 | The American common-place book of poetry |  |
Sunset in September. —Carlos Wilcox.
Begins to sink behind—is half concealed—
And now is gone: the last faint twinkling beam
Is cut in twain by the sharp rising ridge.
When only one small cloud, so still and thin,
So thoroughly imbued with amber light,
And so transparent, that it seems a spot
Of brighter sky, beyond the farthest mount,
Hangs o'er the hidden orb; or where a few
Long, narrow stripes of denser, darker grain,
At each end sharpened to a needle's point,
With golden borders, sometimes straight and smooth,
And sometimes crinkling like the lightning stream,
A half hour's space above the mountain lie;
Or when the whole consolidated mass,
That only threatened rain, is broken up
Into a thousand parts, and yet is one,
One as the ocean broken into waves;
And all its spongy parts, imbibing deep
The moist effulgence, seem like fleeces dyed
Deep scarlet, saffron light, or crimson dark,
As they are thick or thin, or near or more remote,
All fading soon as lower sinks the sun,
Till twilight end. But now another scene,
To me most beautiful of all, appears:
The sky, without the shadow of a cloud,
Throughout the west, is kindled to a glow
So bright and broad, it glares upon the eye,
Not dazzling, but dilating with calm force
Its power of vision to admit the whole.
Below, 'tis all of richest orange dye,
Midway the blushing of the mellow peach
Paints not, but tinges the ethereal deep;
And here, in this most lovely region, shines,
With added loveliness, the evening-star.
Above, the fainter purple slowly fades,
Till changed into the azure of mid-heaven.
Descended, in a single row arranged,
As if thus planted by the hand of art,
Majestic pines shoot up into the sky,
And in its fluid gold seem half dissolved.
Upon a nearer peak, a cluster stands
With shafts erect, and tops converged to one,
A stately colonnade with verdant roof;
Upon a nearer still, a single tree,
With shapely form, looks beautiful alone;
While, farther northward, through a narrow pass
Beyond the rest, of finer smoothness seems,
And of a softer, more ethereal blue,
A pyramid of polished sapphire built.
The various mountains; levels to a plain
This nearer, lower landscape, dark with shade,
Where every object to my sight presents
Its shaded side; while here upon these walls,
And in that eastern wood, upon the trunks
Under thick foliage, reflective shows
Its yellow lustre. How distinct the line
Of the horizon parting heaven and earth!
Every person, who has witnessed the splendor of the sunset scenery in Andover, will recognise with delight the local as well as general truth and beauty of this description. There is not, perhaps, in New England, a spot where the sun goes down, of a clear summer's evening, amidst so much grandeur reflected over earth and sky. In the winter season, too, it is a most magnificent and impressive scene. The great extent of the landscape; the situation of the hill, on the broad level summit of which stand the buildings of the Theological Institution; the vast amphitheatre of luxuriant forest and field, which rises from its base, and swells away into the heavens; the perfect outline of the horizon; the noble range of blue mountains in the background, that seem to retire one beyond another almost to infinite distance; together with the magnificent expanse of sky visible at once from the elevated spot,—these features constitute at all times a scene on which the lover of nature can never be weary with gazing. When the sun goes down, it is all in a blaze with his descending glory. The sunset is the most perfectly beautiful when an afternoon shower has just preceded it. The gorgeous clouds roll away like masses of amber. The sky, close to the horizon, is a sea of the richest purple. The setting sun shines through the mist, which rises from the wet forest and meadow, and makes the clustered foliage appear invested with a brilliant golden transparency. Nearer to the eye, the trees and shrubs are sparkling with fresh rain drops, and over the whole scene, the parting rays of sunlight linger with a yellow gleam, as if reluctant to pass entirely away. Then come the varying tints of twilight, ‘fading, still fading,’ till the stars are out in their beauty, and a cloudless night reigns, with its silence, shadows and repose. In the summer, Andover combines almost every thing to charm and elevate the feelings of the student. In winter, the north-western blasts, that sweep fresh from the snow-banks on the Grand Monadnock, make the invalid, at least, sigh for a more congenial climate.—
Ed. | The American common-place book of poetry | |