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[title page]

Textual Instability and Editorial Idealism by G. Thomas Tanselle

Descriptive Bibliography and the Victorian Periodical by Maura Ives

John Shirley and British Library, MS. Additional 16165 by Ralph Hanna III

The Empire of Lucius Iberius by P. J. C. Field

A Seventeenth-Century Acknowledgement of Sir Gawain and the Green Knight in an Early Catalogue of the Cottonian Library by Paul F. Reichardt

Stage Directions and Speech Headings in Act 1 of Titus Andronicus Q (1594): Shakespeare or Peele? by Macd. P. Jackson

The Printing of the Plays in the Jonson Folio of 1616 by James A. Riddell

A New "A" Text of "Signior Dildo" by Harold Love

Attributions of Authorship in the Gentleman's Magazine, 1827 — 48: A Supplement to Kuist by Emily Lorraine de Montluzin

The Journeyman and the Genius: James Parker and His Partner William Blake with a List of Parker's Engravings by G. E. Bentley, Jr

(De)Composing Frankenstein: The Import of Altered Character Names in the Last Draft by David Ketterer

[section 1]

III

Appendix: Five Other Altered Character Names in the Last Draft

Works Cited

Notes

How Many Ts Had Ezra Pound's Printer? by Shef Rogers

Padraic Colum in The Dublin Magazine by Arthur Sherbo

The Unpublished Preface to W. G. Simms's Collected Poems by James E. Kibler

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Year Not Known

View of Claybrook Church, the only aquatint Parker is known to have made; it may have been published by Parker, for the copperplate of it appeared in Parker's sale by Thomas Dodd, 18 February 1807, Lot 236.

Eight plates, including "Edwin and Angelina", also perhaps published by Parker, appeared in the same sale, Lot 235.