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Clarel

a poem and pilgrimage in the Holy Land
Melville, Herman (1819-1891)

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CLAREL
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VOL. I.
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PART I. JERUSALEM.
  
I. THE HOSTEL.
 2. 
II. ABDON.
 3. 
III. THE SEPULCHRE.
 4. 
IV. OF THE CRUSADERS.
 5. 
V. CLAREL.
 6. 
VI. TRIBES AND SECTS.
 7. 
VII. BEYOND THE WALLS.
 8. 
VIII. THE VOTARY.
 9. 
IX. SAINT AND STUDENT.
 10. 
X. RAMBLES.
 11. 
XI. LOWER GIHON.
 12. 
XII. CELIO.
 13. 
XIII. THE ARCH.
 14. 
XIV. IN THE GLEN.
 15. 
XV. UNDER THE MINARET.
 16. 
XVI. THE WALL OF WAIL.
 17. 
XVII. NATHAN.
 18. 
XVIII. NIGHT.
 19. 
XIX. THE FULFILMENT.
 20. 
XX. VALE OF ASHES.
 21. 
XXI. BY-PLACES.
 22. 
XXII. HERMITAGE.
 23. 
XXIII. THE CLOSE.
 24. 
XXIV. THE GIBE.
 25. 
XXV. HUTS.
 26. 
XXVI. THE GATE OF ZION.
 27. 
XXVII. MATRON AND MAID.
 28. 
XXVIII. TOMB AND FOUNTAIN.
 29. 
XXIX. THE RECLUSE.
 30. 
XXX. THE SITE OF THE PASSION.
 31. 
XXXI. ROLFE.
 32. 
XXXII. OF RAMA.
 33. 
XXXIII. BY THE STONE.
 34. 
XXXIV. THEY TARRY.
 35. 
XXXV. ARCULF AND ADAMNAN.
 36. 
XXXVI. THE TOWER.
 37. 
XXXVII. A SKETCH.
 38. 
XXXVIII. THE SPARROW.
 39. 
XXXIX. CLAREL AND RUTH.
 40. 
XL. THE MOUNDS.
 41. 
XLI. ON THE WALL.
 42. 
XLII. TIDINGS.
 43. 
XLIII. A PROCESSION.
 44. 
XLIV. THE START.
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Part II THE WILDERNESS.
 1. 
I. THE CAVALCADE.
  
II. THE SKULL-CAP.
 3. 
III. BY THE GARDEN.
 4. 
IV. OF MORTMAIN.
 5. 
V. CLAREL AND GLAUCON.
 6. 
VI THE HAMLET.
 7. 
VII GUIDE AND GUARD.
 8. 
VIII. ROLFE AND DERWENT.
 9. 
IX. THROUGH ADOMMIN.
 10. 
X. A HALT.
 11. 
XI. OF DESERTS.
 12. 
XII. THE BANKER.
 13. 
XIII. FLIGHT OF THE GREEKS.
 14. 
XIV. BY ACHOR.
 15. 
XV. THE FOUNTAIN.
 16. 
XVI. NIGHT IN JERICHO.
 17. 
XVII. IN MID-WATCH.
 18. 
XVIII. THE SYRIAN MONK.
 19. 
XIX. AN APOSTATE.
 20. 
XX. UNDER THE MOUNTAIN.
 21. 
XXI. THE PRIEST AND ROLFE.
 22. 
XXII. CONCERNING HEBREWS.
 23. 
XXIII. BY THE JORDAN.
 24. 
XXIV. THE RIVER-RITE.
 25. 
XXV. THE DOMINICAN.
 26. 
XXVI. OF ROME.
 27. 
XXVII. VINE AND CLAREL.
 28. 
XXVIII. THE FOG.
 29. 
XXIX. BY THE MARGE.
 30. 
XXX. OF PETRA.
 31. 
XXXI. THE INSCRIPTION.
 32. 
XXXII. THE ENCAMPMENT.
 33. 
XXXIII. LOT'S SEA.
 34. 
XXXIV. MORTMAIN REAPPEARS.
 35. 
XXXV. PRELUSIVE.
 36. 
XXXVI. SODOM.
 37. 
XXXVII. OF TRADITIONS.
 38. 
XXXVIII. THE SLEEP-WALKER.
 39. 
XXXIX. OBSEQUIES.
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VOL. II.
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PART III. MAR SABA.
 1. 
I. IN THE MOUNTAIN.
 2. 
II. THE CARPENTER.
 3. 
III. OF THE MANY MANSIONS.
 4. 
IV. THE CYPRIOTE.
 5. 
V. THE HIGH DESERT.
 6. 
VI. DERWENT.
 7. 
VII. BELL AND CAIRN.
 8. 
VIII. TENTS OF KEDAR.
 9. 
IX. OF MONASTERIES.
 10. 
X. BEFORE THE GATE.
 11. 
XI. THE BEAKER.
 12. 
XII. THE TIMONEER'S STORY.
 13. 
XIII. SONG AND RECITATIVE.
 14. 
XIV. THE REVEL CLOSED.
 15. 
XV. IN MOONLIGHT.
 16. 
XVI. THE EASTER FIRE.
 17. 
XVII. A CHANT.
 18. 
XVIII. THE MINSTER.
 19. 
XIX. THE MASQUE.
 20. 
XX. AFTERWARD.
 21. 
XXI. IN CONFIDENCE.
 22. 
XXII. THE MEDALLION.
 23. 
XXIII. DERWENT WITH THE ABBOT.
 24. 
XXIV. VAULT AND GROTTO.
 25. 
XXV. DERWENT AND THE LESBIAN.
 26. 
XXVI. VINE AND THE PALM.
 27. 
XXVII. MAN AND BIRD.
 28. 
XXVIII. MORTMAIN AND THE PALM.
 29. 
XXIX. ROLFE AND THE PALM.
 30. 
XXX. THE CELIBATE.
 31. 
XXXI. THE RECOIL.
 32. 
XXXII. EMPTY STIRRUPS.
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PART IV. BETHLEHEM.
 1. 
I. IN SADDLE.
 2. 
II. THE ENSIGN.
 3. 
III. THE ISLAND.
 4. 
IV. AN INTRUDER.
 5. 
V. OF THE STRANGER.
 6. 
VI. BETHLEHEM.
 7. 
VII. AT TABLE.
 8. 
VIII. THE PILLOW.
 9. 
IX. THE SHEPHERDS' DALE.
 10. 
X. A MONUMENT.
 11. 
XI. DISQUIET.
 12. 
XII. OF POPE AND TURK.
 13. 
XIII. THE CHURCH OF THE STAR.
 14. 
XIV. SOLDIER AND MONK.
 15. 
XV. SYMPHONIES.
 16. 
XVI. THE CONVENT ROOF.
 17. 
XVII. A TRANSITION.
 18. 
XVIII. THE HILL-SIDE.
 19. 
XIX. A NEW-COMER.
 20. 
XX. DERWENT AND UNGAR.
 21. 
XXI. UNGAR AND ROLFE.
 22. 
XXII. OF WICKEDNESS THE WORD.
 23. 
XXIII. DERWENT AND ROLFE.
 24. 
XXIV. TWILIGHT.
 25. 
XXV. THE INVITATION.
 26. 
XXVI. THE PRODIGAL.
 27. 
XXVII. BY PARAPET.
 28. 
XXVIII. DAVID'S WELL.
 29. 
XXIX. THE NIGHT RIDE.
 30. 
XXX. THE VALLEY OF DECISION.
 31. 
XXXI. DIRGE.
 32. 
XXXII. PASSION WEEK.
 33. 
XXXIII. EASTER.
 34. 
XXXIV. VIA CRUCIS.
 35. 
XXXV. EPILOGUE.

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A chance word of the Swede in place—
Allusion to the anguished face,
Recalled to Clarel now the cry,
The ghost's reproachful litany.
Disturbed then, he apart would go;
And passed among the crags; and there,
Like David in Adullum's lair—
Could it be Vine, and quivering so?
'Twas Vine. He wore that nameless look
About the mouth—so hard to brook—
Which in the Cenci portrait shows,
Lost in each copy, oil or print;
Lost, or else slurred, as 'twere a hint
Which if received, few might sustain:
A trembling over of small throes
In weak swoll'n lips, which to restrain
Desire is none, nor any rein.
Clarel recalled the garden's shade,
And Vine therein, with all that made
The estrangement in Gethsemane.
Reserves laid bare? and can it be?
The dock-yard forge's silent mound,
Played over by small nimble flame—
330

Raked open, lo, the anchor's found
In white-heat's alb.
With shrinking-frame,
Grateful that he was unespied,
Clarel quite noiseless slipped aside:
Ill hour (thought he), an evil sign:
No more need dream of winning Vine
Or coming at his mystery.
O, lives which languish in the shade,
Puzzle and tease us, or upbraid;
What noteless confidant, may be,
Withholds the talisman, the key!
Or if indeed it run not so,
And he's above me where I cling;
Then how these higher natures know
Except in shadow from the wing?—
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