University of Virginia Library

IN THE QUIET DAYS

AN OLD-YEAR SONG

As through the forest, disarrayed
By chill November, late I strayed,
A lonely minstrel of the wood
Was singing to the solitude:
I loved thy music, thus I said,
When o'er thy perch the leaves were spread;
Sweet was thy song, but sweeter now
Thy carol on the leafless bough.
Sing, little bird! thy note shall cheer
The sadness of the dying year.
When violets pranked the turf with blue
And morning filled their cups with dew,
Thy slender voice with rippling trill
The budding April bowers would fill,
Nor passed its joyous tones away
When April rounded into May:
Thy life shall hail no second dawn,—
Sing, little bird! the spring is gone.
And I remember—welladay!—
Thy full-blown summer roundelay,
As when behind a broidered screen
Some holy maiden sings unseen:
With answering notes the woodland rung,
And every treetop found a tongue.
How deep the shade! the groves how fair!
Sing, little bird! the woods are bare.
The summer's throbbing chant is done
And mute the choral antiphon;
The birds have left the shivering pines
To flit among the trellised vines,
Or fan the air with scented plumes
Amid the love-sick orange-blooms,
And thou art here alone,—alone,—
Sing, little bird! the rest have flown.
The snow has capped yon distant hill,
At morn the running brook was still,
From driven herds the clouds that rise
Are like the smoke of sacrifice;
Erelong the frozen sod shall mock
The ploughshare, changed to stubborn rock,
The brawling streams shall soon be dumb,—
Sing, little bird! the frosts have come.
Fast, fast the lengthening shadows creep,
The songless fowls are half asleep,
The air grows chill, the setting sun
May leave thee ere thy song is done,
The pulse that warms thy breast grow cold,
Thy secret die with thee, untold:
The lingering sunset still is bright,—
Sing, little bird! 't will soon be night.

DOROTHY Q.

A FAMILY PORTRAIT

[_]

I cannot tell the story of Dorothy Q. more simply in prose than I have told it in verse, but I can add something to it.

Dorothy was the daughter of Judge Edmund Quincy, and the niece of Josiah Quincy, junior, the young patriot and orator who died just before the American Revolution, of which he


187

was one of the most eloquent and effective promoters. The son of the latter, Josiah Quincy, the first mayor of Boston bearing that name, lived to a great age, one of the most useful and honored citizens of his time.

The canvas of the painting was so much decayed that it had to be replaced by a new one, in doing which the rapier thrust was of course filled up.

Grandmother's mother: her age, I guess,
Thirteen summers, or something less;
Girlish bust, but womanly air;
Smooth, square forehead with uprolled hair;
Lips that lover has never kissed;
Taper fingers and slender wrist;
Hanging sleeves of stiff brocade;
So they painted the little maid.
On her hand a parrot green
Sits unmoving and broods serene.
Hold up the canvas full in view,—
Look! there 's a rent the light shines through,
Dark with a century's fringe of dust,—
That was a Red-Coat's rapier-thrust!
Such is the tale the lady old,
Dorothy's daughter's daughter, told.
Who the painter was none may tell,—
One whose best was not over well;
Hard and dry, it must be confessed,
Flat as a rose that has long been pressed;
Yet in her cheek the hues are bright,
Dainty colors of red and white,
And in her slender shape are seen
Hint and promise of stately mien.
Look not on her with eyes of scorn,—
Dorothy Q. was a lady born!
Ay! since the galloping Normans came,
England's annals have known her name;
And still to the three-hilled rebel town
Dear is that ancient name's renown,
For many a civic wreath they won,
The youthful sire and the gray-haired son.
O Damsel Dorothy! Dorothy Q.!
Strange is the gift that I owe to you;
Such a gift as never a king
Save to daughter or son might bring,—
All my tenure of heart and hand,
All my title to house and land;
Mother and sister and child and wife
And joy and sorrow and death and life!
What if a hundred years ago
Those close-shut lips had answered No,
When forth the tremulous question came
That cost the maiden her Norman name,
And under the folds that look so still
The bodice swelled with the bosom's thrill?
Should I be I, or would it be
One tenth another, to nine tenths me?
Soft is the breath of a maiden's Yes:
Not the light gossamer stirs with less;
But never a cable that holds so fast
Through all the battles of wave and blast,
And never an echo of speech or song
That lives in the babbling air so long!
There were tones in the voice that whispered then
You may hear to-day in a hundred men.
O lady and lover, how faint and far
Your images hover,—and here we are,
Solid and stirring in flesh and bone,—
Edward's and Dorothy's—all their own,—
A goodly record for Time to show
Of a syllable spoken so long ago!—
Shall I bless you, Dorothy, or forgive
For the tender whisper that bade me live?
It shall be a blessing, my little maid!
I will heal the stab of the Red-Coat's blade,
And freshen the gold of the tarnished frame,
And gild with a rhyme your household name;
So you shall smile on us brave and bright
As first you greeted the morning's light,
And live untroubled by woes and fears
Through a second youth of a hundred years.

THE ORGAN-BLOWER

Devoutest of my Sunday friends,
The patient Organ-blower bends;
I see his figure sink and rise,
(Forgive me, Heaven, my wandering eyes!)
A moment lost, the next half seen,
His head above the scanty screen,
Still measuring out his deep salaams
Through quavering hymns and panting psalms.

188

No priest that prays in gilded stole,
To save a rich man's mortgaged soul;
No sister, fresh from holy vows,
So humbly stoops, so meekly bows;
His large obeisance puts to shame
The proudest genuflecting dame,
Whose Easter bonnet low descends
With all the grace devotion lends.
O brother with the supple spine,
How much we owe those bows of thine!
Without thine arm to lend the breeze,
How vain the finger on the keys!
Though all unmatched the player's skill,
Those thousand throats were dumb and still:
Another's art may shape the tone,
The breath that fills it is thine own.
Six days the silent Memnon waits
Behind his temple's folded gates;
But when the seventh day's sunshine falls
Through rainbowed windows on the walls,
He breathes, he sings, he shouts, he fills
The quivering air with rapturous thrills;
The roof resounds, the pillars shake,
And all the slumbering echoes wake!
The Preacher from the Bible-text
With weary words my soul has vexed
(Some stranger, fumbling far astray
To find the lesson for the day);
He tells us truths too plainly true,
And reads the service all askew,—
Why, why the—mischief—can't he look
Beforehand in the service-book?
But thou, with decent mien and face,
Art always ready in thy place;
Thy strenuous blast, whate'er the tune,
As steady as the strong monsoon;
Thy only dread a leathery creak,
Or small residual extra squeak,
To send along the shadowy aisles
A sunlit wave of dimpled smiles.
Not all the preaching, O my friend,
Comes from the church's pulpit end!
Not all that bend the knee and bow
Yield service half so true as thou!
One simple task performed aright,
With slender skill, but all thy might,
Where honest labor does its best,
And leaves the player all the rest.
This many-diapasoned maze,
Through which the breath of being strays,
Whose music makes our earth divine,
Has work for mortal hands like mine.
My duty lies before me. Lo,
The lever there! Take hold and blow!
And He whose hand is on the keys
Will play the tune as He shall please.

AFTER THE FIRE

[_]

[The great Boston fire occurred November 9–10, 1872.]

While far along the eastern sky
I saw the flags of Havoc fly,
As if his forces would assault
The sovereign of the starry vault
And hurl Him back the burning rain
That seared the cities of the plain,
I read as on a crimson page
The words of Israel's sceptred sage:—
For riches make them wings, and they
Do as an eagle fly away.
O vision of that sleepless night,
What hue shall paint the mocking light
That burned and stained the orient skies
Where peaceful morning loves to rise,
As if the sun had lost his way
And dawned to make a second day,—
Above how red with fiery glow,
How dark to those it woke below!
On roof and wall, on dome and spire,
Flashed the false jewels of the fire;
Girt with her belt of glittering panes,
And crowned with starry-gleaming vanes,
Our northern queen in glory shone
With new-born splendors not her own,
And stood, transfigured in our eyes,
A victim decked for sacrifice!
The cloud still hovers overhead,
And still the midnight sky is red;
As the lost wanderer strays alone
To seek the place he called his own,
His devious footprints sadly tell
How changed the pathways known so well;
The scene, how new! The tale, how old
Ere yet the ashes have grown cold!

189

Again I read the words that came
Writ in the rubric of the flame:
Howe'er we trust to mortal things,
Each hath its pair of folded wings;
Though long their terrors rest unspread
Their fatal plumes are never shed;
At last, at last, they stretch in flight,
And blot the day and blast the night!
Hope, only Hope, of all that clings
Around us, never spreads her wings;
Love, though he break his earthly chain,
Still whispers he will come again;
But Faith that soars to seek the sky
Shall teach our half-fledged souls to fly,
And find, beyond the smoke and flame,
The cloudless azure whence they came!

AT THE PANTOMIME

18—: REWRITTEN 1874

The house was crammed from roof to floor,
Heads piled on heads at every door;
Half dead with August's seething heat
I crowded on and found my seat,
My patience slightly out of joint,
My temper short of boiling-point,
Not quite at Hate mankind as such,
Nor yet at Love them overmuch.
Amidst the throng the pageant drew
Were gathered Hebrews not a few,
Black-bearded, swarthy,—at their side
Dark, jewelled women, orient-eyed:
If scarce a Christian hopes for grace
Who crowds one in his narrow place,
What will the savage victim do
Whose ribs are kneaded by a Jew?
Next on my left a breathing form
Wedged up against me, close and warm;
The beak that crowned the bistred face
Betrayed the mould of Abraham's race,—
That coal-black hair, that smoke-brown hue,—
Ah, cursèd, unbelieving Jew!
I started, shuddering, to the right,
And squeezed—a second Israelite!
Then woke the evil brood of rage
That slumber, tongueless, in their cage;
I stabbed in turn with silent oaths
The hook-nosed kite of carrion clothes,
The snaky usurer, him that crawls
And cheats beneath the golden balls,
Moses and Levi, all the horde,
Spawn of the race that slew its Lord.
Up came their murderous deeds of old,
The grisly story Chaucer told,
And many an ugly tale beside
Of children caught and crucified;
I heard the ducat-sweating thieves
Beneath the Ghetto's slouching eaves,
And, thrust beyond the tented green,
The lepers cry, “Unclean! Unclean!”
The show went on, but, ill at ease,
My sullen eye it could not please,
In vain my conscience whispered, “Shame!
Who but their Maker is to blame?”
I thought of Judas and his bribe,
And steeled my soul against their tribe:
My neighbors stirred; I looked again
Full on the younger of the twain.
A fresh young cheek whose olive hue
The mantling blood shows faintly through;
Locks dark as midnight, that divide
And shade the neck on either side;
Soft, gentle, loving eyes that gleam
Clear as a starlit mountain stream;—
So looked that other child of Shem,
The Maiden's Boy of Bethlehem!
And thou couldst scorn the peerless blood
That flows unmingled from the Flood,—
Thy scutcheon spotted with the stains
Of Norman thieves and pirate Danes!
The New World's foundling, in thy pride
Scowl on the Hebrew at thy side,
And lo! the very semblance there
The Lord of Glory deigned to wear!
I see that radiant image rise,
The flowing hair, the pitying eyes,
The faintly crimsoned cheek that shows
The blush of Sharon's opening rose,—
Thy hands would clasp his hallowed feet
Whose brethren soil thy Christian seat,
Thy lips would press his garment's hem
That curl in wrathful scorn for them!
A sudden mist, a watery screen,
Dropped like a veil before the scene;
The shadow floated from my soul,
And to my lips a whisper stole,—
“Thy prophets caught the Spirit's flame,
From thee the Son of Mary came,
With thee the Father deigned to dwell,—
Peace be upon thee, Israel!”

190

A BALLAD OF THE BOSTON TEA-PARTY

[_]

The tax on tea, which was considered so odious and led to the act on which A Ballad of the Boston Tea Party is founded, was but a small matter, only twopence in the pound. But it involved a principle of taxation, to which the Colonies would not submit. Their objection was not to the amount, but the claim. The East India Company, however, sent out a number of tea-ships to different American ports, three of them to Boston.

The inhabitants tried to send them back, but in vain. The captains of the ships had consented, if permitted, to return with their cargoes to England, but the consignees refused to discharge them from their obligations, the custom house to give them a clearance for their return, and the governor to grant them a passport for going by the fort. It was easily seen that the tea would be gradually landed from the ships lying so near the town, and that if landed it would be disposed of, and the purpose of establishing the monopoly and raising a revenue effected. To prevent the dreaded consequence, a number of armed men, disguised like Indians, boarded the ships and threw their whole cargoes of tea into the dock. About seventeen persons boarded the ships in Boston harbor, and emptied three hundred and forty-two chests of tea. Among these “Indians” was Major Thomas Melville, the same who suggested to me the poem, The Last Leaf.

Read at a meeting of the Massachusetts Historical Society in 1874.

No! never such a draught was poured
Since Hebe served with nectar
The bright Olympians and their Lord,
Her over-kind protector,—
Since Father Noah squeezed the grape
And took to such behaving
As would have shamed our grandsire ape
Before the days of shaving,—
No! ne'er was mingled such a draught
In palace, hall, or arbor,
As freemen brewed and tyrants quaffed
That night in Boston Harbor!
It kept King George so long awake
His brain at last got addled,
It made the nerves of Britain shake,
With sevenscore millions saddled;
Before that bitter cup was drained,
Amid the roar of cannon,
The Western war-cloud's crimson stained
The Thames, the Clyde, the Shannon;
Full many a six-foot grenadier
The flattened grass had measured,
And many a mother many a year
Her tearful memories treasured;
Fast spread the tempest's darkening pall,
The mighty realms were troubled,
The storm broke loose, but first of all
The Boston teapot bubbled!
An evening party,—only that,
No formal invitation,
No gold-laced coat, no stiff cravat,
No feast in contemplation,
No silk-robed dames, no fiddling band,
No flowers, no songs, no dancing,—
A tribe of red men, axe in hand,—
Behold the guests advancing!
How fast the stragglers join the throng,
From stall and workshop gathered!
The lively barber skips along
And leaves a chin half-lathered;
The smith has flung his hammer down,—
The horseshoe still is glowing;
The truant tapster at the Crown
Has left a beer-cask flowing;
The cooper's boys have dropped the adze,
And trot behind their master;
Up run the tarry ship-yard lads,—
The crowd is hurrying faster,—
Out from the Millpond's purlieus gush
The streams of white-faced millers,
And down their slippery alleys rush
The lusty young Fort-Hillers;
The ropewalk lends its 'prentice crew,—
The tories seize the omen:
“Ay, boys, you'll soon have work to do
For England's rebel foemen,
‘King Hancock,’ Adams, and their gang,
That fire the mob with treason,—
When these we shoot and those we hang
The town will come to reason.”
On—on to where the tea-ships ride!
And now their ranks are forming,—
A rush, and up the Dartmouth's side
The Mohawk band is swarming!
See the fierce natives! What a glimpse
Of paint and fur and feather,
As all at once the full-grown imps
Light on the deck together!
A scarf the pigtail's secret keeps,
A blanket hides the breeches,—
And out the cursèd cargo leaps,
And overboard it pitches!

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O woman, at the evening board
So gracious, sweet, and purring,
So happy while the tea is poured,
So blest while spoons are stirring,
What martyr can compare with thee,
The mother, wife, or daughter,
That night, instead of best Bohea,
Condemned to milk and water!
Ah, little dreams the quiet dame
Who plies with rock and spindle
The patient flax, how great a flame
Yon little spark shall kindle!
The lurid morning shall reveal
A fire no king can smother
Where British flint and Boston steel
Have clashed against each other!
Old charters shrivel in its track,
His Worship's bench has crumbled,
It climbs and clasps the union-jack,
Its blazoned pomp is humbled,
The flags go down on land and sea
Like corn before the reapers;
So burned the fire that brewed the tea
That Boston served her keepers!
The waves that wrought a century's wreck
Have rolled o'er whig and tory;
The Mohawks on the Dartmouth's deck
Still live in song and story;
The waters in the rebel bay
Have kept the tea-leaf savor;
Our old North-Enders in their spray
Still taste a Hyson flavor;
And Freedom's teacup still o'erflows
With ever fresh libations,
To cheat of slumber all her foes
And cheer the wakening nations!

NEARING THE SNOW-LINE

1870

Slow toiling upward from the misty vale,
I leave the bright enamelled zones below;
No more for me their beauteous bloom shall glow,
Their lingering sweetness load the morning gale;
Few are the slender flowerets, scentless, pale,
That on their ice-clad stems all trembling blow
Along the margin of unmelting snow;
Yet with unsaddened voice thy verge I hail,
White realm of peace above the flowering line;
Welcome thy frozen domes, thy rocky spires!
O'er thee undimmed the moon-girt planets shine,
On thy majestic altars fade the fires
That filled the air with smoke of vain desires,
And all the unclouded blue of heaven is thine!