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Bibliographical Notes on F. Scott Fitzgerald's The Beautiful and Damned by Matthew J. Bruccoli
  
  
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Bibliographical Notes on F. Scott Fitzgerald's The Beautiful and Damned
by
Matthew J. Bruccoli

Although Collectors and Dealers Have Long Recognized the existence of a crux in F. Scott Fitzgerald's The Beautiful and Damned (1922), the situation has been confused by the inexact application of bibliography using guesswork in place of analysis. When the copies of the novel are examined closely, the problem resolves itself.[1]

Let us first look at the account as it now stands. Depending upon which catalogue one consults, two states or issues or variants of the first impression are said to exist, presumably resulting from the stop-press addition of the Scribner seal to the copyright page. The so-called second state has two additional leaves at the end of the novel, but these cannot be accounted for by any stop-press theory.

The crucial, overlooked fact is that these two forms of the novel are gathered differently—the one without the seal is in 8's; that with the seal is normally in 16's. Thus we are dealing with a concealed impression. This is supported by the Scribner records, which indicate delivery of two pre-publication impressions. The only way by which the existence of two states of the first impression could be established is the discovery of a copy gathered in 8's, with the seal but without the extra leaves. No such copy has come to my attention,[2] and there is no reason to suppose that one exists.

The priority of either of these pre-publication impressions cannot be established with any real certainty. But from the fact that subsequent impressions retain the seal and the extra leaves and are bound in 16's, it seems likely that the impression in 8's without the seal precedes the impression in 16's with the seal. The only copy available at the Library of Congress has been rebound, but its copyright page is without the seal.

Binding states (that is, variants in the form of the casing) are of almost no bibliographical significance and should never be used to differentiate impressions; however, since collectors have given some attention to the binding variants of The Beautiful and Damned, no harm will be done by discussing them. The second impression includes two binding states, one


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in the standard Scribner B cloth, the other in FL cloth.[3] The FL-cloth binding state exists in two substates.[4] Substate A, which has the normal second impression make-up, is fairly common; the preliminary matter is in a gathering of 8 leaves, and the text is gathered in 16's. Substate B must be extremely rare. It is a composite made up of three gatherings from the first impression and 24 gatherings from the second impression. In order to avoid duplicate pages, two leaves had to be cancelled in the 16-leaf third gathering.[5]

    First Impression

  • Copyright page: COPYRIGHT, 1922, BY / CHARLES SCRIBNER'S SONS / [rule] / Published March, 1922 / [rule] / COPYRIGHT. 1921, 1922, BY THE METROPOLITAN PUBLICATIONS, INC. / PRINTED AT / THE SCRIBNER PRESS / New York, U. S. A. Collation: [unsigned: 16 2-298], 230 leaves, pp. [i-x] [1-2] 3-449 [450]. No advertisements. B cloth.

    Second Impression

  • Copyright page: COPYRIGHT, 1922, BY / CHARLES SCRIBNER'S SONS / [rule] / Printed in the United States of America / [rule] / Published March, 1922 / [rule] / COPYRIGHT, 1921, 1922, BY THE METROPOLITAN PUBLICATIONS, INC. / [Scribner seal].
  • Binding State 1 Collation: [unsigned: 18 2-1516], 232 leaves, pp. [i-x] [1-2] 3-449 [450-454]. pp. [451-452] have advertisements for the 12th printing of This Side of Paradise and the 5th printing of Flappers and Philosophers. B cloth.
  • Binding State 2, Substate A Same collation; same advertisements. FL cloth.
  • Binding State 2, Substate B Collation: [unsigned: 18 216 316 (—15, 16) 4-278], 230 leaves, pp. [i-x] [1-2] 3-449 [450]. Two leaves cancelled after p. 66; this does not affect the pagination. No advertisements. FL cloth.

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Although no textual alterations were made in the plates of The Beautiful and Damned, an interesting textual problem was introduced when the novel was republished in 1958. Since the original plates had been destroyed, and since the publisher wanted to avoid the expense of re-setting the novel, the new copies were manufactured by photo-offset. Before the pages of the book were photographed, 78 corrections were made in the text by pasting the printed corrections over the offending lines or by opaquing out some of the hyphens.[6] By strict application of the vocabulary of bibliography, the 1958 photo-offset copies represent only another impression (though a revised one) of the first edition of 1922, for they reproduce the original setting of type.

Textual Collation

                                                                         
"Published March, 1922"  "AA 2-58 [MH]" 
p. 7  drawing-room  drawing room 
p. 22  dinner-coat pockets  dinner coat pockets 
p. 24  opera-cloaks  opera cloaks 
p. 27  waiting-room   waiting room  
waiting-room   waiting room  
p. 36  carroming  caroming 
p. 37  Divine function  Divine Function 
p. 53  dressing-gown  dressing gown 
semilegible  semi-legible 
p. 54  fetich  fetish 
p. 67  ticket-desk  ticket desk 
dinner-parties  dinner parties 
Sunday-night "concerts"  Sunday night "concerts" 
p. 76  subway-station  subway station 
p. 83  motion-picture actress  motion picture actress 
p. 86  vermuth  vermouth 
p. 92  tennis-ball  tennis ball 
p. 93  tennis-ball  tennis ball 
p. 96  side-show ballyhoo  side show ballyhoo 
dressing-room  dressing room 
p. 97  side-how  side show 
p. 124  maple-syrup  maple syrup 
p. 125  fox-terrier  fox terrier 
fox-terrier  fox terrier 
p. 131  sandwich-man  sandwich man 
p. 132  geranium-plants  geranium plants 
p. 137  swimming-pools  swimming pools 
p. 141  mid-Western  Mid-Western 
p. 144  table-drawer  table-drawer 
p. 154  firing-squad  firing squad 
p. 156  night-clerk  night clerk 
p. 156  how,  how 
p. 159  night-clerk  night clerk 
night-clerk  night clerk 
p. 172  house-parties  house parties 
swamp-maples  swamp maples 

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swamp-maples  swamp maples 
p. 174  living-room  living room 
p. 182  drinking-glass  drinking glass 
p. 185  dinner-dances  dinner dances 
p. 193  moving-picture magazines  moving picture magazines 
car-window  car window 
p. 195  good night  good-night 
p. 197  railroad-tickets  railroad tickets 
p. 198  ticket-office  ticket office 
p. 217  living-room  living room 
p. 219  milk-bottles  milk bottles 
milk-bottles  milk bottles 
milk-bottles  milk bottles 
p. 240  cigar-smoke  cigar smoke 
p. 245  railroad-bridge  railroad bridge 
railroad-bridge  railroad bridge 
p. 257  steam-engine  steam engine 
p. 261  living-room   living room  
p. 263  post-cards  post cards 
p. 273  love-song  love song 
p. 280  wonder-palaces  wonder palaces 
p. 318  wrong-size shoes  wrong size shoes 
p. 319  well policed  well-policed 
p. 320  tent-door  tent door 
p. 323  wild-rose hedges  wild rose hedges 
p. 336  less-exacting medical examiner  less exacting medical examiner 
p. 350  barber-shop  barber shop 
p. 356  powder-box  powder box 
p. 366  tea-table  tea table 
p. 376  wine-table  wine table 
p. 383  office-building  office building 
p. 387  fountain-pens  fountain pens 
p. 393  mail-box  mail box 
p. 395  living-room  living room 
telephone-receiver  telephone receiver 
p. 397  leopard-skin coat  leopard skin coat 
p. 411  motion-picture palaces  motion picture palaces 
p. 421  apartment-house  apartment house 
p. 425  living-room  living room 
p. 431  loan-offices  loan offices 
p. 437  green-plush carpet  green plush carpet 
p. 447  wheel-chair  wheel chair 

Notes

 
[1]

A preliminary announcement of this problem was made in the Fitzgerald Newsletter, Number 2, Summer 1958.

[2]

I wish to thank Mr. Josiah Q. Bennett of the Scribner Rare Book Department, Mr. Donald Gallup of the Yale University Library, and Mr. Alexander Clark of the Princeton University Library for their help in checking copies.

[3]

B cloth has a linen-like grain, and FL cloth a checkered grain. For photographs of the standard binding cloths, see Jacob Blanck, Bibliography of American Literature, I (1955).

[4]

This anlysis of the binding states was suggested by Mr. John Cook Wyllie, Librarian of the Alderman Library.

[5]

I have seen only one copy of this composite form, lent to me by Mr. C. Waller Barrett.

[6]

This information was supplied by Mr. T. J. B. Walsh of Charles Scribner's Sons.