissolved, and was gone. Ever fleeing
As ever he near it advanced, when he thought
To have seized, and proceeded to analyse aught
Of the moral existence, the absolute soul,
Light as vapour the phantom escaped his control.

XXII.

From the hall, on a sudden, a sharp ring was heard.
In the passage without a quick footstep there stirr'd.
At the door knock'd the negress, and thrust in her head,
‘The Duke de Luvois had just enter'd,’ she said,
‘And insisted’—

‘The Duke!’ cried Lucile (as she spoke
The Duke's footsteps approaching a light echo woke).
‘Say I do not receive till the evening. Explain,’
As she glanced at Lord Alfred, she added again,
‘I have business of private importance.’

There came
O'er Lord Alfred at once, at the sound of that name,
An invincible sense of vexation. He turn'd
To Lucile, and he fancied he faintly discern'd
On her face an indefinite look of confusion.
On his mind instantaneously flash'd the conclusion
That his presence had caused it.

He said, with a sneer
Which he could not repress, ‘Let not me interfere

‘With the claims on your time, lady! when you are free
‘From more pleasant engagements, allow me to see
‘And to wait on you later.’

The words were not said
Ere he wish'd to recall them. He bitterly read
The mistake he had made in Lucile's flashing eye.
Inclining her head, as in haughty reply,
More reproachful perchance than all utter'd rebuke,
She said merely, resuming her seat, ‘Tell the Duke
‘He may enter.’

And vex'd with his own words and hers,
Alfred Vargrave bow'd low to Lucile de Nevers,
Pass'd the casement and enter'd the garden. Before
His shadow was fled the Duke stood at the door.

XXIII.

When left to his thoughts in the garden alone,
Alfred Vargrave stood, strange to himself. With dull tone
Of importance, thro' cities of rose and carnation,
Went the bee on his business from station to station.
The minute mirth of summer was shrill all around;
Its incessant small voices like stings seem'd to sound
On his sore angry sense. He stood grieving the hot
Solid sun with his shadow, nor stirr'd from the spot.
The last look of Lucile still bewilder'd, perplex'd,
And reproach'd him. The Duke's visit goaded and vex'd
And disturb'd him. At length, he resolved to remain
In the garden, and call on the Countess again
As soon as the Duke went. In short, he would stay,
Were it only to know when the Duke went away.

But just as he form'd this resolve, he perceived
Approaching towards him, between the thick-leaved
And luxuriant laurels, Lucile and the Duke.
Thus surprised, his first thought was to seek for some nook
Whence he might, unobserved, from the garden retreat,
They had not yet seen him. The sound of their feet
And their voices had warn'd him in time. They were walking
Towards him. The Duke (a true Frenchman) was talking
With the action of Talma. He saw at a glance
That they barr'd the sole path to the gateway. No chance
Of escape save in instant concealment! Deep-dipp'd
In thick foliage, an arbour stood near. In he slipp'd,
Saved from sight, as in front of that ambush they pass'd,
Still conversing. Beneath a laburnum at last
They paused, and sat down on a bench in the shade,
So close that he could not but hear what they said.

XXIV.

The Countess.
Comment, Monsieur le Duc?

The Duke.

Ah, forgive! . . . I desired
So deeply to see you to-day. You retired
So early last night from the ball . . . this whole week
I have seen you pale, silent, preoccupied . . . speak,
Speak, Lucile, and forgive me! . . . I know that I am
A rash fool—but I love you! I love you, Madame,

More than language can say! Do not deem, O Lucile,
That the love I no longer have strength to conceal
Is a passing caprice! It is strange to my nature,
It has made me, unknown to myself, a new creature.
It is not the Duke de Luvois that here kneels
To the Countess Lucile. 'Tis a soul that appeals
To a soul, 'tis a heart that cries out for a heart,
'Tis the man you yourself have created in part,
That implores you to sanction and save the new life
Which he lays at your feet with this prayer—Be my wife;
Stoop, and raise me!

Lord Alfred could scarcely restrain
The sudden, acute pang of anger and pain
With which he had heard this. As tho' to some wind
The leaves of the hush'd, windless laurels behind
The Duke and the Countess were suddenly stirr'd.
The sound half betray'd him. They started. He heard
The low voice of Lucile; but so faint was its tone
That her answer escaped him.

The Duke hurried on,
As though in remonstrance with what had been spoken.
‘Nay, I know it, Lucile! but your heart was not broken
‘By the trial in which all its fibres were proved.
‘Love, perchance, you mistrust, yet you need to be loved.
‘You mistake your own feelings. I fear you mistake
‘What so ill I interpret, those feelings which make
‘Words like these vague and feeble. Whatever your heart
‘May have suffer'd of yore, this can only impart

‘A pity profound to the love which I feel.
‘Hush! hush! I know all. Tell me nothing, Lucile.’

‘You know all, Duke?’ she said; ‘well then, know that, in truth,
‘I have learn'd from the rude lesson taught to my youth
‘From my own heart to shelter my life; to mistrust
‘The heart of another. We are what we must,
‘And not what we would be. I know that one hour
‘Forestalls not another. The will and the power
‘Are diverse.’

‘O, madam!’ he answer'd, ‘you fence
‘With a feeling you know to be true and intense.
‘'Tis not my life, Lucile, that I plead for alone:
‘If your nature I know, 'tis no less for your own.
‘That nature will prey on itself; it was made
‘To influence others. Consider,’ he said,
‘You have genius, ambition—what scope for them here?
‘Gifts less noble to me give command of that sphere
‘In which genius is power. Such gifts you despise?
‘But you do not disdain what such gifts realise!
‘I offer you, Lady, a name not unknown—
‘A fortune which worthless, without you, is grown—
‘All my life at your feet I lay down—at your feet
‘A heart which for you, and you only, can beat.’

The Countess.
That heart, Duke, that life—I respect both. The name
And position you offer, and all that you claim

In behalf of their nobler employment, I feel
To deserve what, in turn, I now ask you—

The Duke.
Lucile!

The Countess.
I ask you to leave me—

The Duke.
You do not reject?

The Countess.
I ask you to leave me the time to reflect.

The Duke.
You ask me?—

The Countess.
—The time to reflect.

The Duke.

Say—One word!
May I hope?

What the Countess replied was not heard
By Lord Alfred; for just then she rose, and moved on.
The Duke bow'd his lips o'er her hand, and was gone.

XXV.

Not a sound save the birds in the bushes. And when
Alfred Vargrave reel'd forth to the sunlight again,

He just saw the white robe of the Countess recede
As she enter'd the house.

Scarcely conscious indeed
Of his steps, he too follow'd, and enter'd.

XXVI.

He enter'd
Unnoticed; Lucile never stirr'd: so concentred
And wholly absorbed in her thoughts she appear'd.
Her back to the window was turn'd. As he near'd
The sofa, her face from the glass was reflected.
Her dark eyes were fix'd on the ground. Pale, dejected,
And lost in profound meditation she seem'd.
Softly, silently, over her droop'd shoulders stream'd
The afternoon sunlight. The cry of alarm
And surprise which escaped her, as now on her arm
Alfred Vargrave let fall a hand icily cold
And clammy as death, all too cruelly told
How far he had been from her thoughts.

XXVII.

All his cheek
Was disturb'd with the effort it cost him to speak.
‘It was not my fault. I have heard all,’ he said.
‘Now the letters—and farewell, Lucile! When you wed
‘May—

The sentence broke short, like a weapon that snaps
When the weight of a man is upon it.

‘Perhaps,’

Said Lucile (her sole answer reveal'd in the flush
Of quick colour which up to her brows seem'd to rush
In reply to those few broken words), ‘this farewell
‘Is our last, Alfred Vargrave, in life. Who can tell?
‘Let us part without bitterness. Here are your letters.
‘Be assured I retain you no more in my fetters!’—
She laugh'd, as she said this, a little sad laugh.
And stretch'd out her hand with the letters. And half
Wroth to feel his wrath rise, and unable to trust
His own powers of restraint, in his bosom he thrust
The packet she gave, with a short angry sigh,
Bow'd his head, and departed without a reply.

XXVIII.

And Lucile was alone. And the men of the world
Were gone back to the world. And the world's self was furl'd
Far away from the heart of the woman. Her hand
Droop'd, and from it, unloosed from their frail silken band,
Fell those early love-letters, strewn, scatter'd, and shed
At her feet—life's lost blossoms! Dejected, her head
On her bosom was bow'd. Her gaze vaguely stray'd o'er
Those strewn records of passionate moments no more.
From each page to her sight leapt some word that belied
The composure with which she that day had denied
Every claim on her heart to those poor perish'd years.
They avenged themselves now, and she burst into tears.

CANTO IV. LETTER FROM COUSIN JOHN TO COUSIN ALFRED.

I. ‘Bigorre, Thursday.

‘Time up, you rascal! Come back, or be hang'd.
‘Matilda grows peevish. Her mother harangued
‘For a whole hour this morning about you. The deuce!
‘What on earth can I say to you?—nothing's of use.
‘And the blame of the whole of your shocking behaviour
‘Falls on me, sir! Come back,—do you hear?—or I leave your
‘Affairs, and abjure you for ever. Come back
‘To your anxious betroth'd; and perplex'd

Cousin Jack.’

II.

Alfred needed, in truth, no entreaties from John
To increase his impatience to fly from Serchon.
All the place was now fraught with sensations of pain
Which, whilst in it, he strove to escape from in vain.
A wild instinct warn'd him to fly from a place
Where he felt that some fatal event, swift of pace,
Was approaching his life. In despite his endeavour
To think of Matilda, her image for ever
Was effaced from his fancy by that of Lucile.
From the ground which he stood on he felt himself reel.

Scared, alarm'd by those feelings to which, on the day
Just before, all his heart had so soon given way,
When he caught, with a strange sense of fear, for assistance
At what was, till then, the great fact in existence,
'Twas a phantom he grasp'd.

III.

Having sent for his guide,
He order'd his horse, and determin'd to ride
Back forthwith to Bigorre.

Then, the guide, who well knew
Every haunt of those hills, said the wild lake of Oo
Lay a league from Serchon; and suggested a track
By the lake to Bigorre, which, transversing the back
Of the mountain, avoided a circuit between
Two long vallies; and thinking, ‘Perchance change of scene
‘May create change of thought,’ Alfred Vargrave agreed,
Mounted horse, and set forth to Bigorre at full speed.

IV.

His guide rode beside him.

The king of the guides!
The great Bernard himself! ever boldly he rides,
Ever gaily he sings! For to him, from of old,
The hills have confided their secrets, and told
Where the white partridge lies, and the cock o' the woods;
Where the izard flits fine through the cold solitudes;
Where the bear lurks perdu; and the lynx on his prey
At nightfall descends, when the mountains are grey;

Where the sassafras blooms, and the blue-bell is born,
And the wild rhododendron first reddens at morn;
Where the source of the waters is fine as a thread;
How the storm on the wild Maladetta is spread;
Where the thunder is hoarded, the snows lie asleep,
Whence the torrents are fed, and the cataracts leap;
And, familiarly known in the hamlets, the vales
Have whisper'd to him all their thousand love-tales;
He has laugh'd with the girls, he has leap'd with the boys;
Ever blithe, ever bold, ever boon, he enjoys
An existence untroubled by envy or strife,
While he feeds on the dews and the juices of life.
And so lightly he sings, and so gaily he rides,
For Bernàrd le Sauteur is the king of all guides!

V.

But Bernàrd found, that day, neither song nor love-tale,
Nor adventure, nor laughter, nor legend avail
To arouse from his deep and profound reverie
Him that silent beside him rode fast as could be.

VI.

Ascending the mountain they slacken'd their speed,
And the prospect that met them was wondrous indeed!
The breezy and pure inspirations of morn
Breath'd about them. The scarp'd ravaged mountains, all worn
By the torrents, whose course they watch'd faintly meander,
Were alive with the diamonded shy salamander.

They paused o'er the bosom of purple abysses,
And wound through a region of green wildernesses;
The waters went wirbling above and around,
The forests hung heap'd in their shadows profound.
Here the Larboust, and there Aventin, Castellon,
Which the Demon of Tempest, descending upon,
Had wasted with fire, and the peaceful Cazeaux
They mark'd; and far down in the sunshine below,
Half dipp'd in a valley of airiest blue,
The white happy homes of the village of Oo,
Where the age is yet golden.

And high over head
The wrecks of the combat of Titans were spread.
Red granite and quartz, in the alchemic sun,
Fused their splendours of crimson and crystal in one;
And deep in the moss gleam'd the delicate shells,
And the dew linger'd fresh in the heavy harebells;
The large violet burn'd; the campanula blue;
And Autumn's own flower, the saffron, peer'd through
The wild rhododendrons and thick sassafras;
And fragrant with thyme was the delicate grass;
And high up, and higher, and highest of all,
The secular phantom of snow!

O'er the wall
Of a deep and circuitous valley below,
That aërial spectre, reveal'd in the glow
Of the great golden dawn, hovers faint on the eye
And appears to grow in, and grow out of, the sky,
And plays with the fancy, and baffles the sight.
Only reach'd by the first rosy ripple of light,

And the cool star of eve, the Imperial Thing,
Half unreal, like some mythological king
That dominates all in a fable of old,
Takes command of a valley as fair to behold
As aught in old fables; and, seen or unseen,
Dwells aloof over all, in the vast and serene
Sacred sky, where the footsteps of spirits are furl'd
'Mid the clouds beyond which spreads the infinite world
Of man's last aspirations,—unfathom'd, untrod,
Save by Even and Morn, and the angels of God.

VII.

Meanwhile, as they journey'd, that serpentine road,
Now abruptly reversed, unexpectedly show'd
A gay cavalcade some few feet in advance.
Alfred Vargrave's heart beat; for he saw at a glance
The slight form of Lucile in the midst. His next look
Show'd him, joyously ambling beside her, the Duke.
The rest of the troop which had thus caught his ken
He knew not, nor noticed them (women and men).
They were laughing and talking together. Soon after
By his sudden appearance suspending their laughter,
He found himself close to Lucile.

She look'd scared.
A faint cry escaped her. Her horse slightly rear'd.

VIII.

‘You here!...I imagined you far on your way
‘To Bigorre!’...she exclaim'd. ‘What has caused you to stay?’

‘I am on my way to Bigorre,’ he replied,
‘But, since my way would seem to be yours, let me ride
‘For one moment beside you.’ And then, with a stoop,
At her ear,...‘and forgive me!’

IX.

By this time the troop
Had regather'd its numbers.

The Countess was pale
As the cloud 'neath their feet, on its way to the vale.
The Duke had observed it, nor quitted her side,
For even one moment, the whole of the ride.
Alfred smiled, as he thought ‘he is jealous of her!’
And the thought of this jealousy added a spur
To his firm resolution and effort to please.
He talk'd much; he was witty, and quite at his ease.

X.

After noontide, the clouds, which had traversed the east
Half the day, gather'd closer, and rose and increased.
The air changed and chill'd. As though out of the ground,
There ran up the trees a confused hissing sound,
And the wind rose. The guides sniff'd, like chamois, the air,
And look'd at each other, and halted, and there
Unbuckled the cloaks from the saddles. The white
Aspens rustled, and turn'd up their frail leaves in fright.
All announced the approach of the tempest.

Ere long,
Thick darkness descended the mountains among;

And a vivid, vindictive, and serpentine flash
Gored the darkness, and shore it across with a gash.
The rain fell in large heavy drops. And anon
Broke the thunder.

The horses took fright, every one.
The Duke's in a moment was far out of sight.
The guides shouted. The band was obliged to alight;
And, dispersed up the perilous pathway, walk'd blind
To the darkness before from the darkness behind.

XI.

And the Storm is abroad in the mountains!

He fills
The crouch'd hollows and all the oracular hills
With dread voices of power. A roused million or more
Of wild echoes reluctantly rise from their hoar
Immemorial ambush, and roll in the wake
Of the cloud, whose reflection leaves livid the lake.
And the wind, that wild robber, for plunder descends
From invisible lands, o'er those black mountain ends;
He howls as he hounds down his prey; and his lash
Tears the hair of the timorous wild mountain ash,
That clings to the rocks, with her garments all torn,
Like a woman in fear; then he blows his hoarse horn,
And is off, the fierce guide of destruction and terror,
Up the desolate heights, 'mid an intricate error
Of mountain and mist.

XII.

There is war in the skies!
Lo! the black-wingèd legions of tempest arise

O'er those sharp splinter'd rocks that are gleaming below
In the soft light, so fair and so fatal, as though
Some seraph burn'd through them, the thunderbolt searching
Which the black cloud unbosom'd just now. Lo! the lurching
And shivering pine-trees, like phantoms, that seem
To waver above, in the dark; and yon stream,
How it hurries and roars, on its way to the white
And paralysed lake there, appall'd at the sight
Of the things seen in heaven!

XIII.

Through the darkness and awe
That had gather'd around him, Lord Alfred now saw,
Reveal'd in the fierce and evanishing glare
Of the lightning that momently pulsed through the air,
A woman alone on a shelf of the hill,
With her cheek coldly propp'd on her hand,—and as still
As the rock that she sat on, which beetled above
The black lake beneath her.

All terror, all love
Added speed to the instinct with which he rush'd on.
For one moment the blue lightning swathed the whole stone
In its lurid embrace: like the sleek dazzling snake
That encircles a sorceress, charm'd for her sake
And lull'd by her loveliness; fawning, it play'd
And caressingly twined round the feet and the head

Of the woman who sat there, undaunted and calm
As the soul of that solitude, listing the psalm
Of the plangent and labouring tempest roll slow
From the caldron of midnight and vapour below.
Next moment, from bastion to bastion, all round,
Of the siege-circled mountains, there tumbled the sound
Of the battering thunder's indefinite peal,
And Lord Alfred had sprung to the feet of Lucile.

XIV.

She started. Once more, with its flickering wand,
The lightning approach'd her. In terror, her hand
Alfred Vargrave had seized within his; and he felt
The light fingers that coldly and lingeringly dwelt
In the grasp of his own, tremble faintly.

‘See! see!
‘Where the whirlwind hath stricken and strangled you ‘tree!’

She exclaim'd, ... ‘like the passion that brings on its ‘breath,
‘To the being it embraces, destruction and death!
‘Alfred Vargrave, the lightning is round you!’

‘Lucile!
‘I hear—I see—nought but yourself. I can feel
‘Nothing here but your presence. My pride fights in vain
‘With the truth that leaps from me. We two meet again
‘'Neath yon terrible heaven that is watching above
‘To avenge if I lie when I swear that I love,—

‘And beneath yonder terrible heaven, at your feet,
‘I humble my head and my heart. I entreat
‘Your pardon, Lucile, for the past—I implore
‘For the future your mercy—implore it with more
‘Of passion than prayer ever breath'd. By the power
‘Which invisibly touches us both in this hour,
‘By the rights I have o'er you, Lucile, I demand’—

‘The rights!’. . . said Lucile, and drew from him her hand.

‘Yes, the rights! for what greater to man may belong
‘Than the right to repair in the future the wrong
‘To the past? and the wrong I have done you, of yore,
‘Hath bequeathed to me all the sad right to restore,
‘To retrieve, to amend! I, who injured your life,
‘Urge the right to repair it, Lucile! Be my wife,
‘My guide, my good angel, my all upon earth,
‘And accept, for the sake of what yet may give worth
‘To my life, its contrition!’

XV.

He paused, for there came
O'er the cheek of the Countess a flush like the flame
That illumin'd at moments the darkness o'erhead.
With a voice faint and marr'd by emotion, she said,
‘And your pledge to another?’

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XVI.

‘Hush, hush!’ he exclaim'd,
‘My honour will live where my love lives, unshamed.
‘'Twere poor honour indeed, to another to give
‘That life of which you keep the heart. Could I live
‘In the light of those young eyes, suppressing a lie?
‘Alas, no! your hand holds my whole destiny.
‘I can never recall what my lips have avow'd!
‘In your love lies whatever can render me proud.
‘For the great crime of all my existence hath been
‘To have known you in vain. And the duty best seen,
‘And most hallow'd—the duty most sacred and sweet
‘Is that which hath led me, Lucile, to your feet.
‘O speak! and restore me the blessing I lost
‘When I lost you—my pearl of all pearls beyond cost!
‘And restore to your own life its youth, and restore
‘The vision, the rapture, the passion of yore!
‘Ere our brows had been dimm'd in the dust of the world,
‘When our souls their white wings yet exulting unfurl'dl
‘For your eyes rest no more on the unquiet man,
‘The wild star of whose course its pale orbit outran,
‘Whom the formless indefinite future of youth,
‘With its lying allurements, distracted. In truth
‘I have wearily wander'd the world, and I feel
‘That the least of your lovely regards, O Lucile,
‘Is worth all the world can afford, and the dream
‘Which, though follow'd for ever, for ever doth seem
‘As fleeting, and distant, and dim, as of yore
‘When it brooded in twilight, at dawn, on the shore

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‘Of life's untraversed ocean! I know the sole path
‘To repose, which my desolate destiny hath,
‘Is the path by whose course to your feet I return.
‘And who else, O Lucile, will so truly discern,
‘And so deeply revere, all the passionate strength,
‘The sublimity in you, as he whom at length
‘These have saved from himself, for the truth they reveal
‘To his worship?’

XVII.

She spoke not; but Alfred could feel
The light hand and arm, that upon him reposed,
Thrill and tremble. Those dark eyes of hers were half closed;
But, under their languid mysterious fringe,
A passionate softness was beaming. One tinge
Of faint inward fire flush'd transparently through
The delicate, pallid, and pure olive hue
Of the cheek, half averted and droop'd. The rich bosom
Heaved, as when in the heart of a ruffled rose blossom
A bee is imprison'd, and struggles.

XVIII.

Meanwhile
The sun, in his setting, sent up the last smile
Of his power, to baffle the storm. And, behold!
O'er the mountains embattled, his armies, all gold,
Rose and rested: while far up the dim airy crags,
Its artillery silenced, its banners in rags,

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The rear of the tempest its sullen retreat
Drew off slowly, receding in silence, to meet
The powers of the night, which, now gathering afar,
Had already sent forward one bright, signal star.
The curls of her soft and luxuriant hair,
From the dark riding-hat, which Lucile used to wear,
Had escaped; and Lord Alfred now cover'd with kisses
The redolent warmth of those long falling tresses.
Neither he, nor Lucile, felt the rain, which not yet
Had ceased falling around them; when, splash'd, drench'd, and wet,
The Duc de Luvois down the rough mountain course
Approach'd them as fast as the road, and his horse,
Which was limping, would suffer. The beast had just now
Lost his footing, and over the perilous brow
Of the storm-haunted mountain his master had thrown;
But the Duke, who was agile, had leap'd to a stone,
And the horse, being bred to the instinct which fills
The breast of the wild mountaineer in these hills,
Had scrambled again to his feet; and now master
And horse bore about them the signs of disaster,
As they heavily footed their way through the mist,
The horse with his shoulder, the Duke with his wrist,
Bruised and bleeding.

XIX.

If ever your feet, like my own,
O reader, have travers'd these mountains alone,
Have you felt your identity shrink and contract
At the sound of the distant and dim cataract,

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In the presence of nature's immensities? Say,
Have you hung o'er the torrent, bedew'd with its spray,
And, leaving the rock-way, contorted and roll'd,
Like a huge couchant Typhon, fold heap'd over fold,
Track'd the summits, from which every step that you tread
Rolls the loose stones, with thunder below, to the bed
Of invisible waters, whose mystical sound
Fills with awful suggestions the dizzy profound?
And, labouring onwards, at last through a break
In the walls of the world, burst at once on the lake?

If you have, this description I might have withheld.
You remember how strangely your bosom has swell'd
At the vision reveal'd. On the over-work'd soil
Of this planet, enjoyment is sharpen'd by toil;
And one seems, by the pain of ascending the height,
To have conquer'd a claim to that wonderful sight.

XX.

Hail, virginal daughter of cold Espingo!
Hail, Naiad, whose realm is the cloud and the snow!
For o'er thee the angels have whiten'd their wings,
And the thirst of the seraphs is quench'd at thy springs.
What hand hath, in heaven, upheld thine expanse?
When the breath of creation first fashion'd fair France,
Did the Spirit of Ill, in his downthrow appalling,
Bruise the world, and thus hollow thy basin while falling?
Ere the mammoth was born hath some monster unnamed
The base of thy mountainous pedestal framed?

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And later, when Power to Beauty was wed,
Did some delicate fairy embroider thy bed
With the fragile valerian and wild columbine?

XXI.

But thy secret thou keepest, and I will keep mine;
For once, gazing on thee, it flash'd on my soul,
All that secret! I saw in a vision the whole
Vast design of the ages; what was and shall be!
Hands unseen raised the veil of a great mystery
For one moment. I saw, and I heard; and my heart
Bore witness within me to infinite art,
In infinite power proving infinite love;
Caught the great choral chant, mark'd the dread pageant move—
The divine Whence and Whither of life! But, O daughter
Of Oo, not more safe in the deep silent water
Is thy secret, than mine in my heart. Even so.
What I then saw and heard, the world never shall know.

XXII.

The dimness of eve o'er the vallies had closed,
The rain had ceased falling, the mountains reposed.
The stars had enkindled in luminous courses
Their slow-sliding lamps, when, remounting their horses,
The riders re-travers'd that mighty serration
Of rockwork. Thus left to its own desolation,
The lake, from whose glimmering limits the last
Transient pomp of the pageants of sunset had pass'd,

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Drew into its bosom the darkness, and only
Admitted within it one image—a lonely
And tremulous phantom of flickering light
That follow'd the mystical moon through the night.

XXIII.

It was late when o'er Serchon at last they descended.
To her châlet, in silence, Lord Alfred attended
The Countess. At parting she whisper'd him low,
‘You have made to me, Alfred, an offer, I know
‘All the worth of, believe me. I cannot reply
‘Without time for reflection. Good night!—not good bye.’

‘Alas! 'tis the very same answer you made
‘To the Duc de Luvois but a day since,’ he said.

‘No, Alfred! the very same, no,’ she replied.
Her voice shook. ‘If you love me, obey me. Abide
‘My answer, to-morrow.

XXIV.

Alas, cousin Jack!
You Cassandra in breeches and boots! turn your back
To the ruins of Troy. Prophet, seek not for glory
Amongst thine own people.

I follow my story.

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CANTO V.

I.

Up!—forth again, Pegasus!—‘Many's the slip,’
Hath the proverb well said, ‘'twixt the cup and the lip!
How blest should we be, have I often conceived,
Had we really achieved what we nearly achieved!
We but catch at the skirts of the thing we would be,
And fall back on the lap of a false destiny.
So it will be, so has been, since this world began!
And the happiest, noblest, and best part of man
Is the part which he never hath fully play'd out:
For the first and last word in life's volume is—Doubt.
The face the most fair to our vision allow'd
Is the face we encounter and lose in the crowd.
The thought that most thrills our existence is one
Which, before we can frame it in language, is gone.
O Horace! the rustic still rests by the river,
But the river flows on, and flows past him for ever!
Who can sit down, and say ... ‘What I will be, I will’?
Who stand up, and affirm... ‘What I was, I am still’?
Who is it that must not, if question'd, say...‘What
‘I would have remain'd, or become, I am not’?
We are ever behind, or beyond, or beside
Our intrinsic existence. For ever at hide
And seek with our souls. Not in Hades alone
Doth Sisyphus roll, ever frustrate, the stone,

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Do the Danaïds ply, ever vainly, the sieve.
Tasks as futile does earth to its denizens give.
Tet there's none so unhappy, but what he hath been
Just about to be happy, at some time, I ween;
And none so beguiled and defrauded by chance,
But what once, in his life, some minute circumstance
Would have fully sufficed to secure him the bliss
Which, missing it then, he for ever must miss.
And to most of us, ere we go down to the grave,
Life, relenting, accords the good gift we would have;
But, as though by some strange imperfection in fate,
The good gift, when it comes, comes a moment too late.
The Future's great veil our breath fitfully flaps,
And behind it broods ever the mighty Perhaps.
Yes! there's many a slip 'twixt the cup and the lip;
But while o'er the brim of life's beaker I dip,
Though the cup may next moment be shatter'd, the wine
Spilt, one deep health I'll pledge, and that health shall be thine,
O being of beauty and bliss! seen and known
In the deeps of my soul, and possess'd there alone!
My days know thee not; and my lips name thee never.
Thy place in my poor life is vacant for ever.
We have met: we have parted. No more is recorded
In my annals on earth. This alone was afforded
To the man whom men know me, or deem me, to be.
But, far down, in the depths of my life's mystery,
(Like the siren that under the deep ocean dwells,
Whom the wind as it wails, and the wave as it swells,

108

Cannot stir in the calm of her coralline halls,
'Mid the world's adamantine and dim pedestals;
At whose feet sit the sylphs and sea fairies; for whom
The almondine glimmers, the soft samphires bloom)—
Thou abidest and reignest for ever, O Queen
Of that better world which thou swayest unseen!
My one perfect mistress! my all things in all!
Thee by no vulgar name known to men do I call:
For the seraphs have named thee to me in my sleep,
And that name is a secret I sacredly keep.
But, wherever this nature of mine is most fair,
And its thoughts are the purest—belov'd, thou art there!
And whatever is noblest in aught that I do,
Is done to exalt and to worship thee too.
The world gave thee not to me, no! and the world
Cannot take thee away from me now. I have furl'd
The wings of my spirit about thy bright head;
At thy feet are my soul'd immortalities spread.
Thou mightest have been to me much. Thou art more.
And in silence I worship, in darkness adore.
If life be not that which without us we find—
Chance, accident, merely—but rather the mind,
And the soul which, within us, surviveth these things,
If our real existence have truly its springs
Less in that which we do, than in that which we feel,
Not in vain do I worship, not hopeless I kneel!
For then, though I name thee not mistress or wife,
Thou art mine—and mine only,—O life of my life!
And though many's the slip 'twixt the cup and the lip,
Yet while o'er the brim of life's beaker I dip,

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While there's life on the lip, while there's warmth in the wine,
One deep health I'll pledge, and that health shall be thine!

II.

This world, on whose peaceable breast we repose
Unconvulsed by alarm, once confused in the throes
Of a tumult divine, sea and land, moist and dry,
And in fiery fusion commix'd earth and sky.
Time cool'd it, and calm'd it, and taught it to go
The round of its orbit in peace, long ago.
The wind changeth and whirleth continually:
All the rivers run down and run into the sea:
The wind whirleth about, and is presently still'd:
All the rivers run down, yet the sea is not fill'd:
The sun goeth forth from his chambers: the sun
Ariseth, and lo! he descendeth anon.
All returns to its place. Use and Habit are powers
Far stronger than Passion, in this world of ours.
The great laws of life readjust their infraction,
And to every emotion appoint a reaction.

III.

Alfred Vargrave had time, after leaving Lucile,
To review the rash step he had taken, and feel
What the world would have call'd ‘his erroneous position.’
Thought obtruded its claim, and enforced recognition:
Like a creditor who, when the gloss is worn out
On the coat which we once wore with pleasure no doubt,

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Sends us in his account for the garment we bought.
Ev'ry spendthrift to passion is debtor to thought.

IV.

He felt ill at ease with himself. He could feel
Little doubt what the answer would be from Lucile.
Her eyes, when they parted—her voice, when they met,
Still enraptured his heart, which they haunted. And yet,
Though, exulting, he deem'd himself loved, where he loved,
Through his mind a vague self-accusation there moved.
O'er his fancy, when fancy was fairest, would rise
The infantine face of Matilda, with eyes
So sad, so reproachful, so cruelly kind,
That his heart fail'd within him. In vain did he find
A thousand just reasons for what he had done:
The vision that troubled him would not be gone.
In vain did he say to himself, and with truth,
‘Matilda has beauty, and fortune, and youth;
‘And her heart is too young to have deeply involved
‘All its hopes in the tie which must now be dissolved.
‘'T were a false sense of honour in me to suppress
‘The sad truth which I owe it to her to confess.
‘And what reason have I to presume this poor life
‘Of my own, with its languid and frivolous strife,
‘And without what alone might endear it to her,
‘Were a boon all so precious, indeed, to confer,
‘That a woman need weep to resign it? 'T will be
‘The brief, angry surprise of a moment, and she,

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‘Who can never lack suitors more worthy than I,
‘In a year will recall, without even a sigh,
‘This broken engagement.

‘It is not as though
‘I were bound to some poor village maiden, I know,
‘Unto whose simple heart mine were all upon earth,
‘Or to whose simple fortunes my own could give worth.
‘Matilda, in all the world's gifts, will not miss
‘Aught that I could procure her. 'T is best as it is!’

V.

In vain did he say to himself, ‘When I came
‘To this fatal spot, I had nothing to blame
‘Or reproach myself for in the thoughts of my heart.
‘I could not foresee that its pulses would start
‘Into such strange emotion on seeing once more
‘A woman I left with indifference before.
‘I believed, and with honest conviction believed,
‘In my love for Matilda. I never conceived
‘That another could shake it. I deem'd I had done
‘With the wild heart of youth, and look'd hopefully on
‘To the soberer manhood, the worthier life,
‘Which I sought in the love that I vow'd to my wife.
‘Poor child! she shall learn the whole truth. She shall know
‘What I knew not myself but a few days ago.
‘The world will console her—her pride will support—
‘Her youth will renew its emotions. In short,
‘There is nothing in me that Matilda will miss
‘When once we have parted. 'T is best as it is!’

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VI.

But in vain did he reason and argue. Alas!
He yet felt unconvinced that 'twas best as it was.
Out of reach of all reason, for ever would rise
That infantine face of Matilda, with eyes
So sad, so reproachful, so cruelly kind,
That they harrow'd his heart and distracted his mind.

VII.

And then, when he turn'd from these thoughts to Lucile,
Though his heart rose enraptured, he could not but feel
A vague sense of awe of her nature. Behind
All the beauty of heart, and the graces of mind,
Which he saw and revered in her, something unknown
And unseen in her nature still troubled his own.
He felt that Lucile penetrated and prized
Whatever was noblest and best, though disguised,
In himself; but he did not feel sure that he knew,
Or completely possess'd, what, half-hidden from view,
Remain'd lofty and lonely in her.

Then, her life,
So untamed, and so free! would she yield, as a wife,
Independence, long claim'd as a woman? Her name,
So link'd by the world with that spurious fame
Which the beauty and wit of a woman assert,
In some measure, alas! to her own loss and hurt
In the serious thoughts of a man!.... This reflection
O'er the love which he felt cast a shade of dejection,

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From which he for ever escaped to the thought
Doubt could reach not.... ‘I love her, and all else is nought!’

VIII.

His hand trembled strangely in breaking the seal
Of the letter which reach'd him at last from Lucile.
At the sight of the very first word that he read,
That letter dropp'd down from his hand like the dead
Leaf in autumn, that, falling, leaves naked and bare
A desolate tree in a wide wintry air.
He pass'd his hand hurriedly over his eyes,
Bewilder'd, incredulous. Angry surprise
And dismay, in one sharp moan, broke from him. Anon
He pick'd up the page, and read rapidly on.

IX. THE COMTESSE DE NEVERS TO LORD ALFRED VARGRAVE.

‘No, Alfred!

‘If over the present, when last
‘We two met, rose the glamour and mist of the past,
‘It hath now roll'd away, and our two paths are plain,
‘And those two paths divide us.

‘That hand which again
‘Mine one moment hath clasp'd, as the hand of a brother,
‘That hand and your honour are pledged to another!
‘Forgive, Alfred Vargrave, forgive me, if yet
‘For that moment (now past!) I have made you forget
‘What was due to yourself and that other one. Yes,
‘Mine the fault, and be mine the repentance! Not less,

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‘In now owning this fault, Alfred, let me own, too,
‘I foresaw not the sorrow involved in it.

‘True,
‘That meeting, which hath been so fatal, I sought,
‘I alone! But, oh, deem not it was with the thought
‘Or your heart to regain, or the past to rewaken.
‘No! believe me, it was with the firm and unshaken
‘Conviction, at least, that our meeting would be
‘Without peril to you, although haply to me
‘The salvation of all my existence.

‘I own,
‘When the rumour first reach'd me, which lightly made known
‘To the world your engagement, my heart and my mind
‘Suffer'd torture intense. It was cruel to find
‘That so much of the life of my life, half unknown
‘To myself, had been silently settled on one
‘Upon whom but to think it would soon be a crime.
‘Then I said to myself, “From the thraldom which time
‘“Hath not weaken'd there rests but one hope of escape.
‘“That image which Fancy seems ever to shape
‘“From the solitude left round the ruins of yore,
‘“Is a phantom. The Being I loved is no more.
‘“What I hear in the silence, and see in the lone
‘“Void of life, is the young hero born of my own
‘“Perish'd youth: and his image, serene and sublime,
‘“In my heart rests unconscious of change and of time.
‘“Could I see it but once more, as time and as change
‘“Have made it, a thing unfamiliar and strange,

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‘“See, indeed, that the Being I loved in my youth
‘“Is no more, and what rests now is only, in truth,
‘“The hard pupil of life and the world: then, oh, then,
‘“I should wake from a dream, and my life be again
‘“Reconciled to the world; and, released from regret,
‘“Take the lot fate accords to my choice.”

‘So we met.
‘But the danger I did not foresee has occurr'd:
‘The danger, alas, to yourself! I have err'd.
‘But happy for both that this error hath been
‘Discover'd as soon as the danger was seen!
‘We meet, Alfred Vargave, no more. I, indeed,
‘Shall be far from Serchon when this letter you read.
‘My course is decided; my path I discern:
‘Doubt is over; my future is fix'd now.

‘Return,
‘O return to the young living love! Whence, alas!
‘If, one moment, you wander'd, think only it was
‘More deeply to bury the past love.

‘And, oh!
‘Believe, Alfred Vargrave, that I, where I go
‘On my far distant pathway through life, shall rejoice
‘To treasure in memory all that your voice
‘Has avow'd to me, all in which others have clothed
‘To my fancy with beauty and worth your betrothed!
‘In the fair morning light, in the orient dew
‘Of that young life, now yours, can you fail to renew
‘All the noble and pure aspirations, the truth,
‘The freshness, the faith, of your own carnest youth?

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‘Yes! you will be happy. I, too, in the bliss
‘I foresee for you, I shall be happy. And this
‘Proves me worthy your friendship. And so—let it prove
‘That I cannot—I do not—respond to your love.
‘Yes, indeed! be convinced that I could not (no, no,
‘Never, never!) have render'd you happy. And so,
‘Rest assured that, if false to the vows you have plighted,
‘You would have endured, when the first brief, excited
‘Emotion was o'er, not alone the remorse
‘Of honour, but also (to render it worse)
‘Disappointed affection.

‘Yes, Alfred; you start?
‘But think! if the world was too much in your heart,
‘And too little in mine, when we parted ten years
‘Ere this last fatal meeting, that time (ay, and tears!)
‘Have but deepen'd the old demarcations which then
‘Placed our natures asunder; and we two again,
‘As we then were, would still have been strangely at strife.
‘In that self-independence which is to my life
‘Its necessity now, as it once was its pride,
‘Had our course through the world been henceforth side by side,
‘I should have revolted for ever, and shock'd,
‘Your respect for the world's plausibilities, mock'd,
‘Without meaning to do so, and outraged, all those
‘Social creeds which you live by.

‘Oh! do not suppose

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‘That I blame you. Perhaps it is you that are right.
‘Best, then, all as it is!

‘Deem these words life's Good-night
‘To the hope of a moment: no more! If there fell
‘Any tear on this page, 'twas a friend's.

‘So farewell
‘To the past—and to you, Alfred Vargrave.

‘Lucile.’

X.

So ended that letter.

The room seem'd to reel
Round and round in the mist that was scorching his eyes
With a fiery dew. Grief, resentment, surprise,
Seem'd to choke him; each word he had read, as it smote
Down some hope, seem'd to grasp, like a hand, at his throat,
And stifle and strangle him.

Gasping already
For relief from himself, with a footstep unsteady,
He pass'd from his chamber. He felt both oppress'd
And excited. The letter he thrust in his breast,
And, in search of fresh air and of solitude, pass'd
The long lime-trees of Serchon. His footsteps at last
Reach'd a bare narrow heath by the skirts of a wood:
It was sombre and silent, and suited his mood.
By a mineral spring, long unused, now unknown,
Stood a small ruin'd abbey. He reach'd it, sat down
On a fragment of stone, 'mid the wild weed and thistle,
And read over again that perplexing epistle.

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XI.

In re-reading that letter, there roll'd from his mind
The raw mist of resentment which first made him blind
To the pathos breath'd thro' it. Tears rose in his eyes,
And a hope sweet and strange in his heart seem'd to rise.
The truth which he saw not the first time he read
That letter, he now saw—that each word betray'd
The love which the writer had sought to conceal.
His love was received not, he could not but feel,
For one reason alone,—that his love was not free.
True! free yet he was not: but could he not be
Free ere long, free as air to revoke that farewell,
And to sanction his own hopes? he had but to tell
The truth to Matilda, and she were the first
To release him: he had but to wait at the worst.
Matilda's relations would probably snatch
Any pretext, with pleasure, to break off a match
In which they had yielded, alone at the whim
Of their spoil'd child, a languid approval to him.
She herself, careless child! was her love for him aught
Save the first joyous fancy succeeding the thought
She last gave to her doll? was she able to feel
Such a love as the love he divined in Lucile?
He would seek her, obtain his release, and, oh! then,
He had but to fly to Lucile, and again
Claim the love which his heart would be free to command.
But to press on Lucile any claim to her hand,
Or even to seek, or to see her, before
He could say, ‘I am free! free, Lucile, to implore

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‘That great blessing on life you alone can confer,’
Twere dishonour in him, 't would be insult to her.
Thus, still with the letter outspread on his knee
He follow'd so fondly his own reverie,
That he felt not the angry regard of a man
Fix'd upon him; he saw not a face stern and wan
Turn'd towards him; he heard not a footstep that pass'd
And repass'd the lone spot where he stood, till at last
A hoarse voice aroused him.

He look'd up and saw,
On the bare heath before him, the Duc de Luvois.

XII.

With aggressive ironical tones, and a look
Of concentrated insolent challenge, the Duke
Address'd to Lord Alfred some sneering allusion
To ‘the doubtless sublime reveries his intrusion
‘Had, he fear'd, interrupted. Milord would do better,
‘He fancied, however, to fold up a letter
‘The writing of which was too well known, in fact,
‘His remark as he pass'd to have fail'd to attract.’

XIII.

It was obvious to Alfred the Frenchman was bent
Upon picking a quarrel; and doubtless 't was meant
From him to provoke it by sneers such as these.
A moment sufficed his quick instinct, to seize
The position. He felt that he could not expose
His own name, or Lucile's, or Matilda's, to those

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Idle tongues that would bring down upon him the ban
Of the world, if he now were to fight with this man.
And indeed, when he look'd in the Duke's haggard face,
He was pain'd by the change there he could not but trace.
And he almost felt pity.

He therefore put by
Each remark from the Duke with some careless reply,
And coldly, but courteously, waving away
The ill-humour the Duke seem'd resolved to display,
Rose, and turn'd, with a stern salutation, aside.

XIV.

Then the Duke put himself in the path, made one stride
In advance, raised a hand, fix'd upon him his eyes,
And said ...

‘Hold, Lord Alfred! Away with disguise!
‘I will own that I sought you a moment ago,
‘To fix on you a quarrel. I still can do so
‘Upon any excuse. I prefer to be frank.
‘I admit not a rival in fortune or rank
‘To the hand of a woman, whatever be hers
‘Or her suitor's. I love the Comtesse de Nevers.
‘I believed, ere you cross'd me, and still have the right
‘To believe, that she would have been mine. To her sight
‘You return, and the woman is suddenly changed.
‘You step in between us: her heart is estranged.
‘You! who now are betroth'd to another, I know:
‘You! whose name with Lucile's nearly ten years ago

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‘Was coupled by ties which you broke: you! the man
‘I reproach'd on the day our acquaintance began:
‘You! that left her so lightly,—I cannot believe
‘That you love, as I love, her; nor can I conceive
‘You, indeed, have the right so to love her.

‘Milord,
‘I will not thus tamely concede, at your word,
‘What, a few days ago, I believed to be mine!
‘I shall yet persevere: I shall yet be, in fine,
‘A rival you dare not despise. It is plain
‘That to settle this contest there can but remain
‘One way—need I say what it is?’

XV.

Not unmoved
With regretful respect for the earnestness proved
By the speech he had heard, Alfred Vargrave replied
In words which he trusted might yet turn aside
The quarrel from which he felt bound to abstain,
And, with stately urbanity, strove to explain
To the Duke that he too (a fair rival at worst!)
Had not been accepted.

XVI.

‘Accepted! say first
‘Are you free to have offer'd?’

Lord Alfred was mute.

XVII.

‘Ah, you dare not reply!’ cried the Duke. ‘Why dispute,

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‘Why palter with me? you are silent! and why?
‘Because, in your conscience, you cannot deny
‘'Twas from vanity, wanton and cruel withal,
‘And the wish an ascendency lost to recall,
‘That you stepp'd in between me and her. If, milord,
‘You be really sincere, I ask only one word.
‘Say at once you renounce her. At once, on my part,
‘I will ask your forgiveness with all truth of heart,
‘And there can be no quarrel between us. Say on!’
Lord Alfred grew gall'd and impatient. This tone
Roused a strong irritation he could not repress.
‘You have not the right, sir,’ he said, ‘and still less
‘The power, to make terms and conditions with me.
‘I refuse to reply.’

XVIII.

As diviners may see
Fates they cannot avert in some figure occult,
He foresaw in a moment each evil result
Of the quarrel now imminent.

There, face to face,
'Mid the ruins and tombs of a long-perish'd race,
With, for witness, the stern Autumn Sky overhead,
And beneath them, unnoticed, the graves, and the dead,
Those two men had met, as it were on the ridge
Of that perilous, narrow, invisible bridge,
Dividing the Past from the Future, so small
That, if one should pass over, the other must fall.

123

XIX.

On the ear, at that moment, the sound of a hoof,
Urged with speed, sharply smote; and from under the roof
Of the forest in view, where the skirts of it verged
On the heath where they stood, at full gallop emerged
A horseman.

A guide he appear'd, by the sash
Of red silk round the waist, and the long leathern lash
With the short wooden handle, slung crosswise behind
The short jacket; the loose canvas trouser, confined
By the long boots; the woollen capote; and the rein,
A mere hempen cord on a curb.

Up the plain
He wheel'd his horse, white with the foam on his flank,
Leap'd the rivulet lightly, turn'd sharp from the bank,
And, approaching the Duke, raised his woolen capote,
Bow'd low in the selle, and deliver'd a note.

XX.

The two men stood astonish'd. The Duke, with a gest
Of apology, turn'd, stretch'd his hand, and possess'd
Himself of the letter, changed colour, and tore
The page open, and read.

Ere a moment was o'er
His whole aspect changed. A light rose to his eyes,
And a smile to his lips. While with startled surprise
Lord Alfred yet watch'd him, he turn'd on his heel,
And said gaily, ‘A pressing request from Lucile!
‘You are quite right, Lord Alfred! fair rivals at worst,
‘Our relative place may perchance be reversed.

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‘You are not accepted—not free to propose!
‘I, perchance, am accepted already; who knows?
‘I had warn'd you, milord, I should still persevere.
‘This letter—but stay! you can read it—look here!’

XXI.

It was now Alfred's turn to feel roused and enraged.
But Lucile to himself was not pledged or engaged
By aught that could sanction resentment. He said
Not a word, but turn'd round, took the letter, and read...

THE COMTESSE DE NEVERS TO THE DUC DE LUVOIS.

‘Saint Saviour.
‘Your letter, which follow'd me here, makes me stay
‘Till I see you again. With no moment's delay
‘I entreat, I conjure you, by all that you feel
‘Or profess, to come to me directly.
Lucile.’

XXII.

‘Your letter!’ He then had been writing to her!
Coldly shrugging his shoulders, Lord Alfred said, ‘Sir,
‘Do not let me detain you!’

The Duke smiled and bow'd;
Placed the note in his bosom; address'd, half aloud,
A few words to the messenger.... ‘Say your despatch
‘Will be answer'd ere nightfall;’ then glanced at his watch,
And turn'd back to the Baths.

125

XXIII.

Alfred Vargrave stood still,
Torn, distracted in heart, and divided in will.
He turn'd to Lucile's farewell letter to him,
And read over her words; rising tears made them dim;
‘Doubt is over: my future is fix'd now,’ they said,
‘My course is decided,’ Her course? what! to wed
With this insolent rival! With that thought there shot
Through his heart an acute jealous anguish. But not
Even thus could his clear worldly sense quite excuse
Those strange words to the Duke. She was free to refuse
Himself, free the Duke to accept, it was true:
Even then though, this eager and strange rendezvous
How imprudent! To some unfrequented lone inn,
And so late (for the night was about to begin)—
She, companionless there!—had she bidden that man?
A fear, vague, and formless, and horrible, ran
Through his heart.

XXIV.

At that moment he look'd up, and saw,
Riding fast through the forest, the Duc de Luvois,
Who waved his hand to him, and sped out of sight.
The day was descending. He felt 't would be night
Ere that man reach'd Saint Saviour.

XXV.

He walk'd on, but not
Back toward Serchon: he walk'd on, but knew not in what

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Direction, nor yet with what object, indeed,
He was walking; but still he walk'd on without heed.

XXVI.

The day had been sullen; but, towards his decline,
The sun sent a stream of wild light up the pine.
Darkly denting the red light reveal'd at its back,
The old ruin'd abbey rose roofless and black.
The spring that yet oozed through the moss-paven floor
Had suggested, no doubt, to the monks there, of yore,
The site of that refuge where, back to its God
How many a heart, now at rest 'neath the sod,
Had borne from the world all the same wild unrest
That now prey'd on his own!

XXVII.

By the thoughts in his breast
With varying impulse divided and torn,
He traversed the scant heath, and reach'd the forlorn
Autumn woodland, in which but a short while ago
He had seen the Duke rapidly enter; and so
He too enter'd. The light waned around him, and pass'd
Into darkness. The wrathful, red Occident cast
One glare of vindictive inquiry behind,
As the last light of day from the high wood declined,
And the great forest sigh'd its farewell to the beam,
And far off on the stillness the voice of the stream
Fell faintly.

XXVIII.

O Nature, how fair is thy face,
And how light is thy heart, and how friendless thy grace!

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Thou false mistress of man! thou dost sport with him lightly
In his hours of ease and enjoyment; and brightly
Dost thou smile to his smile; to his joys thou inclinest,
But his sorrows, thou knowest them not, nor divinest.
While he woos, thou art wanton; thou lettest him love thee;
But thou art not his friend, for his grief cannot move thee.
And at last, when he sickens and dies, what dost thou?
All as gay are thy garments, as careless thy brow,
And thou laughest and toyest with any new comer,
Not a tear more for winter, a smile less for summer!
Hast thou never an anguish to heave the heart under
That fair breast of thine, O thou feminine wonder!
For all those—the young, and the fair, and the strong,
Who have loved thee, and lived with thee gaily and long,
And who now on thy bosom lie dead? and their deeds
And their days are forgotten! O hast thou no weeds
And not one year of mourning,—one out of the many
That deck thy new bridals for ever,—nor any
Regrets for thy lost loves, conceal'd from the new,
O thou widow of earth's generations? Go to!
If the sea and the night wind know aught of these things,
They do not reveal it. We are not thy kings.

128

CANTO VI.

I.

‘The huntsman has ridden too far on the chase,
‘And eltrich, and eerie, and strange is the place!
‘The castle betokens a date long gone by.
‘He crosses the courtyard with curious eye:
‘He wanders from chamber to chamber, and yet
‘From strangeness to strangeness his footsteps are set;
‘And the whole place grows wilder, and wilder, and less
‘Like aught seen before. Each in obsolete dress,
‘Strange portraits regard him with looks of surprise;
‘Strange forms from the arras start forth to his eyes;
‘Strange epigraphs, blazon'd, burn out of the wall:
‘The spell of a wizard is over it all.
‘In her chamber, enchanted, the Princess is sleeping
‘The sleep which for centuries she has been keeping.
‘If she smile in her sleep, it must be to some lover
‘Whose lost golden locks the long grasses now cover:
‘If she moan in her dream, it must be to deplore
‘Some grief which the world cares to hear of no more.
‘But how fair is her forehead, how calm seems her cheek
‘And how sweet must that voice be, if once she would speak!

129

‘He looks and he loves her; but knows he (not he!)
‘The clue to unravel this old mystery?
‘And he stoops to those shut lips. The shapes on the wall,
‘The mute men in armour around him, and all
‘The weird figures frown, as tho’ striving to say,
‘“ Halt! invade not the Past, reckless child of To-day!
‘“And give not, O madman! the heart in thy breast
‘“To a phantom, the soul of whose sense is possess'd
‘“By an Age not thine own!”

‘But unconscious is he,
‘And he heeds not the warning, he cares not to see
‘Aught but one form before him!

‘Rash, wild words are o'er;
‘And the vision is vanish'd from sight evermore!
‘And the gray morning sees, as it drearily moves
‘O'er a land long deserted, a madman that roves
‘Through a ruin, and seeks to recapture a dream.
‘Lost to life and its uses, withdrawn from the scheme
‘Of man's waking existence, he wanders apart.’
And this is an old fairy-tale of the heart.
It is told in all lands, in a different tongue;
Told with tears by the old, heard with smiles by the young.
And the tale to each heart unto which it is known
Has a different sense. It has puzzled my own.

II.

Eugène de Luvois was a man who, in part
From strong physical health, and that vigour of heart

130

Which physical health gives, and partly, perchance,
From a generous vanity native to France,
Threw himself, heart and soul, into all that allured
Or engaged his sensations; nor ever endured
To relinquish to failure whate'er he began,
Or accept any rank, save the foremost.

A man
Of action by nature, he might have, no doubt,
Been in some sense a great man, had life but laid out
Any great field of action for him, or conceded
To action a really great aim, such as needed
Faith, patience, self-sacrifice.

But, on the whole,
From circumstance partly beyond his control,
His life was of trifles made up, and he lived
In a world of frivolities. Still he contrived
The trifles, to which he was wedded, to dower
With so much of his own individual power
(And mere pastime to him was so keen a pursuit),
That these trifles seem'd such as you scarce could impute
To a trifler.

Both he and Lord Alfred had been
Men of pleasure: but men's pleasant vices, which, seen
In Alfred, appear'd, from the light languid mood
Of soft unconcern with which these were pursued,
As amiable foibles, by strange involution,
In Eugène, from their earnest, intense prosecution,
Appear'd almost criminal.

Nevertheless,
What in him gave to vice, from its pathos and stress,

131

A sort of malignity, might have perchance
Had the object been changed by transposed circumstance,
Given vigour to virtue. And therefore, indeed,
Had his life been allied to some fix'd moral creed,
In the practice and forms of a rigid, severe,
And ascetic religion, he might have come near
To each saint in that calendar which he now spurn'd.
In its orbit, however, his intellect turn'd
On a circle so narrow'd as quite to exclude
A spacious humanity. Therefore, both crude
And harsh his religion would ever have been,
As shallow, presumptuous, narrow, and keen,
Was the trite irreligion which now he display'd.
It depended alone upon chance to have made
Persecutor of this man, or martyr. For, closed
In the man, lurk'd two natures the world deems opposed,
A Savonarola's, a Calvin's, alike
Uperceived by himself. It was in him to strike
At whatever the object he sought to attain,
Bold as Brutus, relentless as Philip of Spain,
And undaunted to march, in behalf of his brothers,
To the stake, or to light it, remorseless, for others.
The want of his life was the great want, in fact,
Of a principle, less than of power to act
Upon principle. Life without one living truth!
To the sacred political creed of his youth
The century which he was born to denied
All realisation. Its generous pride

132

To degenerate protest on all things was sunk;
Its principles, each to a prejudice shrunk.
And thus from his youth he had lived, in constrain'd
Vain resistance, opposed to the race that then reign'd
In the land of his birth, and from this cause alone
Exiled from his due sphere of action, and thrown
Into reckless inertness; whence, early possess'd
Of inherited wealth, he had learn'd to invest
Both his wealth and those passions wealth frees from the cage
Which penury locks, in each vice of an age
All the virtues of which, by the creed he revered,
Were to him illegitimate.

Thus, he appear'd
Neither Brutus nor Philip in action and deed,
Neither Calvin nor Savonarola in creed,
But that which the world chose to have him appear,—
The frivolous tyrant of Fashion, a mere
Reformer in coats, cards, and carriages! Still
'Twas this vigour of nature, and tension of will,
Whence his love for Lucile to such passion had grown.
The moment in which with his nature her own
Into contact had come, the intense life in her,
The tenacious embrace of her strong character,
Had seized and possess'd what in him was akin
To the powers within her; and still, as within
Her loftier, larger, more luminous nature,
These powers assumed greater glory and stature,
Her influence over the mind of Eugène
Was not only strong, but so strong as to strain

133

All his own to a loftier limit.

And so
His whole being seem'd to cling to her, as though
He divined that, in some unaccountable way,
His happier destinies secretly lay
In the light of her dark eyes. And still, in his mind,
To the anguish of losing the woman was join'd
The terror of missing his life's destination,
Of which, as in mystical representation,
The love of the woman, whose aspect benign
Guided, starlike, his soul seem'd the symbol and sign.
For he felt, if the light of that star it should miss,
That there lurk'd in his nature, conceal'd, an abyss
Into which all the current of being might roll,
Devastating a life, and submerging a soul.

III.

And truly, the thought of it, scaring him, pass'd
O'er his heart, while he now through the twilight rode fast.
As a shade from the wing of some great bird obscene
In a wide silent land may be suddenly seen,
Darkening over the sands, where it startles and scares
Some traveller stray'd in the waste unawares,
So that thought more than once darken'd over his heart
For a moment, and rapidly seem'd to depart.
Fast and furious he rode through the thickets which rose
Up the shaggy hill-side; and the quarrelling crows

134

Clang'd above him, and clustering down the dim air
Dropp'd into the dark woods. By fits here and there
Shepherd fires faintly gleam'd from the valleys. Oh, how
He envied the wings of each wild bird, as now
He urged the steed over the dizzy ascent
Of the mountain! Behind him a murmur was sent
From the torrent—before him a sound from the tracts
Of the woodlands that waved o'er the wild cataracts,
And the loose earth and loose stones roll'd. momently down
From the hoofs of his steed to abysses unknown.
The red day had fallen beneath the black woods,
And the Powers of the night through the vast solitudes
Walk'd abroad and conversed with each other. The trees
Were in sound and in motion, and mutter'd like seas
In Elfland. The road through the forest was hollow'd.
On he sped through the darkness, as though he were follow'd
Fast, fast by the Erl King!

The wild wizard-work
Of the forest at last open'd sharp, o'er the fork
Of a savage ravine, and behind the black stems
Of the last trees, whose leaves in the light gleam'd like gems,
Broke the broad moon above the voluminous
Rock-chaos,—the Hecate of that Tartarus!
With his horse reeking white, he at last reach'd the door
Of a small mountain inn, on the brow of a hoar
Craggy promontory, o'er a fissure as grim,
Through which, ever roaring, there leap'd o'er the limb

135

Of the rent rock a torrent of water, from sight
Into pools that were feeding the roots of the night.
A balcony hung o'er the water. Above
In a glimmering casement a shade seem'd to move.
At the door the old negress was nodding her head
As he reach'd it. ‘My mistress awaits you,’ she said.
And up the rude stairway of creaking pine rafter
He follow'd her silent. A few moments after,
His heart almost chok'd him, his head seem'd to reel,
For a door closed—and he was alone with Lucile.

IV.

In a grey travelling dress, her dark hair unconfined
Streaming o'er it, and toss'd now and then by the wind
From the lattice, that waved the dull flame in a spire
From a brass lamp before her—a faint hectic fire
On her cheek, to her eyes lent the lustre of fever:
They seem'd to have wept themselves wider than ever,
Those dark eyes—so dark and so deep!

Some supreme
And concentrated effort within her to seem
Unassail'd by emotions which, nevertheless,
Were betray'd on her cheek, touch'd to strange stateliness
All her form. He sprang forward and cried,

‘You relent?
‘And your plans have been changed by the letter I sent?’
There his voice sank, borne down by a strong inward strife.

The Countess.
Your letter! yes, Duke. For it threatens man's life—
Woman's honour.

136

The Duke.
The last, madam, not!

The Countess.

Both. I glance
At your own words; blush, son of the knighthood of France,
As I read them! You say in this letter...

‘ I know
‘Why now you refuse me; 'tis (is it not so?)
‘For the man who has trifled before, wantonly,
‘And now trifles again with the heart you deny
‘To myself. But he shall not! By man's last wild law,
‘I will seize on the right’ (the right, Duc de Luvois!)
‘To avenge for you, woman, the past, and to give
‘To the future its freedom. That man shall not live
‘To make you as wretched as you have made me!’

The Duke.
Well, madam, in those words what word do you see
That threatens the honour of woman?

The Countess.

See!...what,
What word, do you ask? Every word! would you not,
Had I taken your hand thus, have felt that your name
Was soil'd and dishonour'd by more than mere shame
If the woman that bore it had first been the cause
Of the crime which in these words is menaced? You pause!

137

Woman's honour, you ask? Is there, sir, no dishonour
In the smile of a woman, when men, gazing on her,
Can shudder, and say, ‘In that smile is a grave’?
No! you can have no cause, Duke, for no right you have
In the contest you menace. That contest but draws
Every right into ruin. By all human laws
Of man's heart I forbid it, by all sanctities
Of man's social honour!

The Duke droop'd his eyes.
‘I obey you,’ he said, ‘but let woman beware
‘How she plays fast and loose thus with human despair
‘And the storm in man's heart. Madam, yours was the right,
‘When you saw that I hoped, to extinguish hope quite,
‘But you should from the first have done this, for I feel
‘That you knew from the first that I loved you.’

Lucile
This sudden reproach seem'd to startle.

She raised
A slow, wistful regard to his features, and gazed
On them silent awhile. His own looks were downcast.
Through her heart, whence its first wild alarm was now pass'd,
Pity crept, and perchance o'er her conscience a tear,
Falling softly, awoke it.

However severe,
Were they unjust, these sudden upbraidings, to her?
Had she lightly misconstrued this man's character,

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Which had seem'd, even when most impassion'd it seem'd,
Too self-conscious to lose all in love? Had she deem'd
That this airy, gay, insolent man of the world,
So proud of the place the world gave him, held furl'd
In his bosom no passion which once shaken wide
Might tug, till it snapp'd, that erect lofty pride?
Were those elements in him, which once roused to strife
Overthrow a whole nature, and change a whole life?
There are two kinds of strength. One, the strength of the river,
Which through continents pushes its pathway for ever
To fling its fond heart in the sea; if it lose
This, the aim of its life, it is lost to its use,
It goes mad, is diffused into deluge, and dies.
The other, the strength of the sea; which supplies
Its deep life from mysterious sources, and draws
The river's life into its own life, by laws
Which it heeds not. The difference in each case is this:
The river is lost, if the ocean it miss;
If the sea miss the river, what matter? The sea
Is the sea still, for ever. Its deep heart will be
Self-sufficing, unconscious of loss as of yore;
Its sources are infinite; still to the shore,
With no diminution of pride, it will say,
‘I am here; I, the sea! stand aside, and make way!’
Was his love, then, the love of the river? and she,
Had she taken that love for the love of the sea?

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V.

At that thought, from her aspect whatever had been
Stern or haughty departed; and, humbled in mien,
She approach'd him, and brokenly murmur'd, as tho'
To herself, more than him, ‘Was I wrong? is it so?
‘Hear me, Duke! you must feel that, whatever you deem
‘Your right to reproach me in this, your esteem
‘I may claim on one ground—I at least am sincere.
‘You say that to me from the first it was clear
‘That you loved me. But what if this knowledge were `known
‘At a moment in life when I felt most alone,
‘And least able to be so? a moment, in fact,
‘When I strove from one haunting regret to retract
‘And emancipate life, and once more to fulfil
‘Woman's destinies, duties, and hopes? would you still
‘So bitterly blame me, Eugène de Luvois,
‘If I hoped to see all this, or deem'd that I saw
‘For a moment the promise of this in the plighted
‘Affection of one who, in nature, united
‘So much that from others affection might claim,
‘If only affection were free? Do you blame
‘The hope of that moment? I deem'd my heart free
‘From all, saving sorrow. I deem'd that in me
‘There was yet strength to mould it once more to my will,
‘To uplift it once more to my hope. Do you still
‘Blame me, Duke, that I did not then bid you refrain
‘From hope? alas! I too then hoped!’

140

The Duke.
O again,
Yet again, say that thrice blessèd word! say, Lucile,
That you then deign'd to hope—

The Countess.
Yes! to hope I could feel,
And could give to you, that without which, all else given
Were but to deceive, and to injure you even:—
A heart free from thoughts of another. Say, then,
Do you blame that one hope?

The Duke.

O Lucile!
‘Say again,
She resumed, gazing down, and with faltering tone,
‘Do you blame me that, when I at last had to own
‘To my heart that the hope it had cherish'd was o'er,
‘And for ever, I said to you then, “Hope no more”?
‘I myself hoped no more!’

With but ill-suppress'd wrath
The Duke answer'd.. ‘What, then! he recrosses your path,
‘This man, and you have but to see him, despite
‘Of his troth to another, to take back that light
‘Worthless heart to your own, which he wrong'd years ago!’

Lucile faintly, brokenly murmur'd... ‘No! no!
‘'Tis not that—but—alas!—but I cannot conceal
‘That I have not forgotten the past—but I feel

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‘That I cannot accept all these gifts on your part,—
‘Rank—wealth—love—esteem—in return for a heart
‘Which is only a ruin!’

With words warm and wild,
‘Tho’ a ruin it be, trust me yet to rebuild
‘And restore it,’ the Duke cried; ‘tho’ ruin'd it be,
‘Since so dear is that ruin, ah, yield it to me!’
He approach'd her. She shrank back. The grief in her eyes
Answer'd ‘No!’

An emotion more fierce seem'd to rise
And to break into flame, as tho' fired by the light
Of that look, in his heart. He exclaim'd, ‘Am I right?
‘You reject me! accept him?’

‘I have not done so,’
She said firmly. He hoarsely resumed, ‘Not yet—no!
‘But can you with accents as firm promise me
‘That you will not accept him?’

‘Accept? Is he free?
‘Free to offer?’ she said.

‘You evade me, Lucile,’
He replied; ‘ah, you will not avow what you feel!
‘He might make himself free? Oh you blush—turn away!
‘Dare you openly look in my face, lady, say!
‘While you deign to reply to one question from me?
‘I may hope not, you tell me: but tell me, may he?
‘What! silent? I alter my question. If quite
‘Freed in faith from this troth, might he hope then?’

‘He might,’
She said softly.

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VI.

Those two whisper'd words, in his breast,
As he heard them, in one deadly moment releast
All that's evil and fierce in man's nature, to crush
And extinguish in man all that's good. In the rush
Of wild jealousy, all the fierce passions that waste
And darken and devastate intellect, chased
From its realm human reason. The wild animal
In the bosom of man was set free. And of all
Human passions the fiercest, fierce jealousy, fierce
As the fire, and more wild than the whirlwind, to pierce
And to rend, rush'd upon him: fierce jealousy, swell'd
By all passions bred from it, and ever impell'd
To involve all things else in the anguish within it,
And on others inflict its own pangs!

At that minute
What pass'd thro' his mind, who shall say? who may tell
The dark thoughts of man's heart, which the red glare of hell
Can illumine alone?

He stared wildly around
That lone place, so lonely! That silence! no sound
Reach'd that room, thro' the dark evening air, save the drear
Drip and roar of the cataract ceaseless and near!
It was midnight all round on the weird silent weather;
Deep midnight in him! They two,—lone and together,
Himself, and that woman defenceless before him!
The triumph and bliss of his rival flash'd o'er him.

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The abyss of his own black despair seem'd to ope
At his feet, with that awful exclusion of hope
Which Dante read over the city of doom.
All the Tarquin pass'd into his soul in the gloom,
And, uttering words he dared never recall,
Words of insult and menace, he thunder'd down all
The brew'd storm-cloud within him: its flashes scorch'd blind
His own senses. His spirit was driven on the wind
Of a reckless emotion beyond his control;
A torrent seem'd loosen'd within him. His soul
Surged up from that caldron of passion that hiss'd
And seeth'd in his heart.

VII.

He had thrown, and had miss'd
His last stake.

VIII.

For, transfigured, she rose from the place
Where he rested o'er-awed: a saint's scorn on her face:
Such a dread vade retro was written in light
On her forehead, the fiend would himself, at that sight,
Have sunk back abash'd to perdition. I know
If Lucretia at Tarquin but once had look'd so,
She had needed no dagger next morning.

She rose
And swept to the door, like that phantom the snows
Feel at nightfall sweep o'er them, when daylight is gone
And Caucasus is with the moon all alone.

144

There she paused; and, as though from immeasurable,
Insurpassable distance, she murmur'd—

‘Farewell!
‘We, alas! have mistaken each other. One more
‘Illusion, to-night, in my lifetime is o'er.
‘Duc de Luvois, adieu!’

From the heartbreaking gloom
Of that vacant, reproachful, and desolate room,
He felt she was gone—gone for ever!

IX.

No word,
The sharpest that ever was edged like a sword,
Could have pierced to his heart with such keen accusation
As the silence, the sudden profound isolation,
In which he remain'd.

‘O return; I repent!’
He exclaim'd; but no sound through the stillness was sent,
Save the roar of the water, in answer to him,
And the beetle that, sleeping, yet humm'd her night-hymn:
An indistinct anthem, that troubled the air
With a searching, and wistful, and questioning prayer.
‘Return,’ sung the wandering insect. The roar
Of the waters replied, ‘Nevermore! nevermore!’
He walk'd to the window. The spray on his brow
Was flung cold from the whirlpools of water below;
The frail wooden balcony shook in the sound
Of the torrent. The mountains gloom'd sullenly round.
A candle one ray from a closed casement flung.
O'er the dim balustrade all bewilder'd he hung,

145

Vaguely watching the broken and shimmering blink
Of the stars on the verring and vitreous brink
Of that snake-like prone column of water; and listing
Aloof o'er the languors of air the persisting
Sharp horn of the grey gnat. Before he relinquish'd
His unconscious employment, that light was extinguish'd.
Wheels, at last, from the inn door aroused him. He ran
Down the stairs; reach'd the entrance. An old stableman
Was lighting his pipe in the doorway alone.
Down the mountain, that moment, a carriage was gone.
He could hear it, already too distant to see.
He turn'd to the groom there—

‘Madame est partie.’

X.

He sprang from the doorstep; he rush'd on; but whither
He knew not—on, into the dark cloudy weather—
The midnight—the mountains—on, over the shelf
Of the precipice—on, still—away from himself!
Till, exhausted, he sank 'mid the dead leaves and moss
At the mouth of the forest. A glimmering cross
Of grey stone stood for prayer by the woodside. He sank
Prayerless, powerless, down at its base, 'mid the dank
Weeds and grasses; his face hid amongst them. He knew
That the night had divided his whole life in two.
Behind him a Past that was over for ever;
Before him a Future devoid of endeavour
And purpose. He felt a remorse for the one,
Of the other a fear. What remain'd to be done?

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Whither now should he turn? turn again, as before,
To his old easy, careless existence of yore
He could not. He felt that for better or worse
A change had pass'd o'er him; an angry remorse
Of his own frantic failure and error had marr'd
Such a refuge for ever. The future seem'd barr'd
By the corpse of a dead hope o'er which he must tread
To attain it. He realised then all the dread
Conditions which go to a life without faith.
The sole unseen fact he believed in was death.
His soul, roused to life by a great human need,
Now hunger'd and thirsted. What had he to feed
Her hunger and thirst on? That wise mother, France,
Had left to her spoil'd child of outgrown romance
Not a toy yet unbroken.

From college to college
She had gorged him crop full on her dead Tree of Knowledge;
But the lost Tree of Life—still the cherubim's sword
Fenced it from her false Edens. Belief was a word
To him, not a fact. He yet clung by a name
To a dynasty fallen for ever. He came
Of an old princely house, true through change to the race
And the sword of Saint Louis—a faith 'twere disgrace
To relinquish, and folly to live for! Nor less
Was his ancient religion (once potent to bless
Or to ban; and the crozier his ancestors kneel'd
To adore, when they fought for the Cross, in hard field

147

With the Crescent) become, ere it reach'd him, tradition;
A mere faded badge of a social position;
A thing to retain and say nothing about,
Lest, if used, it should draw degradation from doubt.
Thus, the first time he sought them, the creeds of his youth
Wholly fail'd the strong needs of his manhood, in truth!
And beyond them, what region of refuge? what field
For employment, this civilized age, did it yield,
In that civilized land? or to thought? or to action?
Blind deliriums, bewilder'd and endless distraction!
Not even a desert, not even the cell
Of a hermit to flee to, wherein he might quell
The wild devil-instincts which now, unreprest,
Ran riot thro' that ruin'd world in his breast.

XI.

So he lay there, like Lucifer, fresh from the sight
Of a heaven scaled and lost; in the wide arms of night
O'er the howling abysses of nothingness! There
As he lay, Nature's deep voice was teaching him prayer;
But what had he to pray to?

The winds in the woods,
The voices abroad o'er those vast solitudes,
Were in commune all round with the invisible Power
That walk'd the dim world by Himself at that hour.
But their language he had not yet learn'd—in despite
Of the much he had learn'd—or forgotten it quite,
With its once native accents. Alas! what had he
To add to that deep-toned sublime symphony

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Of thanksgiving? ... A fiery finger was still
Scorching into his heart some dread sentence. His will,
Like a wind that is put to no purpose, was wild
At its work of destruction within him. The child
Of an infidel age, he had been his own god,
His own devil.

He sat on the damp mountain sod,
And stared sullenly up at the dark sky.

The clouds
Had heap'd themselves over the bare west in crowds
Of misshapen, incongruous portents. A green
Streak of dreary, cold, luminous ether, between
The base of their black barricades, and the ridge
Of the grim world, gleam'd ghastly, as under some bridge,
Cyclop-sized, in a city of ruins o'erthrown
By sieges forgotten, some river, unknown
And unnamed, widens on into desolate lands.
While he gazed, that cloud-city invisible hands
Dismantled and rent; and reveal'd, through a loop
In the breach'd dark, the blemish'd and half-broken hoop
Of the moon, which soon silently sank; and anon
The whole supernatural pageant was gone.
The wide night, discomforted, conscious of loss,
Darken'd round him. One object alone—that grey cross—
Glimmer'd faint on the dark. Gazing up, he descried
Through the void air, its desolate arms outstretch'd wide,
As though to embrace him.

He turn'd from the sight,
Set his face to the darkness, and fled.

149

XII.

When the light
Of the dawn greyly flicker'd and glared on the spent
Wearied ends of the night, like a hope that is sent
To the need of some grief when its need is the sorest,
He was sullenly riding across the dark forest
Toward Serchon.

Thus riding, with eyes of defiance
Set against the young day, as disclaiming alliance
With aught that the day brings to man, he perceived
Faintly, suddenly, fleetingly, through the damp-leaved
Autumn branches that put forth gaunt arms on his way,
The face of a man pale and wistful, and grey
With the grey glare of morning. Eugène de Luvois,
With the sense of a strange second sight, when he saw
That phantom-like face, could at once recognise,
By the sole instinct now left to guide him, the eyes
Of his rival, though fleeting the vision and dim,
With a stern sad inquiry fix'd keenly on him.
And, to meet it, a lie leap'd at once to his own;
A lie born of that lying darkness now grown
Over all in his nature! He answer'd that gaze
With a look which, if ever a man's look conveys
More intensely than words what a man means, convey'd
Beyond doubt in its smile an announcement which said,
‘I have triumph'd. The question your eyes would imply
‘Comes too late, Alfred Vargrave!’

And so he rode by,

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And rode on, and rode gaily, and rode out of sight,
Leaving that look behind him to rankle and bite.

XIII.

And it bit, and it rankled.

XIV.

Lord Alfred, scarce knowing,
Or choosing, or heeding the way he was going,
By one wild hope impell'd, by one wild fear pursued,
And led by one instinct, which seem'd to exclude
From his mind every human sensation, save one—
The torture of doubt—had stray'd moodily on,
Down the highway deserted, that evening in which
With the Duke he had parted; stray'd on, thro’ the rich
Haze of sunset, on into the gradual night,
Which darken'd, unnoticed, the land from his sight,
Toward Saint Saviour; nor did the changed aspect of all
The wild scenery round him avail to recall
To his senses their normal perceptions, until,
As he stood on the black shaggy brow of the hill
At the mouth of the forest, the moon, which had hung
Two dark hours in a cloud, slipp'd on fire from among
The rent vapours, and sunk o'er the ridge of the world.
Then he lifted his eyes, and saw round him unfurl'd,
In one moment of splendour, the leagues of dark trees,
And the long rocky line of the wild Pyrenees.
And he knew by the milestone scored rough on the face
Of the bare rock, he was but two hours from the place

151

Where Lucile and Luvois must have met. This same track
The Duke must have travers'd, perforce, to get back
To Serchon; not yet then the Duke had return'd!
He listen'd, he look'd up the dark, but discern'd
Not a trace, not a sound of a horse by the way.
He knew that the night was approaching to day.
He resolved to proceed to Saint Saviour. The morn
Which, at last, through the forest broke chill and forlorn,
Reveal'd to him, riding toward Serchon, the Duke.
'Twas then that the two men exchanged look for look.

XV.

And the Duke's rankled in him.

XVI.

He rush'd on. He tore
His path through the thicket. He reach'd the inn door,
Roused the yet drowsing porter, reluctant to rise,
And inquired for the Countess. The man rubb'd his eyes.
The Countess was gone. And the Duke?

The man stared
A sleepy inquiry.

With accents that scared
The man's dull sense awake, ‘He, the stranger,’ he cried,
‘Who had been there that night!’

The man grinn'd, and replied,
With a vacant intelligence, ‘He, oh ay, ay!
‘He went after the lady.’

No further reply

152

Could he give. Alfred Vargrave demanded no more,
Flung a coin to the man, and so turn'd from the door.
‘What! the Duke then the night in that lone inn had pass'd?
‘In that lone inn—with her!’ Was that look he had cast
When they met in the forest, that look which remain'd
On his mind with its terrible smile, thus explain'd?

XVII.

The day was half turn'd to the evening, before
He re-enter'd Serchon, with a heart sick and sore.
In the midst of a light crowd of babblers, his look,
By their voices attracted, distinguish'd the Duke,
Gay, insolent, noisy, with eyes sparkling bright,
With laughter, shrill, airy, continuous.

Right
Through the throng Alfred Vargrave, with swift sombre stride,
Glided on. The Duke noticed him, turn'd, stepp'd aside,
And, cordially grasping his hand, whisper'd low,
‘Oh, how right have you been! There can never be—no,
‘Never—any more contest between us! Milord,
‘Let us henceforth be friends!’

Having utter'd that word,
He turn'd lightly round on his heel, and again
His gay laughter was heard, echoed loud by that train
Of his young imitators.

Lord Alfred stood still,
Rooted, stunn'd, to the spot. He felt weary and ill.

153

Out of heart with his own heart, and sick to the soul
With a dull stifling anguish he could not control.
Does he hear in a dream, through the buzz of the crowd,
The Duke's blithe associates, babbling aloud
Some comment upon his gay humour that day?
He never was gayer: what makes him so gay?
'Tis, no doubt, say the flatterers, flattering in tune,
Some vestal whose virtue no tongue dare impugn
Has at last found a Mars—who, of course, shall be nameless.
The vestal that yields to Mars only is blameless!
Hark! hears he a name which, thus syllabled, stirs
All his heart into tumult?...Lucile de Nevers
With the Duke's coupled gaily, in some laughing, light,
Free allusion? Not so as might give him the right
To turn fiercely round on the speaker, but yet
To a trite and irreverent compliment set!

XVIII.

Slowly, slowly, usurping that place in his soul
Where the thought of Lucile was enshrined, did there roll
Back again, back again, on its smooth downward course
O'er his nature, with gather'd momentum and force,
The world.

XIX.

‘No!’ he mutter'd, ‘she cannot have sinn'd!
‘True! women there are (self-named women of mind!)
‘Who love rather liberty—liberty, yes!
‘To choose and to leave—than the legalised stress

154

‘Of the most brilliant marriage. But she—is she so?
‘I will not believe it. Lucile? Oh no, no!
‘Not Lucile!

‘But the world? and, ah, what would it say?
‘O the look of that man, and his laughter, to-day!
‘The gossip's light question! the slanderous jest!
‘She is right! no, we could not be happy. 'Tis best
‘As it is. I will write to her—write, O my heart!
‘And accept her farewell. Our farewell! must we part—
‘Part thus, then—for ever, Lucile? Is it so?
‘Yes! I feel it. We could not be happy, I know.
‘'Twas a dream! we must waken!’

XX.

With head bow'd, as though
By the weight of the heart's resignation, and slow
Moody footsteps, he turn'd to his inn.

Drawn apart
From the gate, in the courtyard, and ready to start,
Postboys mounted, portmanteaus pack'd up and made fast,
A travelling-carriage, unnoticed, he pass'd.
He order'd his horse to be ready anon;
Sent, and paid, for the reckoning, and slowly pass'd on,
And ascended the staircase, and enter'd his room.
It was twilight. The chamber was dark in the gloom
Of the evening. He listlessly kindled a light,
On the mantelpiece; there a large card caught his sight—
A large card, a stout card, well printed and plain,
Nothing flourishing, flimsy, affected, or vain.

155

It gave a respectable look to the slab
That it lay on. The name was—

Sir Ridley MacNab.

Full familiar to him was the name that he saw,
For 'twas that of his own future uncle-in-law,
Mrs. Darcy's rich brother, the banker, well known
As wearing the longest-philacteried gown
Of all the rich Pharisees England can boast of;
A shrewd Puritan Scot, whose sharp wits made the most of
This world and the next; having largely invested
Not only where treasure is never molested
By thieves, moth, or rust; but on this earthly ball,
Where interest was high, and security small.
Of mankind there was never a theory yet
Not by some individual instance upset:
From old Homer's, who sang that the race may be found
Now flourishing high, and now low on the ground,
Like the leaves upon trees; for one sometimes perceives
Certain creatures that spring from the mud put forth leaves

156

In high places; and so to that verse in the Psalm
Which declares that the wicked expand like the palm
In a world where the righteous are stunted and pent,
A cheering exception did Ridley present.
Like the worthy of Uz, Heaven prosper'd his piety.
The leader of every religious society,
Christian knowledge he labour'd thro' life to promote
With personal profit, and knew how to quote
Both the stocks and the Scripture, with equal advantage
To himself and admiring friends, in this Cant-Age.

XXI.

Whilst over this card Alfred vacantly brooded,
A waiter his head thro' the doorway protruded;
‘Sir Ridley MacNab with Milord wish'd to speak.’
Alfred Vargrave could feel there were tears on his cheek;
He brush'd them away with a gesture of pride.
He glanced at the glass; when his own face he eyed,
He was scared by its pallor. Inclining his head,
He with tones calm, unshaken, and silvery, said
‘Sir Ridley may enter.’

In three minutes more
That benign apparition appear'd at the door.
Sir Ridley, releas'd for a while from the cares
Of business, and minded to breathe the pure airs
Of the blue Pyrenees, and enjoy his release,
In company there with his sister and niece,
Found himself now at Serchon—distributing tracts,
Sowing seed by the way, and collecting new facts

157

For Exeter Hall; he was starting that night
For Bigorre: he had heard, to his cordial delight,
That Lord Alfred was there, and, himself, setting out
For the same destination: impatient, no doubt!
Here some commonplace compliments as to ‘the marriage’
Through his speech trickled softly, like honey: his carriage
Was ready. A storm seem'd to threaten the weather:
If his young friend agreed, why not travel together?

With a footstep uncertain and restless, a frown
Of perplexity, during this speech, up and down
Alfred Vargrave was striding; but, after a pause
And a slight hesitation, the which seem'd to cause
Some surprise to Sir Ridley, he answer'd—‘My dear
‘Sir Ridley, allow me a few moments here—
‘Half an hour at the most—to conclude an affair
‘Of a nature so urgent as hardly to spare
‘My presence (which brought me, indeed, to this spot),
‘Before I accept your kind offer.’

‘Why not?’
Said Sir Ridley, and smiled. Alfred Vargrave, before
Sir Ridley observed it, had pass'd through the door.
A few moments later, with footsteps revealing
Intense agitation of uncontroll'd feeling,
He was rapidly pacing the garden below.
What pass'd through his mind then is more than I know.
But before one half-hour into darkness had fled,
In the courtyard he stood with Sir Ridley. His tread

158

Was firm and composed. Not a sign on his face
Betray'd there the least agitation. ‘The place
‘You so kindly have offer'd,’ he said, ‘I accept.’
And he stretch'd out his hand. The two travellers stepp'd
Smiling into the carriage.

And thus, out of sight,
They drove down the dark road, and into the night.
Who can answer where any road leads to?

XXII.

Alas!
There are so many questions of this kind that pass
My perplex'd comprehension, that were I to place them
On record, no volume would ever encase them.
There is heaven above us! we see it each day:
But what is the reason, can any one say,
Why what we see most of, we least comprehend?
Again, if our eyes on earth only we bend,
What suggests that strange doubt—‘This appealing Creation,
‘Which says ... Eat, drink, be full! ... is it only temptation?’
Tho' divine Aphrodite should open her arms
To our longing, and lull us to sleep on her charms;
Tho' the world its full sum of enjoyment ensure us;
Tho' Horace, Lucretius, and old Epicurus
Sit beside us, and swear we are happy, what then?
Whence the answer within us which cries to these men,
‘Let it be! you say well; but the world is too old
‘To rekindle within it the ages of gold;

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‘A vast hope hath travers'd the earth, and our eyes
‘In despite of ourselves we must lift to the skies’?
And we lift them; and, lifting them, why do we find
That just when we vindicate sight, we are blind?
The Sir Ridleys, and other good men of that class,
Bring spectacles, which not a raylet will pass;
And seek to make clear to our vision the sun,
By dimming his splendour, and smoking him dun.
Then we turn to the children of this generation,
Since the children of light deal in light's obscuration.
And O Chaos and Night! what at last do we mark
By the gleam of their corpse-lights enkindling the dark?
A Liebnitz transfigures clean from us our being:
From whirlpool to whirlpool Descartes sets it fleeing:
With that horrible face, Monsieur Arouet Voltaire
Grins Theology out of its wits at one stare.
Not the first time a dwarf's sword a giant despatch'd;
If it could not cut deep, it disfigured and scratch'd.
Next, man in the image of Jean Jacques we have,
A coward, a liar, a thief, and a slave!
Spinosa finds out for us God everywhere,
Saving just where we, else, could have found Him, in prayer;
Locke (and few will dispute the assertion I ween)
Is a great mechanician if man's a machine:
Kant, the great god of Nothing, takes pains to expound,
But his pains go for nothing—since nothing is found.
And of all human science the last word is this;
Simply Nothing—the name scribbled o'er an abyss.
Is, then, Life one vast question without a reply?
Must man, like Ulysses, with stopp'd ears sail by

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Where'er Thought and Sense (Sirens only) sing to him
Songs over the deeps, that are sure to undo him
If once he should list to the music that mocks
The frail bark it lures to the whirlpools and rocks?
And to exercise thought, or to satisfy sense,
To the Being that gave both is this an offence?
Not mine be that creed, whosesoever it be!
My heart humbly whispers this answer to me:
—True! the more we gaze up into heaven, the more
Do we feel our gaze foil'd; all attempt to explore
With earth's finite insight heaven's infinite gladness
Is baffled by something like infinite sadness.
What then, did man's limited science engirth
Heaven's limitless secret, were man's use on earth,
Where he just sees enough of the heaven above him
To be sure it is there, to confirm and approve him
In his work upon earth, whence he works his way to it?
True! the more that we seek earthly bliss, and pursue it,
The more do we feel it inadequate, wholly
Insufficient for man; a profound melancholy
At the bottom of all, like the whirlpool, absorbs,
In its own sombre bosom, the brittle bright orbs
Of those painted bubbles call'd pleasures. What then,
If earth in itself were sufficient for men,
Would be man's claim to that glorious promise which arches
With Hope's fourfold bow the black path where he marches
Triumphant to death, chanting boldly, ‘Beyond!’
Whilst invisible witnesses round him respond
From the Infinite, till the great Pæan is caught
By the echoes of heaven, and the chariot of Thought

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Rolls forth from the world's ringing walls to its goal,
Urged by Faith, the bright-eyed charioteer of the soul?

XXIII.

Sir Ridley was one of those wise men who, so far
As their power of saying it goes, say with Zophar
‘We, no doubt, are the people, and wisdom shall die with us!’
Though of wisdom like theirs there is no small supply with us.
Side by side in the carriage ensconced, the two men
Began to converse, somewhat drowsily, when
Alfred suddenly thought—‘Here's a man of ripe age,
‘At my side, by his fellows reputed as sage,
‘Who looks happy, and therefore who must have been wise:
‘Suppose I with caution reveal to his eyes
‘Some few of the reasons which make me believe
‘That I neither am happy nor wise? 'twould relieve
‘And enlighten, perchance, my own darkness and doubt.’
For which purpose a feeler he softly put out.
It was snapp'd up at once.
‘What is truth?’ jesting Pilate
Ask'd, and pass'd from the question at once with a smile at
Its utter futility. Had he address'd it
To Ridley MacNab, he at least had confess'd it
Admitted discussion! and certainly no man
Could more promptly have answer'd the sceptical Roman
Than Ridley. Hear some street astronomer talk!
Grant him two or three hearers, a morsel of chalk,

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And forthwith on the pavement he'll sketch you the scheme
Of the heavens. Then hear him enlarge on his theme!
Not afraid of La Place, nor of Arago, he!
He'll prove you the whole plan in plain A B C.
Here's your sun—call him A; B's the moon; it is clear
How the rest of the alphabet brings up the rear
Of the planets. Now ask Arago, ask La Place,
(Your sages, who speak with the heavens face to face!)
Their science in plain A B C to accord
To your point-blank inquiry, my friends! not a word
Will you get for your pains from their sad lips. Alas!
Not a drop from the bottle that's quite full will pass.
'Tis the half-empty vessel that freest emits
The water that's in it. 'Tis thus with men's wits;
Or at least with their knowledge. A man's capability
Of imparting to others a truth with facility
Is proportion'd for ever with painful exactness
To the portable nature, the vulgar compactness,
The minuteness in size, or the lightness in weight
Of the truth he imparts. So small coins circulate
More freely than large ones. A beggar asks alms,
And we fling him a sixpence, nor feel any qualms;
But if every street charity shook an investment,
Or each beggar to clothe we must strip off a vestment,
The length of the process would limit the act;
And therefore the truth that's summ'd up in a tract
Is most lightly dispensed.
As for Alfred, indeed,
On what spoonfuls of truth he was suffer'd to feed

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By Sir Ridley, I know not. This only I know,
That the two men thus talking continued to go
Onward somehow, together—on into the night—
The midnight—in which they escape from our sight.

XXIV.

And meanwhile a world had been changed in its place,
And those glittering chains that o'er blue balmy space
Hang the blessing of darkness, had drawn out of sight,
To solace unseen hemispheres, the soft night;
And the dew of the dayspring benignly descended,
And the fair morn to all things new sanction extended,
In the smile of the East. And the lark soaring on,
Lost in light, shook the dawn with a song from the sun.
And the world laugh'd.
It wanted but two rosy hours
From the noon, when they pass'd through the tall passion-flowers
Of the little wild garden that dimpled before
The small house where their carriage now stopp'd, at Bigorre.
And more fair than the flowers, more fresh than the dew,
With her white morning robe flitting joyously through
The dark shrubs with which the soft hill-side was clothed,
Alfred Vargrave perceived, where he paused, his betrothed.
Matilda sprang to him, at once, with a face
Of such sunny sweetness, such gladness, such grace,
And radiant confidence, childlike delight,
That his whole heart upbraided itself at that sight.

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And he murmur'd, or sigh'd, ‘Oh, how could I have stray'd
‘From this sweet child, or suffer'd in aught to invade
‘Her young claim on my life, though it were for an hour,
‘The thought of another?’
‘Look up, my sweet flower!’
He whisper'd her softly, ‘my heart unto thee
‘Is return'd, as returns to the rose the wild bee!’
‘And will wander no more?’ laugh'd Matilda.
‘No more,’
He repeated. And, low to himself, ‘Yes, 'tis o'er!
‘My course, too, is decided, Lucile! Was I blind
‘To have dream'd that these clever Frenchwomen of mind
‘Could satisfy simply a plain English heart,
‘Or sympathise with it?’

XXV.

And here the first part
Of this drama is over. The curtain falls furl'd
On the actors within it—the Heart, and the World.
Woo'd and wooer have play'd with the riddle of life,—
Have they solved it?
Appear! answer, Husband and Wife!

XXVI.

Yet, ere bidding farewell to Lucile de Nevers,
Hear her own heart's farewell in this letter of hers.

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THE COMTESSE DE NEVERS TO A FRIEND IN INDIA.

‘Once more, O my friend, to your arms and your heart,
‘And the places of old ... never, never to part!
‘Once more to the palm, and the fountain! Once more
‘To the land of my birth, and the deep skies of yore!
‘From the cities of Europe, pursued by the fret
‘Of their turmoil wherever my footsteps are set;
‘From the children that cry for the birth, and behold,
‘There is no strength to bear them—old Time is so old!
‘From the world's weary masters, that come upon earth
‘Sapp'd and min'd by the fever they bear from their birth;
‘From the men of small stature, mere parts of a crowd,
‘Born too late, when the strength of the world hath been bow'd;
‘Back,—back to the orient, from whose sunbright womb
‘Sprang the giants which now are no more, in the bloom
‘And the beauty of times that are faded for ever!
‘To the palms! to the tombs! to the still Sacred River!
‘Where I too, the child of a day that is done,
‘First leapt into life, and look'd up at the sun.
‘Back again, back again, to the hill-tops of home
‘I come, O my friend, my consoler, I come!
‘Are the three intense stars that we watch'd night by night
‘Burning broad on the band of Orion as bright?
‘Are the large Indian moons as serene as of old,
‘When, as children, we gather'd the moonbeams for gold?
‘Do you yet recollect me, my friend? Do you still
‘Remember the free games we play'd on the hill,

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‘'Mid those huge stones up-heap'd, where we recklessly trod
‘O'er the old ruin'd fane of the old ruin'd god?
‘How he frown'd, while around him we carelessly play'd!
‘That frown on my life ever after hath stay'd,
‘Like the shade of a solemn experience upcast
‘From some vague supernatural grief in the past.
‘For the poor god, in pain, more than anger, he frown'd,
‘To perceive that our youth, though so fleeting, had found,
‘In its transient and ignorant gladness, the bliss
‘Which his science divine seem'd divinely to miss.
‘Alas! you may haply remember me yet
‘The free child, whose glad childhood myself I forget.
‘I come—a sad woman, defrauded of rest:
‘I bear to you only a labouring breast:
‘My heart is a storm-beaten ark, wildly hurl'd
‘O'er the whirlpools of time, with the wrecks of a world:
‘The dove from my bosom hath flown far away:
‘It is flown, and returns not, though many a day
‘Have I watch'd from the windows of life for its coming.
‘Friend, I sigh for repose, I am weary of roaming.
‘I know not what Ararat rises for me
‘Far away, o'er the waves of the wandering sea:
‘I know not what rainbow may yet, from far hills,
‘Lift the promise of hope, the cessation of ills:
‘But a voice, like the voice of my youth, in my breast
‘Wakes and whispers me on—to the East! to the East!
‘Shall I find the child's heart that I left there? or find
‘The lost youth I recall with its pure peace of mind?

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‘Alas! who shall number the drops of the rain?
‘Or give to the dead leaves their greenness again?
‘Who shall seal up the caverns the earthquake hath rent?
‘Who shall bring forth the winds that within them are pent?
‘To a voice who shall render an image? or who
‘From the heats of the noontide shall gather the dew?
‘I have burn'd out within me the fuel of life.
‘Wherefore lingers the flame? Rest is sweet after strife.
‘I would sleep for awhile. I am weary.

‘My friend,
‘I had meant in these lines to regather, and send
‘To our old home, my life's scatter'd links. But 'tis vain!
‘My own touch seems to shatter the chaplet again;
‘Only fit now for fingers like mine to run o'er,
‘Who return, a recluse, to those cloisters of yore
‘Whence too far I have wander'd.

‘How many long years
‘Does it seem to me now since the quick, scorching tears,
‘While I wrote to you, splash'd out a girl's premature
‘Moans of pain at what women in silence endure!
‘To your eyes, friend of mine, and to your eyes alone,
‘That now long-faded page of my life hath been shown
‘Which recorded my heart's birth, and death, as you know
‘Many years since,—how many!

‘A few months ago
‘I seem'd reading it backward, that page! Why explain
‘Whence or how? The old dream of my life rose again.

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‘The old superstition! the idol of old!
‘It is over. The leaf trodden down in the mould
‘Is not to the forest more lost than to me
‘That emotion. I bury it here by the sea
‘Which will bear me anon far away from the shore
‘Of a land which my footsteps will visit no more,
‘And a heart's requiescat I write on that grave.
‘Hark! the sigh of the wind, and the sound of the wave,
‘Seem like voices of spirits that whisper me home!
‘I come, O you whispering voices, I come!
‘My friend, ask me nothing.

‘Receive me alone
‘As a Santon receives to his dwelling of stone
‘In silence some pilgrim the midnight may bring:
‘It may be an angel that, weary of wing,
‘Hath paused in his flight from some city of doom,
‘Or only a wayfarer stray'd in the gloom.
‘This only I know: that in Europe at least
‘Lives the craft or the power that must master our East.
‘Wherefore strive where the gods must themselves yield at last?
‘Both they and their altars pass by with the Past.
‘The gods of the household Time thrusts from the shelf;
‘And I seem as unreal and weird to myself
‘As those idols of old.

‘Other times, other men,
‘Other men, other passions!

‘So be it! yet again

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‘I turn to my birthplace, the birthplace of morn,
‘And the light of those lands where the great sun is born!
‘Spread your arms, O my friend! on your breast let me feel
‘The repose which hath fled from my own.

‘Your Lucile.’