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Compositor Determination and other Problems in Shakespearian Texts by Alice Walker
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The Compositors of Hamlet Q2 and The Merchant of Venice by John Russell Brown
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The Printing of Hamlet, Q2 by Fredson Bowers
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Collateral Substantive Texts (with special reference to Hamlet) by Alice Walker
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The Relation Between the Second Quarto and the Folio Text of Hamlet by Harold Jenkins
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Dryden's Mac Flecknoe: The Case for Authorial Revision by Vinton A. Dearing
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Quadruple Imposition: An Account of Goldsmith's Traveller by William B. Todd
  
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Notes
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Parisian Panel Stamps between 1480 and 1530 by Ernst Kyriss
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A London Ornament Stock: 1598-1683 by C. William Miller
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The Text of Peele's Edward I by Dora Jean Ashe
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The Two Compositors in the First Quarto of Peele's Edward I by Frank S. Hook
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The Printing of a Valerius Maximus Dated 1671 by Curt F. Bühler
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The Precedence of the 1676 Editions of Milton's Literæ Pseudo-Senatûs Anglicani by Bruce Harkness
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The Missing Term Catalogue by Cyprian Blagden
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The Circulation of Some London Newspapers, 1806-1811: Two Documents by Robert L. Haig
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The Booksellers' "Ring" at Strawberry Hill in 1842 by A. T. Hazen
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Matthew Arnold and Percy William Bunting: Some New Letters 1884-1887 by Robert Liddell Lowe
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The First Book Printed at Bari by Dennis E. Rhodes
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Abstracts From the Wills and Estates of Boston Printers, 1800-1825 by Rollo G. Silver
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A SELECTIVE CHECK LIST OF BIBLIOGRAPHICAL SCHOLARSHIP FOR 1953

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X

Greenholme, Burley-in-Wharfedale, Leeds.
April 10th. [1886]
My dear Sir

I have no intention of writing anything about Mr. Forster;[1] I should have toe force myself if I were to do it, and when one forces oneself one does not do things well.[2]

very truly yours,
Percy Wm. Bunting Esq
. Matthew Arnold.-
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