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The Orthography of Proper Names in Modern-spelling Editions of Shakespeare by Jürgen Schäfer
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John Danter's Ornament Stock by J. A. Lavin
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Pope as Scholar-Editor by John A. Hart
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On Editing One's First Play by Clifford Leech
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The Bibliographical Description of Patterns by G. Thomas Tanselle
  
A List of Plays and Entertainments by Scottish Dramatists 1660-1800 by Terence Tobin
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"Press" Letters: Samuel Aris 1730-32 by Keith I. D. Maslen
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Four Children's Books by A. A. Milne by John R. Payne
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Chainlines Versus Imposition in Incunabula by Curt F. Bühler
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The "1584" Publication of Henry Constable's Diana Augmented by Hassell B. Sledd
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Thomas Creede's Pica Roman by W. Craig Ferguson
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John Warburton's Lost Plays by John Freehafer
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Notes on Early Editions of Fragmenta Aurea by L. A. Beaurline and Thomas Clayton
 1. 
[section 1]
 2. 
I. The Three States of the General Title-Page of the First Edition
 3. 
II. The Two States of the Engraved Portrait by William Marshall
 4. 
III. Francis Kirkman and the Surreptitious Reprint of the Third Edition (1661?)
  
Notes
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Defoe's An Essay Upon Projects: The Order of Issues by Joyce Deveau Kennedy
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Additions to Bond's Register of Burlesque Poems by A. J. Sambrook
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John Nichols on a Johnson Letter by James L. Battersby
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The Bibliographical Significance of a Publisher's Archive: The Macmillan Papers by William E. Fredeman
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The Meaning of Copy-Text: A Further Note by G. Thomas Tanselle
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The Compositors of the Cambridge Platform by John H. Dorenkamp
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More on the Contributors to the American Quarterly Review (1827-1837) by Guy R. Woodall
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James Branch Cabell's Personal Library by Maurice Duke
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John Faulkner: An Annotated Check List of His Published Works and of His Papers by Helen White and Redding S. Sugg, Jr.
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The Printing of Calderon's Tercera Parte by D. W. Cruickshank
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Photo-Facsimiles of STC Books: A Sequel by Franklin B. Williams, Jr.
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A SELECTIVE CHECK LIST OF BIBLIOGRAPHICAL SCHOLARSHIP FOR 1968

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Notes

 
[1]

Mr. Lyle H. Wright kindly assisted us in this inspection, and we are grateful to Mr. D. G. Esplin, of the University of Toronto Library, for checking a number of bibliographical details in copies we were not able to see and also for offering valuable advice.

[2]

See Thomas Clayton, "An Historical Study of the Portraits of Sir John Suckling," JWCI, XXIII (1960), 105-126, together with plates 14a and 15a, for a full discussion of the models Marshall may have followed and also of the anonymous copy, after Marshall, mentioned below.

[3]

For an excellent survey of the evidence for the known piracies of Kirkman, see Johan Gerritsen, "The Dramatic Piracies of 1661: A Comparative Analysis," SB, XI (1958), 117-131.

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