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Thomas Cole's poetry

the collected poems of America's foremost painter of the Hudson River School reflecting his feelings for nature and the romantic spirit of the Nineteenth Century

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164

74.
The March of Time

Hark! I heard the tread of Time
Marching o'er the fields sublime;
Through the portals of the past
When the stars by God were cast
O'er the illimitable vast.
Onward! Onward yet he strides
Nations clinging to his sides.
Kingdoms crushed he tramples o'er
Fame's shrill Trumpet—War's deep Roar
Blast-like rise—sound no more.
Lo! he nears as like a cloud;
That the trembling sea doth shroud,
Darkly folding every flower
Of our Life;—Love—Hope and Power:
See! He grasps the Present Hour!
Grasps it—it is withering
And it hangs a faded thing
In his girdle; seen no more
But by deeds that stud it o'er—
These shall mark it evermore.
On he passes, swift as fear;
Hides each faint and fleeting year
In his pinion's shadowy fold;—
All that sky and earth do hold:—
Things which man may not behold.
Lo! beneath his mantle dark
Grim, a spectre pallid stark
Clings around him like a sheath

165

Mighty! though devoid of breath
Throwing darts:—'Tis Death! 'Tis Death.
Stop the Ruffian Time! Lay hold!
Is there then no power so bold!
None to meet his strength midway—
Wrest from him his precious prey,
And the Tyrant-Robber slay.
Struggle not my foolish soul!
Let Time's garments round thee roll:
Time, God's servant, think no scorn,
Gathers up the sheaves of corn
Which the spectre Death hath shorn.
And anon shall one appear
Brighter than the Morning Star:
He shall smite that Spectre frore
Time shall, clasped by Death no more,
Take a new name—Evermore.
Catskill February 3, 1846