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The Printing of a Valerius Maximus Dated 1671
by
Curt F. Bühler
ABOUT the middle of the last century, a bibliophilic "find" was made in Holland in the course of liquidating the stock of a bookseller's warehouse;[1] here were discovered a considerable number of copies, still in the original sheets as issued from the press, of a Valerius Maximus "Amstelodami, Typis Danielis Elzevirii, Sumptibus Societatis" with the date 1671. Two editions with this same information and date are known which agree with each other page-for-page and mostly line-for-line; it is certain, however, that the edition with signature *2 recto printed in roman type and lacking a headpiece[2] on that page was not printed by the Elzevir press. As Gustaf Berghman has shown,[3] this edition--to which
The Pierpont Morgan Library (no. 21246) possesses one of the numerous extant copies of this Valerius Maximus in its original state, the sheets still uncut but sewn together. The very unusual and awkward appearance of the book is due to the fact that three sorts of gatherings with varying measurements are bound together. The collation,[7] as conceived by the printer, may well have been: *4 A-V8 X4, though quire * was not necessarily always bound first.[8] The types of gatherings are these:
Group 1--quires: A C F I M P S
Measurements:[9] folio 1 measures 3 3/8 X 5 inches
" 4 " 3 3/8 X 4 3/4 inches
folios 2, 7, and 8 measure 2 1/2 x 5 inches
" 3, 5, " 6 " 2 1/2 X 4 3/4 inches
Group 2-quires: B D G K N Q T
Measurements: folio 2 measures 3 3/8 X 5 inches
" 3 " 3 3/8 X 4 3/4 inches
folios 1, 7, and 8 measure 2 1/2 x 5 inches
" 4, 5, " 6 " 2 1/2 X 4 3/4 inches
Group 3-quires: [*/X][10] E H L O R V
Measurements: folios 1 and 2 measure 3 3/8 X 5 inches
" 3 " 4 " 3 3/8 X 4 3/4 inches
" 5 " 6 " 2 1/2 X 4 3/4 inches
" 7 " 8 " 2 1/2 X 5 inches
The watermarks occur either in the upper margins (groups 1 and 2) or in the outer ones (group 3); the chain-lines are horizontal. The only possible way that these sheets could have been printed is set forth in the accompanying figure.[11] The sheet would have to be cut-and indeed was cut-along the dotted lines. The small circles marked on the dotted line of the central fold indicate the pinholes. As usual these occur at different distances from the edges of the paper so as to insure perfect register when the sheets were perfected;[12] the holes are found approximately 1 1/4 inches from one edge of the paper and 2 1/4 from the other. The broken lines in the form of a rectangle and of a diamond indicate the approximate alternative positions of the watermark. The signature marks set down are those of the printed pages, not of the formes as they were imposed; those in square brackets indicate the pages on the verso as printed and turned face up.
After the sheet had been perfected and cut as indicated, two of the resulting four parts could be folded as ordinary octavos, though with the chain-lines running
The original sheet of paper must have measured approximately 16 3/4 X 19 1/2
The uncut sheets of this Valerius Maximus have thus given us some insight into the workings of a late seventeenth-century press. When we are enabled to deduce the method of imposition and printing, that of the cutting and the folding of the paper, the exact location of the pinholes relative to the edges, the size of the original sheet and the amount of trimming it was expected to suffer- and possibly other details which may have escaped my notice-then one can hardly refer to these sheets as being wholly without value.
Notes
For particulars, see Alphonse Willems, Les Elzevier, Historie et annales typographiques, Bruxelles, 1880, p. 375, no. 1462. These copies do not appear to have been known to Charles Pieters, Annales de l'imprimerie Elsevirienne, Gand, 1851, p. 235, but apparently came to light shortly after that date.
See Gustaf Berghman, Catalogue raisonné des impressions Elzeviriennes de la Bibliothèque Royale de Stockholm, Stockholm, 1911, p. 314, no. 2162. The copy of the 1671 edition actually printed by Daniel Elzevir (Berghman 2161) found in the New York Public Library also has leaf K3 mis-signed C3; the corresponding leaf in the Blaeu edition is correctly signed.
Nouvelles études sur la bibliographie Elzevirienne, Stockholm, 1897, p. 109, no. 388- see also Edouard Rahir, Catalogue d'une collection unique de volumes imprimés par les Elzevier, Paris, 1896, p. 397, no. 3336.
An Introduction to Bibliography for Literary Students, Oxford, 1928, p. 173 and (especially) Appendix Five.
McKerrow adds that the printer "could easily do this by cutting off one- third of each sheet and using the remainder exactly as a normal sheet for his octavo formes, making up every third gathering out of the two cut-off pieces placed one inside the other." Though our "Elzevir" is a 24mo in form and manner of printing, the method of cutting and folding is just this. Oddly, Pieters (loc. cit) refers to our book as a I6mo, as does Jean Graesse, Trésor de livres rares et précieux, Dresden, 1859-69, VI2: 245.
According to Willems, the 1671 Valerius Maximus is a page-for-page reprint of the 1650 Elzevir printing so that the compositor was well aware of what each page would contain; thus his task for this somewhat complicated imposition was considerably simplified.
Gathering * comprises the title-page two biographies of Valerius Maximus, and the table of contents; the leaves are unnumbered. In the NYPL copy this quire is bound at the beginning, in the Morgan copy (of the reprint) the title is, of course, bound as the first leaf but the other three leaves have been inserted at the end. It is naturally impossible to determine what Blaeu had in mind for the unbound sheets.
Because of the rough (untrimmed and consequently uneven) edges of the paper, the measurements are necessarily approximate but are sufficiently accurate for our purposes.
These two quires were doubtless printed as gathering H in our figure but were not folded together as the other gatherings in this group.
Despite the great variety of his illustrations, John Johnson (Typographia or the Printers' Instructor, London, 1824, vol. II, chap. vii) gives no lay-out for "A Sheet of Twenty-fours, with Three Signatures" though he gives a number for the same "with Two Signatures."
For a discussion of this practice and for the literature on this subject, see Paul S. Dunkin, "The Ghost of the Turned Sheet," PBSA, XLV (1951), 246-250.
Introduction, Part 1, Chapter 8. I have also looked through the following books without finding any mention of a sheet of this exact size: Charles M. Briquet, Les filigranes, Paris, 1907; William A. Churchill, Watermarks in Paper in Holland, England, France, etc., in the XVII and XVIII Centuries and their Interconnection, Amsterdam, 1935; and Edward Heawood, Watermarks Mainly of the 17th and 18th Centuries Hilversum, 1950.
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