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A Rationale of Literary Annotation: The Example of Fielding's Novels by Martin C. Battestin
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Recent Editorial Discussion and the Central Questions of Editing by G. Thomas Tanselle
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A Fifteenth-Century Copyist at Work Under Authorial Scrutiny: An Incident from John Capgrave's Scriptorium by Peter J. Lucas
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The Shrinking Compositor A of the Shakespeare First Folio by Gary Taylor
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The Printing, Proof-reading, and Publishing of Thackeray's Vanity Fair: The First Edition by Peter L. Shillingsburg
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The Publication of Tennyson's "Lucretius" by Edgar F. Shannon, Jr.
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Verdict on GW 2182 and 2183 by Dennis E. Rhodes
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Establishing Shakespeare's Text: Poins and Peto in 1 Henry IV by Fredson Bowers
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Astrological Analysis as an Editorial Tool: The Case of Fletcher's The Bloody Brother by J. C. Eade
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John Nourse and His Authors by John Feather
 1. 
[section 1]
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I
 3. 
II
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APPENDIX ANOURSE DOCUMENTS IN B.L. MS. ADDL. 38729
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APPENDIX BELIZABETH BLACKWELL'S CURIOUS HERBAL
  
Notes
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The Library of George Tollet, Neglected Shakespearean by Arthur Sherbo
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William Cowper and the European Magazine by Arthur Sherbo
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William Blake's Techniques of Engraving and Printing by G. E. Bentley, Jr.
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Signatures and Dashes in Novels Printed by T. C. Newby in the Eighteen-Forties by G. D. Hargreaves
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A George Eliot Notebook by Valerie A. Dodd
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Tennyson's The New Timon, R. H. Shepherd, and Harry Buxton Forman by the late W. D. Paden
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Additional Manuscripts of Faulkner's "A Dead Dancer" by Louis Daniel Brodsky

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Notes

 
[*]

When W. D. Paden died on 23 April, 1979, he left this note, identified as a second draft and bearing subsequent revisions. It has been seen through publication by his son, William D. Paden, Jr., of Northwestern University.

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