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Printer

By the end of 1829, Dickinson had equipped his shop and was ready to solicit orders for printing. The first announcement succinctly described his objectives and policies:

SAMUEL N. DICKINSON, having established himself in the Printing Business in this city, would respectfully inform the public that he has opened an office at No. 52, Washington-street, (6 doors north of State-street,) where he has a choice selection of Type, and other apparatus, adapted to the printing of Books, Newspapers, Catalogues, Circulars, Checks, Cards & c.

In soliciting patronage, he engages that his work shall be executed in as good style, and on as reasonable terms, as at any other establishment in the city. His materials are selected from the Boston Type and Stereotype Foundry, and are among the best specimens for neatness and elegance that can be procured.

Gentlemen disposed to favour his establishment with their patronage, may depend on having their work done with punctuality, with the nicest accuracy, and according to the terms of contract.

Refer to Messrs. H. J. Oliver.

J. G. Rogers, and

Rev. Silas Blaisdale

Boston, Dec. 9.[9]

At least two of his three references had a personal interest in the success of this venture. Henry J. Oliver, Boston merchant, became his father-in-law nine months later and John G. Rogers was the agent of the Boston Type and Stereotype Foundry.[10] The third reference, Reverend Silas Blaisdale, taught at the Salem Street Academy.[11] Obviously Dickinson was starting on his own without much encouragement from the businessmen of Boston.

Throughout his career, he always attempted to obtain the best and latest equipment, announcing these acquisitions proudly in advertisements


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and publications which now provide some information about his facilities. Five months after he opened his office, he published an article about one of his presses. In this press, invented by Samuel Couillard, Jr., but manufactured by Phineas Dow, the platen was raised and lowered by "progressive levers" (toggle joints).[12] The article describes the Dow Press and then goes on to compare it with Clymer's Columbian Press. Because such contemporary comparisons are rare, the following excerpts are reprinted:

Mr. Phinehas (sic) Dow, of this city, has, we think, been very successful in applying these progressive levers. He has contrived to place the fulcrum of the lever on the near side, thus bringing the bar-handle nearer to the pressman, and also the advantage of not extending an awkward distance out from the press. Mr. D., however, is not alone in this particular, others, have appended the bar to the near side of their presses, also; but, whether they have done it in so compact a manner admits of considerable doubt. For ourselves, we can say we never saw a press fold up so snugly, (if we may be allowed the term,) as that of Mr. D. But, its most striking feature is its simplicity; we believe it would be impossible to construct a press with less machinery. The bar or lever, is 36 inches long, from the extreme end to the centre of motion; from this centre, and at a right angle with the bar, is a short arm, to which a pitman is attached; the short arm is 2¼ inches long, and extends towards the back of the press; the pitman terminates in a ball, which acts in a socket near the top of the lower toggle; of course the toggles are pushed, and not drawn, as in other presses. Those parts giving the pressure are brought in straight lines at the greatest stress, consequently no spring, and but little friction, are important advantages in this press.

* * * * * * * *

Mr. Clymer's press, in its day, was considered an acquisition to a printing office, and no doubt it was; but, far otherwise is the case at present. In the perspective, the eye is struck with rather an agreeable picture; but, as beauty is not always indicative of superiour worth, so with this press; it may be classified with the beautiful, but not among the useful. . . . It is well known that a simple, and yet efficient, machine, always possesses decided advantages over a complicated one. . . . But, exclusive of its intricateness, we have other objections to Mr. Clymer's press. Such as its liability to accident, because of its overmuch machinery; and, (what we think a serious one,) the movement of the platen; in the perspective the platen is seen attached to the main lever by means of a piston, which piston slides between two projections from either of the inner sides of the press; these projections are grooved at the ends, and are intended to guide the piston in its perpendicular motion, but of this they fail; for the piston being made fast, as above stated, to the main


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lever, and this lever rising only at one end, (the other being secured to the near side of the press,) does not, of course, give an accurate perpendicular movement to the platen, the consequence of which is, that a clear impression is not easily obtained.[13]

The earliest items printed by Dickinson were products of a skilled craftsman. He did excellent tabular work, as in the Report of the School Committee, Boston, 1829, and, during the next year, he demonstrated his ability to handle texts and lists in such publications as a report of the Boston Mechanics Institution (1830) and the Act of Incorporation of the Bunker Hill Monument Association. In addition to other works and job printing throughout the 1830's, he began printing books for publishers. Dickinson's production of John Locke's Some Thoughts Concerning Education in 1830 for Gray & Bowen must have pleased them; two years later, they selected him to print The Token (1833), one of the most distinguished American literary annuals. Another recognition of his craftsmanship is manifest in the choice of Dickinson to print the 1835 specimen book of the Boston Type and Stereotype Foundry. In six years, he had established himself as a highly respected and successful printer, enjoying an increasing amount of business.

The possibility of attaining better presswork led Dickinson to design modifications on the presses he purchased. One of the early alterations appeared so promising that he applied for a patent. This patent, for an improvement in the machinery for printing, was granted on 19 November 1833. Because of the fire in 1836, no copy survives in the Patent Office, but the patent was epitomized soon after it was granted:

The improvements here described are applied to the hand printing press, and the first of them is intended to remove the defect occasioned by the falling of the inking roller, as it is usually constructed, into the quadrats, or spaces, between the pages of matter; the impressions being usually rendered imperfect by its pressing more forcibly on the type at the sides than at other places, as it falls into, and rises from, these spaces. To obviate this, there are to be wheels, on the gudgeons of the inking rollers, which may be of the same diameter as the rollers themselves, and these are to bear, and run upon, ways, adapted to them. These ways are so constructed as to sink down when the tympan is brought upon the form, and to rise when it is raised; for this purpose, the tympan is furnished with a tail piece on each of its lower angles, which, when it is thrown up, act upon a system of levers, and produce the effect of raising the rails: the inking rollers are then conducted over the form with regularity.

The second improvement consists in a particular arrangement of the inking


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apparatus, intended to equalize, and facilitate, the distribution of the ink. This it would be difficult to describe without a drawing, and we, therefore, shall not make the attempt.

The claim is to the application of a system of levers to the bed, to be acted upon by projecting pieces on the lower angles of the tympan, which raise parallel rails for the purpose described; and to the mode of applying the ink fountain for distributing and equalizing the ink.[14]

It is to be regretted that there is not even a clue to the method of distributing and equalizing the ink. That "it would be difficult to describe without a drawing" prompts one to speculate that Dickinson may have utilized the principle of the revolving disk.

The origin of the press most closely associated with Dickinson has, until now, remained obscure. His 1839 Boston Almanac contained this announcement:

S. N. D. would respectfully inform his friends and the public, that having purchased the right of use, for the city of Boston, of the Rotary Press, he intends to direct his whole attention to this branch of Printing.

The Rotary Press will introduce a new era in Card Printing, for from its construction it is capable of printing a greater number of Cards, in a given time, and of the most beautiful execution, than any other machine.

Cards are a ready and convenient medium of information, and would undoubtedly be used to a greater extent than they have been, were they obtained at lower prices. With these machines they can be furnished so low, that the barrier of a high price may be said to be entirely removed — a thousand handsome cards being furnished for four or five dollars.

Rail Road tickets printed with great despatch, and at a great saving to the proprietors.[15]

Despite the fact that the Rotary Press bears a striking resemblance to George P. Gordon's Firefly Press, Henry L. Bullen said that Stephen P. Ruggles built the Rotary Press for Dickinson.[16] Two pieces of evidence prove Bullen to be incorrect. The first, Gordon's patent of 1852 for the Firefly Press, acknowledges that it is an adaptation of a press patented by C. F. Voorhies on 8 April 1834 (U.S. Patent No. 9,234). The second is Dickinson's own statement in his Boston Almanac. Under date of 1 August in "Memoranda of Events in Boston, during the year, 1838," he listed: "The Rotary Press, invented by Mr. C. F. Voorhies, of New York, first introduced into Boston, by S. N. Dickinson, with which one person can print at the rate of 2000 cards per hour."[17]


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Dickinson found the Rotary Press so promising that although he had originally purchased the right of use for the city of Boston, he decided to promote and sell it in a larger territory. Answering a query about the press from Elihu Geer, Hartford printer, in 1841, Dickinson described his marketing plans:

At length I am able to give you some information about the Rotary. I have arranged matters so that I can go on and build, I think. I wish you to let me know exactly what you will expect of me for five hundred Dollars. I have had to take it at a hard bargain, and how I shall make out with it I do not know. It is undoubtedly the very best press in existence (if a press can exist.) I think you said you would not like to have one of them so near you as New Haven. I think if I could dispose of two in your state, I should be satisfied. One at Norwich would be far enough, I presume from your interests. And here I should like to plant one.[18]
In response, Geer asked for a trial period of six months before deciding whether to buy. Dickinson replied:
I find that will not work, for I cannot get them built to my satisfaction unless I pay the cash. The man that would build is a poor man, and must have his money. If I got them built by wholesale machinists they would never work to a certainty. If you have one, and I at the same time give up Springfield for the present, or for a year or so, it must be on the following terms. Four quarterly payments of 3, 6, 9 & 12 months. The last being the smallest, and your Yankee turned in after the Rotary is fairly set a-going.[19]
Geer agreed to buy the press which was delivered within three months, but even before the press arrived, Dickinson encouraged his customer to dispose of the Yankee Card Press: "to throw a damper on their zeal here, by seeing one of them thrown out of use, and offered for sale. This would have a grand effect for me" (Dickinson to Geer, 15 May 1841). Geer used his Rotary Press for about one month before he notified Dickinson that the Yankee Card Press was for sale. Dickinson then insured a "grand effect" by paying Geer six dollars to advertise its sale in three Boston newspapers.[20]

An aggressive sales campaign for the Rotary Press yielded results. One was probably placed in New York where the "Office of the Rotary


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Press" conducted business in 1841.[21] At Philadelphia, A. H. Simmons & Co. advertised that they had purchased "Dickinson's Improved Rotary Card Press" (Dollar Newspaper, 13 Sept. 1843). The campaign also reached westward. When he shipped the press to Geer, Dickinson wrote, "I could have sold it this week, and had it on its way to Columbus Ohio." And then, taking a slap at the sales methods of the inventor of the Yankee Card Press, he added "But the Orcut principle did not seem to suit me" (Dickinson to Geer, 19 May 1841).

Dickinson's 1841 Boston Almanac contained a five-page catalogue of work that could be done and articles that could be found at his printing office. It revealed that, at the end of 1840, he was equipped to print newspapers, books, and pamphlets in English, French, or Spanish. Job work extended from cards to show bills in type from Diamond to 60-line Pica. Printing in color, gold printing, embossing, zylographic printing, and engraving were also available. He used "about a dozen different kinds of Printing Presses" in the approximately hundred-foot-long office on Washington Street.[22]

His passion for self-respect and the respect of his world asserted itself without a lull. In 1841, while he enthusiastically used and sold the Rotary Press, he purchased the Boston right for the Ruggles Engine Press which was patented in 1840 (U.S. Patent No. 1,851). Because this card and job press had the horizontal type form above the horizontal platen, it became known as the Upside Down Press.[23] Soon Ruggles advertised that two of these presses were "constantly running" in Dickinson's office (Boston Morning Post, 15 June 1841). Dickinson, in one of his own advertisements, declared that he "will avail himself of all new facilities for executing work—facilities which the inventive genius of our countrymen is constantly producing and improving—as far as honorably he can, either by fair purchase or free permission from the inventors" (Boston Daily Times, 1 July 1841). Another advertisement specified some of the other new facilities: a steam engine, several new inking apparatuses, a new cylinder engine for job work, a hydrostatic press for giving printed work a "most beautiful gloss and finish," two new power presses, as well as new type, flowers, and cuts being received via steamers from Liverpool (New England Puritan, 11 Nov. 1841).

To be known as the owner of the shop with the best equipment did not suffice; he made the shop itself express his fervor for his craft. He was, he told the public, the first in Boston "to arrange and systematize a Printing Office in such a manner as to leave impressions of respect and


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delight upon the minds of those whose business or fancy led them to visit the modern 'Printing House'" (New England Puritan, 5 May 1842). His achievement earned him the admiration of his fellow-craftsmen. In 1841, examples of his job work won a silver medal at the third exhibition of the Massachusetts Charitable Mechanic Association.[24] When he displayed examples at the next exhibition in 1844, the judges concluded their comment with a note of appreciation: "The Committee consider Mr. Dickinson entitled to much credit for his efforts to advance the Art."[25] On another page of the catalogue, after a description of his display of specimens of plate-printing by direct pressure instead of a roller, the committee gave him "great praise, for his enterprise and skill, in introducing this improvement" (Fourth Exhibition, p. 141). This display also contained a book of his embossed cards, produced on a press made by Ruggles, which the committee also approved. With the press, they said, "and with the aid of Mr. Mitchell, the Seal Cutter and Die Sinker, . . . he has brought the art to a high degree of perfection; in which, he has, as yet, been excelled by none, though many others have since engaged in the business."[26] The combined display was awarded a silver medal. Book and periodical publishers also became aware of his ability; he had already started to print for such firms as Crocker & Brewster and William D. Ticknor and, until 1844, he printed the New England Puritan.[27]

By 1845, Dickinson was printer, publisher, stereotyper, and typefounder. The expanding volume of business was too large to be closely supervised by one person. On 1 April, Dickinson admitted Charles C. P. Moody, one of his chief assistants, as a co-partner under the firm name of S. N. Dickinson & Co.[28] Moody probably managed the printing department


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while Dickinson devoted most of his attention to the typefoundry. Dickinson's pride in the book and job printing establishment which he created is apparent in his description of the shop as it turned out work in 1845:
The Office of the Rotary Press covers an area of 14,283 square feet, embracing 15 rooms. It is lighted by day, by 1,654 squares of glass, set in 100 different windows; and by night, by gas shooting up from 100 different burners. In these premises we have 1 steam engine of ten-horse power, 3 Adams's power presses, 2 Napier presses, 3 rotary presses, 2 Ruggles's job presses, 11 hand presses, 2 copper-plate presses, 2 embossing presses, 1 hydraulic press, 4 standing presses, 1 small power press, 2 paper cutters, 3 card cutters, 1 ink mill, and 4 machines for shaving stereotype plates, two of which are moved by steam power. We have more than 400 different styles of types; borders, flowers and cuts of various sorts—in weight 30,000 pounds. These are all held in their places by means of 866 type cases, 50 brass galleys, 200 feet standing galleys, 330 chases, and 3 bushels of quoins. We have two large cisterns, which contain about 1,000 gallons, or upwards of 18 hogsheads of water. This is distributed through every part of the office, by means of 500 feet of lead pipe. We use six hogsheads of water per day, which, supposing it were brought in buckets, would take one man 13½ hours each day to furnish, allowing him to bring four gallons every ten minutes. Our various presses throw off in the course of the year, six million, sixty-nine thousand, four hundred and eighty sheets of paper, or 12,645 reams. Supposing each sheet to be but 2½ feet long, and that they were placed in one continuous line, they would stretch out to 15,173,700 feet, or nearly 2,875 miles, about the distance from here to Europe. It is computed that we have printed the past year 138,240,000 pages of books, 64,000 circulars, 25,000 commercial and lawyers' blanks, 20,000 bank checks, 50,000 billets, 500,000 bill-heads, 300,000 shop-bills and hand-bills, and 2,000,000 of labels. We have cut up, printed, embossed and sold 1,201,520 cards, or 24,030 packs. Our average consumption of coal is over 2 tons a week, or more than 100 tons a year. Besides our 100 gas burners, we use about 150 gallons of oil for extra lights and machinery. For our various printing it takes 1,200 pounds of ink per annum, besides gold leaf, bronze and size. In our type and stereotype foundry, we have used the past year 50,000 pounds of metal, and turned out 7,000 stereotype plates, of various sizes and shapes. In our whole establishment, we employ usually about 100 hands, and it is safe to conclude that our office affords direct sustenance to at least 500 persons.[29]

The great variety of typographical activities under one roof provided excellent training for ambitious employees. William Filmer, one


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of the first and best-known electrotypers, arrived from England at the age of seventeen and commenced his American career working for Dickinson.[30] Soon after graduation from the University of Vermont, Henry O. Houghton was hired by Dickinson who quickly discerned his capability. After a short time as compositor, Houghton was promoted to proofreader, a position which the delighted young man told his parents was "about the highest notch as to dignity in a Printing office."[31] Men of unquestionable ability like the two successful English printers, John Wilson and his son of the same name, who had immigrated to Boston in 1846, were immediately taken on, the father as proofreader, the son as compositor. Towards the end of a year, they resigned to found one of the best of the nineteenth century American printing firms.[32] A charming tribute to Dickinson as employer appeared in 1842. George Coolidge who began as apprentice and rose to foreman wrote and printed a romantic description in verse of the shop and typefoundry. This small forty-four page pamphlet, signed "A Votary," is dedicated to Dickinson, "as an humble tribute of esteem, and a grateful memento of the invaluable means of mechanical acquisition experienced during a long continuance in his extensive Printing House."[33]

The year 1846 marked the summit of Dickinson's career for, as the year ended, his health began to decline and he could no longer continue his constant, intensive activity. The co-partnership with Charles C. P. Moody expired by limitation on 1 April 1847. Dickinson again assumed complete financial responsibility, but the formal announcement pointed out that Moody would remain, attending chiefly to the printing department while Dickinson devoted his attention principally to the typefounding department (Daily Evening Transcript, 15 May 1847). This stop-gap arrangement ended in September when Dickinson sold his "extensive Printing Office, Book Bindery, and Card Embossing department" to Damrell & Moore.[34] Nevertheless the name of Dickinson did not disappear in the Boston printing industry. When Damrell & Moore moved to Devonshire Street in 1848, they referred to their firm as "The


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Dickinson Printing and Binding Establishment."[35] And when Charles C. P. Moody leased the original premises at 52 Washington Street, his shop name was "The Old Dickinson Printing Office."[36]