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[title page]

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The "Company" of Printers by Cyprian Blagden
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The Compositors of Henry IV, Part 2, Much Ado About Nothing, The Shoemakers' Holiday, and The First Part of the Contention by W. Craig Ferguson
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Playhouse Interpolations in the Folio Text of Hamlet by Harold Jenkins
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The Rationale of Old-Spelling Editions of the Plays of Shakespeare and his Contemporaries by John Russell Brown
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The Rationale of Old-Spelling Editions of the Plays of Shakespeare and his Contemporaries: A Rejoinder by Arthur Brown
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The Shares of Fletcher and his Collaborators in the Beaumont and Fletcher Canon (V) by Cyrus Hoy
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A List of Printers' Apprentices, 1605-1640 by D. F. McKenzie
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The Problem of Indifferent Readings in the Eighteenth Century, with a Solution from The Deserted Village by Arthur Friedman
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The History of A Poem: Tennyson's Ode on the Death of the Duke of Wellington by Edgar F. Shannon, Jr.
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The Reading of Joseph Carrington Cabell: "A List of Books on Various Subjects Recommended to a Young Man . . . ." by H. Trevor Colbourn
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The Optical Identification of First Formes by Kenneth Povey
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Ralegh and Ayton: The Disputed Authorship of "Wrong Not Sweete Empress of My Heart" by Charles B. Gullans
 1. 
[section 1]
 2. 
The Texts
 3. 
Fragmentary Texts
 4. 
Texts Not Cited or Collated
 5. 
Texts of the Preliminary Stanza Only
 6. 
Copy-Text and Notes
 7. 
Authorship of the Poem
  
Notes
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The Printing of Beaumont and Fletcher's The Maid's Tragedy Q1 (1619) by Robert K. Turner, Jr.
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"The Unspeakable Curll": Prolegomena by Robert L. Haig
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The False Alarm and Taxation No Tyranny: Some Further Observations by D. J. Greene
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Two Notes on Goldsmith by Arthur Friedman
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The Missing Third Edition of Wheble's Junius (1771) by G. Blakemore Evans
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The Text of Burns' "The Jolly Beggars" by John C. Weston, Jr.
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Harold Frederic: A Bibliography by Robert H. Woodward
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Bibliographical Notes on F. Scott Fitzgerald's The Beautiful and Damned by Matthew J. Bruccoli
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A SELECTIVE CHECK LIST OF BIBLIOGRAPHICAL SCHOLARSHIP FOR 1958

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[appendix]
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Notes

 
[1]

This statement is made on the flyleaf of the MS., but no reference is given.

[2]

This is a specific application of the general principles stated by J. B. Leishman, "'You Meaner beauties of the night,' A Study in Transmission and Transmogrification," The Library, 4th ser., XXVI (1945), 99-121. Mr. Leishman's argument is fully borne out by the manuscript versions of Ayton's poems and could be further substantiated by studies of other poems of the period. What is said here can be taken to be in specific disagreement with the conclusions of Edwin Wolf, "'If shadows be a pictures excellence,': an experiment in critical bibliography," PMLA, LXIII (1948), 831-857.

[3]

Latham, Ralegh, p. 116.

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