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Songs of Doubt and Dream (Poems)

Fawcett, Edgar (1847-1904)

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[section]
  
THE BARTHOLDI STATUE.
  
EVOLUTION.
  
PEACE AND WAR.
  
A NINETEENTH CENTURY KING.
  
THE OTHER SIDE OF THE MOON.
  
MARRIED BOHEMIANS.
  
A RETROSPECT.
  
NEBUCHADNEZZAR'S WIFE.
  
AT A WINDOW.
  
BIRD-LANGUAGE.
  
A CITY ECLOGUE.
  
MEMORIAL VERSES.
  
IN THE YEAR TEN THOUSAND.
  
A SLAYER OF POETS.
  
PAUL AVENEL.
  
THE ASPIRER.
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REVERIES.
 1. 
I.—A Tulip-Bulb.
 2. 
[II. O swan, what memories rarely sweet]
 3. 
III.—In Mid-Ocean.
 4. 
[IV. While the broad night above me broods]
 5. 
V.—A Squirrel.
 6. 
[VI. Dear lavish blossoms that light the Junes]
 8. 
[VIII. Somehow I have lived without you]
 9. 
[IX. I feel the huge dim city round me lie]
 10. 
X.—To a Reformer.
 11. 
XI.—Grass.
  
QUEEN CHRISTINA AND DE LIAR.
  
CAPRICE.
  
SUB ROSÂ.
  
ANACREONTIC.
  
PAUL HAMILTON HAYNE.
  
JACYNTH.
  
AFRICAN BALLAD.
  
A DIALOGUE.
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LYRIC INTERLUDE.
 1. 
[I. You tell me, friend, that seeing how fate has said]
 2. 
II.—A Graveyard.
 3. 
III.—In Poverty.
 4. 
IV.—Low Life.
 5. 
[V. The year was dying, the wind went sighing]
 6. 
VI.—To E. N. C.
 7. 
[VII. The clouded east was fiery-creased where the late moon mounted up]
 8. 
VIII.—A Blackberry Idyl.
 9. 
IX.—Pigeons.
 10. 
X.—A Dead World.
 11. 
XI.—For a Book of Light Rhymes.
 12. 
XII.—Environment.
 13. 
XIII.—Death's Plaint.
 14. 
[XIV. Ho! for Dreamland's happy harbors]
 15. 
XV.—Meteors.
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HOW A QUEEN LOVED.
 1. 
I.
 2. 
II.
 3. 
III.
  
THE TEARS OF TULLIA.
  
THE DYING ACTOR.
  
VICISSITUDE.
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TWO SCENES IN THE LIFE OF BEAU BRUMMELL.
 1. 
I. 1810.
 2. 
II. 1836.
  
THARAK AND THE LION.
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INTERMEZZO.
 1. 
I.—The Wood-Turtle.
 2. 
[II. Above the porch, full in dawn's rosy view]
 3. 
[III. Shadows hung dense on the burnished lake]
 4. 
IV.—Asters and Goldenrods.
 5. 
[V. All day the reapers on the hill]
 6. 
VI.—To a Friend Who Slept Ill.
 7. 
[VII. How long ere the blast that is nipping and bitter]
 8. 
VIII.—Babes in the Wood.
 9. 
IX.—Aquarelle.
 10. 
[X. How sad, in this wide airy glade]
 11. 
XI.—Cradle-Song.
 12. 
[XII. They led the pale Christ through the mouthing throng]
 13. 
[XIII. How marvellously all the deeps of night]
 14. 
XIV.—To a Literary Fop.
 15. 
[XV. Think not that you may calmly tread]
 16. 
[XVI. An old man mused, amid twilight's haze]
 17. 
[XVII. I saw in dreams a system of dead worlds]
  
THE CARISFORT CURSE.
  
AGNOSTIC AND CHRISTIAN.
  
KATE ROMNEY.
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INCONGRUITIES.
 1. 
I.
 2. 
II.
  
THE MILKY WAY.
  
HISTORY.
  
ENNUI.
  
ILLEGITIMACY.
  
THE ICICLE.
  
COURAGE!

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115

ANACREONTIC.

(From the French of Théophile Gautier.)

O poet, do not fright my love
By ardor's too impassioned flame,
Until it flies, a timorous dove,
And leaves me bathed in rosy shame.
The bird that through the garden sings,
Before the least vague sound will flit;
My passion, that is dowered with wings,
Will vanish if you follow it.
Mute as a marble Hermes cold,
Below the arbor linger here,
And from his bower you shall behold
The bird descending, without fear.
And soon your brow shall near it feel,
While breezy waftures charm the sense,
A fluttering of soft wings that reel
In white aerial turbulence.
And on your shoulder, tamely meek,
The dove at last will perch in bliss,
And quaff with his pink balmy beak
The dizzying rapture of your kiss!
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