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[title page]

Indexing the Periodical Literature of Anglo-American Bibliography by B. J. McMullin

The Concept of Ideal Copy by G. Thomas Tanselle

An Application of Semiotics to the Definition of Bibliography by Ross Atkinson

Establishing Shakespeare's Text: Notes on Short Lines and the Problem of Verse Division by Fredson Bowers

A Fielding Discovery, with Some Remarks on the Canon by M. C. with R. R. Battestin

Casting Off Copy and the Composition of Hooker's Book V by W. Speed Hill

Some Problems of Attribution in the Canon of Sir William Killigrew's Works by J. P. Vander Motten

THE TEXT OF Paradise Lost: A Stemma for the Early Editions by R. G. Moyles

The Chronology of the Richardson-Bradshaigh Correspondence of 1751 by John August Wood

The Typewriters in the Making of The Waste Land by S. Krishnamoorthy Aithal

The Manuscript of D. H. Lawrence's Saga of Siegmund by Bruce Steele

Tracking Lawrence's Fox: an Account of its Composition, Evolution, and Publication by Judith G. Ruderman

A Textual History of Graham Greene's The Power and the Glory by David Leon Higdon

David Jones's Glosses on The Anathemata by Thomas Dilworth

Faulkner's "L'Apres-Midi d'un Faune": The Evolution of a Poem by Robert W. Hamblin and Louis Daniel Brodsky

His Editor's Hand: Hiram Haydn's Changes in Styron's Lie Down in Darkness by Arthur D. Casciato

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Notes

[1]

Anna Laetitia Barbauld, ed., The Correspondence of Samuel Richardson (1804; rpt. 1966), VI, 178-182.

[2]

Richardson to Lady Bradshaigh, 12 March 1760. Forster Collection XI, f. 264. Victoria and Albert Museum.

[3]

See T. C. Duncan Eaves and Ben D. Kimpel, Samuel Richardson (1971), pp. 437-439, and John Carroll, ed., Selected Letters of Samuel Richardson (1964), pp. 3-7 for discussions of this matter.

[1]

One passage of this letter is dated 27 Dec., and another passage is dated 28 Dec.

[2]

Eaves and Kimpel note that part of this letter is answered by R's [Mid-Mar.??].

[3]

Eaves and Kimpel obviously mean B, VI, 77-84.

[4]

Mrs. Barbauld neglected to supply the marks closing Lady Bradshaigh's quotation.