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The poetical works of Charles Lamb

A new edition
Lamb, Charles (1775-1834)
  
[dedication]

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POEMS.
  
HESTER.
  
TO CHARLES LLOYD,
  
THE THREE FRIENDS.
  
TO A RIVER IN WHICH A CHILD WAS DROWNED.
  
THE OLD FAMILIAR FACES.
  
A VISION OF REPENTANCE.
  
QUEEN ORIANA'S DREAM.
  
A BALLAD:
  
HYPOCHONDRIACUS.
  
A FAREWELL TO TOBACCO.
  
TO T. L. H.
  
LINES
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SONNETS.
 I. 
I. TO MISS KELLY.
 II. 
II. ON THE SIGHT OF SWANS IN KENSINGTON GARDEN.
 III. 
III.
 IV. 
IV.
 V. 
V.
 VI. 
VI.
 VII. 
VII.
 VIII. 
VIII. THE FAMILY NAME.
 IX. 
IX. TO JOHN LAMB, ESQ. OF THE SOUTH-SEA-HOUSE.
 X. 
X.
 XI. 
XI.
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BLANK VERSE.
  
CHILDHOOD.
  
THE GRANDAME.
  
THE SABBATH BELLS.
  
FANCY EMPLOYED ON DIVINE SUBJECTS.
  
COMPOSED AT MIDNIGHT.
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JOHN WOODVIL.
 1. 
ACT THE FIRST.
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ACT THE SECOND.
  
Scene—An Apartment in Woodvil Hall.
  
Scene—Sherwood Forest.
 3. 
ACT THE THIRD.
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ACT THE FOURTH.
  
Scene—An Apartment in Woodvil Hall.
  
Scene—The Forest.
  
Scene—Another Part of the Forest.
  
Scene.—Woodvil Hall.
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ACT THE FIFTH.
  
[section]
  
Scene—An inner Apartment.
  
THE WITCH.
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ALBUM VERSES,
  
[dedication]
  
IN THE ALBUM OF A CLERGYMAN'S LADY.
  
IN THE AUTOGRAPH BOOK OF MRS. SERGEANT W---.
  
IN THE ALBUM OF EDITH S---.
  
TO DORA W---,
  
IN THE ALBUM OF ROTHA Q---.
  
IN THE ALBUM OF CATHERINE ORKNEY.
  
IN THE ALBUM OF LUCY BARTON.
  
IN THE ALBUM OF MISS ---.
  
IN THE ALBUM OF MRS. JANE TOWERS.
  
IN MY OWN ALBUM.
  
ANGEL HELP .
  
THE CHRISTENING.
  
ON AN INFANT DYING AS SOON AS BORN.
  
THE YOUNG CATECHIST .
  
SHE IS GOING.
  
TO A YOUNG FRIEND,
  
HARMONY IN UNLIKENESS.
  
WRITTEN AT CAMBRIDGE.
  
TO A CELEBRATED FEMALE PERFORMER IN THE “BLIND BOY.”
  
WORK.
  
LEISURE.
  
TO SAMUEL ROGERS, ESQ.
  
THE GIPSY'S MALISON.
  
TO THE AUTHOR OF POEMS,
  
TO J. S. KNOWLES, ESQ.
  
TO THE EDITOR OF THE “EVERY-DAY BOOK.”
  
TO T. STOTHARD, ESQ.
  
TO A FRIEND ON HIS MARRIAGE.
  
THE SELF-ENCHANTED.
  
TO LOUISA M---, WHOM I USED TO CALL “MONKEY.”
  
[O lift with reverent hand that tarnish'd flower]
  
PINDARIC ODE TO THE TREAD MILL.
  
GOING OR GONE.
  
FREE THOUGHTS ON SEVERAL EMINENT COMPOSERS.
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THE WIFE'S TRIAL;
  
Scene.—A Library.
  
Scene.—Servants' Hall.
  
Scene.—Mrs. Selby's Chamber.
  
Scene.—An Apartment, contiguous to the last.
  
Scene.—The Library.
  
Scene.—Mrs. Selby's Chamber.
  
Scene.—A Garden.

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174

IN THE ALBUM OF LUCY BARTON.

Little Book, surnamed of white,
Clean as yet, and fair to sight,
Keep thy attribution right.
Never disproportion'd scrawl;
Ugly blot, that's worse than all;
On thy maiden clearness fall!
In each letter, here design'd,
Let the reader emblem'd find
Neatness of the owner's mind.
Gilded margins count a sin,
Let thy leaves attraction win
By the golden rules within;
Sayings fetch'd from sages old;
Laws which Holy Writ unfold,
Worthy to be graved in gold:
175

Lighter fancies not excluding;
Blameless wit, with nothing rude in,
Sometimes mildly interluding
Amid strains of graver measure:
Virtue's self hath oft her pleasure
In sweet Muses' groves of leisure.
Riddles dark, perplexing sense;
Darker meanings of offence;
What but shades—be banished hence.
Whitest thoughts in whitest dress,
Candid meanings, best express
Mind of quiet Quakeress.
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