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Clarel

a poem and pilgrimage in the Holy Land
Melville, Herman (1819-1891)

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CLAREL
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VOL. I.
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PART I. JERUSALEM.
  
I. THE HOSTEL.
 2. 
II. ABDON.
 3. 
III. THE SEPULCHRE.
 4. 
IV. OF THE CRUSADERS.
 5. 
V. CLAREL.
 6. 
VI. TRIBES AND SECTS.
 7. 
VII. BEYOND THE WALLS.
 8. 
VIII. THE VOTARY.
 9. 
IX. SAINT AND STUDENT.
 10. 
X. RAMBLES.
 11. 
XI. LOWER GIHON.
 12. 
XII. CELIO.
 13. 
XIII. THE ARCH.
 14. 
XIV. IN THE GLEN.
 15. 
XV. UNDER THE MINARET.
 16. 
XVI. THE WALL OF WAIL.
 17. 
XVII. NATHAN.
 18. 
XVIII. NIGHT.
 19. 
XIX. THE FULFILMENT.
 20. 
XX. VALE OF ASHES.
 21. 
XXI. BY-PLACES.
 22. 
XXII. HERMITAGE.
 23. 
XXIII. THE CLOSE.
 24. 
XXIV. THE GIBE.
 25. 
XXV. HUTS.
 26. 
XXVI. THE GATE OF ZION.
 27. 
XXVII. MATRON AND MAID.
 28. 
XXVIII. TOMB AND FOUNTAIN.
 29. 
XXIX. THE RECLUSE.
 30. 
XXX. THE SITE OF THE PASSION.
 31. 
XXXI. ROLFE.
 32. 
XXXII. OF RAMA.
 33. 
XXXIII. BY THE STONE.
 34. 
XXXIV. THEY TARRY.
 35. 
XXXV. ARCULF AND ADAMNAN.
 36. 
XXXVI. THE TOWER.
 37. 
XXXVII. A SKETCH.
 38. 
XXXVIII. THE SPARROW.
 39. 
XXXIX. CLAREL AND RUTH.
 40. 
XL. THE MOUNDS.
 41. 
XLI. ON THE WALL.
 42. 
XLII. TIDINGS.
 43. 
XLIII. A PROCESSION.
 44. 
XLIV. THE START.
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Part II THE WILDERNESS.
 1. 
I. THE CAVALCADE.
  
II. THE SKULL-CAP.
 3. 
III. BY THE GARDEN.
 4. 
IV. OF MORTMAIN.
 5. 
V. CLAREL AND GLAUCON.
 6. 
VI THE HAMLET.
 7. 
VII GUIDE AND GUARD.
 8. 
VIII. ROLFE AND DERWENT.
 9. 
IX. THROUGH ADOMMIN.
 10. 
X. A HALT.
 11. 
XI. OF DESERTS.
 12. 
XII. THE BANKER.
 13. 
XIII. FLIGHT OF THE GREEKS.
 14. 
XIV. BY ACHOR.
 15. 
XV. THE FOUNTAIN.
 16. 
XVI. NIGHT IN JERICHO.
 17. 
XVII. IN MID-WATCH.
 18. 
XVIII. THE SYRIAN MONK.
 19. 
XIX. AN APOSTATE.
 20. 
XX. UNDER THE MOUNTAIN.
 21. 
XXI. THE PRIEST AND ROLFE.
 22. 
XXII. CONCERNING HEBREWS.
 23. 
XXIII. BY THE JORDAN.
 24. 
XXIV. THE RIVER-RITE.
 25. 
XXV. THE DOMINICAN.
 26. 
XXVI. OF ROME.
 27. 
XXVII. VINE AND CLAREL.
 28. 
XXVIII. THE FOG.
 29. 
XXIX. BY THE MARGE.
 30. 
XXX. OF PETRA.
 31. 
XXXI. THE INSCRIPTION.
 32. 
XXXII. THE ENCAMPMENT.
 33. 
XXXIII. LOT'S SEA.
 34. 
XXXIV. MORTMAIN REAPPEARS.
 35. 
XXXV. PRELUSIVE.
 36. 
XXXVI. SODOM.
 37. 
XXXVII. OF TRADITIONS.
 38. 
XXXVIII. THE SLEEP-WALKER.
 39. 
XXXIX. OBSEQUIES.
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VOL. II.
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PART III. MAR SABA.
 1. 
I. IN THE MOUNTAIN.
 2. 
II. THE CARPENTER.
 3. 
III. OF THE MANY MANSIONS.
 4. 
IV. THE CYPRIOTE.
 5. 
V. THE HIGH DESERT.
 6. 
VI. DERWENT.
 7. 
VII. BELL AND CAIRN.
 8. 
VIII. TENTS OF KEDAR.
 9. 
IX. OF MONASTERIES.
 10. 
X. BEFORE THE GATE.
 11. 
XI. THE BEAKER.
 12. 
XII. THE TIMONEER'S STORY.
 13. 
XIII. SONG AND RECITATIVE.
 14. 
XIV. THE REVEL CLOSED.
 15. 
XV. IN MOONLIGHT.
 16. 
XVI. THE EASTER FIRE.
 17. 
XVII. A CHANT.
 18. 
XVIII. THE MINSTER.
 19. 
XIX. THE MASQUE.
 20. 
XX. AFTERWARD.
 21. 
XXI. IN CONFIDENCE.
 22. 
XXII. THE MEDALLION.
 23. 
XXIII. DERWENT WITH THE ABBOT.
 24. 
XXIV. VAULT AND GROTTO.
 25. 
XXV. DERWENT AND THE LESBIAN.
 26. 
XXVI. VINE AND THE PALM.
 27. 
XXVII. MAN AND BIRD.
 28. 
XXVIII. MORTMAIN AND THE PALM.
 29. 
XXIX. ROLFE AND THE PALM.
 30. 
XXX. THE CELIBATE.
 31. 
XXXI. THE RECOIL.
 32. 
XXXII. EMPTY STIRRUPS.
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PART IV. BETHLEHEM.
 1. 
I. IN SADDLE.
 2. 
II. THE ENSIGN.
 3. 
III. THE ISLAND.
 4. 
IV. AN INTRUDER.
 5. 
V. OF THE STRANGER.
 6. 
VI. BETHLEHEM.
 7. 
VII. AT TABLE.
 8. 
VIII. THE PILLOW.
 9. 
IX. THE SHEPHERDS' DALE.
 10. 
X. A MONUMENT.
 11. 
XI. DISQUIET.
 12. 
XII. OF POPE AND TURK.
 13. 
XIII. THE CHURCH OF THE STAR.
 14. 
XIV. SOLDIER AND MONK.
 15. 
XV. SYMPHONIES.
 16. 
XVI. THE CONVENT ROOF.
 17. 
XVII. A TRANSITION.
 18. 
XVIII. THE HILL-SIDE.
 19. 
XIX. A NEW-COMER.
 20. 
XX. DERWENT AND UNGAR.
 21. 
XXI. UNGAR AND ROLFE.
 22. 
XXII. OF WICKEDNESS THE WORD.
 23. 
XXIII. DERWENT AND ROLFE.
 24. 
XXIV. TWILIGHT.
 25. 
XXV. THE INVITATION.
 26. 
XXVI. THE PRODIGAL.
 27. 
XXVII. BY PARAPET.
 28. 
XXVIII. DAVID'S WELL.
 29. 
XXIX. THE NIGHT RIDE.
 30. 
XXX. THE VALLEY OF DECISION.
 31. 
XXXI. DIRGE.
 32. 
XXXII. PASSION WEEK.
 33. 
XXXIII. EASTER.
 34. 
XXXIV. VIA CRUCIS.
 35. 
XXXV. EPILOGUE.

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Clarel protested, yet as one
Part lamed in candor; and took tone
In formal wise: “Nay, pardon me,
But you misdeem it: Solomon's Song
Is allegoric—needs must be.”
“Proof, proof, pray, if 'tis not too long.”
“Why, Saint Bernard—”
“Who? Sir Bernard?
Never that knight for me left card!”
“No, Saint Bernard, 'twas he of old
The Song's hid import first unrolled—
Confirmed in every after age:
The chapter-headings on the page
Of modern Bibles (in that Song)
Attest his rendering, and prolong:
A mystic burden.”
“Eh? so too
The Bonzes Hafiz' rhyme construe
Which lauds the grape of Shiraz. See,
They cant that in his frolic fire
Some bed-rid fakir would aspire
In foggy symbols. Me, oh me!—
What stuff of Levite and Divine!
Come, look at straight things more in line,
Blue eyes or black, which like you best?
Your Bella Donna, how's she dressed?”
'Twas very plain this sprightly youth
541

Little suspected the grave truth
That he, with whom he thus made free,
A student was, a student late
Of reverend theology:
Nor Clarel was displeased thereat.
The other now: “There is no tress
Can thrall one like a Jewess's.
A Hebrew husband, Hebrew-wed,
Is wondrous faithful, it is said;
Which needs be true; for, I suppose,
As bees are loyal to the rose,
So men to beauty. Of his girls,
On which did the brown Indian king,
Ahasuerus, shower his pearls?
Why, Esther: Judah wore the ring.
And Nero, captain of the world,
His arm about a Jewess curled—
Bright spouse, Poppæa. And with good will
Some Christian monarchs share the thrill,
In palace kneeling low before
Crowned Judah, like those nobs of yore.
These Hebrew witches! well-a-day,
Of Jeremiah what reck they?”
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