University of Virginia Library

B. UNITED STATES

• ALLEN, G. W., Editing The Writings of Walt Whitman: A Million Dollar Project without a Million Dollars, Arts and Sciences , 1:2:(Winter 1962-1963):7-12.[513]
• ALLEN, G. W., and BRADLEY, E. S., eds., Collected Writings of Walt Whitman , New York Univ. Press, 1963. Vols. 3 and 4 of projected 15 vols.[514]
• ANGOFF, CHARLES, Thomas Wolfe and the Opulent Manner, Southwest Rev. , 48:vi-vii, 81-84.(Editorial alterations of “Boom Town.”)[515]
• BAER, E. A., Books, Newspapers and Libraries in Pioneer St. Louis, 1808-1842, Missouri Hist. Rev. , 56 (1962):347-60.[516]

---

304




• BAKER, T. H., Refugee Newspaper: The Memphis Daily Appeal , 1862-1865, Jour. of Southern Hist. , 29:326-44.[517]
• BENNETT, J. Q., Dust Jacket of For Whom the Bell Tolls , A N & Q , 2:3.[518]
• BLOOMINGDALE, JUDITH, Three Decades in Periodical Criticism of Hart Crane's “The Bridge,” PBSA , 57:360-71.[519]
• BRIDGMAN, RICHARD, The First Appearance of Emerson's “Boston Hymn,” Emerson Soc. Quart. , No. 22(1st Quart. 1961);97-101.[520]
• BRINEGAR, C. S., Mark Twain and the Quintus Curtius Snodgrass Letters: A Statistical Test of Authorship, Jour. of the American Statistical Assn. , 58:85-96.[521]
• BROWN, ANDREAS, Tennessee Williams by Another Name [Thomas Lanier Williams], PBSA , 57:377-78.[522]
• BRUCCOLI, M. J., The Composition of Tender Is the Night: A Study of the Manuscript , Univ. of Pittsburgh Press, 1963. xxv, 252 p. facsims.[523]
• BRUCCOLI, M. J., Concealed Printings in Hawthorne, PBSA , 57:42-49.[524]
• BRUCCOLI, M. J., Material for a Centenary Edition of Tender Is the Night , SB , 17:177-93.[525]
• BRUCCOLI, M. J., Notes on Ring Lardner's “What Of It?”, PBSA , 57:88-90; A Further Note, PBSA, 57:377.[526]
• BRUCCOLI, M. J., States of Salinger Book, A N & Q , 2:21-22.(Three states of first printing of Raise High the Roof Beam.)[527]
• BUCCO, MARTIN, The Serialized Novels of Sinclair Lewis: A Comparative Analysis of Periodicals and Books , Doctoral Dissertation, Univ. of Missouri, 1963.[528]
• CARPENTER, CHARLES, History of American Schoolbooks , Univ. of Pennsylvania Press, 1963. 322 p.[529]
• COLLINS, M. B., Walt Whitman: Ghost Writer for James Speed, Filson Club History Quart. , 37:305-24.(Oration . . . upon the Inauguration of the Bust of Abraham Lincoln at Louisville, Kentucky, February 12, 1867.)[530]
• CONGLETON, B. C., Prentice's Biography of Henry Clay and John Greenleaf Whittier, Filson Club History Quart. , 37:325-30.[531]
• DAVENPORT, W. H., The Published and Unpublished Poems of Eugene O'Neill, Yale Univ. Libr. Gaz. , 38:51-66.[532]
• DILLON, R. H., Bound for Bashan, PBSA , 57:449-53.(The Oatman Party and an association copy of Royal B. Stratton's Captivity of the Oatman Girls, 3d ed., New York, 1858.)[533]
• DORINSON, Z. K., “I Taste a Liquor Never Brewed”: A Problem in Editing [Emily Dickinson], AL. 35:363-65.[534]
• FEINSTEIN, HERBERT, Mark Twain and the Copyright Pirates, Twainiana , 21:May-June 1962:1-3; July-Aug.: 1-4; Sept.-Oct.: 1-4; Nov.-Dec.:3-4.[535]
• FIENE, D. M., J. D. Salinger: A Bibliography, Wisconsin Studies in Contemporary Literature , 4:109-49.[536]
• FORMAN, SIDNEY, Simplicity and Utility: Examples of Early American Bindings, Columbia Libr. Colunms , 12:2:23-31.[537]
• FRENCH, H. D., “Bound in Boston by Henry B. Legg,” SB , 17:135-39.[538]
• GAMBEE, B. L., American Book and Magazine Illustration of the Late Nineteenth Century, in Essays on Book Illustration , ed. by Frances J. Brewer, Berlin, Gebr. Mann Verlag., 1963, pp. 45-55.[539]
• GARROW, A. S., A Note on Manzanilla, AL , 35:366.(In Emily Dickinson's “I Taste a Liquor Never Brewed.”)[540]
• GRIVAS, THEODORE, The Arthur H. Clark Company, Publishers of the West: A Review of Sixty Years of Service, 1902-1962 , Arizona and the West , 4:63-78.[541]
• GUIDO, J. F., King Leopold's Soliloquy [by Mark Twain], PBSA , 57:351-52.[542]
• HARDING, WALTER, ed., The Variorum Walden , New York, Twayne Publishers, 1962. 320 p.[543]
• HARLOW, T. R., The Moses Park Map, 1766, Connecticut Hist. Soc. Bull. , 28:33-37.[544]

---

305




• HAUGH, G. C., The Beginnings of American Book Illustration, in Essays on Book Illustration , ed. by Frances J. Brewer, Berlin, Gebr. Mann Verlag, 1963, pp. 34-44.[545]
• HAYFORD, HARRISON, and SEALTS, M.M., Jr., Billy Budd: Sailor (An Inside Narrative), Reading Text and Genetic Text, Univ. of Chicago Press, 1962. ix, 438 p. 8 pl.[546]
• HOLLEY, E. G., Charles Evans, American Bibliographer , Urbana, Univ. of Illinois Press, 1963. xii, 343 p.[547]
• HOWARD, E. G., An Unnoticed First Issue Relating to the Baltimore Riot of 1812, PBSA , 57:222-24.[548]
• HUFF, LAWRENCE, Joseph Addison Turner: Southern Editor during the Civil War, Jour. of Southern Hist. , 29:469-85.[549]
• KASER, DAVID, ed., The Cost Book of Carey and Lea, 1825-1838 , Univ. of Pennsylvania Press, 1963. 355 p.[550]
• KASER, DAVID, Joseph Charless: Printer in the Western Country , Univ. of Pennsylvania Press, 1963. 160 p.[551]
• KORN, B. W., T. C. DeLeon's “The Rock or The Rye” [Mobile, The Gossip Printing Company, 1888], PBSA , 57:354-56.[552]
• LIBRARY OF CONGRESS. PERIODICAL DIVISION, Wall Paper Editions of the Daily Citizen, Viksburg, Miss., Annals of Iowa , 36 (1962):299-300.[553]
• McCORISON, M. A., Vermont Papermaking, 1784-1820, Vermont History , 31:209-45.[554]
• MANIERRE, W. R., E[mily] D[ickinson]: Visions and Revisions, Texas Studies in Literature and Language , 5:5-16.(Modern printings of “Because I could not stop for Death” and “I heard a Fly buzz when I died” examined.)[555]
• MELIADO, MARIOLINA, La fortuna di Walt Whitman in Italia, Studi Americani , 7 (1961):43-76.[556]
• MERIWETHER, J. B., The Text of Ernest Hemingway, PBSA , 57:403-21.[557]
• MERIWETHER, J. B., The Text of Faulkner's Books: An Introduction and Some Notes, Modern Fiction Studies , 9:159-70.[558]
• MINER, DOROTHY, The Publishing Ventures of a Victorian Connoisseur: A Sidelight on William T. Walters, PBSA , 57:271-311.[559]
• MOESTELLER, FREDERICK, and WALLACE, D.L., Inference in an Authorship Problem: A Comparative Study of Discriminating Methods Applied to the Authorship of the Disputed Federalist Papers, Jour. of the Amer. Statistical Assn. , 58:275-309.(Conclusion: Madison not Hamilton wrote twelve disputed.)[560]
• MOTT, F. L., “What Is the Oldest American Newspaper?” [now published], Journalism Quart. , 40:95-98.[561]
• MOYER, A. J., The Making of Many Books: 125 Years of Presbyterian Publishing, 1838-1963 [the publishing house of the United Presbyterian Church in the U.S.A.], Jour of Presbyterian History , 41:123-40.[562]
• NORTH, P. H., Jr., Was There Gold in the World War II Duffle Bag?, Amer. Book Collector , 13:9/10:35-36.(First editions among the “Armed Services Editions” of the Council of Books for Wartime.)[563]
• PARKER, W. W., Henry Stevens of Vermont , Amsterdam, N. Israel, 1963. 348 p.[564]
• PARTINGTON, P. G., The Moon Illustrated Weekly [Published by Dr. W. E. B. Du Bois]—the Precursor of the Crisis , Jour. of Negro History , 48:206-16.[565]
• RANDALL, D. A., “Dukedom Large Enough”: IV. Te Permanent Questionnaire [published in Vanity Fair in 1935], PBSA , 57:68-76.[566]
• RIDEOUT, W. B., and MERIWETHER, J. B., “On the Collaboration of Faulkner and Anderson,” AL , 35:85-87.(Reply to article by H. E. Richardson, AL, 34 (1962):287-91.)[567]
• ROGERS, F. R., Introduction, etc. to Mark Twain's Simon Wheeler, Detective , New York Public Libr., 1963. xxxix, 204 p.(Levy Memorial Publn. Fund, Publn. Number Two.)[568]

---

306




• SCOTT, A. L., The Innocents Adrift Edited by Mark Twain's Official Biographer [Albert Bigelow Paine], PMLA , 78:230-37.[569]
• SHUMSKY, ALLISON, James Again: The New York Edition, Sewanee Rev. , 70 (1962):522-25.[570]
• SILVER, R. G., Mathew Carey's Proofreaders, SB , 17:123-33.[571]
• SKIPP, F. E., The Editing of Look Homeward Angel , PBSA , 57:1-13.[572]
• SLEPIAN, BARRY, The Publication History of Faulkner's Edition of “Gulliver's Travels,” PBSA , 57:219-21.[573]
• SPAWN, WILLMAN, and SPAWN, C. M., The Aitken Shop: Identification of an Eighteenth-century Bindery and Its Tools, PBSA , 57:422-37.[574]
• SPELL, L. M., Pioneer Printer: Samuel Bangs in Mexico and Texas , Univ. of Texas Press, 1963. xii, 230 p.[575]
• STALLMAN, R. W., Stephen Crane as Dramatist, BNYPL , 67:495-97.(With the first printing of his: “Drama in Cuba,” pp. 498-511.)[576]
• STAMM, E. P., Emily Dickinson: Poetry and Punctuation [Her use of rhetorical or elocutionary symbols to indicate intended emphasis], Saturday Review , 46:26-27, 74.[577]
• STODDARD, R. E., C. Fiske Harris, Collector of American Poetry and Plays, PBSA , 57:14-32.[578]
• STRONKS, J. B., Stephen Crane's English Years: The Legend Corrected, PBSA , 57:340-49.[579]
• TANSELLE, G. T., Floyd Dell in the “Friday Literary Review,” PBSA , 57:371-76.[580]
• TANSELLE, G. T., Two More Appearances of “The Raven,” PBSA , 57:229-30.(Supplements B 3926.)[581]
• TRYON, W. S., Parnassus Corner: A Life of James T. Fields, Publisher to the Victorians , Boston, Houghton Mifflin, 1963. xvi, 445 p.[582]
• VERNER, COOLIE, The Aitken Map of Virginia, Imago Mundi , 16 (1962):152-56.[583]
• WAINWRIGHT, N. B., Tale of a Runaway Cape: The Penn-Baltimore Agreement of 1732, Pennsylvania Mag. of Hist. & Biog. , 87:251-93.(Includes an account of the engraving of John Senex's map and Mason and Dixon's map.)[584]
• WALL, A. J., Jr., William Bradford, Colonial Printer—A Tercentenary Review, Proc. , Amer. Antiquarian Soc., 73:361-84.[585]
• WALSH, J. E., American Printings of Longfellow's “The Golden Legend,” 1851-1855, PBSA , 57:81-88.[586]
• WALTS, R. W., Howells's Plans for Two Travel Books, PBSA , 57:453-59.[587]
• WHITE, WILLIAM, The First (1855) “Leaves of Grass”; How Many Copies?, PBSA , 57:352-54.[588]
• WHITE, WILLIAM, Snodgrass Peoples His Universe: II, PBSA , 57:94.(Cf. B 3910.)[589]
• WHITE, WILLIAM, An Unpublished Whitman Notebook for “Lilacs,” MLQ , 24:177-80.[590]
• WILLIAMS, A. W., On Collecting the Writings of Stephen Crane, Courier (Syracuse Univ.), 2 (1962):1-11.[591]
• WILLIAMS, ORA, Newspaper Recollections, 1886-1936, Annals of Iowa , 36 (1962):187-213.[592]
• WOLF, EDWIN, 2nd, Some Books of Early New England Provenance in the 1823 Library of Alleghany College, Proc. , Amer. Antiquarian Soc., 73:13-44.[593]
• WOLFE, R. J., Richard M. Hoe's Power Inking Apparatus for Hand-presses, Black Art , 2:40-45.[594]