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Textual Instability and Editorial Idealism by G. Thomas Tanselle
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Descriptive Bibliography and the Victorian Periodical by Maura Ives
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John Shirley and British Library, MS. Additional 16165 by Ralph Hanna III
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The Empire of Lucius Iberius by P. J. C. Field
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A Seventeenth-Century Acknowledgement of Sir Gawain and the Green Knight in an Early Catalogue of the Cottonian Library by Paul F. Reichardt
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Stage Directions and Speech Headings in Act 1 of Titus Andronicus Q (1594): Shakespeare or Peele? by Macd. P. Jackson
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The Printing of the Plays in the Jonson Folio of 1616 by James A. Riddell
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A New "A" Text of "Signior Dildo" by Harold Love
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Attributions of Authorship in the Gentleman's Magazine, 1827 — 48: A Supplement to Kuist by Emily Lorraine de Montluzin
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The Journeyman and the Genius: James Parker and His Partner William Blake with a List of Parker's Engravings by G. E. Bentley, Jr
 1. 
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James Parker's Engravings
 01. 
[section]
 02. 
Year Not Known
 03. 
1780 — 81
 04. 
1781
 05. 
1782
 06. 
1783
 07. 
1784
 08. 
1786
 09. 
1787
 10. 
1789
 11. 
1790
 12. 
1792
 13. 
1793
 15. 
1794
 16. 
1795
 17. 
1796
 18. 
1797
 19. 
1798
 20. 
1799
 21. 
1800
 22. 
1801
 23. 
1802
 24. 
1803
 25. 
1803 — 1804
 26. 
1804
 27. 
1805
 28. 
1806
 29. 
1809
  
Notes
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(De)Composing Frankenstein: The Import of Altered Character Names in the Last Draft by David Ketterer
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How Many Ts Had Ezra Pound's Printer? by Shef Rogers
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Padraic Colum in The Dublin Magazine by Arthur Sherbo
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The Unpublished Preface to W. G. Simms's Collected Poems by James E. Kibler

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Year Not Known

View of Claybrook Church, the only aquatint Parker is known to have made; it may have been published by Parker, for the copperplate of it appeared in Parker's sale by Thomas Dodd, 18 February 1807, Lot 236.

Eight plates, including "Edwin and Angelina", also perhaps published by Parker, appeared in the same sale, Lot 235.

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