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Problems of Literary Executorship by Norman Holmes Pearson
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Establishing a Text: The Emily Dickinson Papers by Thomas H. Johnson
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The Text of the "Envoy to Alison" by Harris Chewning
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Notes on the Wynkyn de Worde Editions of the Boke of St Albans and its Separates by Eloise Pafort
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The Copy for the First Folio Richard II by Richard E. Hasker
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Compositor Determination in the First Folio King Lear by I. B. Cauthen, Jr.
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The Issues and States of the Second Folio and Milton's Epitaph on Shakespeare by William B. Todd
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The Text of the Spectator by Donald F. Bond
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The Preface to A Dictionary of the English Language: Johnson's Revision and the Establishment of the Text by W. R. Keast
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Type Sizes in the Eighteenth Century by Philip Gaskell
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The Pre-Publication Printings of Tarkington's Penrod by Campbell R. Coxe
  
The Morgan Copy of Machlinia's Speculum Christiani Curt F. Bühler
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The Melancholy Cavalier: A Study in Seventeenth-Century Plagiarism Sarah Dickson
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The Early Editions of Dryden's State of Innocence Marion H. Hamilton
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The Pirated Quarto of Dryden's State of Innocence Fredson Bowers
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Thomas D'Urfey's Richmond Heiress (1693): A Bibliographical Study Raymond A. Biswanger, Jr.
 1. 
[section 1]
 notes. 
Notes
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Variant Forms of Fielding's Coffee-House Politician Jeanne Addison Masengill
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The Case of the Planters of Tobacco in Virginia, 1733: An Extraordinary Use of Standing Type Oliver L. Steele, Jr.
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Baskerville and James Whatman A. T. Hazen
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The First Edition of Essays by Mr. Goldsmith, 1765 Arthur Friedman
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Some Notes on Edward Gibbon's Mémoire Justificatif Robert R. Rea
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Two New Works of Robert Southey Kenneth Curry
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The Printing of Jefferson's Notes, 1793-94 Coolie Verner P. J. Conkwright
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A Sheaf of Whitman Letters Walter Harding
  
Addendum Ernst Kyriss
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A SELECTIVE CHECK LIST OF BIBLIOGRAPHICAL SCHOLARSHIP FOR 1951

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[note]
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Notes

 
[1]

Montague Summers first noticed these peculiarities in The Restoration Theatre (1934), pp. 145-146. Dogget appears for Quickwit on F1, F4v, G4v, and uncorrected H1v. The warnings appear on G1 and uncorrected H1.

[2]

DFo (8.30.46), ICN, ICU, PU; Nat. Libr. Scotland.

[3]

DFo (10.21.43), DLC, IU, NNC; Bodl., Worc. Coll.

[4]

Under the title "Stubborn Church-Division," its opening line, the song was attributed to The Richmond Heiress in Thesaurus Musicus (1693), pp. 24-25. It was also printed in a revised form in four editions of Pills to Purge Melancholy.

[5]

Additional examination by courtesy of Mr. Herman R. Mead of the Huntington Library.

[6]

See also Charles Gildon, The Lives and Characters of the English Dramatick Poets (1698), p. 52.

[7]

According to Dryden the catcalls were led by the Dukes of Richmond and St. Albans.

[8]

The irregularity between the compositorial characteristics of sheet F and sheets G and H is therefore best explained not as resulting from a change in workman but instead from some alteration in his treatment of the text after resuming work following a delay.

[9]

My thanks are due the editor of Studies in Bibliography for various suggestions about the interpretation of the bibliographical evidence and for assistance in the writing of this article.

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