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Notes
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Notes

 
[*]

Read on 3 November 1967 before the Bibliography section of the Midwest Modern Language Association, meeting at Lafayette, Indiana.

[1]

Donald F. Bond, "The Text of the Spectator," Studies in Bibliography, V (1952-53), 113.

[2]

Robert E. Scholes, "The Text of Dubliners: 'The Dead",' Studies in Bibliography, XV (1962), 199.

[3]

George Farquhar, The Recruiting Officer, ed. Michael Shugrue (1965), p. ix.

[4]

The English Works of Giles Fletcher, the Elder, ed. Lloyd E. Berry (1964), p. 50.

[5]

The Poems of John Cleveland, ed. Brian Morris and Eleanor Withington (1967), p. lxxvi.

[6]

The Works of Thomas Nashe, ed. Ronald B. McKerrow (1904), I, [vii].

[7]

See p. 12n.

[8]

W. W. Greg, "The Rationale of Copy-Text," Studies in Bibliography, III (1950), 19-36.

[9]

Fredson Bowers, "Current Theories of Copy-Text," Modern Philology, XLVIII (1950), 12-20.

[10]

In the case of the first instance, the editors might have identified the "Second Edition" (originally so called) as copy-text had they considered it an issue, not an edition.

[11]

Fredson Bowers, "Some Principles for Scholarly Editions of Nineteenth-Century American Authors," Studies in Bibliography, XVII (1964), 226.

[12]

In his latest article Bowers himself is perfectly aware of these qualifications, though he does not reconsider the word copy-text in the light of them. See "Old Wine in New Bottles: Problems of Machine Printing," in Editing Nineteenth-Century Texts, ed. John M. Robson (1967), pp. 20, 28.