University of Virginia Library

Notes

 
[1]

For Haward and his miscellany see my Scribal Publication in Seventeenth-century England (Oxford, 1993), pp. 211 — 217. The significance of the "linked group" will be discussed in a forthcoming paper on "In th' Isle of Britain" to appear in English Manuscript Studies.

[2]

For the conditions under which texts were read and circulated at the court of Charles II, see Scribal Publication, pp. 207 — 211, and my "Hamilton's Mémoires de la vie du comte de Grammont and the Reading of Rochester," to appear in Restoration.

[3]

I base this supposition on the unusual fact for a lampoon of this period that, with the exception of a single stanza in the Haward "Additions," he is not himself attacked in the poem.

[4]

Ohio State University Library, MS Eng. 15, p. 13; see "A Restoration Lampoon," p. 259.

[5]

"A Restoration Lampoon," pp. 250, 252. For the scriptorium, see W. J. Cameron, "A Late Seventeenth-century Scriptorium," Renaissance and Modern Studies 7 (1963), 25 — 52, and Love, Scribal Publication, pp. 271 — 279, and "The 'Cameron' Scriptorium revisited" in An Index of Civilisation: Studies of Printing and Publishing History in Honour of Keith Maslen, ed. D. R. Harvey and B. J. McMullin (Melbourne, 1993), pp. 79 — 87.

[6]

The last of these quatrains again interrupts a continuing narrative to which it has no relation.

[7]

Over "great" uncorr.

[8]

The reading of the other texts has been retained here as it is no less plausible than several other possibilities, e.g. "five," "free," "frice," "firce."