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Songs of Doubt and Dream (Poems)

Fawcett, Edgar (1847-1904)

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[section]
  
THE BARTHOLDI STATUE.
  
EVOLUTION.
  
PEACE AND WAR.
  
A NINETEENTH CENTURY KING.
  
THE OTHER SIDE OF THE MOON.
  
MARRIED BOHEMIANS.
  
A RETROSPECT.
  
NEBUCHADNEZZAR'S WIFE.
  
AT A WINDOW.
  
BIRD-LANGUAGE.
  
A CITY ECLOGUE.
  
MEMORIAL VERSES.
  
IN THE YEAR TEN THOUSAND.
  
A SLAYER OF POETS.
  
PAUL AVENEL.
  
THE ASPIRER.
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REVERIES.
 1. 
I.—A Tulip-Bulb.
 2. 
[II. O swan, what memories rarely sweet]
 3. 
III.—In Mid-Ocean.
 4. 
[IV. While the broad night above me broods]
 5. 
V.—A Squirrel.
 6. 
[VI. Dear lavish blossoms that light the Junes]
 8. 
[VIII. Somehow I have lived without you]
 9. 
[IX. I feel the huge dim city round me lie]
 10. 
X.—To a Reformer.
 11. 
XI.—Grass.
  
QUEEN CHRISTINA AND DE LIAR.
  
CAPRICE.
  
SUB ROSÂ.
  
ANACREONTIC.
  
PAUL HAMILTON HAYNE.
  
JACYNTH.
  
AFRICAN BALLAD.
  
A DIALOGUE.
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LYRIC INTERLUDE.
 1. 
[I. You tell me, friend, that seeing how fate has said]
 2. 
II.—A Graveyard.
 3. 
III.—In Poverty.
 4. 
IV.—Low Life.
 5. 
[V. The year was dying, the wind went sighing]
 6. 
VI.—To E. N. C.
 7. 
[VII. The clouded east was fiery-creased where the late moon mounted up]
 8. 
VIII.—A Blackberry Idyl.
 9. 
IX.—Pigeons.
 10. 
X.—A Dead World.
 11. 
XI.—For a Book of Light Rhymes.
 12. 
XII.—Environment.
 13. 
XIII.—Death's Plaint.
 14. 
[XIV. Ho! for Dreamland's happy harbors]
 15. 
XV.—Meteors.
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HOW A QUEEN LOVED.
 1. 
I.
 2. 
II.
 3. 
III.
  
THE TEARS OF TULLIA.
  
THE DYING ACTOR.
  
VICISSITUDE.
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TWO SCENES IN THE LIFE OF BEAU BRUMMELL.
 1. 
I. 1810.
 2. 
II. 1836.
  
THARAK AND THE LION.
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INTERMEZZO.
 1. 
I.—The Wood-Turtle.
 2. 
[II. Above the porch, full in dawn's rosy view]
 3. 
[III. Shadows hung dense on the burnished lake]
 4. 
IV.—Asters and Goldenrods.
 5. 
[V. All day the reapers on the hill]
 6. 
VI.—To a Friend Who Slept Ill.
 7. 
[VII. How long ere the blast that is nipping and bitter]
 8. 
VIII.—Babes in the Wood.
 9. 
IX.—Aquarelle.
 10. 
[X. How sad, in this wide airy glade]
 11. 
XI.—Cradle-Song.
 12. 
[XII. They led the pale Christ through the mouthing throng]
 13. 
[XIII. How marvellously all the deeps of night]
 14. 
XIV.—To a Literary Fop.
 15. 
[XV. Think not that you may calmly tread]
 16. 
[XVI. An old man mused, amid twilight's haze]
 17. 
[XVII. I saw in dreams a system of dead worlds]
  
THE CARISFORT CURSE.
  
AGNOSTIC AND CHRISTIAN.
  
KATE ROMNEY.
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INCONGRUITIES.
 1. 
I.
 2. 
II.
  
THE MILKY WAY.
  
HISTORY.
  
ENNUI.
  
ILLEGITIMACY.
  
THE ICICLE.
  
COURAGE!

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[XIV. Ho! for Dreamland's happy harbors]

Ho! for Dreamland's happy harbors!
Who's for Dreamland, by the ferry?
Who's to breast the waves that bind it,
Breast the fairy waves and find it,
Rich in flowering groves and arbors,
Though the boat's a timorous wherry
And the sailors, vague in features,
Are the shadowiest of creatures?
Ho! for Dreamland! Heigh! for Dreamland!
Who's for Dreamland, by the ferry?
Here are scholors pale with musing;
Revellers that no more are merry;
Maids whose loves were empty anguish;
Lovers that for life must languish;
Patriots passionately choosing
All the old haughty hopes to bury;
149

Sculptor, painter, bard, musician,
With unreached ideals elysian..
These for Dreamland! those for Dreamland!
Straight for Dreamland, by the ferry!
Off they push, and out they wander,
Faring fleetly toward the very
Midmost heart of that great curly
Cloud that roseate and yet pearly
Haunts the dubious distance yonder,—
Bound where blossoming sprays of cherry,
Apple, and all sweet trees are vernal
With a plenteous pomp eternal!
Ho! for Dreamland! Heigh! for Dreamland!
Halcyon Dreamland, by the ferry!
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