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University of Virginia Library

The poetical works of Charles Lamb

A new edition

Lamb, Charles (1775-1834)

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TO CHARLES LLOYD,

THE THREE FRIENDS.

TO A RIVER IN WHICH A CHILD WAS DROWNED.

THE OLD FAMILIAR FACES.

A VISION OF REPENTANCE.

QUEEN ORIANA'S DREAM.

HYPOCHONDRIACUS.

A FAREWELL TO TOBACCO.

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I.

I. TO MISS KELLY.

II.

II. ON THE SIGHT OF SWANS IN KENSINGTON GARDEN.

III.

IV.

V.

VI.

VII.

VIII.

VIII. THE FAMILY NAME.

IX.

IX. TO JOHN LAMB, ESQ. OF THE SOUTH-SEA-HOUSE.

X.

XI.

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THE SABBATH BELLS.

FANCY EMPLOYED ON DIVINE SUBJECTS.

COMPOSED AT MIDNIGHT.

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1.

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2.

ACT THE SECOND.

Scene—An Apartment in Woodvil Hall.

Scene—Sherwood Forest.

3.

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4.

ACT THE FOURTH.

Scene—An Apartment in Woodvil Hall.

Scene—The Forest.

Scene—Another Part of the Forest.

Scene.—Woodvil Hall.

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5.

Scene—An inner Apartment.

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IN THE ALBUM OF A CLERGYMAN'S LADY.

IN THE AUTOGRAPH BOOK OF MRS. SERGEANT W---.

IN THE ALBUM OF EDITH S---.

IN THE ALBUM OF ROTHA Q---.

IN THE ALBUM OF CATHERINE ORKNEY.

IN THE ALBUM OF LUCY BARTON.

IN THE ALBUM OF MISS ---.

IN THE ALBUM OF MRS. JANE TOWERS.

IN MY OWN ALBUM.

ANGEL HELP .

THE CHRISTENING.

ON AN INFANT DYING AS SOON AS BORN.

THE YOUNG CATECHIST .

TO A YOUNG FRIEND,

HARMONY IN UNLIKENESS.

WRITTEN AT CAMBRIDGE.

TO A CELEBRATED FEMALE PERFORMER IN THE “BLIND BOY.”

TO SAMUEL ROGERS, ESQ.

THE GIPSY'S MALISON.

TO THE AUTHOR OF POEMS,

TO J. S. KNOWLES, ESQ.

TO THE EDITOR OF THE “EVERY-DAY BOOK.”

TO T. STOTHARD, ESQ.

TO A FRIEND ON HIS MARRIAGE.

THE SELF-ENCHANTED.

TO LOUISA M---, WHOM I USED TO CALL “MONKEY.”

[O lift with reverent hand that tarnish'd flower]

PINDARIC ODE TO THE TREAD MILL.

FREE THOUGHTS ON SEVERAL EMINENT COMPOSERS.

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THE WIFE'S TRIAL;

Scene.—A Library.

Scene.—Servants' Hall.

Scene.—Mrs. Selby's Chamber.

Scene.—An Apartment, contiguous to the last.

Scene.—The Library.

Scene.—Mrs. Selby's Chamber.

Scene.—A Garden.

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180

ANGEL HELP .

This rare tablet doth include
Poverty with Sanctitude.
Past midnight this poor Maid hath spun,
And yet the work is not half done,
Which must supply from earnings scant
A feeble bed-rid parent's want.
Her sleep-charged eyes exemption ask,
And Holy hands take up the task;
Unseen the rock and spindle ply,
And do her earthly drudgery.
Sleep, saintly poor one, sleep, sleep on;
And, waking, find thy labours done.

181

Perchance she knows it by her dreams;
Her eye hath caught the golden gleams,
Angelic presence testifying,
That round her every where are flying;
Ostents from which she may presume,
That much of Heaven is in the room.
Skirting her own bright hair they run,
And to the sunny add more sun:
Now on that aged face they fix,
Streaming from the Crucifix;
The flesh-clogg'd spirit disabusing,
Death-disarming sleeps infusing,
Prelibations, foretastes high,
And equal thoughts to live or die.
Gardener bright from Eden's bower,
Tend with care that lily flower;
To its leaves and root infuse
Heaven's sunshine, Heaven's dews.
'Tis a type, and 'tis a pledge,
Of a crowning privilege.
Careful as that lily flower,
This maid must keep her precious dower;
Live a sainted Maid, or die
Martyr to virginity.

Suggested by a drawing in the possession of Charles Aders, Esq., in which is represented the Legend of a poor female Saint; who, having spun past midnight, to maintain a bed-rid mother, has fallen asleep from fatigue, and Angels are finishing her work. In another part of the chamber, an Angel is tending a lily, the emblem of purity.